The Weekend Spill: Exhibit Of Interest “Asian Babies: Works From Asian New Yorker Cartoonists”; The Tilley Watch Online, Sept. 2-6, 2019; Profile Of Interest: Roz Chast

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Asian Babies: Works From Asian New Yorker Cartoonists

A must-see exhibit curated by Jeremy Nguyen and Amy Hwang.  All the info above!

Alice Cheng began contributing to The New Yorker in 2017; Maddie Dai in 2017; Amy Hwang in 2010; Suerynn Lee in 2019; Evan Lian in 2019; Hartley Lin in 2019; Christine Mi in 2018; Jeremy Nguyen in 2017, and Colin Tom in 2015.

You can see work by all of the above artists here on The New Yorker‘s Cartoon Bank site.

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The Tilley Watch Online, September 2-6, 2019

 

A gathering of the New Yorker cartoonists whose work appeared this week on The Daily Cartoon and/or  Daily Shouts.

Daily Cartoon: John Cuneo (a Bonus Daily), Ali Solomon, Tim Hamilton, J.A.K., and Jon Adams.

Daily Shouts: Avi Steinberg (with Irving Ruan).

…and Barry Blitt’s Kvetchbook

See all of the above and more here.

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Profile of Interest: Roz Chast

From Hamilton College, September 6, 2019, “Drawing On Fidgety Brilliance” — a short profile of Roz Chast.

Ms. Chast began contributing to The New Yorker in 1978. Visit her website here.

 

The Wednesday Watch: Today’s Daily Cartoonist & Cartoon; New Market Watch…Air Mail; Donnelly Live-Draws Dem’s Debate; A Susanne Suba Re-Issue

Today’s Daily Cartoonist & Cartoon

Desert drinks by Lila Ash, who began contributing to The New Yorker in 2018.

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New Market Watch

Considering the narrowing avenues for cartoonists , it’s always a brighter day when a cartoon-carrying publication is launched.  We now have two (online-only) issues of former Vanity Fair editor, Graydon Carter’s Air Mail to peruse. You’ll find cartoons under the heading “Small Talk” (not an exclusive-to-cartoons-heading). Many, if not all of the cartoonists in these first two issues seem to have caravanned over from the recently de-cartooned Esquire, where Air Mail‘s cartoon editor was formerly (and briefly) the cartoon editor.  New Yorker readers will recognize most of Air Mail‘s cartoonists appearing in these first two issues; they include Alex Gregory, Maddie Dai, Joe Dator, Drew Dernavich, Chris Weyant, Seth Fleishman, David Borchart, and Charlie Hankin.

Two other New Yorker artists (primarily contributors of New Yorker covers ) are given their own “Sketchbook” slots: Barry Blitt, and the legendary Edward Sorel (casually referred to under the heading, “Ed Sorel’s Sketchbook”).

The one nit-picky thing I’ll say about Air Mail‘s cartoon slot is that I wish the space allotted each cartoon wasn’t so compressed (the bright red Small Talk banner actually looks to be weighing down on a number of the cartoons,  invading the cartoon’s space).  I’ve always believed cartoons are better off with breathing room surrounding them (i.e., shown graphic respect).  You’ll notice that a number of text features ( Science, Tech Lab, But First…, Highlight, Crime) all have a horizontal line placed below their heading, cleanly separating the feature’s title from the article.

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Liza Donnelly Live-Draws Dem’s Debate

Check out Liza Donnelly’s graphic take on last night’s debate. 

Ms. Donnelly has been contributing to The New Yorker since 1982.

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A Susanne Suba Re-Issue

Originally published in 1951 by Rand McNally (cover on the left), The Theatre Cat by Noel Streatfeild, with illustrations by New Yorker artist Susanne Suba will be re-issued this September by Scholastic. 

Susanne Suba’s entry on the Spill‘s A-Z:

Born Budapest, Hungary 1913. Died February, 2012, NYC. Ms. Suba contributed numerous “spot” drawings to The New Yorker, as well as five covers and one cartoon, published September 18, 1948. Her first cover appeared October 21, 1939, and her last, March 2, 1963. Besides her work for the magazine she was a prolific illustrator of children’s books. A collection of her spot drawings was published in 1944, Spots By Suba: From The New Yorker (E.P. Dutton & Co., Inc, NY).

Link to the Spill‘s appreciation of Ms. Suba here.

 

 

 

The Tilley Watch, The New Yorker Issue Of June 24, 2019; Today’s Daily Cartoonist: J.A.K.; A Kickstarter Campaign For The Surreal McCoy’s “Wolf Of Baghdad” Soundtrack

The Cover: A debut by Olimpia Zagnoli.  According to The New Yorker‘s art editor, Francoise Mouly, the cover is a tribute to Pride Month.  Read about the cover here.

Note: with this issue the cover artist’s name has been returned to the Contributors page (p.4) after disappearing for the past two issues.  

The Cartoonists:

Co-credited cartoons are not as rare as they once were in The New Yorker, but still rare enough to mention the duo effort by Dan Abromowitz and Eli Dreyfus (p.55).  The team’s first cartoon appeared in the magazine in 2015.

