The Tilley Watch

With this week being a big election moment and all, I was expecting the just published New Yorker cover would be political. And maybe it is in a strange way — maybe we need a calm moment in the storm.  Still, I found myself looking very closely at cover artist Eric Drooker‘s bank of leafy trees thinking maybe I’d spot the face of Beto O’Rourke or Ted Cruz, or Stacey Abrams, or Trump  hidden ala the Beatles on the cover of the Rolling Stones “Their Satanic Majesties Request” album. But no.

The cartoons:

Fourteen cartoons in this issue and nineteen illustrations (five and-a-third of the latter are full pages).  Here are the cartoonists in the issue:

Of note: I believe this is the debut print cartoon for David Ostow (someone please correct me if I’m wrong). If correct, Mr. Ostow is the eighth new cartoonist introduced this year, and the twentieth new cartoonist brought in under Emma Allen’s watch as cartoon editor.

Trivia: the highest number of cartoonists to debut in a single year: eighteen (in 2016). That was in the pre-Emma Allen era.

 

 

 

 

Early Reveal: Next Week’s New Yorker Cover; Cover Exhibit Of Interest: Underground Heroes: New York Transit In The Comics; Addams Hometown Throws Addams Fest in October

 Early Reveal: Next Week’s New Yorker Cover

Upcoming New Yorker covers are usually posted early Monday morning, but occasionally we get an advance look.  Barry Blitt is the cover artist for next week’s issue. 

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Exhibit Of  Interest: Underground Heroes: New York Transit In The Comics

Opening today at the New York Transit Museum in downtown Brooklyn, this fabulous exhibit  comprised of “satirical cartoons, comic strips and comic books from the 19th to 21st centuries.” Works by over 120 artists are represented including the following New Yorker contributors: Roz Chast, Peter Kuper, Eric Drooker, Ben Katchor, Julia Wertz, and Art Young.  Along with the art, there will be panel discussions, gallery talks and sketch nights.

For all the info go here.

(cartoon courtesy of Peter Kuper)

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Addams Hometown Throws  Addams Fest in October

Mark your calendar: Charles Addams’ hometown will hold its first Addams Fest over three days in October (26, 27, and 28). Lectures, exhibits and screenings are planned.  Read about it here.

Above: a screen shot of a very short teaser video for the fest.

Here’s Mr. Addams entry on the Spill‘s A-Z:

 

 

 

 

Charles Addams (above) Born in Westfield, New Jersey, January  7, 1912. Died September 29, 1988, New York City. New Yorker work: 1932 – 1988 * the New Yorker has published his work posthumously. One of the giants of The New Yorker’s  stable of artists.  Key cartoon collections: While all of Addams’ collections are worthwhile, here are three that are particular favorites; Homebodies (Simon & Schuster, 1954), The Groaning Board (Simon & Schuster, 1964), Creature Comforts (Simon & Schuster, 1981). In 1991 Knopf published The World of Chas Addams, a retrospective collection. Visit the Addams Foundation website for far more information : http://www.charlesaddams.com/

 

The Monday Tilley Watch: The New Yorker Issue of September 18, 2017

The Monday Tilley Watch is a meandering take on the cartoons in the current issue of The New Yorker.

 Visitors to the Spill (and social media) have already had the weekend to digest the cover of the latest issue — it features the looming top-noggin of North Korea’s leader. The cover artist, Eric Drooker told Michael Cavna in a Washington Post piece: “I came up with the concept for next week’s New Yorker cover when I realized how little I know about Kim Jong Un. He’s an enigma. Who knows what goes on under the hood?…All we can see is the tip of the iceberg — an incomplete picture.” Fair enough.

Before getting to the cartoons this week, and instead of zipping through the GOAT (Goings On About town ) section, I’d like to mention a couple of non-cartoon graphics that made me pause, for better or worse:  a painting on page 6 by the artist Brian Calvin and a (colorized?) photograph on page 12. I won’t say which made me pause for the better or which  made me pause for the worse; the Monday Tilley Watch is not my soap box — it’s the curb I sit on while watching a parade go by.  

Now on to the cartoons. It doesn’t take long to reach David Borchart’s C.S. Lewis flavored drawing (If I’m wrong about this, someone please speak up). (Above: an illustration from the The Lion, the Witch and the Wardrobe)

Mr. Borchart, who has been contributing to the magazine since September of 2007, uses one of the most reliable tools in the cartoonist’s kit: a mash-up of fantasy and the all too real. As with every new cartoon I come across I automatically recall some previous cartoon with a similar stand-out characteristic — in this case the unicorn. I cannot see a drawing of a unicorn and not picture this classic Charles Addams drawing. It appeared in The New Yorker, March 10, 1956.

