The Weekend Watch: More New Yorker Cartoons On CBS Sunday Morning; One More Addition To Attempted Bloggery’s Mini-Arno Fest; The Tilly Watch Online, May 25-29, 2020

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More New Yorker Cartoons On CBS Sunday Morning

Here’s another brief slide show of pandemic-related cartoons shown today, with work by Jon Adams, Carolita Johnson, Johnny DiNapoli, and Avi Steinberg.

 

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One More Addition To Attempted Bloggery’s Mini-Peter Arno Fest

The Attempted Bloggery mini-Arno fest ends with a look at The Bedside Tales anthology (Armed Services Edition). See it here!

 

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An end of week listing of contributors to newyorker.com features, May 25-29, 2020.

The Daily Cartoon: Luke McGarry, Ben Schwartz, Drew Dernavich, Amy Hwang, Johnny DiNapoli.

Daily Shouts: Teresa Burns Parkhurst, Sofia Warren.

…and Barry Blitt’s Kvetchbook: “Fly Musk To The Moon”

To see all of the above and more, go here.

Note: The Spill site was down for a number of hours late yesterday due to technical difficulties. Sorry about that!

The Weekend Spill: The American Bystander’s Quarantine Calvacade; Film Of Interest: Barsotti: A Cartoonist’s Life; The Tilley Watch Online, April 13-17, 2020

American Bystander’s Cartoon Quarantine Calvacade

Michael Gerber, publisher and driving force behind The American Bystander has begun a Cartoon Quarantine Calvacade. He tells the Spill, he began it as an “outlet” for “both the audience and the contributors.” See it here (and subscribe to the Bystander while you’re there!).

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From a 14 year old Kansas filmmaker, Carter Rostrom, this short (5 minute) film, Barsotti: A Cartoonist’s Life. My thanks to Michael Gerber (of American Bystander fame) for bringing it to my attention.

Here’s Mr. Barsotti’s entry on the Spill‘s A-Z:

Charles Barsotti (photo above) Born, San Marcos, Texas, September 28, 1933.  Died, Kansas City, Mo., June 16, 2014. Mr. Barsotti was briefly the cartoon editor of The Saturday Evening Post (from 1968 until its demise in 1969). The New York Times review of his 1981 collection “Kings Don’t Carry Money” led with the following:”Thurber lives, in Kansas City under the name of Charles Barsotti.” His deceptively simple line drawings of pups and kings, and businessmen have been a presence in The New Yorker for over fifty years. It is likely that Mr. Barsotti is the only New Yorker cartoonist to have ever run for Congress (an unsuccessful bid, in 1972, in Kansas). New Yorker work: 1962 – . Key collections: Kings Don’t Carry Money (Dodd, Mead, 1981), and The Essential Charles Barsotti, Compiled and Edited by Lee Lorenz (Workman, 1998).

Link to Ink Spill’s Charles Barsotti appreciation

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The Tilley Watch Online, April 13 -17, 2020

An end of week listing of New Yorker artists who contributed to newyorker.com features.

The Daily Cartoon: Lila Ash, Paul Noth, Jon Adams, Peter Kuper, Brooke Bourgeois.

Daily Shouts: Liana Finck, Olivia de Recat, Sara Lautman, Ward Sutton, Ali Fitzgerald.

…and Blitt’s Kvetchbook: “Duck Doctor Dynasty”

 

Comics Journal Of Interest; Today’s Daily Cartoonist & Cartoon

Comics Journal Of Interest

The Summer-Fall Comics Journal features a “Career-Spanning” interview with Gary Groth (founder and President of Fantagraphics Books).

Read a little more here.

Roz Chast’s entry on the Spill‘s A-Z:

 

Roz Chast (pictured above. Photo by Bill Franzen) Born, Brooklyn, NY. New Yorker work: 1978 – . Key collections: Unscientific Americans (Dolphin/Doubleday, 1982), Theories of Everything ( Bloomsbury, 2006) Can’t We Talk About Something More Pleasant?: A Memoir (Bloomsbury, 2014). Website: rozchast.com/

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Today’s Daily Cartoonist & Cartoon

Jon Adams on quarantine fatigue. Mr. Adams began contributing to The New Yorker in October of 2017. Visit his website here.

 

 

 

The Weekend Spill: Cartoonists Offer #Cartoonrelief To Those Hit Hardest By Covid-19; The Tilley Watch Online, March 30 – April 3, 2020; Tom Gauld’s Collection Reviewed

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While checking in on a New Yorker cartoonist Slack group a few days ago I noticed a number of my cartoonist colleagues had begun using their art to help those in need during this pandemic. I asked if one of the organizers would explain in detail what they were up to. So here is my New Yorker cartoonist colleague, Amy Kurzweil to tell you about an incredibly worthy effort, #Cartoonrelief:

