The Tilley Online Watch, The Week of September 17- 21, 2018; More Spills: A Deep Dive Into The New Yorker Issue Of Sept. 14, 1929… Steinberg Chrysler Building At Auction

The Daily Cartoons were 4/5s in the realm of Trump this week. The contributing cartoonists:  Kim Warp, Jason Chatfield (with Scott Dooley), Mike Twohy, Karl Stevens (not yet a print contributor), and Brendan Loper (who probably appears most regularly on the Daily).

The Daily Shouts contributing New Yorker cartoonists this week: Emily Flake, Liana Flake, and Olivia de Recat.

You can see all the work (and more) here.

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Two favorite Spill blogs to visit!

…A New Yorker State Of Mind: Reading Every Issue Of The New Yorker takes a fascinating deep dive into the issue of September 14, 1929, with a cover by the great Rea Irvin. (also in the post: an appreciated shout-out to the Arno biography). Read here.

And Attempted Bloggery tells us about a beautiful Steinberg piece (dated 1965) up for auction.  I’ve yet to see anyone top Steinberg’s Chrysler Building drawings. Incredible.  Take a look here. 

 

The Monday Tilley Watch: The New Yorker Issue of April 9, 2018

Here’s  Bruce McCall speaking about his gluten-free-gluten cover, along with three cover sketches (a nice touch).

And here are the cartoonists in the issue:

A slightly different Monday Tilley Watch this week…I’m listing my first response as I (electronically) flip through the issue, as if the drawings are flashcards.

Bruce Eric Kaplan…rodents and a tiger — I really like the tiger.

Lars Kenseth…a Snidely Whiplash reversal.  Funny that the train is a toy (shades of Charles Addams).

Tom Cheney…internet mischief in olden times.

John Klossner…support food. Wonder what kind of animal is being served.  

Harry Bliss…Jake LaMotta on ice.  A very outta left field drawing.

Roz Chast…a wicked queen’s magic mirror, updated.

Paul Noth…a patient prefers male doctors.

Pia Guerra…a sacred cow & more

Ed Steed…strong strange man drawing, or strange strong man drawing.

William Haefeli…a lesson in capitalization.

Seth Fleishman…a turkey display, with color.

Joe Dator…a NYC tour bus. Finally, a comment on those noisy things that rumble around the great metropolis. 

Frank Cotham…a witness explains. 

Teresa Burns Parkhurst …an egg ponders. A candidate for The New Yorker Book of Poultry Cartoons.

Mike Twohy…a doggy snow globe.  I can’t get enough of dogs and snow globes. 

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Keen-eyed observers will note that Rea Irvin’s classic Talk of The Town masthead is still in absentia. Here it is:

and here’s the stand-in:

To read more, go here.

 

 

 

 

A Visit to “Jim’s Bench”; Cartoon Companion Rates The Latest New Yorker Cartoons; Tilley Watch Online; Live New Yorker Cartoons Part VI on Late Night with Seth Meyers

A Visit to “Jim’s Bench”

The filmmaker Sally Williams recently asked me if I’d like to meet with her at “Jim’s bench” on Central Park West and 77th Street, right across the street from the Museum of Natural History. I couldn’t possibly resist the invitation. Ms. Williams has been working on a documentary about James Stevenson for quite some time now; we’ve had numerous conversations over the years about Mr. Stevenson and, of course, The New Yorker. 

 Mr. Stevenson is on a long list of New Yorker cartoonists who have lived and worked in New York City (some still do) and whose work reflected their city. I think also of Steinberg and Alan Dunn as cases in point.

Sitting on this bench near where Mr. Stevenson lived I couldn’t help but imagine him experiencing the traffic, the sounds, sights, types of individuals bicycling by, walking by, running by; the dogs and dog-walkers, the flurry of activity at the museum. I could see it all in Stevenson’s style: gracefully casual, with spark. Ms. Williams confirmed that Mr. Stevenson was, like so many cartoonists, a watcher (I once likened cartoonists to sponges. Consciously or subconsciously, we take everything in).  

