Auction Of Interest: Press Forward Auction Includes Cartoonists Galore!

News of an auction of cartoon art (both original work and prints) to support Press Forward. According to their website PF is an independent initiative whose mission is to change culture in newsrooms.

Also to be auctioned are a number of fun experiences including this:

 Behind the Scenes Experience with New Yorker Editor David Remnick and Cartoon Editor, Emma Allen

Some of the work up for auction is already online, and can be seen here. More art will be available online prior to the live auction/party in Washington, D.C., May 8th.  The Spill will update as art is added online.

Here’s the invite to the event. Link here to RSVP.

Below:  a list of the artists whose work is up for grabs:

 

New Yorker cartoonists:

Kim Warp

Amy Hwang

Liza Donnelly

Michael Maslin

Emily Flake

Peter Kuper

Christopher Weyant  

 

New Yorker cover artists:

Barry Blitt  

John Cuneo  

 

Pulitzer Prize winner Editorial Cartoonists:

Signe Wilkinson  (the first woman to win Pulitzer) (Philadelphia Daily News)

Ann Telnaes  (The Washington Post)

Jim Morin (independent)

Matt Wuerker (Politico)

Joel Pett (The Lexington Herald-Leader)

 

Editorial Cartoonists:

Ed Hall (independent)

Rob Rogers (independent)

Jen Sorenson  (Daily Kos)

Chip Bok (Akron Beacon Journal)

Keith Knight (syndicated)

Tom Toles  (The Washington Post)

Pat Bagley (The Salt Lake Tribune)

Jake Tapper (CNN / State of the Cartoonian)

Jeff Danziger (independent)

Sage Stossel (The Atlantic)

Lisa Benson  (independent)

 

Easter In The City; Today’s Daily Shouts By…Ellis Rosen With Irving Ruan

rving Ruan)

Here’s a rejected cover idea (submitted to The New Yorker way way back in time) that I’ve brought out on this day a number of times. I remember being happy with the way the checkered floor turned out (heavily inspired by Charles Addams’ handling of tiled floors).

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Today’s Daily Shouts

Today’s Daily Shouts is a joint effort by Ellis Rosen and Irving Ruan.  Mr. Ellis began contributing to The New Yorker in 2016. Visit Mr. Ellis’s website here.

More MoCCA Today (With Photos) & “My First MoCCA”; David Sipress On A 1969 Harvard Protest

More MoCCA Today

At least three New Yorker cartoonist events scheduled today: Liana Finck in conversation with Gabrielle Bell; a “spotlight” on Mark Alan Stamaty; Emily Flake as part of a panel, “Narratives On Motherhood”; cover artist Ivan Brunetti in a panel on “Comics and the Teaching Artist” (right: Ms. Bell and Ms. Finck today. Courtesy of Stephen Nadler).

And more photos from today (all courtesy of Liza Donnelly, with the exception of the Mark Alan Stamaty photo.  That’s another courtesy of Stephen Nadler):

Top row, l-r: Peter Kuper, Felipe Galindo, Mark Parisi, Ellis Rosen.

Middle row: Arnold Roth & Caroline Roth, Liza Donnelly, Keith Knight.

Bottom: Mark Alan Stamaty (l), and Bill Kartalopoulos, who, among other things, is MoCCA’s Programming Director, and Series Editor for The Best American Comics series. 

My First MoCCA:  A Personal Take

Judging by the scene I dove into at yesterday’s MoCCA Fest, the appetite for, and practice of comics and cartoons is booming. The place (the Metropolitan West on West 46th Street) was at capacity, loud and energized. I took in the must-see Cartooning For Peace exhibit on the second floor (curated by The New Yorker cartoonist, Liza Donnelly) then immediately ran into Dick Buchanan (who for quite some time has been sharing his voluminous cartoon file via Mike Lynch’s site). Mr. Buchanan had told me earlier in the week  that he’d be at the fest, and would bring along a copy of a book I’d never seen before:  Bernard Wiseman’s Cartoon Countdown (published in 1959). Mr. Wiseman contributed 197 cartoons to The New Yorker, from April 19, 1947 – June 11. 1960.

In the pr copy on the first page:

This is the first book of cartoons devoted exclusively  to he Conquest of Space. Let the Russians Match That! 

(to the right: The Cartooning For Peace Exhibit)

With  thanks to Mr. Buchanan for Cartoon Countdown, it was on to a tour of the fest.

 

  The illustrator Tom Bloom was seen engaged in conversation with an exhibitor, the illustrator/educator, Steve Guernaccia blew by (he’s hard to miss, sartorially). The multitude of people, of tables laden with products bearing graphic images, posters, cards, etc., etc., was astounding. Along with me on the tour was one of my co-panelists, Danny Shanahan.  We were moving along at a good pace with the flow of the crowd when a familiar book cover on the New York Review Comics table got our attention: Saul Steinberg’s recently reissued Labyrinth (also on the table were a number of Maira Kalaman titles).  I bet Steinberg would’ve enjoyed the scene passing by his book.

Closing in on the slotted time for our panel with Mort Gerberg, we headed over to Ink48 on 11th Avenue, where the panels took place. Ran into Stephen Nadler of Attempted Bloggery  who reminded us that Mark Alan Stamaty was signing his anniversary edition of MacDoodle Street.

Co-panelist Bob Eckstein awaited us in the Garamond Room, where we were soon joined by Marisa Acocella, and the man of the hour, Mort Gerberg. Spotted in our audience were New Yorker contributors,  R. Sikoryak, and Sophia Warren, as well as friend to all comics creators, Karen Greene of Columbia University. Below photos of the panel courtesy of Mr. Nadler (l-r, Danny Shanahan, Bob Eckstein, myself, Marisa Acocella, and Mr. Gerberg).

One of the fun things to come out of paneling with colleagues is the unexpected nugget or two of New Yorker history. As he discussed selling his first cartoon to The New Yorker back in 1965 , Mr. Gerberg told us — and this is something I had never heard, and didn’t realize was even possible — that he had talked the then art editor, James Geraghty into allowing what was supposed to be a bought idea of Mr. Gerberg’s to become a bought drawing. New Yorker history buffs know that it was routine at the magazine back then to buy ideas and give them to established cartoonists. It’s quite a thing that Mr. Gerberg, with his first sale to the magazine, was not only able to buck that well-entrenched system, but to deliver the full page below (published in October 20,1965).

  After our panel concluded we panelists stayed in the same room to attend the next panel,  “Professional Development 101: Art Directors Roundtable.” How could we not –it included our very own cartoon editor, Emma Allen. As we moved into the audience we spotted fellow colleagues, Kendra Allenby, Tracey Berglund, and cartoonist, Marc Bilgrey. Ms. Allen was joined by Matt Lubchansky (of The Nib), Alexandra Zsigmond (formerly The New York Times), Will Varner (formerly Buzzfeed), and artist/educator, Viktor Koen, who moderated.  The “101” in the panel title was accurate — we heard what the scene was like for today’s beginning illustrator/artists trying to break in. One piece of advice from Ms. Allen that stood out for me:  something that would make her laugh while looking at [written and drawn] humor for four hours in a day, had an excellent shot.

By the way, the place was packed.

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David Sipress On A Harvard Protest In 1969

Mr. Sipress, who began contributing to The New Yorker in 1998, has a Personal History piece on newyorker.com: “Fake News, 1969: My Slightly Infamous Role In The Harvard Antiwar Protests”

 

 

New Yorker Artists At MoCCA Fest 2019

Here are all of the New Yorker artists you’ll be able to see at the upcoming MoCCA Fest. I’ll add late additions, if any.

And here’s the website where you’ll find a schedule of events.  Also appearing at the festival is The New Yorker‘s cartoon editor, Emma Allen, and yours truly.

Top row: left to right: Liana Finck, Marisa Acocella, Danny Shanahan, Liza Donnelly, Bob Eckstein

Middle row: Mark Alan Stamaty, Marcellus Hall, Tim Hamilton, Peter Kuper, Gabrielle Bell

Bottom row: Joe Ciardiello, Mort Gerberg, Emily Flake,  Jason Chatfield

 

 

 

 

The Tilley Watch: The New Yorker Issue Of April 1, 2019; MoCCA Fest Event Of Note: Mort Gerberg And Friends (Danny Shanahan, Marisa Acocella, Bob Eckstein, And Michael Maslin); Today’s New Yorker Daily Cartoonist: Christopher Weyant; Today’s Bonus Daily Cartoonist: Barry Blitt

The Cover: it’s a treat to have Bruce McCall’s work back on the cover. You can read about it here (and see an early version of the cover).

The Cartoonists:

The Cartoons:

And speaking of treats, here are some of this issue’s cartoons that especially caught my eye:

Chris Weyant’s plumbing drawing (p.52). It reminded me, in the best possible way, of Jack Ziegler’s classic 1980 drawing Plumbing Trouble of the Gods. Mr. Weyant has delivered a funny, perfectly handled drawing. 

And then there’s David Borchart’s terrific giraffe drawing (p. 66). Perhaps this is the start of something big? Giraffes have never been anywhere as popular as cats and dogs in the cartoon universe (Lars Kenseth has drawn a very funny pug(?) in his all-dog cartoon on page 35). 

Finally, what a blast to come upon George Booth’s drawing in this issue (it’s on page 59). It’s a sunny day when Mr. Booth’s work appears (it’s worth mentioning again here on the Spill that Mr. Booth is the subject of an in-progress documentary film).

Applause for all.

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There are several drawings in the issue that, for some, might require Googling. I’ve always been a believer in “getting” a drawing without assistance. If I don’t get it, I move on (or occasionally ask a friend for help).  Of course, not getting certain New Yorker cartoons is age-old.

A note: this week’s Talk section includes a Sketchpad (it features a color “illustration” by Emily Flake).  A usage reminiscent of the comic strips briefly brought in during the early 1990s under Tina Brown. The Brown era comic strips ran across the entire width of each page (i.e., 6 columns wide), whereas this Sketchpad is 4 columns wide. Below: an example of a strip from the past: a Victoria Roberts piece from the issue of March 28, 1994.

Finally, the beautiful Rea Irvin masthead continues to remain in storage — not even brought out  as some kind of tease for this April 1st issue.  Well, here it is below, as it will be weekly until it reappears in the magazine (I can dream, can’t I?). 

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MoCCA Fest Event Of Note: Mort Gerberg and Friends: Danny Shanahan, Marisa Acocella, and Bob Eckstein. Panel moderated by Michael Maslin

The upcoming Museum of Comic and Cartoon Art (otherwise known as MoCCA) will begin its 2019 Festival on April 6th. A number of New Yorker folks will be participating (and I will note them as the information becomes available). Here’s the announcement of one that just came into the Spill:

 

Mort Gerberg and Friends

 

Mort Gerberg broke into print with irreverent drawings in The Realist in the early ’60s. His social-justice-minded—and bitingly funny—cartoons subsequently appeared in magazines including The New Yorker, Playboy, and the Saturday Evening Post. As a reporter, he’s sketched historic scenes including the women’s marches of the ’60s and the 1968 Democratic National Convention.

He is currently the subject of a retrospective exhibit at the New-York Historical Society, and Fantagraphics Underground Press has recently published the retrospective book Mort Gerberg On the Scene: A 50-Year Cartoon Chronicle. Gerberg will discuss his work in a conversation with friends and colleagues, led by Michael Maslin (Inkspill, The New Yorker) and including New Yorker cartoonists Marisa Acocella, Bob Eckstein and Danny Shanahan.

Garamond Room / 3:00 pm, Saturday, April 6th

Link to MoCCA’s website here for more general info.

Photos above, l-r: Danny Shanahan, Marisa Acocella, and Bob Eckstein

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Today’s New Yorker Daily Cartoon/Cartoonist & Bonus Daily Cartoon/Cartoonist

Christopher Weyant is today’s Daily Cartoonist.  You can see his (Trump) drawing here. 

Mr. Weyant began contributing to The New Yorker in 1998. Link to his website here.

And here’s Barry Blitt’s Bonus Daily cartoon  —  Trump-world-ish .

Mr. Blitt began contributing to The New Yorker in 1994.  Link to his website here.