The Tilley Watch Online, June 17-21, 2019; Book On The Horizon: Shannon Wheeler’s Mueller Report

A Weekend Roundup of New Yorker Cartoonists Whose Work Appeared on Daily Shouts or The Daily Cartoon

The Daily Cartoon: Avi Steinberg, Tim Hamilton, Farley Katz, Kendra Allenby, and J.A.K.

Daily Shouts: Sara Lautman, and Olivia de Recat with Julia Edelman.

See all of the above and more here.

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News of this Spring 2020 release from IDW, The Mueller Report: Graphic Novel by Steve Duin and Shannon Wheeler.

From the publisher:

“Wheeler and Duin, in graphic form, bring to life scenes detailed in the report: from the infamous Trump Tower Meeting of 2016 to Trump exclaiming “I’m f*cked” upon finding out he was the subject of investigation. It’s in the report and it’s in the graphic novel!”

Mr. Wheeler’s entry on the Spill‘s A-Z:

Shannon Wheeler New Yorker work: May 4, 2009 – . Key collection: I Thought You Would Be Funnier ( BOOM! Studios, 2010). Website: tmcm.com/

 

 

Esquire Lets Cartoon Editor Go; A New Yorker State Of Mind Two-Fer With Soglow, Arno, Thurber & More; Today’s Daily Cartoonist: Kendra Allenby

Heads Roll At Esquire: Cartoon Editor Let Go

From The New York Post, June 6, 2019, “Esquire Magazine Faces Turmoil Amid Masthead Exodus” — among those let go: the magazine’s cartoon and humor editor.

 

 

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A New Yorker State Of Mind Two-Fer

A favorite blog looks at the two issues shown above. Peter Arno did the cover on the left; Constantin Alajalov did the cover on the right.  This particular post is chock full of cartoon related material (Ottos Soglow, Thurber, Reginald Marsh…), so dive in!

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Cartoonist/Cartoon Of The Day

Kendra Allenby, who began contributing to The New Yorker in 2016, reflects on summer jobs. 

More MoCCA Today (With Photos) & “My First MoCCA”; David Sipress On A 1969 Harvard Protest

More MoCCA Today

At least three New Yorker cartoonist events scheduled today: Liana Finck in conversation with Gabrielle Bell; a “spotlight” on Mark Alan Stamaty; Emily Flake as part of a panel, “Narratives On Motherhood”; cover artist Ivan Brunetti in a panel on “Comics and the Teaching Artist” (right: Ms. Bell and Ms. Finck today. Courtesy of Stephen Nadler).

And more photos from today (all courtesy of Liza Donnelly, with the exception of the Mark Alan Stamaty photo.  That’s another courtesy of Stephen Nadler):

Top row, l-r: Peter Kuper, Felipe Galindo, Mark Parisi, Ellis Rosen.

Middle row: Arnold Roth & Caroline Roth, Liza Donnelly, Keith Knight.

Bottom: Mark Alan Stamaty (l), and Bill Kartalopoulos, who, among other things, is MoCCA’s Programming Director, and Series Editor for The Best American Comics series. 

My First MoCCA:  A Personal Take

Judging by the scene I dove into at yesterday’s MoCCA Fest, the appetite for, and practice of comics and cartoons is booming. The place (the Metropolitan West on West 46th Street) was at capacity, loud and energized. I took in the must-see Cartooning For Peace exhibit on the second floor (curated by The New Yorker cartoonist, Liza Donnelly) then immediately ran into Dick Buchanan (who for quite some time has been sharing his voluminous cartoon file via Mike Lynch’s site). Mr. Buchanan had told me earlier in the week  that he’d be at the fest, and would bring along a copy of a book I’d never seen before:  Bernard Wiseman’s Cartoon Countdown (published in 1959). Mr. Wiseman contributed 197 cartoons to The New Yorker, from April 19, 1947 – June 11. 1960.

In the pr copy on the first page:

This is the first book of cartoons devoted exclusively  to he Conquest of Space. Let the Russians Match That! 

(to the right: The Cartooning For Peace Exhibit)

With  thanks to Mr. Buchanan for Cartoon Countdown, it was on to a tour of the fest.

 

  The illustrator Tom Bloom was seen engaged in conversation with an exhibitor, the illustrator/educator, Steve Guernaccia blew by (he’s hard to miss, sartorially). The multitude of people, of tables laden with products bearing graphic images, posters, cards, etc., etc., was astounding. Along with me on the tour was one of my co-panelists, Danny Shanahan.  We were moving along at a good pace with the flow of the crowd when a familiar book cover on the New York Review Comics table got our attention: Saul Steinberg’s recently reissued Labyrinth (also on the table were a number of Maira Kalaman titles).  I bet Steinberg would’ve enjoyed the scene passing by his book.

Closing in on the slotted time for our panel with Mort Gerberg, we headed over to Ink48 on 11th Avenue, where the panels took place. Ran into Stephen Nadler of Attempted Bloggery  who reminded us that Mark Alan Stamaty was signing his anniversary edition of MacDoodle Street.

