The Tilley Watch, The New Yorker Issue Of January 28, 2019

The Cover this week — rushed released days earlier — is from the masterful pen of John Cuneo. Below is an early version of the published cover, provided courtesy of Mr. Cuneo.

The Cartoonists (note the Spots contribution from Ed Steed) :

The Cartoons:

A little bit of something for everyone in this issue: an ice fisherman, a whale, a cat person in a dog park, a windy city street, imbibing cave people, a library, clowns, the subway, domestic situations, the mob, a police lineup, a restaurant scenario, Snow White.

Cartoon placement-wise, it was good to see some stretching out from the usual rectangular box seated in a corner of a page. Frank Cotham’s basement drawing run three columns wide (on page 30) is a good example, as is Zach Kanin’s ice fisherman on page 63 and Liana Finck’s drawing on page 72. Brendan Loper’s party-folk drawing on page 44, and Kim Warp’s police lineup drawing on page 48 were also given more breathing room. Then there’s Will McPhail’s full page (with the “Sketchbook” heading of “L’) on page 43. I’ve given this drawing some extra thought this morning, wondering if it needed the “Sketchbook” heading. What exactly does the “Sketchbook” designation bring to the page. I also wonder if those outside the New York/ Metropolitan area understand that the “L” refers to the “L” line of the New York City subway system (and local stories concerning the line). And then there’s the question of whether the “L” train reference actually means something here that’s essential to understanding the little story played out in sequence. Perhaps, perhaps. Perhaps not. So many questions! Anyway, it’s a fun drawing that works well no matter the subway line. As noted with a hint of impatience on Cartoon Companion, New Yorker subway cartoons have become nearly a standard scenario in recent months. I continue to believe that no scenario is played-out if the idea works well.

A subway sidenote: when I think of previous multi-panel subway cartoons my first thought is of this one by Liza Donnelly from the New Yorker issue of April 14, 1986. And speaking of Ms. Donnelly, in her cave man drawing on page 21 of this latest issue of the magazine there’s not a cave man in sight.

I’ve been re-watching the entire run of “The Sopranos” lately, so Joe Dator’s cement shoe drawing on page 52 grabbed my attention. I especially enjoyed seeing the George Boothian bare light bulb hanging down from the ceiling.

This issue marks the New Yorker print debut for Emily Bernstein. Ms. Bernstein is the third new New Yorker cartoonist of the year and the 28th since Emma Allen became the magazine’s cartoon editor in the Spring of 2017.

The Tilley Watch again signs-off with a nod to the missing Rea Irvin masthead (seen below). Read about it here.


The Tilley Watch Online, November 5-9, 2018; Site Of Interest: A New Yorker State Of Mind; Short Interview Of Interest: Art Spiegelman

The emphasis was, of course(!), on the political this week, with at least half of the Daily Cartoons specifically Trump-centered (Farley Katz‘s Amazon drawing referencing hometown baseball and  “Midnight Cowboy” (?) was an exception).  The other contributing New Yorker cartoonists were Ellis Rosen, Kim Warp, Lars Kenseth, Brendan Loper, and Mort Gerberg.

Over on Daily Shouts, Olivia de Recat and Tom Chitty were the contributing New Yorker cartoonists (Ms. de Recat twice).

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Site Of Interest: A New Yorker State Of Mind

The always entertaining and enlightening A New Yorker State Of Mind: Reading Every Issue Of The New Yorker looks at the issue of October 26, 1929 (with Theodore Haupt’s beautiful cover). Key quote from this post:

Although two months remained in the decade, the New Yorker of the Roaring Twenties effectively ended with this issue, just days before a massive market crash sent the nation spiraling into the Great Depression.

Read here

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Short Interview Of Interest: Art Spiegelman

From the University of Southern California’s Daily Trojan, November 9, 2018, “Art Spiegelman on comic-book stardom and the responsibility of today’s artists”

 

 

The Tilley Watch Online, The Week Of October 15-19, 2018; Cartoon Companion’s Latest Ratings; A Rare New Yorker Cartoon Anthology; More Spills

 It was a less Trumpian than usual  week on the Daily. The contributors: Kim Warp, Jeremy Nguyen, Jason Chatfield (with Scott Dooley) and Lila Ash, with two.  [Note: Ms. Ash’s work has yet to appear in the print magazine].

And over on Daily Shouts, the contributing New Yorker cartoonists were Edward Steed, Liana Finck, Tim Hamilton, Hilary Fitzgerald Campbell.

To see all of the above and more, go here.

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The CC‘s “Max” and “Simon” are back, and they’ve awarded an unusual joint 6 to one of the issue’s cartoons (the boys rate the cartoons from 1 to 6, with 6 the tops). Agree? Disagree? Read here.

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Comics DC‘s editor, Mike Rhode has discovered a hitherto unknown collection — it was unknown to me anyway: Newseum Book of Cartoons.

  See the rest of it here. 

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…”Art As Witness: Political Graphics 2016-2018″ is up and running through November 3 at the School of Visual Arts. Among the contributing New Yorker artists: Andrea Arroyo, R.O. Blechman, Barry Blitt, Edward Sorel, John Cuneo, Felipe Galindo, and Peter Kuper. All the info here.

