The Monday Tilley Watch, The New Yorker Issue Of January 13, 2020

A few thoughts on the art in the latest issue of The New Yorker…

The Cover: a moment in a museum, courtesy of Bruce McCall (read a Q&A with him here). The second cover in a row with ( for me) a retro feel to it. I could see Charles Addams doing something like this, or the late great Richard Taylor (Mr. Taylor’s January 9, 1937 cover appears below right).

 

The Cartoonists:

The Cartoons:

A lively bunch of cartoons: 18 of them — 19 if you include Olivia de Recat’s “Sketchpad” on page 17.  Possibly my imagination, but it appears most every cartoon has breathing space this week. There’s not one that looks cramped, nor is there one that looks like it would’ve been better off in a smaller space. Victoria Roberts’s peas in a pod (on page 21) is an excellent example of a drawing that required and received ample space.

P.C. Vey’s drawing (it’s on page 23) surprised me (always a very good thing). His unusual graveyard scenario accompanied by a terrif caption is a treat.

I like the sextet of cartoons that begins on page 40: Hilary Fitzgerald Campbell’s burning shorts drawing; Charlie Hankin’s magician (p.43); Lars Kenseth’s Charles Addamsy stomped-on cigarette butt drawing (p.44); Liana Finck’s sedentary whale (p.48); Sharon Levy’s abominable snowperson (p. 52) — which reminds me, pockets-wise of Arnie Levin’s great drawing (shown below) from the issue of December 26, 1977.  And, lastly, Ed Steed’s funny off-the-tracks drawing (p. 55).

Two drawings elsewhere in the issue also caught my eye: the fab P.S. Mueller’s drawing (p.65) with its use of the word “subsequent”… and Ellie Black’s dragon drawing (p.29). Hey, what can I say — I really like drawings of dragons, castles, etc..

The Rea Irvin Talk Masthead Watch: Mr. Irvin’s iconic Talk masthead remains under wraps. I don’t know how much effort it would take to return it to its proper place, but surely it can’t be more than a few clicks on a keyboard.

Read about Mr. Irvin’s masthead here, and see it below:

 

 

 

The Monday Tilley Watch, The New Yorker Issue Of December 23, 2019; Today’s Daily Cartoonist & Cartoon; Emma Allen’s Year In Review Not-To-Be-Missed Daily Shouts; Blitt’s Mao & Nixon

The Cover:  Ed Steed’s third New Yorker cover in five months. This makes my day: it’s always great to see a New Yorker cartoonist cross-over from the cartoon department to the art department (shades of the pre-Tina Brown days when the cartoonists provided the majority of covers). Here’s a Q&A with Mr. Steed about his latest cover.

The Cartoonists:

The Cartoons:

Zipping through this new issue I see it’s loaded with cartoons (yay!).  I also see that the freshman class of the 1970s is well represented: Roz Chast, Mick Stevens, the late Jack Ziegler, and myself; there are also four freshman from the class of the 1990s: P.C. Vey, Nick Downes, Kim Warp, and Barbara Smaller. And at opposite ends of the time line are George Booth, a freshman in the class of the 1960s (1969 to be a little more precise), and Keith Knight, who makes his New Yorker debut in this issue (so a freshman in the class of the 2010s). Mr. Knight is the 27th newbie of the year, and the 53rd to join The New Yorker‘s stable since Emma Allen took the cartoon department reins in the Spring of 2017.

Seeing the Booth cartoon (it’s on p.32) takes me right back to my fledgling days at The New Yorker and my belief that Mr. Booth’s work is what the magazine’s cartoons are all about: superb drawing, and a precisely defined world of personalized humor. Some forty plus years after I discovered Mr. Booth’s world I still get revved up and inspired from seeing one of his drawings.

A couple of thoughts on a couple of drawings: both Sofia Warren’s fine drawing (p.51) and Nick Downes’ wonderful Rockefeller Center skating rink drawing would’ve benefited us (the readers) had they been allowed more space. These are drawings full of great detail.

On the other hand, Roz Chast’s funny Abominable Snow-Woman (p.73) seems just the right size. Such a good drawing. It would be great if she marketed her snow-woman as a stuffed toy (I’d want one).

Really enjoyed Paul Noth’s Bat-signal/Robin-signal drawing (p.42).  I especially like the work he put into Batman and Robin’s outfits.

Speaking of cartoon worlds, as I was earlier in regards to Mr. Booth’s work, I cannot leave this ramble on the cartoons without mentioning how missed Jack Ziegler’s cartoon world is. Seeing his drawing in this issue is a tip of the iceberg reminder of what a spectacularly funny cartoonist he was. If you don’t already have his masterpiece collection, Hamburger Madness, get it.

 

The Rea Irvin Talk Masthead Watch: Bah, humbug…nothing has changed.  The redrawn masthead, installed in the Spring of 2017 still sits where Mr. Irvin’s beauty once sat. Below is Mr. Irvin’s classic design; here’s where you can read more about it.

