The Online Tilley Watch, The Week Of March 4-8, 2019; Fave Photo Of The Day: Sorel & Gerberg; Elisabeth McNair Pencilled; Interview Of Interest: New Yorker Cover Artist Marcellus Hall; Bud Grace On His Second(?) New Yorker Cartoon

The Daily cartoons this week were brought to us by Brendon Loper, Farley Katz, Peter Kuper, Tim Hamilton, and JAK (Jason Adam Katzenstein).  A mixed-bag, thematically, with three outta five of the cartoons Trumpish.

New Yorker cartoonists contributing to Daily Shouts: Amy Hwang, Ed Steed, and Ali Soloman.

See all of the above, and more, here.

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Fave Photo Of The Day: Sorel & Gerberg

Meant to post this a few weeks back. It was taken at The New York Historical Society opening for Mort Gerberg’s exhibit.  That’s Mr. Gerberg on the left and the great Edward Sorel on the right.

The exhibit, “Mort Gerberg Cartoons: A New Yorker’s Perspective” runs through May 5th.

(photo used with permission of Mr. Gerberg).

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Elisabeth McNair Pencilled

Jane Mattimoe’s wonderful Case For Pencils continues with the spotlight on Elisabeth McNair (above) and her tools of the trade.  Ms. McNair’s first New Yorker drawing appeared in the July 30, 2018 issue.  See the post here.

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Interview Of Interest: Cover Artist Marcellus Hall

From DART (Design Arts Daily), March 7, 2019, “The DART Interview: Marcellus Hall”

Mr. Marcellus’s first New Yorker cover appeared in 2005. Link here to his website.

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Bud Grace On His 2nd New Yorker Cartoon

Bud Grace, writes on his blog about his second New Yorker drawing, and a particularly good edit by the then cartoon editor, Lee Lorenz.

Not to be too nit-picky about this, but Mr. Grace identifies the above as his second New Yorker cartoon, yet I’m unable to find his first on the New Yorker‘s database. Perhaps he sold two, and only one (the one above)  appeared? Mr. Grace, if you see this,  please advise.

 

 

 

The Monday Tilley Watch, The New Yorker Issue Of October 1, 2018

The Cover:  What a beauty by Marcellus Hall!  Read about it here. I was really surprised when the cover popped up on my screen this morning — was fully expecting a political cover.

The Illustrations: The New Yorker has certainly become a — if not the — mainstream magazine showcase for illustration. It’s become a blend of the best of Vanity Fair, The Atlantic, and Gourmet  (remember Gourmet? What a good looking magazine that was). The 20 illustrations in the issue, including 5 1/2 full pages, far surpass the number and space afforded the 16 cartoons. 

The Cartoons: A newbie this week: Pat Achilles. Ms. Achilles is the 6th new cartoonist introduced this year and the 18th new cartoonist to be introduced since Emma Allen was appointed cartoon editor in May of 2017.

Rea Irvin: In 1924, when the New Yorker was still in the development phase, Harold Ross, the magazine’s founder and first editor, hired Mr. Irvin as art supervisor.  We can be thankful to Mr. Irvin for a quartet of fundamental graphic elements that scream New Yorker :

1. Eustace Tilley, the magazine’s mascot.

2. The so-called Irvin Typeface (adapted, with permission from Allen Lewis).

3. The quality of the art itself, including covers, cartoons and spot drawings.

4. The Talk Of The Town masthead (shown below). 

Those four pillars of the magazine remained intact until last year when Mr. Irvin’s Talk masthead was replaced by a redraw.  Read about it here.

— See you next week.

 

 

Roz Chast Looks For A Pen; Tomorrow Night’s Book Signing of Interest: Marcellus Hall; Exhibit of Interest: Addams, Chon Day, Gahan Wilson, John Held Jr., Kunz, Jonik, Eckstein, Caldwell & More; Sarah Boxer in The Atlantic: “Why Is Trump So Hard to Caricature?”

Roz Chast Looks For a Pen

A fun post on Jane Mattimoe’s Case For Pencils blog: Roz Chast is asking for pen suggestions.  Read it here.

Note: Ms. Chast (along with the cover artist, Liniers, and several others) is a guest of honor at the upcoming MOCCA Festival at the Society of Illustrators. Info here.

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Tomorrow Night’s Book Signing of Interest: Marcellus Hall

This notice from the illustrator & New Yorker cover artist, Marcellus Hall:

This Thursday I’ll be at Desert Island Comics 6:50-9pm signing and selling my debut graphic novel, KALEIDOSCOPE CITY. During the first 45 minutes or so Ambrosia Parsley will join me as I sing a few songs and Gabe Soria will interview me. Come!
Marcellus
 
THURS MAR 15
DESERT ISLAND COMICS
540 Metropolitan
Williamsburg Brooklyn NY
6:50 – 9pm
FREE
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Exhibit of Interest: Sordoni Art Gallery At Wilkes University
 
News of an exhibit featuring a number of New Yorker contributors including Charles Addams, Chon Day, John Held, Jr. Bob Eckstein, John Caldwell, John Jonik, Anita Kunz, and Gahan Wilson.  Info here.
Below, the artists in the show:
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Sarah Boxer in The Atlantic: “Why Is Trump So Hard to Caricature?”
 
