The Monday Tilley Watch, The New Yorker Issue Of April 27, 2020

The Cover

The new issue’s cover, by Homer Hanuka, is the seventh of the last eight covers that are coronavirus-related.  You can read a Q&A with the artist here.

The Cartoonists

Joe Dator, Sam Gross, Harry Bliss, Farley Katz, Roz Chast, Ellis Rosen, Glen Baxter, P.C. Vey, Emily Flake, Frank Cotham, David Sipress, Liana Finck, Lars Kenseth, Johnny DiNapoli, Carol Lay, Kate Curtis

The Cartoons

Not to be missed: Peter Kuper’s “Little Donald’s Sneeze (After Winsor McCay’s ‘Little Sammy Sneeze’)”

Random thoughts after going through the cartoon slide show: seeing a Sam Gross drawing in any issue is always a blast. Mr. Gross, having begun contributing to the magazine in 1969, is the veteran of the week (with Roz Chast next — she began contributing in 1978)…… always interesting to see a Glen Baxter drawing in the magazine, especially if it involves cowboys (this one does)…… Joe Dator’s olden days binge drawing caught my eye as did Ellis Rosen’s social distancing magic trick……Especially fond of Farley Katz’s solo parader (reminded me, strangely enough,  of Ringo Starr’s wonderful segment in “A Hard Day’s Night” when he goes “paradin”). Enjoyed two cartoons employing turns on old chestnuts: David Sipress’s version of “What do I look like, a mind reader?” and Kate Curtis’s on “Try to get some sleep. Everything will be better in the morning.” ….. P.C. Vey’s cave people are a hoot.

…And: there’s a newbie: the aforementioned Kate Curtis is the 5th new cartoonist added to The New Yorker‘s stable this year, and the 58th added under cartoon editor, Emma Allen.

The Rea Irvin Talk Masthead Watch

Without the digital issue posted as yet (2:00pm), I’ve no idea if Mr. Irvin’s iconic masthead (above) has returned. If I had to guess, I’d say nope, it hasn’t. Read all about it here.

 

 

 

 

The Monday Tilley Watch, The New Yorker Issue Of April 6, 2020; Today’s Daily Cartoonist & Cartoon; Today’s Daily Shouts Cartoonist

The Cover: A heart-strings reflection of the issue’s Health Issue theme (but it’s tempting to believe we’d see a cover along these lines even if it wasn’t the Health Issue).

The Cartoonists:

The Cartoons:

An umbrella observation from the get-go:  the abundance of color pieces (one by Roz Chast, one by Emily Flake, and one by Liana Finck) in this issue at times kind’ve almost sorta made it feel as if I was paging through a Cartoon Issue. However, unlike the special pieces found in Cartoon Issues of yore, all three of these new pieces are distinctly linked to one subject (can you guess what it might be?).

There are a number of cartoons in this issue that got my attention, beginning with Barbara Smaller’s (p.26) — my favorite Smaller drawing thus far this year. Also eye-catching: Justin Sheen’s castle & moat drawing; Brendan Loper’s getting away from it all cartoon, and Ed Steed’s survivor. All four enjoy a sharply written caption.

A number of drawings (beyond the color pieces mentioned above)  are either directly related to, or can be seen as related to the coronavirus, foremost being Joe Dator’s terrif drawing (p.69), P.C. Vey’s (p.31), and Mr. Loper’s cartoon on page 39. Tom Chitty’s friendly city drawing (p.57), as well as John O’Brien’s drawing (on page 72) could possibly be read as corona-related cartoons. The folks in Mr. O’Brien’s supermarket all seem to be spaced at least six feet apart, but, as with most all of Mr. O’Brien’s drawings, it’s an evergreen.

The remaining four drawings: Sofia Warren’s, Amy Hwang’s, Teresa Burns Parkhurst’s, and an effort from the Bliss/Martin duo, are comic relief unrelated to the health crisis.

Paperwork: the aforementioned Justin Sheen is new to the New Yorker cartoonist fold. He’s the 4th new cartoonist of 2020, and the 57th new cartoonist brought into The New Yorker since Emma Allen was appointed cartoon editor in the Spring of 2017.

