The Weekend Spill: A Book Of Interest On The Horizon; The Tilley Watch Online, The Week Of April 6-10, 2020

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It appears that this long-ago rejected cover painting is going to be a Spill Easter thing. ___________________________________________________________

 

An Editor’s Burial: Journals and Journalism From The New Yorker and other Magazines, coming our way in July from Penguin/Random House.

 

This from the publisher:

A glimpse of post-war France through the eyes and words of 14 (mostly) expatriate journalists including Mavis Gallant, James Baldwin, A.J. Liebling, S.N. Behrman, Luc Sante, Joseph Mitchell, and Lillian Ross; plus, portraits of their editors William Shawn and New Yorker founder Harold Ross.

Together: they invented modern magazine journalism. Includes an introductory interview by Susan Morrison with Anderson about transforming fact into a fiction and the creation of his homage to these exceptional reporters.

 

I’m guessing the piece on Harold Ross by S.N. Behrman is “Harold Ross: A Recollection”  from Mr. Behrman’s The Suspended Drawing Room (Stein & Day, 1965). It’s good reading.

 

The Lillian Ross material possibly (likely!?) from her oddly unconvincing memoir of Shawn, Here But Not Here (Random House, 1998).

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An end of week listing of New Yorker artists who contributed to newyorker.com features

The Daily Cartoon: P.C. Vey, David Sipress, Mort Gerberg, Brendan Loper, Jeremy Nguyen.

Daily Shouts: Hilary Fitzgerald Campbell.

…and Barry Blitt’s Kvetchbook, “He Walks Among Us” — this piece on John Prine.

…and from The Culture Desk, this Paul Karasik piece, also on John Prine.

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The Monday Tilley Watch, The New Yorker Issue Of April 13, 2020; Today’s Daily Cartoonist & Cartoon

To my readers: This being the time we’re in, the online issue has not yet been posted (as of 11:00am), so what follows is a shortened version of The Monday Tilley Watch. Long-time visitors might recall I prefer first sightings of new cartoons in situ, but in order to provide at least some basic info, I’ve gone to the slideshow (it’s posted here — scroll way down).

The Cover: The last time we saw a Pascal Campion cover (Jan.6, 2020) the Spill pointed out its uncanny resemblance to an Arthur Getz cover from 1965. This week Mr. Campion speaks with The New Yorker‘s art editor, Francoise Mouly, about Mr. Getz’s (and Sempe’s) influence on his work.

 

The Cartoonists:

The Cartoons:

Just as The New Yorker ran a good number of war cartoons during World War II (enough to fill an Album of war cartoons), we are beginning to see a number of corona virus-related cartoons during this particular war. In the latest issue, five of the eleven cartoons are tied-in to the virus, with another few possibly so.

Update after the digital edition was posted: a color strip by Ed Steed is also virus-related.

The Rea Irvin Masthead Talk Masthead Watch:

Without access to the digital edition, I can’t say for sure that Christoph Niemann’s Talk masthead redraw(!) still appears instead of Mr. Irvin’s iconic masthead.  If I had to guess, I’d say the real deal (just below) is still on a shelf, waiting to be dusted off.

Update after the digital edition was posted: the redraw remains…for now.

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Today’s Daily Cartoonist & Cartoon

Jeremy Nguyen on what everyone’s doing again.

Mr. Nguyen began contributing to The New Yorker in

2017. Visit his website here.

 

 

 

 

 

Blog Posts Of Interest From Mike Lynch; Today’s Daily Cartoonist & Cartoon (…and Yesterday’s); Yesterday’s Daily Shouts Cartoonist

Blog Posts Of Interest From Mike Lynch

   Cartoonist Mike Lynch has posted two back-to-back New Yorker items of interest on his blog. Today’s is a look at some of Steinberg’s drawings from All In Line (the 1947 paperback edition), and yesterday a piece on a film about New Yorker cover artist Andre Francois. See them here.

Steinberg’s entry on the Spill‘s A-Z:

Saul Steinberg Born, June 15, 1914, Ramnic-Sarat, Rumania. Died in 1999. New Yorker work: 1941 – (The New Yorker publishes his work posthumously). Steinberg is one of the giants of The New Yorker.  Go here to visit the saulsteinbergfoundation where you’ll find  much essential information and examples of his work.

Andre Francois’s entry on the A-Z:

Andre Francois (photo: 1978) Birth/death information from his New York Times obit of April 15, 2005: Born Andre Farkas, 1915, Timisoara. Died, April, 2005, Grisy-les-Platres, France.