Four pages later is a subway drawing by  J.A.K. (Jason Adam Katzenstein — his first New Yorker cartoon appeared in November of 2014. It’s not my imagination, the magazine has run a goodly number of New York City subway drawings in the past few months (I’m not going to go back and count them. Trust me). It has dawned on me this very second that I could probably summon up a Charles Addams classic drawing somehow related to every cartoon in this issue.  In this case, Addams had a number of subway classics (here’s one). But enough of that game. 

Seven pages later is a Joe Dator bar scene. Mr. Dator’s first New Yorker appearance was in August of 2006. It’s always a gift when the cartoon gods hand a cartoonist a one-word switcheroo to make for a successful caption: in this case using “stopping” instead of “starting.” Fun sidebar: Mr. Dator has a podcast,  Songs You’re Sick Of.

A Roz Chast three panel drawing is next (her first cartoon appeared in 1978).  I like that Ms. Chast has ventured out of what we’ve (perhaps?) come to think of as a Chastian living room setting. We get to see a kitchen and foyer.  I’d love even more of a tour around her cartoon environment.  For instance: let’s see the basement…or the attic  (It’s possible we’ve already seen these spaces… Ms. Chast has published well over a thousand cartoons in the magazine).

Ten pages later, after a long piece about North Korea, is a Stephen King-ish  Will McPhail drawing. I have great sympathy for Mr. McPhail’s cartoon pinata in this cartoon. I’m resisting the  temptation here to recall one of many many Charles Addams’ drawings featuring mischievous children (or a mischievous child). I think I can safely say that none of Mr. Addams’ cartoon children ever threatened to harm a cartoon pinata.  (Mr. McPhail’s first New Yorker cartoon: December of 2014).

On the very next page is a thief-in-a-in-home drawing by newcomer Maddie Dai. As mentioned earlier in this post and previous posts, I try hard to keep subjectivity in check  in the Monday Tilley Watch, but this drawing gets a check plus. Can’t wait to see what the Cartoon Companion boys say about it later this week (their stock-in-trade is cartoon dissection and evaluation).  Ms. Dai’s first New Yorker appearance was this past June.

Three pages later is a BEK (Bruce Eric Kaplan) drawing.  Signature style, signature caption. Mr. Kaplan’s first drawing appeared in 1991.  Six pages later, an Emily Flake drawing, sort of in the area of Mr. Borchart’s: a mash-up of contemporary technology (texting) and slowing-moving-out-the-door lingo: actually hanging up a phone (and slowly-moving-out-the-door actual activity of hanging up a phone).  Ms. Flake’s first drawing appeared in September of 2008. Five pages later, a drawing by Barbara Smaller.  Like Mr. Kaplan: signature style, signature caption. Here Ms. Smaller avoids  the cartoonist’s go-to shrink’s divan for the patient and opts for a sofa.

 

Three pages later is the last drawing in the issue (not counting the Caption Contest drawings), and it’s by the ever reliable Paul Noth (in earlier years such cartoonists as James Stevenson, Frank Modell, and Donald Reilly were among the magazine’s sturdy cartoon oaks (seemingly) effortlessly providing us with good work week after week after week (after year after year after year).  Mr. Noth began at the New Yorker thirteen years ago.

See you next Monday.

 

 

 

 

Event of Interest: Not OK: Great Cartoons That Weren’t Good Enough; Cartoon Companion’s Latest Ratings; Next Week’s New Yorker Cover Revealed

Event of Interest: Not OK: Great Cartoons That Weren’t Good Enough

What fun!  An exhibit of cartoons that did not make the cut at The New Yorker. Many of the contributing artists are newbies at the magazine, either in the print version and/or on the magazine’s website.

“Not OK” refers to the two letters every New Yorker cartoonist (and every prospective New Yorker cartoonist) longs to see in her or his inbox at week’s end in an email from the New Yorker‘s cartoon editor: OK (or sometimes: O.K.).  An OKed cartoon is a drawing that has been bought by The New Yorker. The Not OK show is comprised of selected drawings submitted to the magazine but not bought. 

Here’s a list of the participants:

Hilary Fitzgerald Campbell, Mitra Farmand, Jason Adam Katzenstein, Lars Kenseth, Amy Kurzweil, Maggie Larson, Sharon Isadora Levy, Brendan Loper, Sam Marlow, Jeremy Nguyen, David Ostow, Drew Panckeri, Ellis Rosen, Julia Suits, Colin Tom

For more info on these artists please consult the Spill’s A-Z or the personal websites of each cartoonist.

Day, time  & place:

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Cartoon Companion’s Latest Ratings

The CC boys are back (sans Mystery Cartoonist!) with a look at this week’s cartoons. I particularly enjoyed their dissection of Jeremy Nguyen’s Picasso cartoon.  Go here to see what they have to say about that drawing and all the others in the issue.

