The Monday Tilley Watch, The New Yorker Issue Of September 30, 2019

The Cover: Christoph Niemann returns for the Technology Issue.  Read Francoise Mouly’s Q&A with him about his cover.

The Cartoonists & Cartoons:

Electronically flipping through this new issue (appropriately enough for the Technology Issue) I was happy that the cartoons just kept-a-comin’; there are seventeen of them to be exact. All of them are placed well (i.e., they have plenty of breathing room, and sit well on the page).

Here are random thoughts about some of the cartoons in the new issue…

Joe Dator’s laundromat drawing (page 50): When asked why The New Yorker didn’t run color cartoons*, The New Yorker‘s founder and first editor, Harold Ross reportedly said, “What’s so funny about red?”  What he didn’t say was,“What’s so funny about beet red?”  Mr. Dators’ drawing, incorporating beet red, is hilarious.

I hovered over Victoria Roberts’ campers and bear drawing (p.46), enjoying the drawing itself. We’re used to seeing many of Ms. Roberts drawings set indoors — it’s fun to see her drawing of a tent, and a bear (or a man in a bear suit).

Jason Patterson’s ice cream trucks heading south for the winter  (p. 25) is also fun to linger on. Its concept seems out of the Jack Ziegler school of zany.  Such a good drawing.

Also of note, graphically, and otherwise-ly: Ellie Black’s little red riding hood drawing (p.78)…and Maggie Mull’s Beautiful Mind-ish drawing on page 70; nice to see it stretched out on the page.

Shannon Wheeler’s broccoli opera drawing on page 77.  Its execution is reminiscent of some of William Steig’s middle period work (check out Steig’s 1942 collection, The Lonely Ones).

And of note in a different department: the magazine’s assistant cartoon editor, Colin Stokes’ Shouts & Murmurs piece,“Running With Scissors” (p.33).

The Rea Irvin Talk Masthead Watch: Mr. Irvin’s classic masthead drawing (below) has yet to return.  Hope springs eternal here on The Spill. Read about it here.

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*There were two color cartoons in Ross’s era, very early on in the magazine’s life; both appeared in the issue of December 12, 1925. A full page by Ralph Barton, and a double page spread by Rea Irvin. Mr. Barton did not use red in his drawing, Mr. Irvin did.

 

 

Exhibit Of Interest: Peter Steiner’s Recent Paintings; The Tilley Watch Online, April 29 – May 4, 2019; Seth Fleishman’s Tribute To Nurit Karlin

Exhibit Of Interest: Peter Steiner’s Recent Paintings

Peter Steiner, a person who wears many hats (cartoonist, novelist, teacher, painter) will show recent paintings at the Hotchkiss Library of Sharon in June.  All the info here (including an expanded bio). 

Mr. Steiner began contributing his cartoons to The New Yorker in 1979. His 1993 drawing“On the Internet, nobody knows you’re a dog” is one of the magazine’s most reprinted cartoons in its history. 

Mr. Steiner’s next book, The Good Cop, will be out this November.

Visit his website here.

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The Tilley Watch Online, April 29 – May 4, 2019

A weekly round-up of work by New Yorker cartoonists appearing on newyorker.com’s Daily Cartoon and Daily Shouts

The Daily Cartoon: Avi Steinberg, John Cuneo, Lila Ash, David Sipress, and Adam Douglas Thompson.

Daily Shouts: Ellie Black, Jeremy Nguyen (with Irving Ruan), Caitlin Cass, Ali Fitzgerald, and Roz Chast.

To see all the above, and more, link here.

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Seth Fleishman’s Tribute To Nurit Karlin

The cartoonist Seth Fleishman, is, along with John O’Brien, one of The New Yorker‘s few steady practitioners of the captionless cartoon (a far more difficult form, I’ve always believed, than the captioned cartoon).  Mr. Fleishman and Mr. O’Brien have done wonders with captionless cartoons in recent times.  

When Mr. Fleishman learned of the passing of Nurit Karlin, an earlier master whose entire New Yorker run of cartoons was, by far, captionless, he sent along this photo of himself,  sans text.

 

 

Today’s Daily Cartoonist: John Cuneo; Cover Revealed For Marisa Acocella’s “The Big She-Bang”; A Graphic Novel By Robert Grossman; Christopher Weyant’s New Book; Article Of Interest: Liam Walsh; Today’s Daily Shouts… By Ellie Black; More Spills…Ken Krimstein, Edward Koren

Today’s Daily Cartoonist/Cartoon

John Cuneo, who has this week’s New Yorker cover, gets toady.  Visit Mr. Cuneo’s website here.

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Cover Revealed For Marisa Acocella’s “Big She Bang”

And now we have a cover for The Big She-Bang: The Herstory of the Universe According to God the Mother as Told to Marisa Acocella.  Out November 19, 2019, from Harper Wave.  Ms. Acocella began contributing to The New Yorker in 1998. She is the author of the New York Times best seller, Ann Tenna, and Cancer Vixen (named one of The Times top ten graphic memoirs).  Visit her website here.

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A Graphic Novel By Robert Grossman

Out May 21 from the late great Robert Grossman (he died in 2018), Life On The Moon (Yoe Books). Read all about it here.

Mr. Grossman began contributing to The New Yorker in 1962.  Not only a cartoonist at the magazine, he was also for a short time, assistant to James Geraghty, the New Yorker’s art editor. Visit Mr. Grossman’s website here.