The Rea Irvin Talk Masthead Watch:

Read about Rea Irvin’s mothballed iconic Talk masthead (above) here.

And This:

Just noticed that The New Yorker‘s Facebook New Yorker Cartoons page received a make-over. The new look is shown below — new (old) typography, and a (recycled) Rea Irvin inspired banana peel-inspecting Tilley icon replacing Christoph Niemann’s guy at a table icon. Mr. Niemann’s icon showed up in the Spring of 2017, and replaced an existing icon — a drawing by Jack Ziegler.  It puzzled me at the time (and thereafter) that work by a non-New Yorker cartoonist (Mr. Niemann) was chosen to replace an icon drawn by an iconic New Yorker cartoonist.

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Today’s Daily Cartoonist & Cartoon

Kendra Allenby on the newest normal.

Ms. Allenby began contributing to The New Yorker in 2016. Visit her website here.

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Today’s Daily Shouts Cartoonist

Avi Steinberg gives us “Things That Used To Be Annoying But Are Now A Comfort” — Mr. Steinberg began contributing to The New Yorker in 2012.

 

 

 

The Monday Tilley Watch, The New Yorker Issue Of March 2, 2020

The Cover: As mentioned last Friday, Barry Blitt‘s Bloomberg exploding cigar cover (above) was rush-released. Here’s a short piece about the cover’s subject by magazine’s art editor, Francoise Mouly.

The Cartoonists

The Cartoons

A likely too-deep-in-the-weeds observation: I believe (someone please correct me if I’m wrong!) this is the first issue of the magazine in contemporary times composed fully of stable mates whose entry into the stable dates back no further than the early 1990s (Frank Cotham, who began contributing in 1993 is this week’s elder, with 27 years at The New Yorker). On the flip side, you might recall that the last issue of the magazine (the 95th anniversary issue) contained a drawing by Edward Koren, who began contributing to The New Yorker in 1962. A deep (cartoonist) bench remains at The New Yorker.

Here’s the rundown of this week’s cartoonists, in order of their freshman year:

Frank Cotham (1993); William Haefeli (1998); David Sipress (1998); Joe Dator (2006); Julia Suits (2006); Emily Flake (2008); Amy Hwang (2010); Liana Finck (2013); Lars Kenseth (2016); Maggie Larson (2017); Liz Montague (2019).

Two cartoons in the issue that caught my attention both feature non-humans. David Sipress‘s stand-up kitty, and Joe Dator‘s opposum/possum. Also noted: Ed Steed‘s (sort’ve Ben Shahn-esque) full page illustration for Adam Levin’s fiction piece.

The Rea Irvin Talk Masthead Watch: Read about Rea Irvin’s iconic Talk masthead,shown directly below.  Below it is the redrawn version plugged-in Spring of 2017.

 

 

 

 

 

 

 

 

 

The Monday Tilley Watch, The New Yorker Issue Of January 6, 2020

The Cover: A retro cover! When I saw this attractive cover I immediately placed its style and structure in the early 1960s, and thought of a particular artist: the most prolific of all New Yorker cover artists, Arthur Getz. To illustrate, here’s Mr. Getz’s cover from December 18, 1965 side-by-side with this new one by Pascal Campion.

The Cartoonists:

The Cartoons: Some random thoughts on a few of the cartoons in The New Yorker‘s first issue of the 2020s…

There’s a duo effort by Jose Arroyo and Rob Kutner. Mr. Arroyo first began contributing to the magazine in 2008. Mr. Kutner is a comedy writer.

Really like Suerynn Lee’s breadcrumbs-on-a-trail drawing (it’s on page 28) — graphically appealing with a strong caption. Of the breadcrumbs-on-a-trail themed New Yorker cartoons over the years, here’s a favorite from the great Arnie Levin, published May 22, 2000.

Zach Kanin’s mounted python (on p. 36) is a hoot (or a “ssssssss”).  Mr. Kanin’s drawings always seem (to me) to contain some kind of Charles Addamsy-ish dna, which is a very good thing.