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Today’s Daily Cartoonist & Cartoon

Ellie Black on a critic’s crisis.

Ms. Black has been contributing to The New Yorker since February of this year.

 

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Shouts In Review

Emma Allen, The New Yorker’s cartoon editor, and editor of  Daily Shouts, lists Shouts highlights.

A whole bunch of New Yorker cartoonists are therein.

 

 

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Blitt’s Mao & Nixon

From “Barry Blitt’s Kvetchbook,” a flashback to February of 1972, when Nixon met Mao. Above: the real deal.

 

 

 

New Yorker Cartoonists (And Cakes) At The Magazine’s Holiday Party

Here are a few scenes from last night’s merry New Yorker Holiday Party. A happy throng filled a giant room on the 33rd floor of 1 World Trade Center.

All photos courtesy of Liza Donnelly, unless otherwise attributed. My thanks to cartoonists Liza  Donnelly, Joe Dator, Felipe Galindo, and Jason Chatfield for their photos.

Left: New Yorker editor, David Remnick (holding microphone) addresses the crowd. Singers in Santa hats are just behind him.

Party-goers brought food and drink (it was pot-luck), a nice throw-back to what I recall of department holiday parties many decades ago at the magazine’s 2nd address, 25 West 43rd Street.

 

Of the many cakes and cookies present (and presented), here’s one that sported a familiar face ( photo courtesy Joe Dator).

Below: The New Yorker carolers (photo courtesy Jason Chatfield).

Below: l-r, cartoonist Maggie Larson and cover artist, Jenny Kroik.

Below: cartoonist & caroler, Mort Gerberg  (photo courtesy Jason Chatfield).

Below: l-r, cartoonists Joe Dator, Ali Solomon, and Johnny DiNapoli (photo courtesy Joe Dator).

Below: l-r, cartoonists Drew Dernavich, Ellis Rosen, and by the window, Kendra Allenby.

Below: l-r, the aforementioned Ms. Allenby, Jeremy Nguyen, and The New Yorker‘s fabled Stanley Ledbetter.

Below: l-r,  New Yorker editor, David Remnick, and Pam McCarthy, the magazine’s deputy editor.

 

 

 

 

 

 

 

 

 

 

Below: l-r, cartoonists Felipe Galindo, and Tim Hamilton.

Below: l-r, Joe Dator, Kendra Allenby, and Ben Schwartz (photo courtesy Joe Dator).

Below: cartoonists Marisa Acocella, and Bob Eckstein.

Below: The New Yorker‘s cartoon editor, Emma Allen.

Below: cartoonist Pat Byrnes (holding red cup) surveys the food.

Below: cartoonists Robert Sikoryak, and Gabrielle Bell. (photo courtesy Felipe Galindo).

Below: l-r, cartoonist Nick Downes, and the aforementioned Mr. Ledbetter.

Below: l-r, cartoonists Jason Adam Katzenstein, Karen Sneider, Emily Flake, and The New Yorker‘s assistant cartoon editor, Colin Stokes. (photo courtesy Felipe Galindo).

Below: cartoonists Christopher Weyant, Ms. Acocella, and coming up behind Ms. Acocella, Sam Gross.

Below: cartoonists Ellie Black, and Maggie Larson.

Below: cartoonists Joe Dator and Emily Flake,  Jason Adam Katzenstein in profile behind Ms. Flake, and Drew Dernavich, far right. .

Below: l-r, cover artist & cartoonist, John Cuneo, The New Yorker‘s art editor, Francoise Mouly, and cover artist, Peter de Seve (this photo taken in Ms. Mouly’s “planning room” in the art department)

Below: l-r, cartoonists Jeremy Nguyen, Jason Chatfield, and Liza Donnelly

Below: cartoonists David Borchart and Felipe Galindo.

Below: cartoonists Peter Kuper and P.C. Vey

A cake with a message (photo courtesy of Joe Dator).

 

Video Of Interest: The “Sesame Street” Edition Of The New Yorker Caption Contest; Today’s Daily Cartoonist & Cartoon; Today’s Daily Shouts Cartoonist

Video Of Interest: The “Sesame Street” Edition of The New Yorker Caption Contest

Here’s 7 1/2 minutes of fun: several of Sesame Street’s beloved characters give The New Yorker‘s caption contest a go.

Cartoons shown in order of their appearance are by: David Borchart, Joe Dator, Tom Cheney, Ellis Rosen, Harry Bliss, Mick Stevens, Amy Hwang, P.C. Vey, and yours truly.

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Today’s Daily Cartoonist & Cartoon

Happy (?) holidays, by Tom Toro.  Mr. Toro has been contributing to The New Yorker since 2010. Visit his website here.

