The Monday Tilley Watch, The New Yorker Issue Of July 29, 2019; Today’s Daily Cartoonist And Cartoon; A Julia Wertz Daily Shouts; Fave Photo Of The Day

The Cover:  I see destructive tourists at the core of this cover, yet destruction doesn’t come up in Joost Swarte’s interview with The New Yorker‘s art director, Francoise Mouly.  Odd?

The Cartoonists:

The Cartoons:

Almost a theme issue, of sorts:  Amy Hwang (cats), Roz Chast (dogs), Farley Katz (flamingos), Joe Duffy (pigs), Kendra Allenby (deer), Frank Cotham (a snake), Shannon Wheeler (snails), Hilary Fitzgerald Campbell (a rat).

Steering briefly away from the Spill‘s focus, I have to note that Salman Rushdie’s piece in the issue  is titled “The Little King” and the accompanying illustration (by Nico Schweitzer) is a play on Otto Soglow‘s famous character. The illustration seems even closer to the toy Little King than the drawing of the King :

 

 

Applause for Bob Eckstein‘s shuttlecock drawing on page 48, and Ellis Rosen‘s heralded fellow drawing on page 42.

 

From the Department of fun coincidences. Liana Finck’s lifeguard drawing (p. 33) immediately reminded me of an obscure original Lee Lorenz drawing hanging here at Spill headquarters. The Lorenz drawing (its barely legible caption: “Help!”) was not in The New Yorker.  I’ve yet to figure out where it was published, or how old it is.  Mr. Lorenz, visiting here and seeing the drawing, could not recall where it had appeared or its vintage. It appears to be in an earlier Lorenz style (but not the earliest), so we can at least place in an early-to-mid 1960s time frame.

Ms. Finck’s drawing and Mr. Lorenz’s are in some ways opposites of each other. Mr. Lorenz’s beach is overcrowded, while Ms. Finck’s beach is empty.  Ms. Finck’s life guard offers help (if helped); Mr. Lorenz’s life guard is crying out for help. What ties them together, at least for me, is the graphic core of each drawing: the exceptionally tall life guard stand. Fine fun work by both. 

Rea Irvin: Mr. Irvin’s iconic Talk masthead (below) left us in the Spring of 2017 after 92 years of service — it was replaced by a redraw.  Let’s hope the real thing returns before long.  Read about it here.

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Today’s Daily Cartoonist And Cartoon

Brendan Loper makes good use of oven mitts. Mr. Loper began contributing to The New Yorker in 2016.

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A Julia Wertz Daily Shouts

“Conversations With Ma: Paint The Toenails And Board-Game Gripes” 

— A series? by Julia Wertz who began contributing to The New Yorker in 2015.

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Fave Photo Of The Day

A crowd of folks who draw got together yesterday in Rhinebeck, New York.  Left to right: myself, Peter Steiner, John Cuneo, R.O. Blechman, Liza Donnelly, Bill Plympton, Danny Shanahan and Elwood Smith.

 

 

 

Thurber’s “Mile And A Half Of Lines” Launched; Today’s Daily Cartoonist & Cartoon: More Spills: …Graphic Mueller Reports…Liza Donnelly On Compassion

Thurber’s “Mile And A Half Of Lines” Launched

This must-have book takes wing today with an event in Thurber’s hometown of Columbus, Ohio. Read about it here.

Related: A Thurber piece in the CSM, July 11, 2019, “The not-so-secret life of James Thurber”

[full disclosure: both my wife, Liza Donnelly, and I contributed to A Mile and a Half of Lines]

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Today’s Daily Cartoonist & Cartoon

Politics & money by Mort Gerberg, who began contributing to The New Yorker in 1965.

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…From Salon, July 11, 2019, “Will more people read the Mueller Report if it’s a comic book?”

— with Shannon Wheeler content. Mr. Wheeler began contributing to The New Yorker in 2009.

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…From Medium, July 12, 2019, by Liza Donnelly: “What It Means To Be An American: Compassion”

Ms. Donnelly began contributing to The New Yorker in 1982.

 

 

From The Archive: A Ross Perot New Yorker Cartoon; Today’s New Yorker Daily Cartoon & Cartoonist; The Village Voice & MAD

I haven’t done a whole lot of (obviously) political cartoons over the years. A Supreme Court drawing in the very early 1980s and a Bill Clinton drawing in the early 1990s come readily to mind.  Ross Perot, the two-time Presidential candidate who died today at age 89, was a humor magnet. Like so many other of the magazine’s cartoonists ( including Lee Lorenz, Liza Donnelly, James Stevenson, Peter Steiner, Arnie Levin, Mick Stevens, Dana Fradon, J.B. Handelsman, and Jack Ziegler) I couldn’t resist having a graphic go at him. The below appeared in The New Yorker issue of May 27, 1996.

