From The Archive: A Ross Perot New Yorker Cartoon; Today’s New Yorker Daily Cartoon & Cartoonist; The Village Voice & MAD

I haven’t done a whole lot of (obviously) political cartoons over the years. A Supreme Court drawing in the very early 1980s and a Bill Clinton drawing in the early 1990s come readily to mind.  Ross Perot, the two-time Presidential candidate who died today at age 89, was a humor magnet. Like so many other of the magazine’s cartoonists ( including Lee Lorenz, Liza Donnelly, James Stevenson, Peter Steiner, Arnie Levin, Mick Stevens, Dana Fradon, J.B. Handelsman, and Jack Ziegler) I couldn’t resist having a graphic go at him. The below appeared in The New Yorker issue of May 27, 1996.

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Today’s New Yorker Daily Cartoonist & Cartoon

Beach reading by Ellis Rosen, who has been contributing to The New Yorker since 2016.  Visit his

website here.

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The Village Voice & Mad

 

From The Village Voice, July 9, 2019, “MAD Magazine: Eclipsed By Madness? Looking Back On The Publication That Endowed America With a B. S. Detector”  — this piece by Jeoffrey O’Brien on MAD in The Voice over the years.

The Tilley Watch, The New Yorker Issue Of June 24, 2019; Today’s Daily Cartoonist: J.A.K.; A Kickstarter Campaign For The Surreal McCoy’s “Wolf Of Baghdad” Soundtrack

The Cover: A debut by Olimpia Zagnoli.  According to The New Yorker‘s art editor, Francoise Mouly, the cover is a tribute to Pride Month.  Read about the cover here.

Note: with this issue the cover artist’s name has been returned to the Contributors page (p.4) after disappearing for the past two issues.  

The Cartoonists:

Co-credited cartoons are not as rare as they once were in The New Yorker, but still rare enough to mention the duo effort by Dan Abromowitz and Eli Dreyfus (p.55).  The team’s first cartoon appeared in the magazine in 2015.

       Cartoon Observations /Some Favorite Things:

Bruce Eric Kaplan’s use of “chaotic neglect” in his drawing (p.24).

Barbara Smaller’s use of “eligible for dessert” in her caption (p. 46).

The way Ed Steed handled his carrot and horses drawing (p.62).

Maddie Dai’s drawing (p.73). I’ve mentioned numerous times here on the Spill what a pleasure it is to be surprised by a drawing’s one-two punch. This is an excellent example of the second punch hitting perfectly on the caption’s very last word, “bangs.”

Trevor Spaulding’s big thermometer has a sort of Jack Ziegler feel to it. That’s a very good thing.

Two cartoons with shopping carts! Drew Panckeri’s (p.32) and Amy Hwang’s (p. 52). I have a soft spot for shopping carts in cartoons as one appeared in my debut New Yorker drawing .   

Rea Irvin:

Mr. Irvin’s classic Talk masthead (below) is sadly still in mothballs after it disappeared a little over two years ago. Read about it here.

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Today’s Daily Cartoonist/Cartoon

 Fishy WWIII thoughts by J.A.K. who began contributing to The New Yorker in 2014. 

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A Kickstarter Campaign For The Surreal McCoy’s “Wolf Of Baghdad” Soundtrack

Ms. McCoy has been contributing to The New Yorker since 2014.

All the info here.

Visit The Surreal McCoy’s website here.

 

The Monday Tilley Watch, The New Yorker Issue Of May 27, 2019; Today’s Daily Cartoonist: Farley Katz

The Cover: A standup paddle boarder in the shadow of The Brooklyn Bridge. Read about Malika Favre’s eighth New Yorker cover here. (if you go online you’ll see that the little paddleboarder’s been animated. What a world!)

The Cartoonists:

You’ll note New Yorker cover artist, John Cuneo’s name in the list, but this is the first time Mr. Cuneo’s name appears among the cartoonists — it’s his New Yorker cartoon debut. Mr. Cuneo is the 13th addition to the magazine’s cartoonist stable this year and the 39th new cartoonist added to the roster since Emma Allen was appointed cartoon editor in May of 2017. 

