The Tilley Watch, The New Yorker Issue Of January 21, 2019

An interesting cover this week, reminiscent of Arthur Getz‘s great city landscapes: a dark city view with a small area of bright lights slicing through. That contrast of dark with dramatic light was close to a Getzian specialty (similar scenes were also beautifully painted by a number of other New Yorker artists through the years). If you can, get hold of The Complete Book of Covers From The New Yorker (Knopf, 1989) — you won’t regret it.

For more on the current cover, you can read about the artist, Pascal Campion here.

The Cartoons/Cartoonists:




Some cartoons of note in this issue:

The solid drawing on page 22 of two couples about to cross paths on a suspended narrow rope bridge marks Hartley Lin‘s cartoon debut in the magazine.

As happily the case with Lars Kenseth‘s work, his stone man on page 30 is something outside the norm.

Hilary Fitzgerald Campbell‘s cinematic post-party drawing on page 51 is terrific, as is Olivia de Recat’s Alarmist Clock on page 63.

On page 59, another cartoonist’s New Yorker debut: Karl Stevens.

Mr. Lin and Mr. Stevens are the first new New Yorker cartoonists of 2019, and the 25th and 26th new cartoonists making their debut in the magazine since Emma Allen became the New Yorker‘s cartoon editor in May of 2017.

…before I turn out the lights on this post, let us not forget that Rea Irvin’s beautiful Talk masthead (below) is still in storage. Read all about it here.


The Tilley Watch Online, December 16-21, 2018

An atypical Daily week in that it was un-Trumpian.  But…Emma Allen, the New Yorker‘s cartoon editor posted a slide show review of Trump cartoons from 2018. See it here

The Daily Cartoon New Yorker contributors this week : Maggie Dai, Jason Chatfield, Elisabeth McNair, Peter Kuper, and Brendan Loper.

And over on Daily Shouts, the contributing New Yorker cartoonists: Maggie Larson, Liana Finck, Gabrielle Bell, Olivia de Recat (with Sarah Vollman), and Sara Lautman.

See all the work above, and more, here.

Also online this week: the New Yorker‘s most popular Instagram cartoons, posted by the magazine’s assistant cartoon editor, Colin Stokes.

Below: a bonus photograph from the New Yorker‘s holiday party for cartoonists last Thursday.  My colleague Felipe Galindo took this that evening and posted it online.

New Yorker Cartoonists Holiday Party

Decades ago, in the William Shawn era, New Yorker cartoonists celebrated the holidays in-house (specifically, in-department).  They’d show up at the office and drink punch provided by the art editor Lee Lorenz and his assistant, Anne Hall. Cartoonists would sample rum balls brought in by their colleague, Henry Martin.  During the Tina Brown years the holiday party went big time, when all departments went out-of-office and co-mingled in (mostly) downtown establishments.  Coming full circle this year’s party for cartoonists came back home to the offices (yay!).  Last night’s shindig was hosted by the cartoon editor, Emma Allen, and the assistant cartoon editor, Colin Stokes (and, shades of Henry Martin, cartoonist David Borchart even brought in some homemade cookies).

Ink Spill‘s official photographer for the evening, cartoonist Liza Donnelly attended the festivities, and captured the scene. 

Below, left to right: Kendra Allenby, Ali Soloman, Farley Katz and Emma Allen.

Below: in the foreground, Robert Leighton (on the left) speaks with Ed Steed. In the back, left-to-right, with his back to the camera is Colin Stokes, Avi Steinberg (in the hat), and a partially obscured Ellis Rosen. Between Mr. Steinberg and Mr. Ellis is the fabulous Peter Arno New Yorker cover of June 5, 1954.

Below: a frieze of cartoonists. Will mention just a few: to the far left is Emma Hunsinger. To the far right, second in, is PC. Vey.

 

Below: Mort Gerberg (on the left) and George Booth.

Below, left-to-right: Avi Steinberg, Karen Sneider, Jason Adam Katzenstein, and, with her back to the camera, Gabrielle Bell.

Below: foreground, looking at the camera is Sophia Warren, then Robert Leighton, and (with eyepatch) Mort Gerberg. In the background: far left, is Ed Steed, then (with back to camera) David Sipress, Joe Dator (with scarf), and Kendra Allenby.

Below: on the far left is Joe Dator, and then Emily Flake and Marisa Acocella.

 

Below: a waving Jeremy Nguyen and Maggie Larson. Far left, in the back is Brendan Loper.

Below, left to right:  George Booth, Liza Donnelly, and David Borchart (this photo courtesy of  Mr. Borchart).

Below: Felipe Galindo and Drew Dernavich.

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Below: The New Yorker‘s Jack-of-All Trades,Stanley Ledbetter, Johnny DiNapoli, Farley Katz, and Ellis Rosen.

Below, left to right: David Sipress and Ben Schwartz.

Below: Emma Allen and Farley Katz.

Below: the ever festive Rea Irvin type-faced logo!

 

— My thanks to Liza Donnelly, Colin Stokes, Emma Allen, and David Borchart for their assistance  with this post.

 

 

The Monday Tilley Watch, The New Yorker (Double) Issue Of December 24 & 31, 2018

The Cover: The last issue of the year is also the “Power Issue” (the fellows depicted on the cover certainly reflect various measures of power).  Read what the cover artist Barry Blitt had to say about his Sherlocklike cover.

The Cartoonists in the issue:

As it’s the end of the year, I’ll dispense with counting the number of illustrations.  Let’s just say the ratio of illustrations to cartoons remains the same as it’s been in recent times.

Two cartoon items of note:

  1.  Couldn’t help but think of the famous Saturday Night Live Christopher Walken More Cowbell skit when I came to Charlie Hankin’s very funny drawing, “I’m gonna need even less tuba.”  A nod to Mr. Walken’s hilarious classic perhaps?
  2. I believe that this is the New Yorker print debut for cartoonist Christine Mi. If true, she is the 12th new cartoonist to appear this year and the 24th since Emma Allen became cartoon editor in May of 2017.

As we head off to the flickering bright lights of 2019, let us not forget Rea Irvin’s iconic Talk masthead.  It disappeared in the Spring of 2017. Read about it here.

 

 

 

 

 

The Tilley Watch

With this week being a big election moment and all, I was expecting the just published New Yorker cover would be political. And maybe it is in a strange way — maybe we need a calm moment in the storm.  Still, I found myself looking very closely at cover artist Eric Drooker‘s bank of leafy trees thinking maybe I’d spot the face of Beto O’Rourke or Ted Cruz, or Stacey Abrams, or Trump  hidden ala the Beatles on the cover of the Rolling Stones “Their Satanic Majesties Request” album. But no.

The cartoons:

Fourteen cartoons in this issue and nineteen illustrations (five and-a-third of the latter are full pages).  Here are the cartoonists in the issue:

Of note: I believe this is the debut print cartoon for David Ostow (someone please correct me if I’m wrong). If correct, Mr. Ostow is the eighth new cartoonist introduced this year, and the twentieth new cartoonist brought in under Emma Allen’s watch as cartoon editor.

Trivia: the highest number of cartoonists to debut in a single year: eighteen (in 2016). That was in the pre-Emma Allen era.