The Wednesday Spill: New Yorker Folks At SXSW 2020; Today’s Daily Cartoonist & Cartoon; Fave Photo Of The Day

New Yorker Folks At SXSW 2020

From SXSW’s schedule, here are several events featuring various New Yorker folks.

On March 14th, 2020, a talk by veteran New Yorker cartoonist, Liza Donnelly: ‘Humor Connects Us”  

On March 15, 2020, “New Yorker Cartoons In Augmented Reality” with the New Yorker‘s cartoon editor, Emma Allen, cartoonist Liana Finck, and others.

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Today’s Daily Cartoonist & Cartoon

Brendan Loper on moving the impeachment hearings.

Mr. Loper has been contributing to The New Yorker since 2016.

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Fave Photo Of The Day

Here’s a photo from the Spill archives of a family cat settled down in front of a Jack Ziegler original. The drawing, titled The Jungle Never Sleeps, appeared in The New Yorker,  July 28, 1980.

 

The Weekend Spill: Chuck Jones’s Eustace; The Cartoon Takeover Issue; The Tilley Watch Online, December 22-28, 2019

Here’s something new to me: the great Chuck Jones  take-off on Eustace Tilley. The poster can be found here.

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The Cartoon Takeover

It was an exciting week in The New Yorker cartoon world, what with the arrival of the magazine’s first ever Cartoon Takeover issue (covered here last Monday). For everyone who says that the first thing they turn to in the magazine is the cartoons, you had a lot to turn to.

Read about the issue in this piece, “The Cartoon Department Coup” by Emma Allen, The New Yorker‘s cartoon editor.

Fingers crossed this special issue becomes a yearly thing, leading up to the magazine’s super-duper anniversary in 2025.

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The Tilley Watch Online: An end of the week listing of New Yorker artists who contributed to newyorker.com features.

Artists contributing to newyorker.com are of two stripes: some contribute solely to the online magazine, and others cross-over from print to online. For now, only the artists appearing in print are listed on the Spill‘s A-Z. Artists solely appearing online are italicized below.

The Daily Cartoon: Teresa Burns Parkhurst, Paul Karasik, David Ostow, Felipe Galindo, Benjamin Slyngstad.

Daily Shouts: J.A.K., Olivia de Recat, Ali Fitzgerald.

And…

From Barry Blitt’s Kvetchbook: “The Latest On J.D. Salinger Unearthed”

“The New Yorker Cartoons For The Holidays” — by Colin Stokes, the magazine’s assistant cartoon editor.

The Monday Tilley Watch, The New Yorker “Cartoon Takeover” Issue Of December 30, 2019

The Cover: The “Cartoon Takeover” theme begins on Robert Sikoryak’s cover as cartoon characters whitewash text. Read a Q&A with the cover artist here.

The Cartoonists:

The Cartoons:

Right off the bat, it should be noted that this issue is unlike the “Cartoon Issue” once produced this time of the year beginning in 1997; that series ended after a fifteen year run. It is also unlike the “Best Cartoons Of The Year” series begun in 2011, and ended five years later. This Cartoon Takeover is unlike those in that it contains a ton of archival material (the issue carries the descriptive “A Semi-Archival Issue” on the Table of Contents). While elements from the Cartoon Issues, and Best Of series are here: the graphic spreads for instance, and a profile of a cartoonist — the old tropes features thankfully haven’t resurfaced. This Takeover is a new and welcome creature, with a pulse I associate with the very oldest issues of The New Yorker.  As befits the issue’s theme, The New Yorker‘s cartoon editor, Emma Allen, has taken over Talk’s “Comments” section, leading us into the action.

As you see from the number of cartoonists listed above, this new issue is packed with cartoons from a wide swath of the New Yorker‘s history, with work by such luminaries as Helen Hokinson, Barbara Shermund, James Thurber, William Steig, Gahan Wilson, and Steinberg represented. Nice to see Peter Arno’s ultra-famous, “Well, back to the old drawing board” included! Many cartoons from the archives are here as “favorites” selected by cartoonists and non-cartoonists. Free standing cartoons — what you normally see in every issue of The New Yorker — are also from the archives. I was very happy to see one of my favorite semi-modern cartoons included: Joe Duffy’s meta Care to join me in panel #3? (originally published, October 31, 2011).

Not whitewashed over by cartoon characters is a personal favorite John Updike piece (originally published in 1997) on his cartoonist roots, and terrif archival pieces, including two by two late-greats, Veronica Geng and Dorothy Parker. It’s an issue of a little something, and often a lot of something, for just about everyone who loves New Yorker cartoons.

The Rea Irvin Masthead Watch: Normally on the Monday Tilley Watch I woefully acknowledge another issue gone by without the return of Rea Irvin’s iconic masthead.  Since the Spring of 2017, a redrawn version has stood awkwardly in its place. This special Cartoon Takeover issue thankfully replaces the redraw with an Ed Steed take on the Irvin masthead. Mr. Steed’s playfulness is a refreshing delight, incorporating, to my eye, some Steigian/Steinberg elements.

With next week’s issue of The New Yorker the first of 2020, this would be the perfect opportunity to use Mr.Steed’s comic break as the moment to bring back Mr. Irvin’s classic masthead — and really now, why not bring it back?