 

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Today’s Daily Shouts Cartoonist

“Horoscopes As Unintelligible Words” by Olivia de Recat, who has been contributing to The New Yorker since 2018.  Visit her website here.

Late Notice: A Launch Party Tonight With Hilary Fitzgerald Campbell Live-Drawing; Today’s Daily Cartoonist & Cartoon; The Monday Tilley Watch, The New Yorker Issue Of November 18, 2019; Some Thoughts After Seeing The Documentary Film, “Stevenson Lost And Found”

Late Notice: A Launch Party Tonight With Hilary Fitzgerald Campbell Live-Drawing

From the Facebook Invite:

Come celebrate the release of Sarah Dooley’s new book ‘Are You My Uber?’ which is a parody of the P.D. Eastman classic ‘Are You My Mother?’ Listen to comedians Sydnee Washington, Eva Victor, Larry Owens, Pat Regan, Marcia Belsky, Gabe Gonzalez, and Taylor Ortega tell hilarious stories of wild cab experiences while Hilary Campbell, the book’s illustrator, does live drawings.

Ms. Campbell began contributing to The New Yorker in 2017. Visit her website here.

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Today’s Daily Cartoonist & Cartoon

A leafy Daily from Chris Weyant, who began contributing to The New Yorker in 1998. Visit his website here.

 

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The Cover: I see leaves. The fifth cover (below right) by Brigit Schossow.  Read a Q&A with her here.

There’ve been a lot, a whole lot, of leafy New Yorker covers, but this current one by Ms. Schossow  brought to mind (courtesy of a helpful New Yorker colleague) the beauty below left by the magazine’s former art & cartoon editor, Lee Lorenz.

 

The Cartoonists:

The Cartoons:

A scattering of thoughts about just a few of the cartoons in this issue:

P.C. Vey’s bear and couple in the woods (on page 33) made my day.

Something totally unexpected cartoon-wise is usually always good, and so it was coming upon a Jack Ziegler cartoon. Especially nice that the drawing is set in one of his favorite cartoon scenarios: a bar.

A fun Pete Mueller drawing (p.27).  Two Mueller drawings in two issues. Yay!

Ellis Rosen’s friend’s shower (p.56) is different. Like the choices of warm/cold and cold/warm.

Needed a ten second Googled refresher course with Liana Finck’s drawing (p. 60).  Not so much what her drawing means, but the meme’s origin (just curious, y’know).

The Rea Irvin Talk Masthead Watch:

Am hoping to open the issue one day and see Mr. Irvin’s iconic design has returned. No dice this week. For now, there’s that re-draw. Read about the classic Irvin Talk masthead here.

Here’s the real deal:

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Some Thoughts After Seeing The James Stevenson Documentary Film, Stevenson Lost And Found

A few random thoughts after attending last night’s premiere of Sally Williams’ fab documentary film, Stevenson Lost And Found.  There are are so many moments in the film — too many to go into here — that cartoonists and people who love New Yorker cartoons will treasure.

One instance I found particularly fascinating: the animated sequence showing what might go through cartoonists brains as they sit down and begin the day’s work. We’re shown a series of cartoons covering a wide variety of subject matter. It is, for this cartoonist, a relatable experience, as the mind careens through unlimited places every morning.

Another instance: in some eye-popping sequences we’re shown images of Mr. Stevenson’s children’s books lined-up, as well as Mr. Stevenson’s New Yorker  black scrap books (shown above) kept in the magazine’s library. These books contain every single signed New Yorker contribution by Stevenson, whether it’s his writing or drawing (including covers of course).*  Most of The New Yorker’s nearly 650 cartoonists (from 1925- present) have not had their work collected in one scrap book, let alone five. **

At the screening, I was lucky enough to be seated next to the legendary artist, Edward Sorel. During one of the sequences in the film where we are grasping the enormous amount of work Stevenson did (both published and unpublished) Mr. Sorel leaned over and said to me, “Do you feel as much like an underachiever as I do?”

In a perfect cartoon world, there’d be films such as Lost And Found for a number of the magazine’s artists. It’s heartening that there is already a Thurber film out there, and an Addams documentary in the works, as well as a film about George Booth.  But how about a Steinberg documentary, and one about Steig***?  I can dream, can’t I.  For now, we are quite fortunate to have this gem on Stevenson showing on the big screen. Go see.

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* I say “signed” because The New Yorker  did not and does not scrap book cartoon ideas handled by other artists. Mr. Stevenson, early in his New Yorker career, wrote a large number of captions for some of the magazine’s artists (read about his “secret job” here).

**Artists (and writers) without an enormous amount of work are scrap booked in alphabetically  cataloged books, along with other contributors.

***A short video accompanied the Steig exhibit that ran at The Norman Rockwell exhibit.

There is a 20 minute film about Edward Sorel available here.

A 40 minute Eldon Dedini film here, 

And a short film about C.E.M. (Charles E. Martin) here.