Co-panelist Bob Eckstein awaited us in the Garamond Room, where we were soon joined by Marisa Acocella, and the man of the hour, Mort Gerberg. Spotted in our audience were New Yorker contributors,  R. Sikoryak, and Sophia Warren, as well as friend to all comics creators, Karen Greene of Columbia University. Below photos of the panel courtesy of Mr. Nadler (l-r, Danny Shanahan, Bob Eckstein, myself, Marisa Acocella, and Mr. Gerberg).

One of the fun things to come out of paneling with colleagues is the unexpected nugget or two of New Yorker history. As he discussed selling his first cartoon to The New Yorker back in 1965 , Mr. Gerberg told us — and this is something I had never heard, and didn’t realize was even possible — that he had talked the then art editor, James Geraghty into allowing what was supposed to be a bought idea of Mr. Gerberg’s to become a bought drawing. New Yorker history buffs know that it was routine at the magazine back then to buy ideas and give them to established cartoonists. It’s quite a thing that Mr. Gerberg, with his first sale to the magazine, was not only able to buck that well-entrenched system, but to deliver the full page below (published in October 20,1965).

  After our panel concluded we panelists stayed in the same room to attend the next panel,  “Professional Development 101: Art Directors Roundtable.” How could we not –it included our very own cartoon editor, Emma Allen. As we moved into the audience we spotted fellow colleagues, Kendra Allenby, Tracey Berglund, and cartoonist, Marc Bilgrey. Ms. Allen was joined by Matt Lubchansky (of The Nib), Alexandra Zsigmond (formerly The New York Times), Will Varner (formerly Buzzfeed), and artist/educator, Viktor Koen, who moderated.  The “101” in the panel title was accurate — we heard what the scene was like for today’s beginning illustrator/artists trying to break in. One piece of advice from Ms. Allen that stood out for me:  something that would make her laugh while looking at [written and drawn] humor for four hours in a day, had an excellent shot.

By the way, the place was packed.

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David Sipress On A Harvard Protest In 1969

Mr. Sipress, who began contributing to The New Yorker in 1998, has a Personal History piece on newyorker.com: “Fake News, 1969: My Slightly Infamous Role In The Harvard Antiwar Protests”

 

 

The Tilley Watch Online, April 1-5, 2019; Reminder: MoCCA Weekend Kicks Off Today!

The Daily contributing New Yorker cartoonists this week: Christopher Weyant & Ellis Rosen (a dual effort), Pat Byrnes, Eli Dreyfus & Dan Abromowitz (another dual effort), Brendan Loper, and Kendra Allenby. 

 

New Yorker cartoonists contributing to Daily Shouts this week: John Klossner,  Emily Flake, Dan Abromowitz (with Eugenia Viti), Colin Stokes & Jason Adam Katzenstein (a dual effort).

 

 

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Reminder: MoCCA Fest 19 Begins Today!

Check out the Spill’s piece about the New Yorker folks you can expect to see this weekend.

 

 

The Monday Tilley Watch, The New Yorker Issue Of April 8, 2019; Today’s New Yorker Daily Cartoonist: Kendra Allenby

 

The Cover:   A circus acrobat practicing on a high bar (this is “The Health Issue”).  Read what the cover artist, Kenton Nelson, has to say about it here.

The Cartoonists:

The Cartoons:

Seventeen cartoonists (the duo effort counted as one cartoonist unit), with one, Adam Douglas Thompson, making his New Yorker print debut. Mr. Thompson is the 6th new cartoonist of the year, and the 30th brought in under Emma Allen’s cartoon editorship, kicked-off in May of 2017.

The duo of Adam Cooper and Mat Barton first appeared in the magazine in 2014.

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I won’t ID it, but there’s one cartoon in the issue that, for me, is a real head scratcher: i.e., I don’t “get” it.   Will call a friend later for help.

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 The Spill applause icon is standing by for a few of the drawings in the issue:

Pia Guerra’s fab Charles Addamsesque drawing on page 79. Seeing it this morning drove me back to looking through a number of Addams’ collections (see below).  If there have ever been geniuses in our stable, he’s one.

Two pages later, Zach Kanin also delivers an Addamsesque drawing. A wonderful cartoon. 

Applause and an observation regarding Brendan Loper’s laundry drawing on page 70:  both the drawing and the reader’s appreciation of the drawing would benefit from a drawing as cinematic as this appearing larger on the page. It’s given a decent space, but why not even more? (illustrations continue to have more exposure. There are 6 full (or nearly full) page illustrations in the issue). 

Here, by the way, are the Addams collections I looked through this morning:

 

Finally, as always, here’s Rea Irvin’s mothballed classic Talk masthead (you can read about it here):

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Today’s Daily Cartoonist/Cartoon

 See Kendra Allenby’s take here on the unSpringlike weather.  Ms. Allenby began contributing to The New Yorker in 2016.  Visit her website here.