#Cartoonrelief was born on the New Yorker Cartoonist Slack channel. Navied Mahdavian posted that he’d just bought some photographs from Italian artists raising money for local hospitals, and wanted to know if we cartoonists were interested in selling prints or drawings for a coronavirus cause. I was just about to do something similar on my instagram; a couple times annually I sell prints and originals and give half the proceeds to charity, and this seemed like a moment to up my charitable game. I chose (and often raise money for) Give Directly because their charitable model makes the most sense to me; they give unconditional, direct cash transfers to people living in extreme poverty; they’re highly rated by charity watch orgs because their model means overhead costs are low and decisions about how to spend money are as local as possible. Usually their efforts are global, but right now they have a fund that sends cash to US families hit hardest by COVID-19. 
Other cartoonists jumped on board, and we each made our own choices about what to offer and for how much, given our various constraints at the moment. Avi Steinberg is offering digital portraits, Navied Mahdavian is offering original cartoon drawings, Brendan Loper is offering original cartoon drawings, digital prints, and pet portraits, Sofia Warren is offering originals portraits and original collaborative cartoons, Kendra Allenby is offering signed prints and one-on-one art consultations, Ivan Ehlers is offering prints and custom digital portraits. Neil Dvorak is offering prints, Tom Chitty is drawing robots on horses. Each of our offerings is set at a different price-point, between $25 and $125; people just have to message us the receipt for their donation. I’m offering drawn portraits for $100 and personalized digital cartoon prints for $50. Most people are going for portraits, usually of a loved one: a child they’re quarantining with, a partner they are or aren’t quarantining with, a coworker they’re missing. Although it’s been a lot of work, it’s felt quite meaningful to enter people’s lives momentarily through the act of drawing the people they love. All the responses have been incredibly validating. Here are a few of the portraits I’ve done so far:
And here are some other offerings:
Original Cartoons from Navied:
A collaborative cartoon from Sofia and a donating contributor:
I’ve noticed people have been making much larger donations than I suggest. For example, someone just sent me a receipt for $1000. I think people who can give, want to give, and they appreciate encouragement and validation for doing so. Together we’ve raised $8,000 +… and counting!
If you’d like to join us: Our efforts are unified under the hashtag #cartoonrelief, and any cartoonists can get involved by offering whatever art they can, for a COVID-19 related charitable cause. We’re encouraging of cartoonists and cartoon supporters to propose their own charity or fund they believe is helping with medical or economic relief right now.
If people have any questions about how to get involved, or want to support our efforts, you can reach out to any of the cartoonists mentioned above on Instagram, or email me directly: amykurz@gmail.com 
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A listing of New Yorker artists who contributed to newyorker.com features during the week of March 30 – April 3, 2020.
The Daily Cartoon: Peter Kuper, Shannon Wheeler, Jon Adams, Johnny Dinapoli, Kendra Allenby.
Daily Shouts: Liana Finck, Jason Chatfield (with Ginny Hogan), Avi Steinberg.
…Barry Blitt’s Kvetchbook.
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Tom Gauld’s Cartoon Collection Reviewed
Mr. Gauld is a New Yorker cover artist.

 

The Wednesday Watch: Liza Donnelly’s Daily Live-Draw; Today’s Daily Cartoonist & Cartoon

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Liza Donnelly Live Draws For You

If you’ve been on Twitter, Facebook, or Instagram in recent years you’ve probably run into some of Liza Donnelly‘s live-drawing (either seeing her actually drawing, or stories of where she’s been live-drawing).  A pioneer in the field of visual journalism, she’s gone around the globe drawing people and places. Now at home (like most of us) she’s drawing from her studio for us all. I asked Ms. Donnelly to briefly tell us about what she’s up to:

I’m doing three things:

-Daily live draw for Instagram where I talk and show my hand drawing. It will be in my IGTV as well as live.   @lizadonnelly

-A daily short soundless animation on all social channels. @lizadonnelly

 

-And I’m selling signed prints and t-shirts and mugs etc of my Corona love drawing. To benefit @GlobalGiving to help fight the virus, and help during the Corona Virus Pandemic. Contact me at : lizadonnelly@gmail.com

 

Here’s Ms. Donnelly’s entry on the Spill‘s A-Z:

Liza Donnelly Born, Washington, D.C. New Yorker work: June 21, 1982 – Key book: Funny Ladies: The New Yorker’s Greatest Women Cartoonists and Their Cartoons (Prometheus, 2005). Edited:  Sex & Sensibility: Ten Women Examine the Lunacy of Modern Love…in 200 Cartoons ( Twelve, 2008). Co-authored with Michael Maslin: Husbands & Wives ( Ballantine 1995), Call Me When You Reach Nirvana ( Andrew & McMeel, 1995), Cartoon Marriage ( with Michael Maslin) (Random House, 2009), When Do They Serve the Wine?( Chronicle, 2010). Women On Men (Narrative Library, 2013). Donnelly also wrote and illustrated a popular series of dinosaur books for children ( Dinosaur Day, Dinosaur Beach, Dinosaur Halloween, etc.) all published by Scholastic.  Website: http://www.lizadonnelly.com

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Today’s Daily Cartoonist & Cartoon

No excuse, by Jon Adams. Mr. Adams began contributing to The New Yorker in October of 2017. Visit his website here.