The Tilley Watch, The New Yorker Issue of February 11, 2019; Today’s Daily Cartoon

The Cover: This week’s New Yorker cover is by Pascal Campion, his second cover for the magazine — his second moody metropolis scene. Read about it here. I wonder if we’ll see a moody mid-western, western, northeastern or southern scenario anytime soon.

The Cartoonists:

The Cartoons: Several nice surprises this week. The first was running into Sam Gross’s lead-in cartoon (his work has been appearing in the magazine for forty-nine years). There are certain cartoonists whose style alone gets the laugh meter buzzing. Mr. Gross is one of those cartoonists. The other surprise: R.O. Blechman’s “spot” drawings. Mr. Blechman’s wonderful drawings and covers have appeared in the magazine for forty-five years.

A third nice thing to see in this issue: the number of cartoons. Bumped up from the usual dozen or so to a healthy eighteen. They just keep on a-comin as you flip through the magazine (as do the illustrations).

If I have one little dark cloud to drag over this sunny moment it’s another plea for some of the work to be run larger (true, some cartoons run large, should be smaller). A number in this issue are, to my eyes, sized just right (a few for instances: Tom Cheney’s on page 54, and Jon Adams on page 52). Perfectly sized is Seth Fleishman’s terrific drawing on page 39. But others seem wedged into their corners; Roz Chast’s intricate Candy Land For Adults (page 32) and David Sipress’s off the beaten track restaurant (page 25) would benefit from more space. Really all I’m campaigning for is a graphic invitation for readers to fully appreciate the work. The work of the late George Price is a good example of how a cartoonist’s world can take us in for some detached momentary fun-time. Mr. Price’s drawings were usually allowed a lot of breathing room on the page. One paused to inspect the work, to enjoy all the “stuff” Price gave us. Imagine one of his drawings run in a little box on the corner of a page.

A few favorite drawings, or elements of drawings in this issue: Joe Dator’s monkey (page 40); Paul Noth’s drawing (page 60) — a great addition to the New Yorker‘s doctor canon; P.C. Vey’s theater drawing; Maddie Dai’s drawing of a sculptor and friend, as well as the caption; Frank Cotham’s perfect caption for his drawing (page 36). All fine, inspiring moments.

Next-to-Lastly, a mention of the newest cartoonist on the block: Ellie Black, the third newbie this year and the twenty-seventh new cartoonist brought in since Emma Allen became the magazine’s cartoon editor in May of 2017. A good debut, with a welcome unexpected play on the well-worn hands touching moment we’ve seen in movies and books.

And lastly, let us not forget the great work of Rea Irvin, especially his mothballed masthead design. Here it is:

Speaking of Mr. Irvin, I spoke too soon last week about the New Yorker‘s anniversary issue appearing this week. Had I bothered to consult the fine print publishing info found near the end of each issue I would’ve seen that next week’s magazine (a double issue: February 18 & 25) is the 94th anniversary issue.

_________________________________

Today’s Daily Cartoon

Today’s Daily cartoon, a post-Super Bowl tie-in, is by Farley Katz, who began contributing to The New Yorker in 2007. Link to his website here.

The Tilley Watch, The New Yorker Issue Of February 4, 2019

The Cover: Vegetation abounds. Here’s what the artist,Tom Gauld had to say about it.

The Cartoonists in the new issue:


The Magazine: Whenever February comes around, I begin thinking about the upcoming anniversary issue of The New Yorker, a favorite child here on this site (Spill visitors might remember this Tilley-centric piece I wrote for newyorker.com a few years back). Seeing Rea Irvin’s classic dandy this year would be such a welcome surprise. Even more of a surprise than, say, coming upon the now-famous Mandy the Mandarin duck in Central Park. It’s been awhile since we’ve seen Irvin’s iconic cover. In fact, the last time was in 2011. So what will next week’s cover be: the dandy or a duck?



New Yorker Caption Contest Friday

 

         This being the end of the traditionally news-less week (for New Yorker cartoons and cartoonists) leading up to the new year, I thought why not dedicate today’s post to the New Yorker‘s Caption Contest. Last time I checked, the contest had reached its 644th offering (with a windmill drawing by Bob Eckstein).  

Background: every time I’ve been involved in a New Yorker event (usually a panel discussion) the contest comes up in the Q&A. The most frequently asked multi-part question is: How does it work? Did the cartoon originally have a caption?  Do you (the cartoonists) get to judge?

Here’s how it works (from the cartoonists perspective).  The cartoons used in the contest are taken out of the weekly batches submitted by the magazine’s cartoonists.  Sometimes the selected cartoon has a caption that is (obviously) stripped from the cartoon.  Sometimes the submitted cartoon has no caption (I sometimes submit captionless cartoons just for the hell of it to see what  caption entrants might come up with. Here’s one example.). The cartoonists have no say in the process of selecting the winning captions. 

__________________________

News:

There’s a new celebrity video posted by The New Yorker featuring the actors John C. Reilly  and Will Ferrell trying their hands/minds at captioning a bunch of cartoons:

For the record, the cartoons are (in order of appearance) by P.C. Vey, Kaamran Hafeez, Tom Toro, Tom Cheney, a second by P.C. Vey, and the final two are by Liam Walsh.  I again encourage the folks in charge of these videos to have the celebs identify the cartoonists, or at least identify the cartoonists names in full somewhere on the screen. 

