The Tilley Watch Online, February 25 – March 1, 2019: Chast At The Strand & On The Radio

This week’s Daily cartoonists: Ivan Ehlers, Barry Blitt, Christopher Weyant, Brendan Loper, and Kim Warp.  Save for Ms. Warp’s Oscar drawing, the rest all Donald J. Trump-related.

Julia Wertz was the sole New Yorker cartoonist Daily Shouts contributor.

You can see all of the above, and more here.

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Chast At The Strand

Roz Chast at the Strand this coming Wednesday.  All the info here.

Ms. Chast will be on the radio earlier that very same day.  Info here.

…for more Chast, link here to her website.

 

90th Birthday Of Interest: Arnold Roth; The Tilley Watch: The March 4, 2019 New Yorker; Video Profile Of Interest: Cover Artist Jenny Kroik; Today’s New Yorker Daily Cartoonist: Kim Warp

A Roth New Yorker Cover

Today’s the 90th birthday of the one-and-only Arnold Roth. There’s a nice birthday tribute to him on The Daily Cartoonist.

From The Spill Vault: I had a great time chatting with Mr. Roth a few years ago for this Spill piece on his John Updike Bech book covers.

Here’s Mr. Roth’s entry on the Spill’s A-Z:

Arnold Roth Born, Philadelphia, Pennsylvania, February 25, 1929. New Yorker work: November 16, 1992 –. Mr. Roth’s career is long and storied, his work associated with a number of magazines including Playboy, Esquire, TIME, and Punch. Read all about it on his website: www.arnoldroth.com/

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The Tilley Watch, The March 4th 2019 New Yorker

The Cover: Barry Blitt’s sign-holding Trump cover was released early and mentioned last week.

The Cartoonists:

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The Missing Rea Irvin Talk Masthead

Read about it here.

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Profile Of Interest: Cover Artist Jenny Kroik

Here’s a short video profile of cover artist, Jenny Kroik.

Her first cover appeared November 13, 2017. Link here to her website.

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Today’s Daily Cartoon

Today’s Daily cartoon, post-big night in Hollywood, is by Kim Warp. Ms. Warp began contributing to The New Yorker in 1999.

The Tilley Watch, The New Yorker Issue Of January 28, 2019

The Cover this week — rushed released days earlier — is from the masterful pen of John Cuneo. Below is an early version of the published cover, provided courtesy of Mr. Cuneo.

The Cartoonists (note the Spots contribution from Ed Steed) :

The Cartoons:

A little bit of something for everyone in this issue: an ice fisherman, a whale, a cat person in a dog park, a windy city street, imbibing cave people, a library, clowns, the subway, domestic situations, the mob, a police lineup, a restaurant scenario, Snow White.

Cartoon placement-wise, it was good to see some stretching out from the usual rectangular box seated in a corner of a page. Frank Cotham’s basement drawing run three columns wide (on page 30) is a good example, as is Zach Kanin’s ice fisherman on page 63 and Liana Finck’s drawing on page 72. Brendan Loper’s party-folk drawing on page 44, and Kim Warp’s police lineup drawing on page 48 were also given more breathing room. Then there’s Will McPhail’s full page (with the “Sketchbook” heading of “L’) on page 43. I’ve given this drawing some extra thought this morning, wondering if it needed the “Sketchbook” heading. What exactly does the “Sketchbook” designation bring to the page. I also wonder if those outside the New York/ Metropolitan area understand that the “L” refers to the “L” line of the New York City subway system (and local stories concerning the line). And then there’s the question of whether the “L” train reference actually means something here that’s essential to understanding the little story played out in sequence. Perhaps, perhaps. Perhaps not. So many questions! Anyway, it’s a fun drawing that works well no matter the subway line. As noted with a hint of impatience on Cartoon Companion, New Yorker subway cartoons have become nearly a standard scenario in recent months. I continue to believe that no scenario is played-out if the idea works well.

A subway sidenote: when I think of previous multi-panel subway cartoons my first thought is of this one by Liza Donnelly from the New Yorker issue of April 14, 1986. And speaking of Ms. Donnelly, in her cave man drawing on page 21 of this latest issue of the magazine there’s not a cave man in sight.

I’ve been re-watching the entire run of “The Sopranos” lately, so Joe Dator’s cement shoe drawing on page 52 grabbed my attention. I especially enjoyed seeing the George Boothian bare light bulb hanging down from the ceiling.

This issue marks the New Yorker print debut for Emily Bernstein. Ms. Bernstein is the third new New Yorker cartoonist of the year and the 28th since Emma Allen became the magazine’s cartoon editor in the Spring of 2017.

The Tilley Watch again signs-off with a nod to the missing Rea Irvin masthead (seen below). Read about it here.


The Tilley Watch Online, November 5-9, 2018; Site Of Interest: A New Yorker State Of Mind; Short Interview Of Interest: Art Spiegelman

The emphasis was, of course(!), on the political this week, with at least half of the Daily Cartoons specifically Trump-centered (Farley Katz‘s Amazon drawing referencing hometown baseball and  “Midnight Cowboy” (?) was an exception).  The other contributing New Yorker cartoonists were Ellis Rosen, Kim Warp, Lars Kenseth, Brendan Loper, and Mort Gerberg.

Over on Daily Shouts, Olivia de Recat and Tom Chitty were the contributing New Yorker cartoonists (Ms. de Recat twice).

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Site Of Interest: A New Yorker State Of Mind

The always entertaining and enlightening A New Yorker State Of Mind: Reading Every Issue Of The New Yorker looks at the issue of October 26, 1929 (with Theodore Haupt’s beautiful cover). Key quote from this post:

Although two months remained in the decade, the New Yorker of the Roaring Twenties effectively ended with this issue, just days before a massive market crash sent the nation spiraling into the Great Depression.

Read here

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Short Interview Of Interest: Art Spiegelman

From the University of Southern California’s Daily Trojan, November 9, 2018, “Art Spiegelman on comic-book stardom and the responsibility of today’s artists”

 

 

The Tilley Watch Online, The Week Of October 15-19, 2018; Cartoon Companion’s Latest Ratings; A Rare New Yorker Cartoon Anthology; More Spills

 It was a less Trumpian than usual  week on the Daily. The contributors: Kim Warp, Jeremy Nguyen, Jason Chatfield (with Scott Dooley) and Lila Ash, with two.  [Note: Ms. Ash’s work has yet to appear in the print magazine].

And over on Daily Shouts, the contributing New Yorker cartoonists were Edward Steed, Liana Finck, Tim Hamilton, Hilary Fitzgerald Campbell.

To see all of the above and more, go here.

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The CC‘s “Max” and “Simon” are back, and they’ve awarded an unusual joint 6 to one of the issue’s cartoons (the boys rate the cartoons from 1 to 6, with 6 the tops). Agree? Disagree? Read here.

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Comics DC‘s editor, Mike Rhode has discovered a hitherto unknown collection — it was unknown to me anyway: Newseum Book of Cartoons.

  See the rest of it here. 

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…”Art As Witness: Political Graphics 2016-2018″ is up and running through November 3 at the School of Visual Arts. Among the contributing New Yorker artists: Andrea Arroyo, R.O. Blechman, Barry Blitt, Edward Sorel, John Cuneo, Felipe Galindo, and Peter Kuper. All the info here.

…On Longreads, “A Woman Becomes A Nightingale” — a timely illustrated piece by Carolita Johnson.