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Next Week’s New Yorker Cover Revealed

It’s become somewhat routine these days for the New Yorker to allow us a look at the upcoming issue’s cover, most especially if the cover is tied-in to current events. Here’s the cover artist, Eric Drooker, talking (very briefly)  about his cover for the September 18th issue. And here’s Mr. Drooker talking about it a little more to The Washington Post’s Michael Cavna.

Being Eustace Tilley; Roger Angell Remembers James Stevenson; Oscar Time! Liza Donnelly Back on the Red Carpet Live Drawing the Oscars, Drooker’s Oscar Cover, Eckstein’s Oscar Wielding Eustace

 

 

Eustace Tilley is of course a fictional character — commonly referred to as The New Yorker‘s mascot.  There is a suggested backstory to Tilley himself in Lee Lorenz’s Art of The New Yorker: 1925-1995; there are best guesses elsewhere as to why Rea Irvin (see below) decided to submit the cover to Harold Ross to adorn Ross’s inaugural issue and there are probably just as many best guesses as to why Ross chose to use Irvin’s submission.

Following the advent of the New Yorker, it didn’t take long for a Tilley stand-in to show up; a New Yorker in-house publication featured Harold Ross as Tilley and Alexander Woollcott as the butterfly hovering at Tilley’s eye-level.  Over the years there have been innumerable parody New Yorkers (Ink Spill has a selection here).  But how many real people, after Harold Ross, have stood in for Tilley on a New Yorker cover or on another magazine’s cover.

If you search online you’ll see perhaps hundreds of Tilley stand-ins, some on the cover of The New Yorker itself, many submitted to the New Yorker as part of a contest, many just for personal amusement (Tilley as Disney’s Goofy, or Mad’s Alfred E. Neuman, Dr. Seuss’s Cat In The Hat, etc., etc.)    But here I’m concentrating on published covers featuring real people (and one real dog) as Tilley.   I’ve found just a few (please let me know of others that fit this category…update: my thanks to Attempted Bloggery for reminding me about the Eustace Clinton/Obama cover ):

 

First the real deal: Rea Irvin’s classic cover:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The New Yorker‘s in-house issue featuring Harold Ross.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Renata Adler as Tilley on Manhattan, Inc. November 1986

 

 

 

 

 

 

 

 

 

 

 

 

 

New York magazine, July 20, 1992,  with Tina Brown as Tilley

 

 

 

 

 

 

 

 

 

 

 

 

 

The New Yorker’s 75th anniversary issue, February 21, 2000, with a William Wegman dog as Tilley (and one of his dogs standing in for the butterfly)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

“Eustace Tillarobama” (credited to Rea Irvin and Seth) February 11, 2008

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

And that brings us to the March 6, 2017  The New Yorker, with Barry Blitt’s  “Eustace Vladimirovich Tilley” and Donald J. Trump as the butterfly

Image result for eustace tilley putin

 

Rea Irvin’s entry on Ink Spill‘s “New Yorker Cartoonists A-Z”:

Rea Irvin  (pictured above. Self portrait above from Meet the Artist) *Born, San Francisco, 1881; died in the Virgin Islands,1972. Irvin was the cover artist for the New Yorker’s first issue, February 21, 1925.  He was the magazine’s  first art editor, holding the position from 1925 until 1939 when James Geraghty assumed the title. Irvin became art director and remained in that position until William Shawn succeeded Harold Ross. Irvin’s last original work for the magazine was the magazine’s cover of July 12, 1958. The February 21, 1925 Eustace Tilley cover had been reproduced every year on the magazine’s anniversary until 1994, when R. Crumb’s Tilley-inspired cover appeared. Tilley has since reappeared, with other artists substituting from time-to-time.

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…From the New Yorker‘s Culture Desk, February 25, 2017, “Looking At The Field” Roger Angell on James Stevenson’s art and writing.

photo: Mr. Stevenson in Westport, Connecticut in 2015

 

 

 

 

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Oscar Time!

…Liza Donnelly has been out in Hollywood all week drawing  the scene as the Academy Awards prepares for its big night. Following her historic appearance last year as the first ever cartoonist live drawing on the Red Carpet, she will be back again tomorrow night drawing the stars and the hooplah.

Check out her drawings @lizadonnelly  and  @CBSThisMorning

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The New Yorker’s  Oscar cover, February 27, 2017 by Eric Drooker (titled “#OscarsNotSoWhite”)

 

 

 

 

 

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…I’ll wrap up this post appropriately enough with Bob Eckstein’s Eustace holding an Oscar. Be sure to follow Mr. Ecksteins coverage of the big event on newyorker.com