Today’s Daily Cartoonist: Elisabeth McNair; Surreal McCoy’s “Wolf Of Baghdad”At Shrewsbury Int’l Cartoon Festival; Today’s Daily Shouts By…Julia Wertz; Cooper Hewitt’s Steinberg’s Spot The Difference; Dick Buchanan’s Perry Barlow File

Today’s Daily Cartoonist/Cartoon

Kids, parents, computers…by Elisabeth McNair.  Ms. McNair began contributing to The New Yorker in 2017.  Visit her website here.

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Surreal McCoy’s “Wolf Of Baghdad” At Shrewsbury Int’l Cartoon Festival

All the info here on the film and the festival.

Ms. McCoy (Carol Isaacs) began contributing to The New Yorker in 2014.  Visit her website here.

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Today’s Daily Shouts by…Julia Wertz

“Conversations with Ma: Making Wreaths and Having Kids” by Julia Wertz. Ms. Wertz began contributing to The New Yorker in 2015.   Visit her website here.

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Cooper Hewitt’s Steinberg Spot the Difference

Something fun.  From Cooper Hewitt, April 24, 2019, “Spot the Difference: Steinberg Edition”

Here’s Steinberg’s Spill A-Z entry:

Saul Steinberg Born, June 15, 1914, Ramnic-Sarat, Rumania. Died in 1999. New Yorker work: 1941 – (The New Yorker publishes his work posthumously). Steinberg is one of the giants of The New Yorker.  Go here to visit the saulsteinbergfoundation where you’ll find  much essential information and examples of his work.

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Dick Buchanan’s Perry Barlow File

Another great post from Dick Buchanan via Mike Lynch’s blog.  This time it’s “Perry Barlow 1932- 1961”

(Above: a Barlow from Collier’s, January 21, 1955).

From Mr. Barlow’s Spill A-Z entry:

Perry Barlow ( photo above from barlowgeneology.com) Born 1892, McKinney, Texas. Died, Westport, Connecticut, December 26,1977. New Yorker work: 1926 -1974, with 1,574 drawings and 135 covers. According to Barlow’s obit in The New York Times (Dec. 27, 1977) William Shawn called him “one of the gentlest and most humane of all comic artists…he was also one of our three or four most prolific people.” In the same piece, James Geraghty (The New Yorker’s Art editor from 1939 thru 1973) said “he often tried to interest Mr. Barlow in publishing a book of his drawings ‘but he was halfhearted about it.’” Mr. Barlow’s wife, Dorothy Hope Smith, played a role in his work: she colored-in his covers because her husband was partly color blind.

The Monday Tilley Watch, The New Yorker Issue Of April 29, 2019; Seven Earth Day Animations By Liza Donnelly For CBS This Morning; Today’s Daily Cartoonist: Tom Toro; Reminder! Tomorrow At Word Bookstore, A Trio Of New Yorker Cartoonists; Lost Gems By Charles Addams, Barbara Shermund, William Steig, And Syd Hoff From Dick Buchanan

The Cover: As mentioned here days back, Bob Staake’s cover was (very) early released. You can read what Mr. Staake has to say about it here

The Cartoonists:

This is Darrin Bell’s first appearance in the magazine since his Pulitzer win was announced.

 The cartoon by Miriam Katin marks her debut appearance in the magazine.  She is the 9th new cartoonist brought into the stable this year, and the 34th new cartoonist brought in since Emma Allen became cartoon editor in May of 2017.

The Cartoons:

Three cartoons especially stood out this week.

  Joe Dator‘s world continues to fascinate. His floating mammals drawing (p.34) is about as good as it gets. The drawing itself is great, as is the caption. If the Cartoon Companion guys were still in the business of rating cartoons, this would certainly be awarded their blue ribbon. 

Another contender is Ed Steed‘s trapeze artists with baby (p.28). For me, it’s the best baby-centric New Yorker drawing since Zach Kanin’s wonderful drawing of July 7, 2008, “I can feel the baby kicking.”

Charlie Hankin‘s cartoon (on p.64):  like desert island drawings, the cartoon scenario of a person seated by the fire with their mounted trophies up on the wall has been around in the cartoon universe for a very long time. Mr. Hankin has given us a terrific “If I Had A Hammer” moment.

Finally…

Rea Irvin’s classic Talk masthead has not yet been returned — its replacement, a re-draw, continues to appear.  Read about the unfortunate situation here. Below is the real thing.

Below: Mr. Irvin himself, looking a little frustrated?

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Seven Animations For Earth Day By Liza Donnelly

CBS News This Morning has posted seven Earth Day specific animations by Liza Donnelly (Ms. Donnelly is their resident cartoonist). See the work on Twitter @LizaDonnelly & @CBSThisMorning.

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Today’s Daily Cartoonist/Cartoon

Tom Toro delivers a Games of Throne-ish drawing. Mr. Toro began contributing to The New Yorker  in 2010.  

