The Weekend Spill: New Addition To The Spill Library; The Tilley Watch Online; Videos (And An App) Of Interest: Liza Donnelly Exhibit At The Norman Rockwell Museum

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New Addition To The Spill Library

Part of the Spill‘s (self charged) charge is to keep in mind all those cartoonists who have been and are part of The New Yorker, not just the names up in lights. Larry Reynolds, having contributed to several of the biggest magazines of his day (including Collier’s, and The Saturday Evening Post) also had three drawings in The New Yorker.  In the July 1st Spill post I showed you a collection of his ongoing character, Butch, who appeared in Collier’s.  Above is the only other example (to my knowledge) of Reynolds’ work in book form. Lines Of Least Resistance, published in 1941 by E.P. Dutton & company, Inc., contains work from all three of the magazines just mentioned as well as drawings from Elks Magazine.  If my count is correct, there are 24 of his drawings in the book, plus the cover and back cover (3 drawings found in the book).

In the drawing shown above you clearly see a Gluyas Williams influence in his work — old man Kelly and two of the other characters — the men — on the right side of the drawing could’ve been in a Gluyas Williams drawing. The fellow in the forefront right, smoking a pipe, and the man running just below the Pelham sign look similar to George Price’s style (especially the way Reynolds drew the running fellow’s legs).  Other drawings seem to carry a heavy influence of a number of other cartoonists. Look at the one below: shades of Syd Hoff and the early work of William Steig (even, a hint of a Helen Hokinson luncheon lady in the frame). I’m led to wonder if Reynolds ever quite settled on a look of his very own.

Larry Reynolds entry on the Spill‘s A-Z:

Larry Reynolds (Photo from I Feel Like A Cad, 1944; self portrait above right from Colliers Collects Its Wits, Harcourt Brace & Co., 1941) Born, Mt. Vernon, NY, c. 1912.  Died, March 4, 2002, Barnstable County, Massachusetts. New Yorker work: 3 drawings: Jan 7, 1939 / Feb 24, 1940 / April 6, 1940. Collection of Note: I Feel Like A Cad (drawings from Collier’s Weekly).  Link to Allan Holtz’s Reynold’s Stripper’s Guide Profile here.

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An end of week listing of New Yorker artists* who have contributed to newyorker.com features

July 6 -July 10, 2020

The Daily Cartoon: Yasin Osman, Will Santino, Amy Kurzweil, John Cuneo, Patrick McKelvie, J.A.K.

Video: How To Draw A Child by Emma Allen** & Emily Flake

…and Barry Blitt’s Kvetchbook

*For clarity, the names of artists who have not yet appeared in the print magazine are not bolded.

**Emma Allen is The New Yorker‘s Cartoon Editor

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Videos ( And An App) Of Interest: Liza Donnelly Exhibit At The Norman Rockwell Museum

Here are links to two videos that are part of the Liza Donnelly exhibit at The Norman Rockwell Museum (it opens to the public tomorrow).

This link takes you to a video of Donnelly talking about her live drawing.

And this link takes you to an in depth look at her career.

Also: there’s an app that features Donnelly speaking about individual pieces in the exhibit. See the video about it here.

Personal History: Attended Donnelly’s “virtual art opening” last night, except it wasn’t virtual for me — I was there. Watched as Donnelly (who besides being a colleague, is also my wife) gave a tour, being followed by a cameraman wielding a “live” camera and a photographer documenting the moment (the above photo was not taken by the photographer — it was taken by me with my flip-phone camera as the cartoonist spoke about her sketchbooks in the display case).

For me, the most touching piece on display is also, I believe, the most modest in scale — it may be the smallest piece in the exhibit. It’s the drawing that leaped Ms. Donnelly into The New Yorker;   the first drawing of hers bought, but not the first run. Though OKed (bought) in 1979, it did not run until the issue of November 22, 1982. I believe she speaks about it in the longer video I’ve linked to above.

Go see the exhibit, non-virtually, if you’re up that way. It’s a real treat.

 

 

 

 

A Bonus Daily From John Cuneo; Today’s Daily Cartoonist & Cartoon…And Yesterday’s

A Bonus Daily Cartoon From John Cuneo.

A second wave drawing from one of the magazine’s best cover artists. See it here.

Mr. Cuneo’s first New Yorker drawing was published in May of 2019, but he’s been contributing covers for close to a decade.