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Today’s New Yorker Daily Cartoonist & Cartoon

Beach reading by Ellis Rosen, who has been contributing to The New Yorker since 2016.  Visit his

website here.

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The Village Voice & Mad

 

From The Village Voice, July 9, 2019, “MAD Magazine: Eclipsed By Madness? Looking Back On The Publication That Endowed America With a B. S. Detector”  — this piece by Jeoffrey O’Brien on MAD in The Voice over the years.

Today’s Daily Cartoonist & Cartoon; McPhail’s Graphic Novel; Liza Donnelly Illustrates A Carole King Announcement

Today’s Daily Cartoonist & Cartoon

Teresa Burns Parkhurst (a New Yorker cartoonist since 2017) on Pets and 4th Of July Booms. 

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Will McPhail’s Graphic Novel

From The Bookseller, July 3, 2019, “Sceptre Wins Three-Publisher Auction For New Yorker Cartoonist’s Debut” — Will McPhail (shown above)  has been signed to deliver a graphic novel in 2021. Read about it here.

Mr. McPhail began contributing to The New Yorker in 2014.

 

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Liza Donnelly Illustrates A Carole King Announcement

On Twitter @carole_king, this Liza Donnelly drawing via Carole King clarifying that her concert in D.C. on the 4th is not associated with the Trump tank show the same day. A Deadline Hollywood piece here about it.

Ms. Donnelly began contributing to The New Yorker in 1982.

The Monday Tilley Watch, The New Yorker (Double) Issue, July 8 & 15, 2019; Today’s Daily Cartoonist’s Cartoon

The Cover: A hot dog cart guy gets some beach time on Peter De Seve’s cover.  Read the Cover Story here.

The Cartoonists:

The Newbies: Making their New Yorker print debut this week: Victor Varnado and Akeem Roberts. They become the record-setting nineteenth and twentieth new cartoonists entering the magazine’s stable of artists this year and the forty-fifth and forty-sixth new artists brought in under cartoon editor Emma Allen’s stewardship, begun in May of 2017.

The Cartoons: Brief thoughts on some of the thirteen cartoons in the issue:

Roz Chast’s Ordinary Kreskin drawing (p. 37).  Love Ms. Chast’s right-to-the-point drawings, like this one. Perhaps not so unusual, but noticeable: she’s drawn Mr. Kreskin with five fingers (a lot of cartoonists find four will do for their cartoon characters). 

Liana Finck’s talking baby (p. 44).  A terrific twist on an end-of-life sentiment. I found myself wondering if it would’ve been equally successful had the baby been talking to another baby.

Ed Steed’s hammered drawing (p.54).  At first glance on my laptop, before zooming in on the drawing I thought that Mr. Steed had done a mash-up drawing with George Booth. If you squint your eyes, it’s a very Boothian room (the perspective, the hanging ceiling lamp, the floorboards, wall objects). 100% Steedian is the idea itself and the Steedian happily hammering woman.

My confused initial take on seeing the drawing leads me to toss out a suggestion. There’s been plenty written on this site about cartoon collaboration, but those duets have involved a writer teamed with an artist (or two artists collaborating) with just one person doing the drawing.  Howz about for fun we see some artists team-up and create a drawing or two with multiple styles in one frame. Some suggestions: Chast/Finck, Dator/Donnelly,  Hwang/Shanahan, Sipress/Allenby,  Kenseth/Koren…just a thought. (Liza Donnelly and I had a ton ‘o’ fun doing a series of mash-up full-page graphic pieces for our 2009 collection, Cartoon Marriage)  

Paul Noth’s line of succession drawing (p. 58). Mr. Noth delivers a great drawing.  I only wish it had been given more breathing room (such as Mr. Steed’s). 

Robert Leighton’s drawing (p.32) features a caption that would probably be right at home in a positive thinking seminar.  Yet another Leighton drawing destined for many a refrigerator.   

Karen Sneider’s funny fish in bed recalls the classic George Price drawing published in the magazine’s issue of December 21, 1963

Rea Irvin: Mr. Irvin (with Harold Ross and his then-wife, Jane Grant) was a founder of The New Yorker‘s graphic architecture. Consider his adapted typeface (the so-called Irvin typeface) that is part of the magazine’s DNA, the breadth of cartoon worlds he encouraged as art supervisor, his department heading designs, and his numerous covers (including, of course, the magazine’s brilliant first that gave us Eustace Tilley). Tis a puzzlement that his iconic heading for the Talk Of The Town remains under a tarp. Here it is below, and here’s where you can read about its removal in 2017.

 

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Today’s Daily Cartoonist’s Cartoon

Singin’ under the drip from Amy Kurzweil, who began contributing to The New Yorker in 2016. Visit her website here.