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A Reminder! Three New Yorker Cartoonists at Word Bookstore Tomorrow

An event celebrating a fun new book with three fun cartoonists. Further info here.

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Dick Buchanan’s Files via Mike Lynch: “New Yorker Luminaries 1933-1942″

Further lost gems from Mr. Buchanan’s files via Mike Lynch’s site include work from Charles Addams, Whitney Darrow, Jr., William Steig, Richard Taylor, Syd Hoff, Richard Decker, and Barbara Shermund.  Above, a Barbara Shermund drawing from Colliers, September 10, 1938. See them all here.

 

 

 

More MoCCA Today (With Photos) & “My First MoCCA”; David Sipress On A 1969 Harvard Protest

More MoCCA Today

At least three New Yorker cartoonist events scheduled today: Liana Finck in conversation with Gabrielle Bell; a “spotlight” on Mark Alan Stamaty; Emily Flake as part of a panel, “Narratives On Motherhood”; cover artist Ivan Brunetti in a panel on “Comics and the Teaching Artist” (right: Ms. Bell and Ms. Finck today. Courtesy of Stephen Nadler).

And more photos from today (all courtesy of Liza Donnelly, with the exception of the Mark Alan Stamaty photo.  That’s another courtesy of Stephen Nadler):

Top row, l-r: Peter Kuper, Felipe Galindo, Mark Parisi, Ellis Rosen.

Middle row: Arnold Roth & Caroline Roth, Liza Donnelly, Keith Knight.

Bottom: Mark Alan Stamaty (l), and Bill Kartalopoulos, who, among other things, is MoCCA’s Programming Director, and Series Editor for The Best American Comics series. 

My First MoCCA:  A Personal Take

Judging by the scene I dove into at yesterday’s MoCCA Fest, the appetite for, and practice of comics and cartoons is booming. The place (the Metropolitan West on West 46th Street) was at capacity, loud and energized. I took in the must-see Cartooning For Peace exhibit on the second floor (curated by The New Yorker cartoonist, Liza Donnelly) then immediately ran into Dick Buchanan (who for quite some time has been sharing his voluminous cartoon file via Mike Lynch’s site). Mr. Buchanan had told me earlier in the week  that he’d be at the fest, and would bring along a copy of a book I’d never seen before:  Bernard Wiseman’s Cartoon Countdown (published in 1959). Mr. Wiseman contributed 197 cartoons to The New Yorker, from April 19, 1947 – June 11. 1960.

In the pr copy on the first page:

This is the first book of cartoons devoted exclusively  to he Conquest of Space. Let the Russians Match That! 

(to the right: The Cartooning For Peace Exhibit)

With  thanks to Mr. Buchanan for Cartoon Countdown, it was on to a tour of the fest.

 

  The illustrator Tom Bloom was seen engaged in conversation with an exhibitor, the illustrator/educator, Steve Guernaccia blew by (he’s hard to miss, sartorially). The multitude of people, of tables laden with products bearing graphic images, posters, cards, etc., etc., was astounding. Along with me on the tour was one of my co-panelists, Danny Shanahan.  We were moving along at a good pace with the flow of the crowd when a familiar book cover on the New York Review Comics table got our attention: Saul Steinberg’s recently reissued Labyrinth (also on the table were a number of Maira Kalaman titles).  I bet Steinberg would’ve enjoyed the scene passing by his book.

Closing in on the slotted time for our panel with Mort Gerberg, we headed over to Ink48 on 11th Avenue, where the panels took place. Ran into Stephen Nadler of Attempted Bloggery  who reminded us that Mark Alan Stamaty was signing his anniversary edition of MacDoodle Street.

Co-panelist Bob Eckstein awaited us in the Garamond Room, where we were soon joined by Marisa Acocella, and the man of the hour, Mort Gerberg. Spotted in our audience were New Yorker contributors,  R. Sikoryak, and Sophia Warren, as well as friend to all comics creators, Karen Greene of Columbia University. Below photos of the panel courtesy of Mr. Nadler (l-r, Danny Shanahan, Bob Eckstein, myself, Marisa Acocella, and Mr. Gerberg).

One of the fun things to come out of paneling with colleagues is the unexpected nugget or two of New Yorker history. As he discussed selling his first cartoon to The New Yorker back in 1965 , Mr. Gerberg told us — and this is something I had never heard, and didn’t realize was even possible — that he had talked the then art editor, James Geraghty into allowing what was supposed to be a bought idea of Mr. Gerberg’s to become a bought drawing. New Yorker history buffs know that it was routine at the magazine back then to buy ideas and give them to established cartoonists. It’s quite a thing that Mr. Gerberg, with his first sale to the magazine, was not only able to buck that well-entrenched system, but to deliver the full page below (published in October 20,1965).