Today’s Daily Cartoonist & Cartoon: Patrick McKelvie on forever dishes. 

Mr. McKelvie’s first New Yorker drawing appears in this week’s issue.

Yesterday’s Daily Cartoonist & Cartoon: J.A.K. on fireworks. Mr. K began contributing to The New Yorker in 2014.

The Latest American Bystander; Jason Chatfield’s Covid-19 Diary; Daily Cartoon & Daily Shouts Cartoonists (Yesterday’s & Today’s)…And Barry Blitt’s Kvetchbook

The latest American Bystander (March 2020) has landed on my desk —  it’s a treat!  Here are The New Yorker cartoonists whose contributions you’ll find in the issue (and in the case of John Cuneo, on the issue’s cover):

George Booth (besides a full-page Booth drawing there’s a lovely photo of Mr. Booth on the very last page), Roz Chast (a two-page spread of her cartoons), Sam Gross (in “Sam’s Spot”, a regular Bystander feature), Peter Kuper, David Ostow, Ali Solomon, Rich Sparks, Cerise Zelenetz, and P.S. Mueller.

A bonus in every issue — I see it as a bonus anyway — are the numerous full page ads for books by cartoonists (no surprise, I’m particularly fond of the books by New Yorker contributors). In this issue we see an ad for Rich Spark’s cartoon collection, Love And Other Weird Things, Ben Katchor’s The Dairy Restaurant, Robert Grossman’s Life On The Moon, Roz Chast’s & Patty Marx’s You Can Only Yell At Me For One Thing At A Time, Peter Kuper’s adaptation of Joseph Conrad’s Heart Of Darkness, and John Donohue’s All The Restaurants In New York.

Go here to the Bystander‘s website to order a copy and/or subscribe.

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Jason Chatfield’s Covid-19 Diary

The New Yorker cartoonist Jason Chatfield draws and writes about his recent experience with the “invisible enemy.”  So very glad to hear he and his wife have fully recovered. 

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Daily Cartoonists & Daily Shouts Cartoonists (Yesterday’s & Today’s)…and Barry Blitt’s Kvetchbook

Today’s Daily cartoonist & cartoon: J.A.K. on who’s speaking. Mr. K. began contributing to The New Yorker in 2014.

Two Daily Shouts Cartoonists Today:

  1. Ali Fitzgerald: “America!: Dr. Fauci Reads A Bedtime Story To Anxious Adults”

2. Emily Flake: “Homeschool Spirit Week!”

Yesterday’s Daily cartoonist:  Emily Flake, who began contributing in 2008. Audio Flake: this from Gil Roth’s Virtual Memories podcast.

Yesterday’s Daily Shouts cartoonist: Zoe Si’s “Substitutions In The Time Of Quarantine, Rated”

…and Barry Blitt’s Kvetchbook: “Our President Concocts A Cure For The Coronavirus”

The Wednesday Tilley Watch: Interview Of Interest: Liana Finck; Cuneo At The New York Comics & Picture-Story Symposium; Today’s Daily Cartoonist & Cartoon

Interview Of Interest: Liana Finck

From Publishers Weekly, February 25, 2020, “Liana Finck on Pop-up Magazine and Taking Her Cartoons To the Stage”

Ms. Finck began contributing to The New Yorker in 2013. Visit her website here.

 

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John Cuneo At The New York Comics & Picture-Story Symposium

A crowded room last night at the New School for John Cuneo‘s fab fun informative talk as part of Ben Katchor‘s New York Comics & Picture-Story Symposium. Spotted in the crowd, besides, of course, Mr. Katchor: New Yorker cover artist Marcellus Hall, illustrator Joe Ciardiello, illustrator Chris Buzelli, illustrator Katherine Streeter, illustrator Stephen Kroninger, Ad Director Soojin Buzelli, photographer Deborah Feingold, New Yorker cartoonists Bob Eckstein, Robert Leighton, Evan Forsch, Carol Isaacs (aka The Surreal McCoy)*, and Attempted Bloggery‘s Stephen Nadler (who kindly provided the photos above).

*Carol Isaacs’s film The Wolf of Baghdad will be screened tomorrow night in NYC.  Info here.

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Today’s Daily Cartoonist & Cartoon

Politics, by Jon Adams. Mr. Adams has been contributing to The New Yorker since 2017. Visit his website here.