A Steve Martin & Harry Bliss Collaboration; The Tilley Watch Online, March 17-22, 2019

A Steve Martin & Harry Bliss Collaboration

Slipped onto newyorker.com late in the day yesterday was the above Bonus Daily cartoon.  Sharp-eyed readers will note that the drawing is co-authored: Bliss/Martin.  I asked Harry Bliss if his collaborator was indeed the Steve Martin, and if so, how it came to be that they worked together.  Mr. Bliss responded in an email:

Yes, it is that Steve. Steve was having dinner with Francoise [Francoise Mouly, the New Yorker’s Art Editor]  and others and mentioned he had a couple dog cartoon ideas, also mentioned he was a fan of my work, so Francoise put us together. This was about three weeks ago and since then we have been collaborating daily, sort of creative email back-and-forth ‘dance’ on various cartoon ideas, most of which will either appear in the magazine and in syndication. It’s a total blast.

Mr. Bliss began contributing to The New Yorker in 1998. Link here to his website.  

Note: this isn’t the first time Mr. Martin has collaborated  with a New Yorker artist.  He and Roz Chast co-authored the 2007 book,The Alphabet From A to Y With The Bonus Letter Z!

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The Tilley Watch Online, March 18-22, 2019

Contributing to the Daily cartoon this week:  the above-mentioned Harry Bliss with Steve Martin,  Jason Adam Katzenstein, Peter Kuper (twice), Elisabeth McNair, Barry Blitt (a Bonus Daily), and Lila Ash.

Over on Daily Shouts, these were the contributing New Yorker cartoonists: Ellis Rosen (with Karen Chee), Liana Finck, Julia Wertz, Olivia de Recat (with Julia Edelman), and Christine Mi.

To see all of the above, and more link here.

 

 

 

A George Booth Film!; A Q&A Of Interest: Ellis Rosen; The Traveling Cartoon Museum; Liza Donnelly To Judge Cartoons In Cuba; More From The Dick Buchanan Files Via Mike Lynch; Today’s New Yorker Daily Cartoonist: Peter Kuper

A George Booth Film!

Happy to report that a George Booth film is in the works. Mr. Booth is, of course, one of the gods of The New Yorker‘s cartoon world.  This year marks his 50th year at the magazine.  Read about the film and George Booth, and see a Kickstarter teaser clip here.

Here’s Mr. Booth’s entry on the Spill’s A-Z:

George Booth (photo above taken in NYC 2016, courtesy of Liza Donnelly) Born June 28, 1926, Cainesville, MO. New Yorker work: 1969 – . Key collections: Think Good Thoughts About A Pussycat (Dodd, Mead, 1975), Rehearsal’s Off! (Dodd, Mead, 1976), Omnibooth: The Best of George Booth ( Congdon & Weed, 1984), The Essential George Booth, Compiled and Edited by Lee Lorenz ( Workman, 1998).

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A Q&A Of Interest: Ellis Rosen

From Unsettled, “Q&A With Ellis Rosen, Cartoonist And illustrator For The New Yorker” 

Mr. Ellis began contributing to The New Yorker in 2016.  Visit his website here.

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The Traveling Cartoon Museum

The Museum of Cartoon Art first caught my attention in September of 1980 when the article above appeared in The New York Times. Since then the museum has moved about a good deal (for a museum). This is a good catching up article about its travels: “The Rocky History of Connecticut’s Cartoon Museum” — from the CTPost, March 21, 2019.

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Liza Donnelly To Judge Cartoons In Cuba

Liza Donnelly, that globe-trotting New Yorker cartoonist (she was live-drawing on China’s Great Wall not long ago; she’s shown above live-drawing at a conference in Brussels last week) is off to Cuba in a few days to join in the judging of cartoons for the 21st Bienal International De Humorismo Grafico.  Info here.

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More From The Dick Buchanan Files Via Mike Lynch

Dick Buchanan continues to share his incredible cartoon tear sheet collection via Mike Lynch’s blog. Without Mr. Buchanan (and Mr. Lynch), such great work as Gahan Wilson’s cartoon from Collier’s (shown above) might be lost to the ages.

This is how Mike introduced the latest Buchanan Files:

Thank you, you lovely, crazy Dick Buchanan, for diving into your files in your Greenwich Village apartment so many times and coming up with these pretty-much-unseen-since-publication single panel cartoons. These are, as you will see, crazy good.

See all the work here.

And speaking of Gahan Wilson, the GOFundMe campaign for him is still underway.  Go here to read more, and contribute.