Can’t see a dog at a computer cartoon, such as Elisabeth’s McNair’s (p. 34) without thinking of  Peter Steiner‘s celebrated New Yorker drawing published July 5, 1993:  “On the Internet, nobody knows you’re a dog.” It remains the most republished New Yorker drawing in modern history.

Joe Dator’s procrastinating writer cartoon (p. 39) is fun. The length of the caption — and the time it takes to read it —  becomes another element of delay.

The Rea Irvin Talk Masthead Watch: Last Monday, in this space, I held out the faint hope we might see Rea Irvin’s classic Talk masthead return to kick off the new year and decade. No dice. The redraw — plopped-in in the Spring of 2017 — is back after Ed Steed’s fun one-off in last week’s “Cartoon Takeover” issue.  Read more about the masthead here, and, as always (until something changes for the better… or worse!), here’s Mr. Irvin’s classic (sadly moth-balled) masthead…

 

New Yorker Cartoonists (And Cakes) At The Magazine’s Holiday Party

Here are a few scenes from last night’s merry New Yorker Holiday Party. A happy throng filled a giant room on the 33rd floor of 1 World Trade Center.

All photos courtesy of Liza Donnelly, unless otherwise attributed. My thanks to cartoonists Liza  Donnelly, Joe Dator, Felipe Galindo, and Jason Chatfield for their photos.

Left: New Yorker editor, David Remnick (holding microphone) addresses the crowd. Singers in Santa hats are just behind him.

Party-goers brought food and drink (it was pot-luck), a nice throw-back to what I recall of department holiday parties many decades ago at the magazine’s 2nd address, 25 West 43rd Street.

 

Of the many cakes and cookies present (and presented), here’s one that sported a familiar face ( photo courtesy Joe Dator).

Below: The New Yorker carolers (photo courtesy Jason Chatfield).

Below: l-r, cartoonist Maggie Larson and cover artist, Jenny Kroik.

Below: cartoonist & caroler, Mort Gerberg  (photo courtesy Jason Chatfield).

Below: l-r, cartoonists Joe Dator, Ali Solomon, and Johnny DiNapoli (photo courtesy Joe Dator).

Below: l-r, cartoonists Drew Dernavich, Ellis Rosen, and by the window, Kendra Allenby.

Below: l-r, the aforementioned Ms. Allenby, Jeremy Nguyen, and The New Yorker‘s fabled Stanley Ledbetter.

Below: l-r,  New Yorker editor, David Remnick, and Pam McCarthy, the magazine’s deputy editor.

 

 

 

 

 

 

 

 

 

 

Below: l-r, cartoonists Felipe Galindo, and Tim Hamilton.

Below: l-r, Joe Dator, Kendra Allenby, and Ben Schwartz (photo courtesy Joe Dator).

Below: cartoonists Marisa Acocella, and Bob Eckstein.

Below: The New Yorker‘s cartoon editor, Emma Allen.

Below: cartoonist Pat Byrnes (holding red cup) surveys the food.

Below: cartoonists Robert Sikoryak, and Gabrielle Bell. (photo courtesy Felipe Galindo).

Below: l-r, cartoonist Nick Downes, and the aforementioned Mr. Ledbetter.

Below: l-r, cartoonists Jason Adam Katzenstein, Karen Sneider, Emily Flake, and The New Yorker‘s assistant cartoon editor, Colin Stokes. (photo courtesy Felipe Galindo).

Below: cartoonists Christopher Weyant, Ms. Acocella, and coming up behind Ms. Acocella, Sam Gross.

Below: cartoonists Ellie Black, and Maggie Larson.

Below: cartoonists Joe Dator and Emily Flake,  Jason Adam Katzenstein in profile behind Ms. Flake, and Drew Dernavich, far right. .

Below: l-r, cover artist & cartoonist, John Cuneo, The New Yorker‘s art editor, Francoise Mouly, and cover artist, Peter de Seve (this photo taken in Ms. Mouly’s “planning room” in the art department)

Below: l-r, cartoonists Jeremy Nguyen, Jason Chatfield, and Liza Donnelly

Below: cartoonists David Borchart and Felipe Galindo.

Below: cartoonists Peter Kuper and P.C. Vey

A cake with a message (photo courtesy of Joe Dator).