Below, Mr. Irvin’s beautiful, now moth-balled masthead, and Mr. Steed’s fun take below it.

The Weekend Spill: A Whither Now? MAD Dartboard; The Online Tilley Watch: December 16 -20, 2019; From The Archives: 1984 “The New Yorker” Cartoonists Traveling Exhibit Poster

A Whither Now? MAD Dartboard

MAD was in the news not long ago when it announced it was no longer going to turn out a brand new content-filled magazine, but rely instead on reprinting older material.  Now the folks at MAD have (sort of) given its readers a game of choice. The below graphic piece appears in the February 2020 issue, along with the news that famed artist Al Jaffee will no longer do the fold-in back page after a gazillion years of doing so.

The Online Tilley Watch, December 16-20, 2019

An end of the week list of New Yorker artists* who contributed to newyorker.com features.

* artists contributing to newyorker.com are of two stripes: some contribute solely to the online magazine, and others cross-over from print to online.  For now, only the artists appearing in print are listed on the Spill‘s A-Z.

 

 

The Daily Cartoon: Ellis Rosen, Brooke Bourgeois, Ali Solomon, Avi Steinberg, Ellie Black.

Daily Shouts: Hilary Fitzgerald Campbell, Ali Solomon.

and…

Instagram’s Favorite New Yorker Cartoons Of 2019…by The New Yorker‘s assistant cartoon editor, Colin Stokes.

Not-To-Be-Missed Shouts Of 2019…by The New Yorker‘s cartoon editor, Emma Allen.

Barry Blitt’s Kvetchbook.

All of the above, and more, can be seen here.

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From The Archives: 1984 “The New Yorker” Cartoonists Traveling Exhibit Poster

I may, or may not, have posted this once before — if so, it was quite awhile ago. It’s a great at-a-glance look at The New Yorker‘s cartoon stable, mid 1980s (with a few departed stable mates work included:  Peter Arno, and R.Taylor, among them).

 

 

 

The Monday Tilley Watch, The New Yorker Issue Of December 23, 2019; Today’s Daily Cartoonist & Cartoon; Emma Allen’s Year In Review Not-To-Be-Missed Daily Shouts; Blitt’s Mao & Nixon

The Cover:  Ed Steed’s third New Yorker cover in five months. This makes my day: it’s always great to see a New Yorker cartoonist cross-over from the cartoon department to the art department (shades of the pre-Tina Brown days when the cartoonists provided the majority of covers). Here’s a Q&A with Mr. Steed about his latest cover.

The Cartoonists:

The Cartoons:

Zipping through this new issue I see it’s loaded with cartoons (yay!).  I also see that the freshman class of the 1970s is well represented: Roz Chast, Mick Stevens, the late Jack Ziegler, and myself; there are also four freshman from the class of the 1990s: P.C. Vey, Nick Downes, Kim Warp, and Barbara Smaller. And at opposite ends of the time line are George Booth, a freshman in the class of the 1960s (1969 to be a little more precise), and Keith Knight, who makes his New Yorker debut in this issue (so a freshman in the class of the 2010s). Mr. Knight is the 27th newbie of the year, and the 53rd to join The New Yorker‘s stable since Emma Allen took the cartoon department reins in the Spring of 2017.

Seeing the Booth cartoon (it’s on p.32) takes me right back to my fledgling days at The New Yorker and my belief that Mr. Booth’s work is what the magazine’s cartoons are all about: superb drawing, and a precisely defined world of personalized humor. Some forty plus years after I discovered Mr. Booth’s world I still get revved up and inspired from seeing one of his drawings.

A couple of thoughts on a couple of drawings: both Sofia Warren’s fine drawing (p.51) and Nick Downes’ wonderful Rockefeller Center skating rink drawing would’ve benefited us (the readers) had they been allowed more space. These are drawings full of great detail.

On the other hand, Roz Chast’s funny Abominable Snow-Woman (p.73) seems just the right size. Such a good drawing. It would be great if she marketed her snow-woman as a stuffed toy (I’d want one).

Really enjoyed Paul Noth’s Bat-signal/Robin-signal drawing (p.42).  I especially like the work he put into Batman and Robin’s outfits.

Speaking of cartoon worlds, as I was earlier in regards to Mr. Booth’s work, I cannot leave this ramble on the cartoons without mentioning how missed Jack Ziegler’s cartoon world is. Seeing his drawing in this issue is a tip of the iceberg reminder of what a spectacularly funny cartoonist he was. If you don’t already have his masterpiece collection, Hamburger Madness, get it.

 

The Rea Irvin Talk Masthead Watch: Bah, humbug…nothing has changed.  The redrawn masthead, installed in the Spring of 2017 still sits where Mr. Irvin’s beauty once sat. Below is Mr. Irvin’s classic design; here’s where you can read more about it.

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Today’s Daily Cartoonist & Cartoon

Ellie Black on a critic’s crisis.

Ms. Black has been contributing to The New Yorker since February of this year.

 

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Shouts In Review

Emma Allen, The New Yorker’s cartoon editor, and editor of  Daily Shouts, lists Shouts highlights.

A whole bunch of New Yorker cartoonists are therein.

 

 

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Blitt’s Mao & Nixon

From “Barry Blitt’s Kvetchbook,” a flashback to February of 1972, when Nixon met Mao. Above: the real deal.