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Today’s Daily Cartoon/Cartoonist

Today’s Daily cartoon, Trump not letting go, not letting up, is by Peter Kuper. Mr. Kuper began contributing to The New Yorker in 2011. Link to his website here.

Tilley Watch Online, The Week Of March 11-15, 2019; About The Upcoming Animated Addams Family; Early Cover Release; Video: Chast At The Strand

The Daily was three-fifths Trump this week.  The contributors:  Brooke Bourgeois, Mary Lawton, Ellis Rosen, Emily Flake, and Jason Chatfield/Scott Dooley.

And the New Yorker cartoonists contributing to the Daily Shouts: Jason Adam Katzenstein/Ellie Black, and Roz Chast.

You can see all of the above and more here.  

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About The Upcoming Animated Addams Family

From Paste, March 15, 2019, “Everything We know About the New Animated Addams Family Movie So Far”

Below left, some of the television cast, and on the right, an Addams drawing of the family.

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Early Cover Release

As happens when the New Yorker is particularly keen on a newsy cover, they let us see it well before the usual Monday morning publication.  And so it is with Mark Ulriksen’s piece above.  Read about it here.

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Chast At The Strand…and in the Newspaper

Mike Lynch has posted a link to a video of the recent Strand bookstore appearance by Roz Chast.  Go here to Mike’s site for the actual video link.

Even more Chast: this piece from The New York Times, March 14, 2019,  “Roz Chast and Patricia Marx Mine the Motherlode”

The Wednesday Tilley Watch… Article Of Interest: Gahan Wilson; Meet Tom Chitty; Liza Donnelly At SXSW; Short-Listed For The Cartoonist Studio Prize: Summer Pierre, Liana Finck, Tom Tomorrow, Hartley Lin, and Gabrielle Bell; Today’s Daily Cartoonist: Ellis Rosen

Article Of Interest: Gahan Wilson

From the Sag Harbor Express, March 12, 2019, “A Call For Help For A World-Famous Cartoonist, Formerly Of Sag Harbor” — a good article about the ailing New Yorker cartoonist and the GoFundMe campaign underway to help him.

(photo: Mr. Wilson and his late wife, Nancy, with a Gahan Wilson character between them, 1970)

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Meet Tom Chitty

From Playjunkie, March 12,2019, “Meet Cartoonist Tom Chitty And his Humorous Work”  — a short piece with examples of Mr. Chitty’s drawings.

Mr. Chitty began contributing to The New Yorker in 2014. Link here to his website

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Liza Donnelly At SXSW

Liza Donnelly spoke and live-drew at SXSW last week.  Here’s an article from interrobang mentioning her appearance.

Ms. Donnelly began contributing to The New Yorker in 1982.  Link here to her website.

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Pete Holmes Crashing Ends

From Vulture, March 8, 2019, “Pete Holmes Crashing Shall Crash On HBO No More”.

Mr. Holmes began contributing to The New Yorker in 2006.  Link here to his website.

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Short-Listed For The Cartoonist Studio Prize: Summer Pierre, Liana Finck, Hartley Lin, Tom Tomorrow, and Gabrielle Bell

From Slate, March 11, 2019,   “The Cartoonist Studio Prize: The Short List”

Among those short-listed are these New Yorker contributors (their New Yorker debut years are listed beside their names):

Summer Pierre (2018).

Liana Finck (2013).

 Hartley Lin (2019).

Tom Tomorrow (1999).

Gabrielle Bell (2017).

Congrats to all!

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Today’s Daily

 Today’s Daily cartoon, by Ellis Rosen, is related to the higher education cheatin’ scandal.  Mr. Rosen began contributing to The New Yorker in 2016. Link here to his website.

 

 

 

 

 

Ms. Pierre’s piece appeared on newyorker.com in December of 2018. Her website.

 

 

 

The Tilley Watch, The New Yorker Issue Of February 4, 2019

The Cover: Vegetation abounds. Here’s what the artist,Tom Gauld had to say about it.

The Cartoonists in the new issue:


The Magazine: Whenever February comes around, I begin thinking about the upcoming anniversary issue of The New Yorker, a favorite child here on this site (Spill visitors might remember this Tilley-centric piece I wrote for newyorker.com a few years back). Seeing Rea Irvin’s classic dandy this year would be such a welcome surprise. Even more of a surprise than, say, coming upon the now-famous Mandy the Mandarin duck in Central Park. It’s been awhile since we’ve seen Irvin’s iconic cover. In fact, the last time was in 2011. So what will next week’s cover be: the dandy or a duck?