The New Yorker Encyclopedia Of Cartoons: Gender Studies

Above: two pages of the Index from Volume 1 of The New Yorker Encyclopedia Of Cartoons

In his Foreword to The New Yorker Encyclopedia of Cartoons, the magazine’s editor, David Remnick has this to say about gender equality in the ranks of New Yorker cartoonists:

Any cartoon compilation that draws from these archives makes it clear what a male preserve it was. 

And indeed, this encyclopedia reflects that in numbers of cartoons included by women. Of the advertised 3000 cartoons, 142 are by the 19 women represented. Simple math tells us that the remaining 2,858 cartoons are by men.  If you take Roz Chast’s 54 cartoons out of the 142, you’re left with 88 cartoons by 18 women. I emphasize again, as I did in the previous post about the encyclopedia, that this two volume set is not presented as an all-encompassing anthology representing the magazine’s past 93 years; there’s no expectation of some kind of balanced inclusion based on numbers of cartoons the artists contributed.  That isn’t what this encyclopedia is.

And yet, I did find myself hoping for more work by two major female contributors, Helen Hokinson and Barbara Shermund. They have a combined total of 6 cartoons in the encyclopedia. Ms. Shermund’s work appeared in The New Yorker just over 600 times (including 8 covers). I believe, if my numbers are correct she is the third most published female cartoonist in the magazine’s history. She is represented by 1 cartoon in the encyclopedia. Ms. Hokinson is in the top ten of the Spill‘s 23 member K Club (the group of cartoonists who have 1000 or more cartoons published in the New Yorker).  She is in fact, the most published female New Yorker artist in the magazine’s history with 1,796 cartoons and 68 covers. She is represented by 5 cartoons.

The Tilley Watch Online, The Week Of September 24-28, 2018; Early Release Of Next Week’s New Yorker Cover; A Mystery Cartoonist; Three Cartoonists in Pennsylvania: Cartoon Companion Rates The Latest New Yorker Cartoons; The New Yorker Encyclopedia Of Cartoons: Gender Studies

An atypical less specifically Trumpian Daily Cartoon week — although he hovers. The contributing cartoonists: Kim Warp, Ellis Rosen, Peter Kuper, and Emily Flake.

Daily Shouts contributing cartoonists: Amy Kurzweil with illustrations by Ellis Rosen, and Ali Fitzgerald.

You can see all the work here.

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Early Release Of Next Week’s New Yorker Cover

As happens from time-to-time, the magazine has early released its next cover. Here’s Ana Juan’s cover for next week’s issue, as well as a short piece about it.

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Mystery Cartoonist

Arnold Zwicky’s Blog, which concerns itself with cartoon language, has posted a cartoon by a mystery cartoonist:

 

If you’re able to identify the artist, please contact Mr. Zwicky through his site.

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Three Cartoonists In Pennsylvania

This Sunday, at the Milford Readers & Writers Festival:

11:30AM:-THREE NEW YORKER CARTOONISTS TALK ABOUT FUNNY:- New Yorker Cartoonists CHRISTOPHER WEYANT and DAVID BORCHART join cartoonist and media commentator BOB ECKSTEIN in a conversation about creating humor. There will be plenty of funny cartoons shown.

Mr. Weyant began contributing to The New Yorker in 1998.

Mr. Borchart began contributing to The New Yorker in 2007.

Mr. Eckstein began contributing to The New Yorker in 2007.

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Cartoon Companion Rates The Latest New Yorker Cartoons

“Max” and “Simon” rate the the cartoons from the issue of October 1st.  P.C. Vey is awarded the CC‘s coveted “Top Toon” blue ribbon.  Read it all here.

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 The New Yorker Encyclopedia Of Cartoons: Gender Studies

Above: two pages of the Index from Volume 1 of The New Yorker Encyclopedia Of Cartoons

In his Foreword to The New Yorker Encyclopedia of Cartoons, the magazine’s editor, David Remnick has this to say about gender equality in the ranks of New Yorker cartoonists:

Any cartoon compilation that draws from these archives makes it clear what a male preserve it was. 

And indeed, this encyclopedia reflects that in numbers of cartoons included by women. Of the advertised 3000 cartoons, 142 are by the 19 women represented. Simple math tells us that the remaining 2,858 cartoons are by men.  If you take Roz Chast’s 54 cartoons out of the 142, you’re left with 88 cartoons by 18 women. I emphasize again, as I did in the previous post about the encyclopedia, that this two volume set is not presented as an all-encompassing anthology representing the magazine’s past 93 years; there’s no expectation of some kind of balanced inclusion based on numbers of cartoons the artists contributed.  That isn’t what this encyclopedia is.

And yet, I did find myself hoping for more work by two major female contributors, Helen Hokinson and Barbara Shermund. They have a combined total of 6 cartoons in the encyclopedia. Ms. Shermund’s work appeared in The New Yorker just over 600 times (including 8 covers). I believe, if my numbers are correct she is the third most published female cartoonist in the magazine’s history. She is represented by 1 cartoon in the encyclopedia. Ms. Hokinson is in the top ten of the Spill‘s 23 member K Club (the group of cartoonists who have 1000 or more cartoons published in the New Yorker).  She is in fact, the most published female New Yorker artist in the magazine’s history with 1,796 cartoons and 68 covers. She is represented by 5 cartoons.

 

 

 

 

 

 

 

 

Move Over Addams, Steinberg Did An 89 Foot Long Mural; Dick Buchanan’s Tip Of The Hat To Funny Ladies At The New Yorker Show, and …A First Glimpse of the Exhibit

Steinberg’s 89 Foot Mural

We recently learned of a fourteen foot mural Charles Addams executed (a good Addamsy word!); well here’s a piece in Cincinnati Magazine about an eighty-nine foot Steinberg mural.  Wowzers.

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Dick Buchanan’s Tip Of The Hat To Funny Ladies At The New Yorker

Via Mike Lynch’s site: “From The Dick Buchanan Files: Women Cartoonists: Barbara Shermund, Hilda Terry, Mary Gibson, and Dorothy McKay 1935-1952”

Mr. Buchanan’s latest file finds are in honor of the upcoming Society of Illustrators exhibit, Funny Ladies At The New Yorker: Cartoonists Then and Now

Liza Donnelly, who curated the show, has posted (on Instagram) a preview photo. Nice blow-up of a Helen Hokinson drawing! : 

 

A Price Playbill; Ziegler’s Letterman Appearance; A Couple of Hokinson Dachshunds

A Price Playbill

Without generous donors, the Spill‘s archives would be so much poorer.  Here’s the latest addition: a Playbill with cover art by the great George Price. Stalag 17 premiered at the 48th St. Theatre in May of 1951.  Mr. Price’s work, as a spot artist, premiered in The New Yorker in 1929. In his book, The Art of The New Yorker: 1925-1995, Lee Lorenz, the magazine’s former Art/Cartoon editor (who called Price one of the magazine’s great stylists, along with Helen Hokinson, Peter Arno, William Steig, and James Thurber) described Price’s transition from spot artist to cartoonist:

 After purchasing a few spot drawings from Price, Katharine White invited him in for an interview. She encouraged him to try his hand at cartooning. George was reluctant at first.  He was not an idea person. Mrs. White promised to supply him with gag writers, and on this condition George was persuaded  to begin submitting to the magazine.

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Ziegler’s Letterman Appearance

I’ve linked to this video before, but just happened to see it again last night.  Broadcast June 20, 1983, here’s the late very great Jack Ziegler’s Late Night with David Letterman appearance.  See it here.

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A Couple of Hokinson Dachshunds

I didn’t know that dachshunds were at one time called “liberty hounds” — did you?  Read more  here on Attempted Bloggery about a 1947 Helen Hokinson drawing featuring two of them.

 

 

 

The New Yorker’s First Fourth

 This stunning Ilonka Karasz cover graced the New Yorker‘s first fourth of July issue. Ms. Karasz  contributed a remarkable 187 covers to the magazine; her first was on the 7th issue, April 4, 1925, her last appeared on the issue of October 22, 1973. Of note within the issue: this Helen Hokinson drawing appearing on the Talk of The Town’s lead page:

In 1925, Ms. Hokinson, newly arrived in New York (from Chicago) enrolled at Parsons School of Design. According to Liza Donnelly’s book Funny Ladies:

One day [Hokinson’s] instructor sent the students out to sketch in the streets of New York. Hokinson drew an elderly woman waving goodbye to a departing ocean liner. Upon her return to the classroom, her teacher, Howard Giles, laughed and suggested she take this and other drawings to the new magazine down the street.

This simple drawing of a woman waving immediately won over Harold Ross and Rea Irvin. Her work had an ease to it: Ross recognized the humor in her line quality, but also in what she chose to draw. Ross purchased her first submission and invited her to return every Tuesday  with more sketches for consideration.