Fave Photos of the Day: Liana Finck’s Opening
Liza Donnelly put on her Ink Spill photographer’s hat last night while attending Liana Finck‘s opening at the Equity Gallery in lower Manhattan (that’s Ms. Finck holding the flowers). My thanks to Ms. Donnelly for providing the photos below:
Attempted Bloggery Looks at Proposed New Yorker Cover Art
All this week, Stephen Nadler’s Attempted Bloggery is looking at cover art proposed, but rejected by The New Yorker. Here’s a portion of a piece submitted by Julian de Miskey. For the whole piece, and a lot more info, go here.
I was reminded today while reading an article that there is right this very moment an exhibit of Mary Petty’s work at the Pensacola Museum of Art. Here’s a link.
Shown here is my favorite cover of hers (I’ve no idea if it’s in the exhibit), and one of my favorite New Yorker covers of all-time (let’s say it’s in the top 100).
In that issue of August 4, 1945 are two cartoons by Ms. Petty’s husband, Alan Dunn as well as two by the great Helen Hokinson. Also in the issue are drawings by: Steinberg, Robert Day (a full page!), Whitney Darrow, Jr., Otto Soglow, Julian de Misky (a sequential drawing running over the gutter and onto the following page), Eric Ericson, Sam Cobean, Charles Addams, Garrett Price, Perry Barlow, and Chon Day. For anyone interested in why this era was called the golden age of New Yorker cartooning, seek out and enjoy the artistry of these contributors. (it’s available to New Yorker subscribers online; it’s also available on the Complete New Yorker, and any library still holding bound New Yorkers).
Back in 1931 The New Yorker published something called The New Yorker Scrapbook; unfortunately it contained zero cartoons, spots, covers, or illustrations. It’s a collection of writing from the then six year old magazine.
Over the years I’ve come across (either bought, or received as a gift) a number of scrapbooks containing clipped New Yorker art. In some cases they weren’t technically scrapbooks as the art wasn’t glued or pasted in a book, but stuffed in a manila folder. Those loose drawings are fun to look at, but you need to dump them out like Pick up Stix before wading through (I won’t show those here). Below are a few more orderly examples from Ink Spill’s archives.
The first scrapbooks I ever encountered were in a small used bookstore (The Book Cave?) in Woodstock, New York. Two volumes of New Yorker covers, each a three ring binder such as a student would have in high school. Someone had (unfortunately) used reinforcement hole protectors on every cover in the earlier binder. The earliest cover, seen on the left, is dated November 24, 1928 (artist: Julian de Miskey) — that’s a Helen Hokinson cover on the right. The last cover in the binder, barely visible in the photo (it’s the pink cover peeking out from the bottom) was the last cover of the 1930s (artist: Charles Addams).
The second volume, spared the hole reinforcements, picked up in the 1940s. Shown here: Rea Irvin‘s terrific cover of July 15, 1944 commemorating D-Day.
A more recent arrival to the Ink Spill archives (courtesy of a relative) is dated 1939-1940. The scrapbook contains carefully arranged New Yorker spot drawings. Though the pages are brittle the cover has aged well as have the spots:
Attempted Bloggery finishes up its week-long look at some of Peter Arno‘s work for College Humor. Kudos to Stephen Nadler for the great detective work resulting in this fine series.