________________________________

Here’s a story about a fellow who won a recent contest (the drawing at issue is by yours truly…and ouch, the drawing takes a few hits). From the Wickedlocal.com, “‘It is I, Manbunzal’: Melrose Resident Alan Leo Wins The New Yorker Caption Contest”

_________________________________

Here’s a Facebook group dedicated to the contest: New Yorker Cartoon Caption Contest Rejects (and Enthusiasts). Enter all those bolded words in the search box and presto: you have an instant caption contest community.

_______________________________

Very Old News: everyone interested in the contest probably already has or decided not to have this book that came out in 2008.

 

New Yorker Cartoonists Holiday Party

Decades ago, in the William Shawn era, New Yorker cartoonists celebrated the holidays in-house (specifically, in-department).  They’d show up at the office and drink punch provided by the art editor Lee Lorenz and his assistant, Anne Hall. Cartoonists would sample rum balls brought in by their colleague, Henry Martin.  During the Tina Brown years the holiday party went big time, when all departments went out-of-office and co-mingled in (mostly) downtown establishments.  Coming full circle this year’s party for cartoonists came back home to the offices (yay!).  Last night’s shindig was hosted by the cartoon editor, Emma Allen, and the assistant cartoon editor, Colin Stokes (and, shades of Henry Martin, cartoonist David Borchart even brought in some homemade cookies).

Ink Spill‘s official photographer for the evening, cartoonist Liza Donnelly attended the festivities, and captured the scene. 

Below, left to right: Kendra Allenby, Ali Soloman, Farley Katz and Emma Allen.

Below: in the foreground, Robert Leighton (on the left) speaks with Ed Steed. In the back, left-to-right, with his back to the camera is Colin Stokes, Avi Steinberg (in the hat), and a partially obscured Ellis Rosen. Between Mr. Steinberg and Mr. Ellis is the fabulous Peter Arno New Yorker cover of June 5, 1954.

Below: a frieze of cartoonists. Will mention just a few: to the far left is Emma Hunsinger. To the far right, second in, is PC. Vey.

 

Below: Mort Gerberg (on the left) and George Booth.

Below, left-to-right: Avi Steinberg, Karen Sneider, Jason Adam Katzenstein, and, with her back to the camera, Gabrielle Bell.

Below: foreground, looking at the camera is Sophia Warren, then Robert Leighton, and (with eyepatch) Mort Gerberg. In the background: far left, is Ed Steed, then (with back to camera) David Sipress, Joe Dator (with scarf), and Kendra Allenby.

Below: on the far left is Joe Dator, and then Emily Flake and Marisa Acocella.

 

Below: a waving Jeremy Nguyen and Maggie Larson. Far left, in the back is Brendan Loper.

Below, left to right:  George Booth, Liza Donnelly, and David Borchart (this photo courtesy of  Mr. Borchart).

Below: Felipe Galindo and Drew Dernavich.

.

Below: The New Yorker‘s Jack-of-All Trades,Stanley Ledbetter, Johnny DiNapoli, Farley Katz, and Ellis Rosen.

Below, left to right: David Sipress and Ben Schwartz.

Below: Emma Allen and Farley Katz.

Below: the ever festive Rea Irvin type-faced logo!

 

— My thanks to Liza Donnelly, Colin Stokes, Emma Allen, and David Borchart for their assistance  with this post.

 

 

The Tilley Watch, Monday, November 19, 2018

The Cover:

It’s not just the Technology issue this week, but also the Thanksgiving issue; Roz Chast’s cover blends the two.

  It got me thinking about New Yorker Thanksgiving covers of the past, and looking through them I found this one, by Alajalov from 1949. As with Ms. Chast’s cover, it blends the Thanksgiving table scenario with (then) relatively new household technology (the television set).  What a great cover!

Here’s Alajalov’s entry on the Spill‘s A-Z:

 

 

 

Constantin Alajalov (above) Born Constantin Aladjalov, 1900, Rostov-on-the-Don, Russia. Died Oct., 1987, Amenia, New York. New Yorker work: 1926 -1960. Perhaps best known for his New Yorker covers ( he also supplied cover art to other publications). Key collection: Conversation Pieces (The Studio Publications Inc., 1942) w/ commentary by Janet Flanner.

Link here for a n Alajalov profile from The Saturday Evening Post.

The Cartoons:

16 cartoons.  22 illustrations, including 5 1/2 full page illustrations.

Robots abound in this issue (on the cover, in a cartoon, in an illustration).

Here are the cartoonists whose work appears in the issue…

Among them are two Thanksgiving drawings, one by P.C. Vey (also blending technology and Thanksgiving), and David Borchart, who gives us a wonderful (Macy’s?) parade drawing.  My only wish is that it was run larger.

Also of note in the issue: the debut appearance of Ali Solomon. Ms. Soloman is the 10th new cartoonist introduced this year, and the 22nd new cartoonist introduced since Emma Allen became the New Yorker‘s cartoon editor in the Spring of 2017.

Still missing: Rea Irvin’s iconic (not to mention beautiful) Talk masthead (read about it here).  Missing since the Spring of 2017 — this is what it looks like: