Graphic Piece of Interest by Emily Flake
From Emily Flake on The Nib, March 9, 2019, “It’s All In The Family”: ‘Can a hollow woman raise a whole, unbroken child?'”
Ms. Flake began contributing to The New Yorker in 2008. Visit her website here.
Book On The Horizon: Peter Steiner’s “The Good Cop”
It’s no secret that Peter Steiner, who created the most reprinted New Yorker cartoon in the magazine’s history, is also a novelist. His latest, The Good Cop is due in September.
Blogs Of Interest
Two of The Spill‘s favorite New Yorker centric places to visit.
A New Yorker State Of Mind: Reading Every Issue Of The New Yorker
This is the go-to site for a New Yorker time tunnel experience. Always fascinating. As you see by Ilonka Karasz’s cover above, the latest post examines the issue of March 8, 1930.
Attempted Bloggery‘s latest cartoonist fest is all about original work by the late great George Price. Always fun seeing off the beaten path material from the New Yorker’s artists. See it here.
Today’s Daily Cartoon/Cartoonist
Today’s Daily cartoon cartoon (Trump+$) is by Peter Kuper. Mr. Kuper began contributing to The New Yorker in 2011. Link to his website here.
This stunning Ilonka Karasz cover graced the New Yorker‘s first fourth of July issue. Ms. Karasz contributed a remarkable 187 covers to the magazine; her first was on the 7th issue, April 4, 1925, her last appeared on the issue of October 22, 1973. Of note within the issue: this Helen Hokinson drawing appearing on the Talk of The Town’s lead page:
In 1925, Ms. Hokinson, newly arrived in New York (from Chicago) enrolled at Parsons School of Design. According to Liza Donnelly’s book Funny Ladies:
One day [Hokinson’s] instructor sent the students out to sketch in the streets of New York. Hokinson drew an elderly woman waving goodbye to a departing ocean liner. Upon her return to the classroom, her teacher, Howard Giles, laughed and suggested she take this and other drawings to the new magazine down the street.
This simple drawing of a woman waving immediately won over Harold Ross and Rea Irvin. Her work had an ease to it: Ross recognized the humor in her line quality, but also in what she chose to draw. Ross purchased her first submission and invited her to return every Tuesday with more sketches for consideration.
Thanks to the generosity of the illustrator Tom Bloom (who is an indefatigable collector of cartoon-related books & ephemera) Drawings of the Theatre 1927 has been added to the archives. I’d not heard of or seen this until a few weeks ago. Published just two years after Arno started at The New Yorker it’s an excellent example of how quickly his star was rising in the publishing world. New Yorker aficionados will also recognize some of the company he kept: the great cover artist, Ilonka Karasz (187 covers between 1925 and 1973) Abe Birnbaum (141 covers and 9 cartoons in a career that lasted from 1929 through 1974) and Miguel Covarrubias (7 cartoons, all published in 1925).
This is a small pamphlet, measuring 4″ x 6″, that opens up like a file folder. Four attached postcards are slipped into the right side, each postcard featuring one of these four New Yorker artists. . The work of the two non-New Yorker artists, Gil Spear and Samuel Rogers appear on the pamphlet itself — those portraits you see running vertically along the right edge.
…Bob Eckstein has posted on Facebook: “I hope you watch [tonight’s] debate along with The New York times website where they will have me doing commentary, doodles and cracking wise.” (Link to Mr. Eckstein’s exploits on the Times’ site here).
While you’re waiting to link to the Times, don’t forget to pre-order his forthcoming book, Footnotes From The World’s Greatest Bookstores: True Tales and Lost Moments from Book Buyers, Book Sellers, and Book Lovers. Out October 4th.
…And Liza Donnelly will be Live Tweet-Drawing the debate for CBS News. You can find her work on Instagram:
and on Twitter:
Read all about Mark Alan Stamaty’s NYC illustrated subway car on Mike Lynch‘s blog here.
Mr. Stamaty’s New Yorker debut was with this cover in November of 1992. Here’s a link to his website.
From newyorker.com, September 8, 2016, “Salinger’s House, Artists Retreat” — the New Yorker‘s Sarah Larson visits Harry Bliss in a Salinger home, now owned by the cartoonist.
The new Swann catalog is now available online. Anyone interested in original New Yorker art will absolutely love looking through. New Yorker artists represented (both cartoonists and cover artists) are Charles Addams, Frank Modell, Ed Fisher, Tom Toro, William Steig, James Stevenson, Mischa Richter, Barbara Shermund, Ilonka Karasz, Laura Jean Allen, Beatrice Szanton, John Jonik, Peter Arno, Ludwig Bemelmans, Whitney Darrow, Jr., Richard Decker, Arthur Getz, and Leonard Weisgard.
The New Yorker‘s first issue was dated February 21, 1925. When the magazine’s first opportunity for a July 4th cover arrived it was handled by Ilonka Karasz, already a veteran New Yorker cover artist. She had also provided the April 4th, April 25th, and May 30th covers, just one cover short of tying Rea Irvin, who had provided 5 covers by July (including, of course, the magazine’s very first cover).
Ms. Karasz went on to contribute 183 more covers following this incredible 4th of July 3D-like beauty (her last cover appeared October 22, 1977). There’s a good sized Wikipedia entry on her life & career.
To see more of her covers, visit The New Yorker‘s Cartoon Bank here.