If you find yourself near the Museum of Natural History, you might want to take a seat on Jim’s bench and spend a few moments watching Manhattan go by, Stevenson-style. 

  The bench is the one closest to the Humboldt StatueIt bears a small plaque:

 (I’ve written about Mr. Stevenson here on the Spill a number of times.  Here’s one piece which might be of interest). 

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Cartoon Companion Rates the Latest New Yorker Cartoons

Messrs. Max and Simon are back with thoughts & ratings on work by Frank Cotham, Carolita Johnson, Drew Dernavich, Avi Steinberg, Emily Flake, Roz Chast, Olivia de Recat, Mike Twohy, Bob Eckstein, Edward Koren, and Darrin Bell.  Read it here!

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Daily Cartoons this week by: Paul Noth, Mary Lawton, Kim Warp, David Sipress, and Lars Kenseth (4/5ths of the drawings were Trumpian).

And the contributing New Yorker cartoonists on Daily Shouts:  P.C. Vey, Hilary Fitzgerald Campbell, Liana Finck, Emily Flake, and JAK (with Hartley Lin).  

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Live New Yorker Cartoons Part VI on Late Night with Seth Meyers

The New Yorker‘s editor, David Remnick returns to Late Night with Seth Meyers in the best segment yet. Cartoons by Carolita Johnson, Charlie Hankin, Will McPhail, Maddie Dai, and Ellis Rosen brought to life.   See them here!

 

 

The Monday Tilley Watch: The New Yorker Issue of March 12, 2018

Despite the snow scene outside my window and the forecast for another wallopin’ of snow here in a few days, I know Spring is just around the corner. The latest New Yorker cover — the second by Jenny Kroik — is in the same realm of wishful thinking. Her cover is a welcome respite from politics, which are always just around the corner too. 

Paging through the issue, I noticed a photo under the “Videos” heading at the bottom of the “Contributors” page.  A new online feature: “The New Yorker Interview” — a swell idea.  I’m hoping future interviews will include the magazine’s artists.

Moving quickly now through pet peeves: the use of a near full page photo leading off Goings On About Town; the absence of Rea Irvin’s iconic Talk of The Town masthead. 

And now the cartoons: the first of the issue, a Frank Cotham drawing that on my tablet appeared to show a fellow running along a beach (I thought he was running near dune grass).  On the laptop it’s quite clear he’s running in a field.  The runner’s toned legs — a funny touch –are unexpected (in a Cotham drawing) but certainly do indicate this fellow’s been in training. 

Seven pages later, a Carolita Johnson bar drawing. I think this just might be my favorite drawing of hers. The caption is textbook (New Yorker textbook, that is), from the use of the name “Jer” to the mid-caption set-up use of the word “empty” to last word, “peanut.”

Six pages later, another new favorite by a veteran cartoonist.  Drew Dernavich‘s Batman drawing delivers: caption, the drawing itself. Wonderful (I would’ve loved to see the drawing occupy a larger space). Three pages later, Avi Steinberg gives us a turn-about on a favorite pastime for many: people watching. Mr. Steinberg has removed the generally accepted casualness of people-watching and turned it into people-staring.  Awkward.

Three pages later, a moment with an aging couple via Emily Flake. A few pages following Ms. Flake’s drawing, a Roz Chast drawing which made me happily recall cartoonists’ lunches of yore (and even more recently than yore). 

Four pages later, an Olivia de Recat drawing.  As with her two previous drawings, this is text-driven (a Tina Brownism, I think) but not as text-driven as her previous efforts. If Ms. de Recat’s “Big City Sound Machine” was actually being produced I might spring for one if only for the “Dump Truck in Rain” sound — what poetry.