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Another Form  Christopher Weyant and Anna Kang Weyant

We Are (Not) Friends is the fourth in the series from Chris Weyant and Anna Kang.  Published May 1, 2019 (Two Lions).  Mr. Weyant began contributing to The New Yorker in 1998.  Visit his website here.

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Article of Interest: Liam Walsh

From weheartwriting, April 30, 2109, “It Started at the Library — Liam Francis Walsh”

A brief article by Mr. Walsh, who began contributing to The New Yorker in 2011.  His new book,  Make A Wish, Henry Bear, is out this week. Visit his website here.

(my thanks to Bob Eckstein for sending this piece to the Spill)

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Today’s Daily Shouts…

...ridesharing by Ellie Black. Ms. Black began contributing to The New Yorker this year.

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…Edward Koren’s latest book, In The Wild wins gold at the 2019 IBPA Benjamin Franklin Awards (“celebrating excellence in book editorial and design, the IBPA Benjamin Franklin Awards are sponsored by the Independent Book Publishers Association (IBPA).” Read about it here

Mr. Koren began contributing to The New Yorker in 1964.  Visit his website here.

 

 

…Ken Krimstein’s Three Escapes of Hannah Arendt has been named a finalist for the 2019 Chautauqua Prize (the first graphic novel to be named a finalist for this award). Read all about it here.

Mr. Krimstein began contributing to The New Yorker in 2000.  Visit his website here.

Tilley Watch Online, The Week Of March 11-15, 2019; About The Upcoming Animated Addams Family; Early Cover Release; Video: Chast At The Strand

The Daily was three-fifths Trump this week.  The contributors:  Brooke Bourgeois, Mary Lawton, Ellis Rosen, Emily Flake, and Jason Chatfield/Scott Dooley.

And the New Yorker cartoonists contributing to the Daily Shouts: Jason Adam Katzenstein/Ellie Black, and Roz Chast.

You can see all of the above and more here.  

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About The Upcoming Animated Addams Family

From Paste, March 15, 2019, “Everything We know About the New Animated Addams Family Movie So Far”

Below left, some of the television cast, and on the right, an Addams drawing of the family.

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Early Cover Release

As happens when the New Yorker is particularly keen on a newsy cover, they let us see it well before the usual Monday morning publication.  And so it is with Mark Ulriksen’s piece above.  Read about it here.

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Chast At The Strand…and in the Newspaper

Mike Lynch has posted a link to a video of the recent Strand bookstore appearance by Roz Chast.  Go here to Mike’s site for the actual video link.

Even more Chast: this piece from The New York Times, March 14, 2019,  “Roz Chast and Patricia Marx Mine the Motherlode”

Fave Photo Of The Day: Lee Lorenz At The Bruce Museum; The Tilley Watch Online: Newyorker.com Daily Cartoons & Shouts, February 17-23, 2019; Liza Donnelly Live-Draws From The Oscars Red Carpet Tomorrow

Courtesy of the Bruce Museum, this photo of the New Yorker‘s former art/cartoon editor, Lee Lorenz taken on a recent visit to the Bruce’s current exhibit, Masterpieces From The Museum Of Cartoon Art.

Here’s Mr. Lorenz’s entry on the Spill‘s A-Z:

Lee Lorenz Born 1932, Hackensack, New Jersey. Mr. Lorenz was the art editor of The New Yorker from 1973 to 1993 and its cartoon editor until 1997. During his tenure, a new wave of New Yorker cartoonists began appearing in the magazine — cartoonists who no longer depended on idea men. The group included, among others, Jack Ziegler, Roz Chast, Mick Stevens, Peter Steiner, Liza Donnelly, Leo Cullum, Tom Cheney, Gahan Wilson, Richard Cline, Michael Crawford, Danny Shanahan, Bruce Eric Kaplan, Victoria Roberts, and Arnie Levin.

Cartoon collections: Here It Comes (Bobbs-Merrrill Co., Inc. 1968) ; Now Look What You’ve Done! (Pantheon, 1977) ; The Golden Age of Trash ( Chronicle Books, 1987); The Essential series, all published by Workman: : Booth (pub: 1998), Barsotti ( pub: 1998), Ziegler (pub: 2001), The Art of The New Yorker 1925 -1995, (Knopf, 1995), The World of William Steig (Artisan, 1998). New Yorker work: 1958 –.

Mr. Lorenz’s 1977 cartoon collection

 

 

 

 

A Daily week nearly devoid of politics. The Daily cartoonists: Ellie Black, Karl Stevens, Teresa Burns Parkhurst, and Julia Suits.

The Daily Shouts contributing New Yorker cartoonists: Ali Fitzgerald, Liana Finck, Sophia Warren, Tom Chitty, and Maggie Larson.

You can see all of the above, and more here.

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Donnelly At The Oscars

Four years ago Liza Donnelly made history as the first cartoonist to live-draw from the Oscars Red Carpet. She’s been in LaLa Land this past week drawing events leading up to tomorrow’s big day when she’ll once again live-draw from the Red Carpet. Follow her work on @Lizadonnelly .

Ms. Donnelly’s first New Yorker cartoon appeared in 1982. She is the author of eighteen books, including Funny Ladies: The New Yorker’s Greatest Women Cartoonists and Their Cartoons (Prometheus, 2005).