The Cartoons: Just for fun, as I did here a few weeks ago, I went back a number of years (40 this time) to this date and took a look at the issue’s cartoonists and cartoons. Here’s the line-up from the issue of May 28, 1979:

As with the last time I did this, the number of cartoonists in the back issue is double the number in the present issue (22 in 1979; 11 in 2019). But…as was the case last time, the back issue was far heftier in page count (128) than this latest issue (78), so proportionately, the cartoonists are holding their own, numbers-wise.  The 1979 issue does however feature a wonderful two-and-a- half page Steinberg spread (“Cousins”). 

The Illustrations: The 2019 issue contains 20 color illustrations, including 3 1/2 full page  illustrations. The 1979 issue contains 2 small b&w illustrations.

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A fun thing: The very first cartoon in the 1979 issue is by Jack Ziegler.  Coming across it this morning I remembered that Mr. Ziegler and I briefly discussed the drawing in the Spill‘s two-part 2016 Ziegler interview:

Michael Maslin: Here’s another far eastern themed drawing: Fleetwood Mac. I’ve always loved it because I never understood Fleetwood Mac.

Jack Ziegler: This was a much earlier Fleetwood Mac I was referring to, around the time they got mega platinum. I just needed the name of a band there.

MM: You just imagined this scene?

fleetwood-mac

JZ: Yeah, right. Almost everything I do is as far as the scene background settings – it’s all made up.

MM: What are those little things off to the left on the bottom.

JZ: Oh those are just little houses down the hill. What did you think they were?

[laughter]

MM: Structures of some kind – I just wanted to be sure.

(you can see all of Pt.1 here, and all of Pt. 2 here. The above is found in Pt. 2)

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Rea Irvin: and of course one major difference between the older issue and this week’s issue is that Rea Irvin’s classic Talk masthead was still in its usual spot in 1979. In 2019, the puzzling redraw of Mr. Irvin’s work continues its run. Read about these two designs here. Below: Irvin’s still a-missin’ and missed masthead.

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Today’s Daily Cartoonist/Cartoon

Farley Katz delivers the post Game of Thrones Daily.  Mr. Katz began contributing to The New Yorker in 2007.

 

 

 

 

Out Today: Ultimate Cartoon Book Of Book Cartoons; Interview Of Interest: Ed Steed; Podcast Of Interest: Mark Alan Stamaty Talks With Gil Roth; Flake’s Daily Shouts Piece; Today’s Daily Cartoonist: Brendan Loper

It’s always a good day when a cartoon anthology is published. Today’s one of those days. The Ultimate Cartoon Book of Book Cartoons, edited By Bob Eckstein and published by Princeton Architectural Press, is officially out today. Cover art by the great Sam Gross and cartoons by some of the New Yorker‘s greatest artists, including George Booth, Edward Koren and Jack Ziegler.  Here’s a brief interview with Mr. Eckstein about the collection.

                                           Below: the back cover, listing the contributors.

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Interview Of Interest: Ed Steed

  Richard Gehr, who gave us I Only Read It For The Cartoons (New Harvest, 2014) interviews Ed Steed (one of the contributors to the Ultimate Cartoon Book mentioned above). Mr. Steed began contributing to The New Yorker in 2013.  See some of his work here.

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Podcast Of Interest: Mark Alan Stamaty Talks With Gil Roth

From Gil Roth’s Virtual Memories Podcast, this conversation mostly centered around the 40th anniversary reissue of Mr. Stamaty’s MacDoodle Street, but there is a fleeting mention about his New Yorker work. Listen here.

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Today’s Daily Shouts

Beginning today, The Spill will note Daily Shouts pieces when the contributor is a New Yorker cartoonist.  First up: Emily Flake’s The Real Florida Man, posted early this morning.

Ms. Flake has been contributing to The New Yorker since 2008.  Link here to her website.

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Today’s Daily Cartoonist/Cartoon

Today’s Daily: keeping secrets, Washington, D.C. style, courtesy of Brendan Loper. Mr. Loper has been contributing to The New Yorker since 2016. You can see more of his work here.