Three pages later a drawing by veteran cartoonist, Mike Twohy.  I associate sack races with town picnics in summertime, but I suppose they’re not exclusive to a season (I played around with a sack race and a seasonal reference many years ago, It appeared in the New Yorker  June 21, 1982, to be exact. See below). I’m also reminded of Robert Day’s 1945 collection, All Out For The Sack Race! I know there’ve been a few other sack race drawings in the magazine but not yet enough to fill up a New Yorker Book of Sack Race Cartoons.

Three pages later a Bob Eckstein game show drawing. Without diving into the piece (that’s what they do over on Cartoon Companion) I really enjoyed the well-situated and funny Tom & Mom contestants.  We used to see game show drawings every so often; it would be great if we got to see more. They are silliness vehicles.

Directly opposite Mr. Eckstein’s drawing (and why it’s directly across is a puzzle — why not in the upper right hand corner?) is a beauty by Edward Koren. A lot to look at in this drawing, as is usually the case with Mr. Koren’s work.

The final drawing in the issue (not counting the Caption Contest drawings) is by Darrin Bell. Criminals on their way to a caper (there’s a word that’s been retired for at least 50 years). Two of the would-be robbers are masked. The driver — who’s quite a large fellow – is unmasked.  This reminded me for some reason of that great scene in The Town, when the guys don rubber nun masks — even the driver. I guess in these situations it’s up to the individual would-be perpetrator to make the masked or unmasked call.

 

 

 

 

 

 

 

 

 

 

 

 

The New Yorker Cartoon Album 1975 – 1985

With the publication of The New Yorker Cartoon Album 1975-1985, the word “Cartoon” makes its second appearance on an Album cover and in an Album  title (the first was on the cover of The Album of Sports and Games: Cartoons of Three Decades).  The magazine’s 60th anniversary not only saw this anthology published, but the magazine’s fans were treated to a fabulous show of cartoons and covers, curated by Barbara Nicholls, a former art assistant to James Geraghty (Ms. Nicholls went on to establish a gallery representing many of the New Yorker’s artists). 

Mounted at the New York Public Library, this was the show for anyone who loved the magazine’s art.  Following its run in New York, the exhibit went on the road across the country, and across the big pond. Here’s the brochure:

But now back to the anthology. You can see by the cover that the design is solidly in the school of the understated. The is no introduction within, no foreword, no dedication. Compare the cover to the cover of the 90th Anniversary Book of Cartoons (the Spill will eventually get to that on another Sunday) — you’ll see how graphic decision-making has changed.

The 1975- 1985 Album leads off with a spectacular full page drawing by Robert Weber, and it ends with a full page Charles Addams drawing.  In between you’ll find a rich array of the grand masters of the form: Steig, Steinberg, George Price, Dana Fradon, Warren Miller, Frank Modell,  the aforementioned  Weber and Addams, Henry Martin, Booth, Koren, Ed Arno ( but not Peter Arno, who had passed away in 1968), Whitney Darrow, Jr., James Stevenson, Ed Fisher…the list couldn’t go on and on — it was, after all, finite, but you get the idea.  Also in the Album, a new wave of cartoonists, including Mick Stevens, Leo Cullum, Liza Donnelly, the two Roz’s: Zanengo and Chast, Tom Cheney, Michael Crawford, Richard Cline, Bill Woodman, Peter Steiner, and Mike Twohy, among others (including yours truly). Jack Ziegler, who I’ve dubbed “The Godfather of Contemporary New Yorker Cartoonists”  was a late entry in the 1925-1975 Album (his first New Yorker cartoon was published in 1974. He’s represented in the 1925-1975 Album by one cartoon)Here, in the 1975-1985 Album his genius is on full display.  

This Album would be the last published during William Shawn’s editorship.  The next Album would not appear until the year 2000, the magazine’s 75th anniversary (in between was Lee Lorenz’s Art of The New Yorker: 1925- 1995). 

Below: the back cover of the The New Yorker Cartoon Album 1975-1985:

And the inside flap copy: