The Weekend Spill: A 1934 July 4th Moment By Steig; Bliss’s American Bystander Cover; The Tilley Watch Online, The Week Of June 29th-July 3rd, 2020; More Spills: Eckstein’s Beast Piece, A Hoff Mural, and More Henry Martin

William Steig’s 1934 New Yorker cover celebrating the 4th of July  seems to capture the mood of this particular 4th when we have been urged to stay at home, away from gatherings. It was, of course, published during another deeply troubled time in our history.

Here’s William Steig’s entry on the Spill‘s A-Z:

William Steig Born in Brooklyn, NY, Nov. 14, 1907, died in Boston, Mass., Oct. 3, 2003. In a New Yorker career that lasted well over half a century and a publishing history that contains more than a cart load of books, both children’s and otherwise, it’s impossible to sum up Steig’s influence here on Ink Spill. He was among the giants of the New Yorker cartoon world, along with James Thurber, Saul Steinberg, Charles Addams, Helen Hokinson and Peter Arno. Lee Lorenz’s World of William Steig (Artisan, 1998) is an excellent way to begin exploring Steig’s life and work. New Yorker work: 1930 -2003.

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American Bystander‘s Michael Gerber has released the cover of his next issue (#15 for those keeping track). Cover by Harry Bliss. You can order your copy here. If this issue is anything like the previous 14 it’ll be worth the five bucks (Cheap!).

 Harry Bliss began contributing cartoons and covers to The New Yorker  in January of 1998.  A Wealth Of Pigeon: A Cartoon Collection (a collaboration with Steve Martin) will be out this November.

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The Tilley Watch Online, The Week Of June 29th – July 3rd, 2020

An end of the week listing of New Yorker artists who contributed to newyorker.com features

The Daily Cartoon: Madeline Horwath, Peter Kuper, Julia Suits, Sara Lautman, Akeem Roberts.

Daily Shouts: Amy Kurzweil.

…and Barry Blitt’s Kvetchbook.

To see all of the above, and so much more, go here.

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Bob Eckstein, who began contributing to The New Yorker in 2007, has begun writing for The Daily Beast. See his first post here.

…Prompted by a post in the Facebook Vintage Panel And Gag Cartoon Group about a Syd Hoff mural, I checked out this piece from The Orange County Register from July 6, 2007.

…More Henry Martin: it’s so great that Henry Martin is listed on this plaque at the old (but not the oldest!) New Yorker offices at 25 West 43rd Street.

 

The American Bystander’s Michael Gerber Wants To Know; Today’s Daily Cartoonist & Cartoon

 

 

The American Bystander’s Michael Gerber Wants To Know

Michael Gerber, the fellow behind the wonderful American Bystander is asking if anyone out there knows when the first cartoon caption contest began. Mr. Gerber passed along the one shown below from The Yale Record (I’ve been told it’s from 1918, but I see the artist dated it 1921).

So…does anyone know of an earlier cartoon caption contest (magazine, newspaper)?  

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Today’s Daily Cartoonist & Cartoon

Tim Hamilton on time travel. Mr. Hamilton began contributing to The New Yorker in 2016.

Visit his website here.

 

The Weekend Spill: The American Bystander’s Quarantine Calvacade; Film Of Interest: Barsotti: A Cartoonist’s Life; The Tilley Watch Online, April 13-17, 2020

American Bystander’s Cartoon Quarantine Calvacade

Michael Gerber, publisher and driving force behind The American Bystander has begun a Cartoon Quarantine Calvacade. He tells the Spill, he began it as an “outlet” for “both the audience and the contributors.” See it here (and subscribe to the Bystander while you’re there!).

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From a 14 year old Kansas filmmaker, Carter Rostrom, this short (5 minute) film, Barsotti: A Cartoonist’s Life. My thanks to Michael Gerber (of American Bystander fame) for bringing it to my attention.

Here’s Mr. Barsotti’s entry on the Spill‘s A-Z:

Charles Barsotti (photo above) Born, San Marcos, Texas, September 28, 1933.  Died, Kansas City, Mo., June 16, 2014. Mr. Barsotti was briefly the cartoon editor of The Saturday Evening Post (from 1968 until its demise in 1969). The New York Times review of his 1981 collection “Kings Don’t Carry Money” led with the following:”Thurber lives, in Kansas City under the name of Charles Barsotti.” His deceptively simple line drawings of pups and kings, and businessmen have been a presence in The New Yorker for over fifty years. It is likely that Mr. Barsotti is the only New Yorker cartoonist to have ever run for Congress (an unsuccessful bid, in 1972, in Kansas). New Yorker work: 1962 – . Key collections: Kings Don’t Carry Money (Dodd, Mead, 1981), and The Essential Charles Barsotti, Compiled and Edited by Lee Lorenz (Workman, 1998).

Link to Ink Spill’s Charles Barsotti appreciation

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The Tilley Watch Online, April 13 -17, 2020

An end of week listing of New Yorker artists who contributed to newyorker.com features.

The Daily Cartoon: Lila Ash, Paul Noth, Jon Adams, Peter Kuper, Brooke Bourgeois.

Daily Shouts: Liana Finck, Olivia de Recat, Sara Lautman, Ward Sutton, Ali Fitzgerald.

…and Blitt’s Kvetchbook: “Duck Doctor Dynasty”

 

Weekend Spill: “I Played Ping-Pong” With Thurber…The New Yorker’s Roger Angell Interview; John Cuneo Sketches A Cover On A Napkin; The Tilley Watch Online: February 10-14, 2020

Interview Of Interest: Roger Angell

From The New Yorker, this terrif interview of Roger Angell by Willing Davidson, a senior editor at the magazine: “Baseball, Fiction, And Life: Roger Angell’s Era-spanning Career At The New Yorker”

Left: Mr. Angell, wearing the hat, with another New Yorker era-spanner, Edward Koren

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John Cuneo Sketches A Cover On A Napkin

When I meet up with cartoonists here in the Hudson Valley it’s a rare thing for any drawing to be done. Most of the time — 99.999% of the time — is spent jabbering about all kinds of things. But — there’s always a but, right? — yesterday while sitting in a bakery/coffee joint with New Yorker colleagues, Danny Shanahan and John Cuneo, John began to describe a cover he’s working on for Michael Gerber’s fab American Bystander. As the fine tip Uniball pen often cuts to the chase quicker than the spoken word, John grabbed a napkin and within seconds ( a minute at most) drew the above. Hoarder that I am, I asked him if I could have it just as he was about to crumple it up, and then asked if he would sign it. Luckily, he was  agreeable-enough to both requests. I’ll run his sketch again side-by-side the finished piece once it appears on The American Bystander.

—My thanks to John Cuneo for sharing his napkin with the Spill. 

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The Tilley Watch Online

An end of week listing of New Yorker artists who contributed to newyorker.com features,  February 10-14, 2020.

The Daily Cartoon: Amy Hwang, Ivan Ehlers, Kim Warp, Brendan Loper, Lila Ash.

Daily Shouts:  Olivia de Recat (with Julia Edelman), J.A.K. (with Harris Mayersohn),

…And:

Barry Blitt’s Kvetchbook.

“Dinner Party” — A video with Marc Philippe Eskenazi, who was at one time an assistant in the cartoon department.

 

 

More Gahan Wilson; A Peter Arno Rarity From The Bloom Vault; Today’s Daily Cartoonist & Cartoon; Humor Mag Of Interest: American Bystander #12; Today’s Daily Shouts…By Amy Kurzweil; Preview Of Interest on Salon: Shannon Wheeler’s “Mueller Report”

More Gahan Wilson

From 27East.com, October 24, 2019, “Cartoonist Gahan Wilson Is Looking To Find His Way”  — this piece by Annette Hinkle on one of the modern masters of the form.

…and this Chicago Sun-Times column from Neil Steinberg, October 24, 2019, “‘Lucky to be alive’ — morbid cartoonist faces dementia”

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A Peter Arno Rarity From The Bloom Vault

The illustrator Tom Bloom is surely one of our cartoon world’s great collectors.  Some years back  I naively thought I’d found most everything New Yorker cartoon-related that could be found. Then Mr. Bloom began sending me scans of items in his collection. It was as if someone had just opened the door to a New Yorker materials filled annex the size of Macy’s.

He’s been kind enough over the years to share some of the more obscure pieces from his collection with the Spill.  Here’s another: a four page promotional brochure for Peter Arno’s first book,Whoops Dearie!, published in 1927 by Simon & Schuster.* If you read my bio of Arno you might remember how important the Whoops Sisters were to the resuscitation of The  New Yorker in its infancy. I’d never seen this brochure until yesterday (and this after nearly 20 years of making it my business to find Arno material).

*While Arno provided the drawings for the book it was actually written by Philip Wylie. Much more on him and his place in The New Yorker‘s early years can be found in the Arno biography.

Here’s Arno’s entry on the Spill‘s A-Z:

Peter Arno (Photo source: Look, 1938) Born Curtis Arnoux Peters, Jr., January 8, 1904, New York City. Died February 22, 1968, Port Chester, NY. New Yorker work: 1925 -1968. Key collection: Ladies & Gentlemen (Simon & Schuster, 1951) The Foreword is by Arno.

 

 

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Today’s Daily Cartoonist & Cartoon

Barging Republicans, by Ellis Rosen, who has been contributing to The New Yorker since 2016.  Visit his website here.

 

 

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Humor Mag Of Interest: American Bystander #12

American Bystander #12 just arrived at the Spill. Not sure how often I’ve said this, but here goes again: if you love cartoons, especially those we associate with New Yorker artists, you’ll find  bushels-full in the Bystander. Three cheers for Michael Gerber, the Bystander‘s editor and publisher.

Here are the New Yorker contributors found in this latest issue:  Joe Ciardiello (the issue’s cover artist), Edward Sorel, Tom Chitty, P.S. Mueller, Rich Sparks, Lars Kenseth, Lila Ash, Roz Chast, John Cuneo, Mort Gerberg, Barry Blitt, George Booth, Joe Dator, Nick Downes, Bob Eckstein, Emily Flake, David Ostow, Jeremy Nguyen, Sara Lautman, Farley Katz, John Jonik, and Sam Gross.

Link here to subscribe.

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Today’s Daily Shouts…By Amy Kurzweil

“A Subway Tableau” by Amy Kurzweil, who has been contributing to The New Yorker since 2016. Visit her website here.

 

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Preview Of Interest From Salon: Wheeler’s “Mueller Report”

From Salon, “Exclusive: ‘Mueller Report’ Graphic Novel Sneak Preview From New Yorker Cartoonist Shannon Wheeler”

— and…there’s a Q&A with Mr. Wheeler within the piece.