…On Longreads, “A Woman Becomes A Nightingale” — a timely illustrated piece by Carolita Johnson.

 

 

 

The Tilley Watch Online, The Week Of September 24-28, 2018; Early Release Of Next Week’s New Yorker Cover; A Mystery Cartoonist; Three Cartoonists in Pennsylvania: Cartoon Companion Rates The Latest New Yorker Cartoons; The New Yorker Encyclopedia Of Cartoons: Gender Studies

An atypical less specifically Trumpian Daily Cartoon week — although he hovers. The contributing cartoonists: Kim Warp, Ellis Rosen, Peter Kuper, and Emily Flake.

Daily Shouts contributing cartoonists: Amy Kurzweil with illustrations by Ellis Rosen, and Ali Fitzgerald.

You can see all the work here.

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Early Release Of Next Week’s New Yorker Cover

As happens from time-to-time, the magazine has early released its next cover. Here’s Ana Juan’s cover for next week’s issue, as well as a short piece about it.

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Mystery Cartoonist

Arnold Zwicky’s Blog, which concerns itself with cartoon language, has posted a cartoon by a mystery cartoonist:

 

If you’re able to identify the artist, please contact Mr. Zwicky through his site.

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Three Cartoonists In Pennsylvania

This Sunday, at the Milford Readers & Writers Festival:

11:30AM:-THREE NEW YORKER CARTOONISTS TALK ABOUT FUNNY:- New Yorker Cartoonists CHRISTOPHER WEYANT and DAVID BORCHART join cartoonist and media commentator BOB ECKSTEIN in a conversation about creating humor. There will be plenty of funny cartoons shown.

Mr. Weyant began contributing to The New Yorker in 1998.

Mr. Borchart began contributing to The New Yorker in 2007.

Mr. Eckstein began contributing to The New Yorker in 2007.

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Cartoon Companion Rates The Latest New Yorker Cartoons

“Max” and “Simon” rate the the cartoons from the issue of October 1st.  P.C. Vey is awarded the CC‘s coveted “Top Toon” blue ribbon.  Read it all here.

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 The New Yorker Encyclopedia Of Cartoons: Gender Studies

Above: two pages of the Index from Volume 1 of The New Yorker Encyclopedia Of Cartoons

In his Foreword to The New Yorker Encyclopedia of Cartoons, the magazine’s editor, David Remnick has this to say about gender equality in the ranks of New Yorker cartoonists:

Any cartoon compilation that draws from these archives makes it clear what a male preserve it was. 

And indeed, this encyclopedia reflects that in numbers of cartoons included by women. Of the advertised 3000 cartoons, 142 are by the 19 women represented. Simple math tells us that the remaining 2,858 cartoons are by men.  If you take Roz Chast’s 54 cartoons out of the 142, you’re left with 88 cartoons by 18 women. I emphasize again, as I did in the previous post about the encyclopedia, that this two volume set is not presented as an all-encompassing anthology representing the magazine’s past 93 years; there’s no expectation of some kind of balanced inclusion based on numbers of cartoons the artists contributed.  That isn’t what this encyclopedia is.

And yet, I did find myself hoping for more work by two major female contributors, Helen Hokinson and Barbara Shermund. They have a combined total of 6 cartoons in the encyclopedia. Ms. Shermund’s work appeared in The New Yorker just over 600 times (including 8 covers). I believe, if my numbers are correct she is the third most published female cartoonist in the magazine’s history. She is represented by 1 cartoon in the encyclopedia. Ms. Hokinson is in the top ten of the Spill‘s 23 member K Club (the group of cartoonists who have 1000 or more cartoons published in the New Yorker).  She is in fact, the most published female New Yorker artist in the magazine’s history with 1,796 cartoons and 68 covers. She is represented by 5 cartoons.

 

 

 

 

 

 

 

 

The Tilley Online Watch, The Week of September 17- 21, 2018; More Spills: A Deep Dive Into The New Yorker Issue Of Sept. 14, 1929… Steinberg Chrysler Building At Auction

The Daily Cartoons were 4/5s in the realm of Trump this week. The contributing cartoonists:  Kim Warp, Jason Chatfield (with Scott Dooley), Mike Twohy, Karl Stevens (not yet a print contributor), and Brendan Loper (who probably appears most regularly on the Daily).

The Daily Shouts contributing New Yorker cartoonists this week: Emily Flake, Liana Flake, and Olivia de Recat.

You can see all the work (and more) here.

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Two favorite Spill blogs to visit!

…A New Yorker State Of Mind: Reading Every Issue Of The New Yorker takes a fascinating deep dive into the issue of September 14, 1929, with a cover by the great Rea Irvin. (also in the post: an appreciated shout-out to the Arno biography). Read here.

And Attempted Bloggery tells us about a beautiful Steinberg piece (dated 1965) up for auction.  I’ve yet to see anyone top Steinberg’s Chrysler Building drawings. Incredible.  Take a look here.