The Latest American Bystander; Jason Chatfield’s Covid-19 Diary; Daily Cartoon & Daily Shouts Cartoonists (Yesterday’s & Today’s)…And Barry Blitt’s Kvetchbook

The latest American Bystander (March 2020) has landed on my desk —  it’s a treat!  Here are The New Yorker cartoonists whose contributions you’ll find in the issue (and in the case of John Cuneo, on the issue’s cover):

George Booth (besides a full-page Booth drawing there’s a lovely photo of Mr. Booth on the very last page), Roz Chast (a two-page spread of her cartoons), Sam Gross (in “Sam’s Spot”, a regular Bystander feature), Peter Kuper, David Ostow, Ali Solomon, Rich Sparks, Cerise Zelenetz, and P.S. Mueller.

A bonus in every issue — I see it as a bonus anyway — are the numerous full page ads for books by cartoonists (no surprise, I’m particularly fond of the books by New Yorker contributors). In this issue we see an ad for Rich Spark’s cartoon collection, Love And Other Weird Things, Ben Katchor’s The Dairy Restaurant, Robert Grossman’s Life On The Moon, Roz Chast’s & Patty Marx’s You Can Only Yell At Me For One Thing At A Time, Peter Kuper’s adaptation of Joseph Conrad’s Heart Of Darkness, and John Donohue’s All The Restaurants In New York.

Go here to the Bystander‘s website to order a copy and/or subscribe.

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Jason Chatfield’s Covid-19 Diary

The New Yorker cartoonist Jason Chatfield draws and writes about his recent experience with the “invisible enemy.”  So very glad to hear he and his wife have fully recovered. 

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Daily Cartoonists & Daily Shouts Cartoonists (Yesterday’s & Today’s)…and Barry Blitt’s Kvetchbook

Today’s Daily cartoonist & cartoon: J.A.K. on who’s speaking. Mr. K. began contributing to The New Yorker in 2014.

Two Daily Shouts Cartoonists Today:

  1. Ali Fitzgerald: “America!: Dr. Fauci Reads A Bedtime Story To Anxious Adults”

2. Emily Flake: “Homeschool Spirit Week!”

Yesterday’s Daily cartoonist:  Emily Flake, who began contributing in 2008. Audio Flake: this from Gil Roth’s Virtual Memories podcast.

Yesterday’s Daily Shouts cartoonist: Zoe Si’s “Substitutions In The Time Of Quarantine, Rated”

…and Barry Blitt’s Kvetchbook: “Our President Concocts A Cure For The Coronavirus”

The Monday Tilley Watch, The New Yorker Issue Of January 13, 2020

A few thoughts on the art in the latest issue of The New Yorker…

The Cover: a moment in a museum, courtesy of Bruce McCall (read a Q&A with him here). The second cover in a row with ( for me) a retro feel to it. I could see Charles Addams doing something like this, or the late great Richard Taylor (Mr. Taylor’s January 9, 1937 cover appears below right).

 

The Cartoonists:

The Cartoons:

A lively bunch of cartoons: 18 of them — 19 if you include Olivia de Recat’s “Sketchpad” on page 17.  Possibly my imagination, but it appears most every cartoon has breathing space this week. There’s not one that looks cramped, nor is there one that looks like it would’ve been better off in a smaller space. Victoria Roberts’s peas in a pod (on page 21) is an excellent example of a drawing that required and received ample space.

P.C. Vey’s drawing (it’s on page 23) surprised me (always a very good thing). His unusual graveyard scenario accompanied by a terrif caption is a treat.

I like the sextet of cartoons that begins on page 40: Hilary Fitzgerald Campbell’s burning shorts drawing; Charlie Hankin’s magician (p.43); Lars Kenseth’s Charles Addamsy stomped-on cigarette butt drawing (p.44); Liana Finck’s sedentary whale (p.48); Sharon Levy’s abominable snowperson (p. 52) — which reminds me, pockets-wise of Arnie Levin’s great drawing (shown below) from the issue of December 26, 1977.  And, lastly, Ed Steed’s funny off-the-tracks drawing (p. 55).