A fascinating article by Ms. Boxer.  It includes a number of New Yorker artists. Read it here.

 

Marcellus Hall’s Debut Graphic Novel; Liana Finck’s “Passing For Human”Cover; A Passing of Note, 50 Years Ago Today

Marcellus Hall’s Debut Graphic Novel

New Yorker artist Marcellus Hall’s debut graphic novel, Kaleidoscope City will be out next month.

From the publisher:

“A lone man navigates the streets of Kaleidoscope City in the aftermath of a broken romance. Buoyed by his curiosity and a search for meaning, with sketchbook in hand, he finds inspiration in unexpected places, from far-flung neighborhoods to fleeting glimpses of a mysterious woman.” Info here!

Mr. Hall’s website

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Liana Finck’ s “Passing For Human” Cover

New Yorker cartoonist Liana Finck  has posted the cover of her upcoming graphic memoir, Passing For Human ( Random House, September 18). 

From the publisher:

“A visually arresting graphic memoir about a young artist struggling against what’s expected of her as a woman, and learning to accept her true self.”

Link here for more info.

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50 Years Ago Today

I’m not one for remembering death dates, but this is one to note: One of the New Yorker‘s cartoon gods, Peter Arno, died 50 years ago today. Here’s the headline on the front page of The New York Times, February 23, 1968.

  

New Yorker Cartoonists Gather for Cartoon Bank Event

Just a few days after a gathering of New Yorker cartoonists in Brooklyn (for the Not Ok exhibit) there was another gathering — this one last night at 1 World Trade Center.  Conde Nast, The New Yorker’s parent company hosted at get-together to introduce its new Cartoon Bank team to the artists. In the photo above from left to right: Felipe Galindo, Liana Finck, Colin Stokes, Jeremy Nguyen, Colin Tom, Farley Katz, Robert Leighton, and Ben Schwartz.

Above: the placard greeting visitors to the event.

Liza Donnelly provided all the photos here as well as this synopsis of the event:

We were greeted with glasses of wine and fancy little bites of food served on trays, and met by very friendly folks from Condé Nast. At 6:00 on the dot, there were already around six cartoonists there, and many more started filtering in —  the number reaching probably 40-50+ cartoonists. Everyone seemed so happy to be able to just hang out with each other and catch up. I saw friends I hadn’t seen for decades, and met new friends. It was a lovely mixture of new cartoonists and seasoned cartoonists, talking together. Remarks were made by our Condé Nast hosts, as well as from New Yorker editor David Remnick, who went casual in a short sleeved shirt. New cartoon editor, Emma Allen also spoke and welcomed the cartoonists.

There were classic cartoons framed on the gallery wall (all art from those in attendance). Interestingly, the breathtaking view from the 34th floor of the World Trade Center where the event was held quickly took a back seat to talking and laughing with pals. The whole evening had a fun buzz- and by 8:30 when I left, a large group was still lingering.

Photo Sep 25, 6 33 23 PM.jpg

Left photo: foreground, Huguette Martel, David Borchart on the left in profile; Evan Forsch is directly above Ms. Martel, looking over his glasses.  Robert Leighton in checked shirt. Photo right: Tom Hachtman in background, left. Chris Weyant in black polo shirt facing away from camera, Marisa Acocella Marchetto center. Mark Alan Stamaty in background in plum colored shirt talking with Tom Bachtell.

Below: the New Yorker’s cartoon editor, Emma Allen on left, then Ed Steed,  Julia Suits and the magazine’s assistant cartoon editor, Colin Stokes

Below, left photo: David Borchart, Pat Byrnes, John O’Brien; Right photo: New Yorker editor, David Remnick addresses the crowd.

Below, left photo: Frank Cotham, Sam Gross, Ed Steed. Photo right: Julia Suits and Bob Eckstein

Below: Andrea Arroyo, Felipe Galindo and Peter Kuper

Below, left photo: Liana Finck and Liza Donnelly. Photo right: Sam Marlow and Ellis Rosen

Below: Felipe Galindo and George Booth

Below: front and center, Barbara Smaller with Chris Weyant, and to the left, Huguette Martel speaks with Arnie Levin

Below left photo: Emily Flake, Jeremy Nguyen, Sara Lautman.  Photo right: Joe Dator and Ben Schwartz.

Below: Colin Tom, J.A.K. (Jason Adam Katzenstein) and Pat Byrnes, in profile

Below: Glen Le Lievre, John Jonik, and John O’Brien

Below: New Yorker publisher, Lisa Hughes speaks with George Booth. In the background, center, is Teresa Nash, part of the Cartoon Bank team.

 

Below left photo: Tom Bachtell, Marisabina Russo. Photo right: David Sipress, Ben Schwartz.

Below, foreground,  Emma Allen talks with Frank Cotham. That’s George Booth on the left and Barbara Smaller on the far right.

 

Below: Mark Alan Stamaty, Marcellus Hall, and Peter Kuper

Below: Marisa Acocello Marchetto and Sam Gross (Tom Hachtman in the back, right)