  After our panel concluded we panelists stayed in the same room to attend the next panel,  “Professional Development 101: Art Directors Roundtable.” How could we not –it included our very own cartoon editor, Emma Allen. As we moved into the audience we spotted fellow colleagues, Kendra Allenby, Tracey Berglund, and cartoonist, Marc Bilgrey. Ms. Allen was joined by Matt Lubchansky (of The Nib), Alexandra Zsigmond (formerly The New York Times), Will Varner (formerly Buzzfeed), and artist/educator, Viktor Koen, who moderated.  The “101” in the panel title was accurate — we heard what the scene was like for today’s beginning illustrator/artists trying to break in. One piece of advice from Ms. Allen that stood out for me:  something that would make her laugh while looking at [written and drawn] humor for four hours in a day, had an excellent shot.

By the way, the place was packed.

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David Sipress On A Harvard Protest In 1969

Mr. Sipress, who began contributing to The New Yorker in 1998, has a Personal History piece on newyorker.com: “Fake News, 1969: My Slightly Infamous Role In The Harvard Antiwar Protests”

 

 

A George Booth Film!; A Q&A Of Interest: Ellis Rosen; The Traveling Cartoon Museum; Liza Donnelly To Judge Cartoons In Cuba; More From The Dick Buchanan Files Via Mike Lynch; Today’s New Yorker Daily Cartoonist: Peter Kuper

A George Booth Film!

Happy to report that a George Booth film is in the works. Mr. Booth is, of course, one of the gods of The New Yorker‘s cartoon world.  This year marks his 50th year at the magazine.  Read about the film and George Booth, and see a Kickstarter teaser clip here.

Here’s Mr. Booth’s entry on the Spill’s A-Z:

George Booth (photo above taken in NYC 2016, courtesy of Liza Donnelly) Born June 28, 1926, Cainesville, MO. New Yorker work: 1969 – . Key collections: Think Good Thoughts About A Pussycat (Dodd, Mead, 1975), Rehearsal’s Off! (Dodd, Mead, 1976), Omnibooth: The Best of George Booth ( Congdon & Weed, 1984), The Essential George Booth, Compiled and Edited by Lee Lorenz ( Workman, 1998).

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A Q&A Of Interest: Ellis Rosen

From Unsettled, “Q&A With Ellis Rosen, Cartoonist And illustrator For The New Yorker” 

Mr. Ellis began contributing to The New Yorker in 2016.  Visit his website here.

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The Traveling Cartoon Museum

The Museum of Cartoon Art first caught my attention in September of 1980 when the article above appeared in The New York Times. Since then the museum has moved about a good deal (for a museum). This is a good catching up article about its travels: “The Rocky History of Connecticut’s Cartoon Museum” — from the CTPost, March 21, 2019.

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Liza Donnelly To Judge Cartoons In Cuba

Liza Donnelly, that globe-trotting New Yorker cartoonist (she was live-drawing on China’s Great Wall not long ago; she’s shown above live-drawing at a conference in Brussels last week) is off to Cuba in a few days to join in the judging of cartoons for the 21st Bienal International De Humorismo Grafico.  Info here.

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More From The Dick Buchanan Files Via Mike Lynch

Dick Buchanan continues to share his incredible cartoon tear sheet collection via Mike Lynch’s blog. Without Mr. Buchanan (and Mr. Lynch), such great work as Gahan Wilson’s cartoon from Collier’s (shown above) might be lost to the ages.

This is how Mike introduced the latest Buchanan Files:

Thank you, you lovely, crazy Dick Buchanan, for diving into your files in your Greenwich Village apartment so many times and coming up with these pretty-much-unseen-since-publication single panel cartoons. These are, as you will see, crazy good.

See all the work here.

And speaking of Gahan Wilson, the GOFundMe campaign for him is still underway.  Go here to read more, and contribute.

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Today’s Daily Cartoon/Cartoonist

Today’s Daily cartoon, Trump not letting go, not letting up, is by Peter Kuper. Mr. Kuper began contributing to The New Yorker in 2011. Link to his website here.

Tilley Watch Online, The Week Of March 11-15, 2019; About The Upcoming Animated Addams Family; Early Cover Release; Video: Chast At The Strand

The Daily was three-fifths Trump this week.  The contributors:  Brooke Bourgeois, Mary Lawton, Ellis Rosen, Emily Flake, and Jason Chatfield/Scott Dooley.

And the New Yorker cartoonists contributing to the Daily Shouts: Jason Adam Katzenstein/Ellie Black, and Roz Chast.

You can see all of the above and more here.  

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About The Upcoming Animated Addams Family

From Paste, March 15, 2019, “Everything We know About the New Animated Addams Family Movie So Far”

Below left, some of the television cast, and on the right, an Addams drawing of the family.

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Early Cover Release

As happens when the New Yorker is particularly keen on a newsy cover, they let us see it well before the usual Monday morning publication.  And so it is with Mark Ulriksen’s piece above.  Read about it here.

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Chast At The Strand…and in the Newspaper

Mike Lynch has posted a link to a video of the recent Strand bookstore appearance by Roz Chast.  Go here to Mike’s site for the actual video link.

Even more Chast: this piece from The New York Times, March 14, 2019,  “Roz Chast and Patricia Marx Mine the Motherlode”