Two drawings elsewhere in the issue also caught my eye: the fab P.S. Mueller’s drawing (p.65) with its use of the word “subsequent”… and Ellie Black’s dragon drawing (p.29). Hey, what can I say — I really like drawings of dragons, castles, etc..

The Rea Irvin Talk Masthead Watch: Mr. Irvin’s iconic Talk masthead remains under wraps. I don’t know how much effort it would take to return it to its proper place, but surely it can’t be more than a few clicks on a keyboard.

Read about Mr. Irvin’s masthead here, and see it below:

 

 

 

Late Notice: A Launch Party Tonight With Hilary Fitzgerald Campbell Live-Drawing; Today’s Daily Cartoonist & Cartoon; The Monday Tilley Watch, The New Yorker Issue Of November 18, 2019; Some Thoughts After Seeing The Documentary Film, “Stevenson Lost And Found”

Late Notice: A Launch Party Tonight With Hilary Fitzgerald Campbell Live-Drawing

From the Facebook Invite:

Come celebrate the release of Sarah Dooley’s new book ‘Are You My Uber?’ which is a parody of the P.D. Eastman classic ‘Are You My Mother?’ Listen to comedians Sydnee Washington, Eva Victor, Larry Owens, Pat Regan, Marcia Belsky, Gabe Gonzalez, and Taylor Ortega tell hilarious stories of wild cab experiences while Hilary Campbell, the book’s illustrator, does live drawings.

Ms. Campbell began contributing to The New Yorker in 2017. Visit her website here.

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Today’s Daily Cartoonist & Cartoon

A leafy Daily from Chris Weyant, who began contributing to The New Yorker in 1998. Visit his website here.

 

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The Cover: I see leaves. The fifth cover (below right) by Brigit Schossow.  Read a Q&A with her here.

There’ve been a lot, a whole lot, of leafy New Yorker covers, but this current one by Ms. Schossow  brought to mind (courtesy of a helpful New Yorker colleague) the beauty below left by the magazine’s former art & cartoon editor, Lee Lorenz.

 

The Cartoonists:

The Cartoons:

A scattering of thoughts about just a few of the cartoons in this issue:

P.C. Vey’s bear and couple in the woods (on page 33) made my day.

Something totally unexpected cartoon-wise is usually always good, and so it was coming upon a Jack Ziegler cartoon. Especially nice that the drawing is set in one of his favorite cartoon scenarios: a bar.

A fun Pete Mueller drawing (p.27).  Two Mueller drawings in two issues. Yay!

Ellis Rosen’s friend’s shower (p.56) is different. Like the choices of warm/cold and cold/warm.

Needed a ten second Googled refresher course with Liana Finck’s drawing (p. 60).  Not so much what her drawing means, but the meme’s origin (just curious, y’know).

The Rea Irvin Talk Masthead Watch:

Am hoping to open the issue one day and see Mr. Irvin’s iconic design has returned. No dice this week. For now, there’s that re-draw. Read about the classic Irvin Talk masthead here.

Here’s the real deal:

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Some Thoughts After Seeing The James Stevenson Documentary Film, Stevenson Lost And Found

A few random thoughts after attending last night’s premiere of Sally Williams’ fab documentary film, Stevenson Lost And Found.  There are are so many moments in the film — too many to go into here — that cartoonists and people who love New Yorker cartoons will treasure.

One instance I found particularly fascinating: the animated sequence showing what might go through cartoonists brains as they sit down and begin the day’s work. We’re shown a series of cartoons covering a wide variety of subject matter. It is, for this cartoonist, a relatable experience, as the mind careens through unlimited places every morning.

Another instance: in some eye-popping sequences we’re shown images of Mr. Stevenson’s children’s books lined-up, as well as Mr. Stevenson’s New Yorker  black scrap books (shown above) kept in the magazine’s library. These books contain every single signed New Yorker contribution by Stevenson, whether it’s his writing or drawing (including covers of course).*  Most of The New Yorker’s nearly 650 cartoonists (from 1925- present) have not had their work collected in one scrap book, let alone five. **

At the screening, I was lucky enough to be seated next to the legendary artist, Edward Sorel. During one of the sequences in the film where we are grasping the enormous amount of work Stevenson did (both published and unpublished) Mr. Sorel leaned over and said to me, “Do you feel as much like an underachiever as I do?”

In a perfect cartoon world, there’d be films such as Lost And Found for a number of the magazine’s artists. It’s heartening that there is already a Thurber film out there, and an Addams documentary in the works, as well as a film about George Booth.  But how about a Steinberg documentary, and one about Steig***?  I can dream, can’t I.  For now, we are quite fortunate to have this gem on Stevenson showing on the big screen. Go see.

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* I say “signed” because The New Yorker  did not and does not scrap book cartoon ideas handled by other artists. Mr. Stevenson, early in his New Yorker career, wrote a large number of captions for some of the magazine’s artists (read about his “secret job” here).

**Artists (and writers) without an enormous amount of work are scrap booked in alphabetically  cataloged books, along with other contributors.

***A short video accompanied the Steig exhibit that ran at The Norman Rockwell exhibit.

There is a 20 minute film about Edward Sorel available here.

A 40 minute Eldon Dedini film here, 

And a short film about C.E.M. (Charles E. Martin) here.

 

 

The Monday Tilley Watch, The New Yorker Issue Of November 11, 2019

The Cover: Bruce McCall returns with a cut-away cover. I can’t think of a New Yorker cut-away drawing without thinking of this Charles Addams classic from April 28, 1951 (found on the left, mid-way down the link page). 

The Cartoonists:

Some random thoughts on some of the cartoons in this week’s issue:

…as a P.S. Mueller fan, and as someone who loves cowboy drawings, it was a blast coming upon his drawing on page 75….

…there are two cartoons in the issue as a result of team work: one by Kamraan Haffeez and Al Batt, the other by Corey Pandolf and Craig Baldo…

… work appears by two of the three New Yorker cartoonists who’ve been published in The New Yorker longer than any of the other active contributors*: Edward Koren and George Booth. Edward Koren’s first New Yorker cartoon was published May 26, 1962. Mr. Booth’s first New Yorker drawing was published in the issue of June 14, 1969. *Mort Gerberg is second — his first drawing appeared in April of 1965. It should be noted that Sam Gross is hot on Mr. Booth’s heels — his first New Yorker drawing appeared August 23, 1969, two months after Mr. Booth’s first.

…the way Karen Sneider drew the two characters in her fun cartoon (p.80) vaguely reminds me of Chon Day’s work. Mr. Day’s style seemed to me a way more organized and orderly version of Thurber’s. Mr. Day did wonders with a simple line, and an occasional layer of faint wash.

…really like the pay-off of Amy Hwang’s caption in her drawing (on page 61).

…congrats to all the runners in yesterday’s NYC Marathon, including our very own Liza Donnelly    who ran the big race for the very first time (her “Was Married” drawing appears on page 78).

The Rea Irvin Missing (and Missed) Talk Masthead Watch

The above jewel has been missing from The New Yorker since the Spring of 2017. Read about it here.

 

 

 

Book Of Interest: I Think, Therefore I Draw

Published a couple of weeks ago, I Think, Therefore I Draw: Understanding Philosophy Through Cartoons (Penguin) includes enough New Yorker cartoons (among a number of non-New Yorker cartoons) to mention here. The New Yorker cartoonists represented (in order of their appearance): Paul Noth, John McNamee, Tom Cheney, Danny Shanahan, P.C. Vey, David Sipress, George Booth, Avi Steinberg, Amy Hwang, Leo Cullum, Mort Gerberg, P.S. Mueller, John Klossner, Aaron Bacall, Sam Gross, “Bud” Handelsman, Lee Lorenz, Michael Maslin, Jack Ziegler, Edward Koren, Matt Diffee, Eric Lewis, Edward Frascino, and Charles Barsotti.

The authors have this (in part) to say in their introduction: “Here, then, is a collection of our favorite philosophical cartoons and our annotations about what they teach us about the Big Questions in philosophy.”

You can sample the text by going to the Amazon listing and clicking on the “Look inside” feature.