 

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Today’s Daily Cartoonist & Cartoon (…and Yesterday’s)

Emily Bernstein, who began contributing to The New Yorker in July of last year, on shopping now. Yesterday’s Daily was by Emily Flake, who began contributing to the magazine in 2007.

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Yesterday’s Daily Shouts

A trio effort by cartoonist Jeremy Nguyen, along with writers Irving Raun, and Julia Edelman. Mr. Nguyen began contributing to The New Yorker in 2017.

The Weekend Spill: Emily Hopkins Essay; The Tilley Watch Online, The Week Of March 9-13, 2020

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Essays Of Interest…Includes Emily Hopkins

Pretty Bitches: On Being Called Crazy, Angry, Bossy, Frumpy, Feisty, And All the Other Words That Are Used To Undermine Women has just been released by Seal Press. Edited by Lizzie Skurnick, it includes an essay by New Yorker cartoonist Emily Hopkins (Emily Richards at the time of her New Yorker debut) is included.

More: See Ms. Hopkins’ Secret Showcase of My Family Portraits here.

Ms. Hopkins entry on the Spill‘s A-Z:

Emily Richards (now Emily Hopkins) New Yorker work: 2004 – . Born, Boston, Massachusetts, 1970.  Grew up in Oregon, Hawaii, West Virginia, and Virginia.  Attended Williams College and West Virginia University. Received a masters degree at Johns Hopkins University. Worked, initially, as a New Yorker fact checker before becoming a New Yorker cartoonist. When Ms. Richards married New Yorker cartoonist Marshall Hopkins they became the third married New Yorker cartoonist couple in the magazine’s history (Mary Petty & Alan Dunn were the first, Liza Donnelly & Michael Maslin were the second). Ms. Richards (Hopkins) is the first known black female New Yorker cartoonist.

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A listing of New Yorker cartoonists who contributed to newyorker.com this past week

The Daily Cartoon: Peter Kuper, Andy Dubbin, Jon Adams, Pat Achilles, Teresa Burns Parkhurst.

Daily Shouts:  Avi Steinberg( with Irving Raun & Mia Mercado), Jeremy Nguyen (with Taylor Garron).

…and Barry Blitt’s Kvetchbook.

See the week’s cartoons and humor pieces here.

 

 

 

 

 

The Monday Tilley Watch, The New Yorker Issue Of February 10, 2020

The Cover: a photographer. Go here to read a short Q&A with the cover artist, Malika Favre. 

The Cartoonists:

The Cartoons:  Random thoughts on just a few of the dozen drawings in the issue

Two New Yorker Cartoon Gods in this issue: Sam Gross and Edward Koren. Mr. Gross, who has the lead cartoon in the issue — and what a great drawing it is! — has been contributing since 1969.  Mr. Koren has been contributing his fab work, covers and drawings, since 1962.

…the issue’s second drawing — it’s by Emily Bernstein — features a fiery ball heading for Earth (a meteor? Guess it doesn’t matter exactly what it is. What it is for certain is trouble). It’s the second fiery ball about to crash into Earth drawing in the magazine within the past three issues (Jessica Olien had one in the issue of January 27th). Is the fiery ball about to hit Earth the new crash test dummy scenario?  These aren’t the first published by the magazine — my hope is they won’t be the last. Can’t wait to see what colleagues do with it (haven’t tried one yet myself, but the day is young).

…I really like Mike Twohy’s personal info drawing (p. 36). He employs a little used (anymore)  folksinger scenario. I’m always reminded, seeing a folksinger drawing, of the one below by the late, exceptionally great, Charles Saxon. I first saw it in The New Yorker Album Of Drawings 1925-1975  (I started my collection with that Album). The drawing originally appeared as a full page in The New Yorker issue of January 24, 1970.

…Jeremy Nguyen’s drawing (p. 38) deals with an issue  — table wobble — most of us have dealt with at one time or another. A fun intricate well-executed drawing…

…J.A.K.’s octopus on page 42 brought to mind an on-the-spot cartoon fact-checking moment I experienced in front of an auditorium filled with school children about a decade ago. I’d just drawn an octopus on a large pad of paper. The school principal, standing onstage with me, came over and, counting aloud — a teaching moment — made sure I’d drawn all eight arms (I had). Mr. Katzenstein has drawn all eight arms as well (yes, I counted).

The Rea Irvin Missing Talk Masthead Watch

Rea Irvin, The New Yorker‘s art supervisor who gave us the magazine’s inaugural cover featuring Eustace Tilley, designed the above masthead. It sat in place for 92 years before being replaced in 2017 by a re-draw (heavens!). Read about it here. The magazine’s 95th anniversary issue, out next week, would be the perfect occasion to return Mr. Irvin’s iconic design.