The Tilley Watch: The New Yorker Issue Of April 1, 2019; MoCCA Fest Event Of Note: Mort Gerberg And Friends (Danny Shanahan, Marisa Acocella, Bob Eckstein, And Michael Maslin); Today’s New Yorker Daily Cartoonist: Christopher Weyant; Today’s Bonus Daily Cartoonist: Barry Blitt

The Cover: it’s a treat to have Bruce McCall’s work back on the cover. You can read about it here (and see an early version of the cover).

The Cartoonists:

The Cartoons:

And speaking of treats, here are some of this issue’s cartoons that especially caught my eye:

Chris Weyant’s plumbing drawing (p.52). It reminded me, in the best possible way, of Jack Ziegler’s classic 1980 drawing Plumbing Trouble of the Gods. Mr. Weyant has delivered a funny, perfectly handled drawing. 

And then there’s David Borchart’s terrific giraffe drawing (p. 66). Perhaps this is the start of something big? Giraffes have never been anywhere as popular as cats and dogs in the cartoon universe (Lars Kenseth has drawn a very funny pug(?) in his all-dog cartoon on page 35). 

Finally, what a blast to come upon George Booth’s drawing in this issue (it’s on page 59). It’s a sunny day when Mr. Booth’s work appears (it’s worth mentioning again here on the Spill that Mr. Booth is the subject of an in-progress documentary film).

Applause for all.

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There are several drawings in the issue that, for some, might require Googling. I’ve always been a believer in “getting” a drawing without assistance. If I don’t get it, I move on (or occasionally ask a friend for help).  Of course, not getting certain New Yorker cartoons is age-old.

A note: this week’s Talk section includes a Sketchpad (it features a color “illustration” by Emily Flake).  A usage reminiscent of the comic strips briefly brought in during the early 1990s under Tina Brown. The Brown era comic strips ran across the entire width of each page (i.e., 6 columns wide), whereas this Sketchpad is 4 columns wide. Below: an example of a strip from the past: a Victoria Roberts piece from the issue of March 28, 1994.

Finally, the beautiful Rea Irvin masthead continues to remain in storage — not even brought out  as some kind of tease for this April 1st issue.  Well, here it is below, as it will be weekly until it reappears in the magazine (I can dream, can’t I?). 

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MoCCA Fest Event Of Note: Mort Gerberg and Friends: Danny Shanahan, Marisa Acocella, and Bob Eckstein. Panel moderated by Michael Maslin

The upcoming Museum of Comic and Cartoon Art (otherwise known as MoCCA) will begin its 2019 Festival on April 6th. A number of New Yorker folks will be participating (and I will note them as the information becomes available). Here’s the announcement of one that just came into the Spill:

 

Mort Gerberg and Friends

 

Mort Gerberg broke into print with irreverent drawings in The Realist in the early ’60s. His social-justice-minded—and bitingly funny—cartoons subsequently appeared in magazines including The New Yorker, Playboy, and the Saturday Evening Post. As a reporter, he’s sketched historic scenes including the women’s marches of the ’60s and the 1968 Democratic National Convention.

He is currently the subject of a retrospective exhibit at the New-York Historical Society, and Fantagraphics Underground Press has recently published the retrospective book Mort Gerberg On the Scene: A 50-Year Cartoon Chronicle. Gerberg will discuss his work in a conversation with friends and colleagues, led by Michael Maslin (Inkspill, The New Yorker) and including New Yorker cartoonists Marisa Acocella, Bob Eckstein and Danny Shanahan.

Garamond Room / 3:00 pm, Saturday, April 6th

Link to MoCCA’s website here for more general info.

Photos above, l-r: Danny Shanahan, Marisa Acocella, and Bob Eckstein

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Today’s New Yorker Daily Cartoon/Cartoonist & Bonus Daily Cartoon/Cartoonist

Christopher Weyant is today’s Daily Cartoonist.  You can see his (Trump) drawing here. 

Mr. Weyant began contributing to The New Yorker in 1998. Link to his website here.

And here’s Barry Blitt’s Bonus Daily cartoon  —  Trump-world-ish .

Mr. Blitt began contributing to The New Yorker in 1994.  Link to his website here.