       Cartoon Observations /Some Favorite Things:

Bruce Eric Kaplan’s use of “chaotic neglect” in his drawing (p.24).

Barbara Smaller’s use of “eligible for dessert” in her caption (p. 46).

The way Ed Steed handled his carrot and horses drawing (p.62).

Maddie Dai’s drawing (p.73). I’ve mentioned numerous times here on the Spill what a pleasure it is to be surprised by a drawing’s one-two punch. This is an excellent example of the second punch hitting perfectly on the caption’s very last word, “bangs.”

Trevor Spaulding’s big thermometer has a sort of Jack Ziegler feel to it. That’s a very good thing.

Two cartoons with shopping carts! Drew Panckeri’s (p.32) and Amy Hwang’s (p. 52). I have a soft spot for shopping carts in cartoons as one appeared in my debut New Yorker drawing .   

Rea Irvin:

Mr. Irvin’s classic Talk masthead (below) is sadly still in mothballs after it disappeared a little over two years ago. Read about it here.

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Today’s Daily Cartoonist/Cartoon

 Fishy WWIII thoughts by J.A.K. who began contributing to The New Yorker in 2014. 

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A Kickstarter Campaign For The Surreal McCoy’s “Wolf Of Baghdad” Soundtrack

Ms. McCoy has been contributing to The New Yorker since 2014.

All the info here.

Visit The Surreal McCoy’s website here.

 

The Tilley Watch Online, June 3-7, 2019; Book On The Horizon: A Rich Sparks Cartoon Collection

A weekend roundup of the cartoonists whose work appeared on newyorker.com’s Daily Shouts and Daily Cartoon.

The Daily Cartoon: Barry Blitt, J.A.K., Peter Kuper, David Borchart, and Maddie Dai

Daily Shouts:  Julia Wertz, Ivan Ehlers, and Tom Chitty (with L.B. Murphy)

See work by all of the above (and more) here.

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Coming this winter from Yoe Books, a collection of cartoons by Rich Sparks: Love and Other Weird Things.

Mr. Sparks has been contributing to The New Yorker since 2016. Visit his website here. 

The Tilley Watch, The New Yorker Issue of February 11, 2019; Today’s Daily Cartoon

The Cover: This week’s New Yorker cover is by Pascal Campion, his second cover for the magazine — his second moody metropolis scene. Read about it here. I wonder if we’ll see a moody mid-western, western, northeastern or southern scenario anytime soon.

The Cartoonists:

The Cartoons: Several nice surprises this week. The first was running into Sam Gross’s lead-in cartoon (his work has been appearing in the magazine for forty-nine years). There are certain cartoonists whose style alone gets the laugh meter buzzing. Mr. Gross is one of those cartoonists. The other surprise: R.O. Blechman’s “spot” drawings. Mr. Blechman’s wonderful drawings and covers have appeared in the magazine for forty-five years.

A third nice thing to see in this issue: the number of cartoons. Bumped up from the usual dozen or so to a healthy eighteen. They just keep on a-comin as you flip through the magazine (as do the illustrations).

If I have one little dark cloud to drag over this sunny moment it’s another plea for some of the work to be run larger (true, some cartoons run large, should be smaller). A number in this issue are, to my eyes, sized just right (a few for instances: Tom Cheney’s on page 54, and Jon Adams on page 52). Perfectly sized is Seth Fleishman’s terrific drawing on page 39. But others seem wedged into their corners; Roz Chast’s intricate Candy Land For Adults (page 32) and David Sipress’s off the beaten track restaurant (page 25) would benefit from more space. Really all I’m campaigning for is a graphic invitation for readers to fully appreciate the work. The work of the late George Price is a good example of how a cartoonist’s world can take us in for some detached momentary fun-time. Mr. Price’s drawings were usually allowed a lot of breathing room on the page. One paused to inspect the work, to enjoy all the “stuff” Price gave us. Imagine one of his drawings run in a little box on the corner of a page.

A few favorite drawings, or elements of drawings in this issue: Joe Dator’s monkey (page 40); Paul Noth’s drawing (page 60) — a great addition to the New Yorker‘s doctor canon; P.C. Vey’s theater drawing; Maddie Dai’s drawing of a sculptor and friend, as well as the caption; Frank Cotham’s perfect caption for his drawing (page 36). All fine, inspiring moments.

Next-to-Lastly, a mention of the newest cartoonist on the block: Ellie Black, the third newbie this year and the twenty-seventh new cartoonist brought in since Emma Allen became the magazine’s cartoon editor in May of 2017. A good debut, with a welcome unexpected play on the well-worn hands touching moment we’ve seen in movies and books.

And lastly, let us not forget the great work of Rea Irvin, especially his mothballed masthead design. Here it is:

Speaking of Mr. Irvin, I spoke too soon last week about the New Yorker‘s anniversary issue appearing this week. Had I bothered to consult the fine print publishing info found near the end of each issue I would’ve seen that next week’s magazine (a double issue: February 18 & 25) is the 94th anniversary issue.

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Today’s Daily Cartoon

Today’s Daily cartoon, a post-Super Bowl tie-in, is by Farley Katz, who began contributing to The New Yorker in 2007. Link to his website here.