The Monday Tilley Watch, The New Yorker Issue Of August 26, 2019

The Cover: Way to go, Ed Steed! Mr. Steed’s debut New Yorker cover is a gem.  See the cover and read this short interview about it with Mr. Steed.

It’s always a thrill, and always a reason to cheer when a New Yorker cartoonist’s work appears on the cover. Our presence there took a major hit once the singular title of art editor (last enjoyed by Lee Lorenz) was split in two back in the Tina Brown era. One job became two jobs: a cartoon editor for the cartoons, and an art editor for the covers. For the better part of the magazine’s history, the cartoonists were in the majority as cover contributors (over 60%). That dropped to a single digit percentage in the years since the cover editor’s position was created. Mr. Steed’s breakthrough is encouraging.

The Cartoonists & Cartoons:

A Spill round of applause for several cartoons in the issue that caught my eye: Tim Hamilton’s lion at a party (p.65) is a stand out. Perhaps I’m a sucker for drawings depicting a person held in clenched jaws.  I’m also quite fond of P.C. Vey’s worked-his-way-up-the-ladder chef in a cubicle (p.63). Mr. Vey has given us a very good drawing. Lila Ash’s trapeze artists (p.79) are also a lot of fun; the drawing clicks perfectly with a caption that heavily depends — even more so than usual in this case — on timing.

The over-all cartoon picture for the issue: Just ten cartoons amid a multitude of illustrations (four of the illustrations are full page). I wonder if my colleagues ever submit cartoons as intended full page drawings. Something to ask next time we gather en masse.

Breathing room around the cartoons is good this issue. Frank Cotham’s drawing (p.52) could’ve used a bit more space so we can appreciate and dive into all that’s going on in his court room. Perhaps, as is sometimes the case, that’s not an issue in the print issue.

Rea Irvin’s Talk Masthead:  It’s been twenty-seven months since it was abandoned in favor of a (gasp!) redraw. Read about it here.

Here’s the real thing:

 

 

 

The Tilley Watch Online, April 21-26, 2019; Two Books From Will McPhail; About Zach Kanin

An end of week round-up of the New Yorker cartoonists who contributed to the online features, the Daily Cartoon and Daily Shouts

The Daily Cartoon: Seth Fleishman, Christopher Weyant, Elisabeth McNair, J.A.K., Avi Steinberg, and Tom Toro.

Daily Shouts: Julia Wertz, Edward Steed, and Ellis Rosen (with Irving Ruan)

To see all of the above, and more, link here.

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Two Books From McPhail

From Publishers Weekly, “Book Deals: Week of April 29, 2019” — news of a two-book deal for Will McPhail. The first, a graphic novel, “In, The Story of Nick” will be out in 2020. The second, Collected Cartoons, will be just that.

Mr. McPhail began contributing to The New Yorker in 2014. Visit his website here.

Further reading: From The Daily Cartoonist: “Tales From the Reuben —  Cranky Digression” 

 — D.D. Degg fact-checks the PW‘.

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About Zach Kanin

From Monsters & Critics, April 27, 2019, Zach Kanin: Who is writer and creator behind I Think You Should Leave with Tim Robinson on Netflix”

Mr. Kanin began contributing to The New Yorker in 2005. Further reading here.

 

The Monday Tilley Watch, The New Yorker Issue Of April 29, 2019; Seven Earth Day Animations By Liza Donnelly For CBS This Morning; Today’s Daily Cartoonist: Tom Toro; Reminder! Tomorrow At Word Bookstore, A Trio Of New Yorker Cartoonists; Lost Gems By Charles Addams, Barbara Shermund, William Steig, And Syd Hoff From Dick Buchanan

The Cover: As mentioned here days back, Bob Staake’s cover was (very) early released. You can read what Mr. Staake has to say about it here

The Cartoonists:

This is Darrin Bell’s first appearance in the magazine since his Pulitzer win was announced.

 The cartoon by Miriam Katin marks her debut appearance in the magazine.  She is the 9th new cartoonist brought into the stable this year, and the 34th new cartoonist brought in since Emma Allen became cartoon editor in May of 2017.

The Cartoons:

Three cartoons especially stood out this week.

  Joe Dator‘s world continues to fascinate. His floating mammals drawing (p.34) is about as good as it gets. The drawing itself is great, as is the caption. If the Cartoon Companion guys were still in the business of rating cartoons, this would certainly be awarded their blue ribbon. 

Another contender is Ed Steed‘s trapeze artists with baby (p.28). For me, it’s the best baby-centric New Yorker drawing since Zach Kanin’s wonderful drawing of July 7, 2008, “I can feel the baby kicking.”

Charlie Hankin‘s cartoon (on p.64):  like desert island drawings, the cartoon scenario of a person seated by the fire with their mounted trophies up on the wall has been around in the cartoon universe for a very long time. Mr. Hankin has given us a terrific “If I Had A Hammer” moment.

Finally…

Rea Irvin’s classic Talk masthead has not yet been returned — its replacement, a re-draw, continues to appear.  Read about the unfortunate situation here. Below is the real thing.

Below: Mr. Irvin himself, looking a little frustrated?

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Seven Animations For Earth Day By Liza Donnelly

CBS News This Morning has posted seven Earth Day specific animations by Liza Donnelly (Ms. Donnelly is their resident cartoonist). See the work on Twitter @LizaDonnelly & @CBSThisMorning.

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Today’s Daily Cartoonist/Cartoon

Tom Toro delivers a Games of Throne-ish drawing. Mr. Toro began contributing to The New Yorker  in 2010.  

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A Reminder! Three New Yorker Cartoonists at Word Bookstore Tomorrow

An event celebrating a fun new book with three fun cartoonists. Further info here.

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Dick Buchanan’s Files via Mike Lynch: “New Yorker Luminaries 1933-1942″

Further lost gems from Mr. Buchanan’s files via Mike Lynch’s site include work from Charles Addams, Whitney Darrow, Jr., William Steig, Richard Taylor, Syd Hoff, Richard Decker, and Barbara Shermund.  Above, a Barbara Shermund drawing from Colliers, September 10, 1938. See them all here.

 

 

 

The Online Tilley Watch, The Week Of March 4-8, 2019; Fave Photo Of The Day: Sorel & Gerberg; Elisabeth McNair Pencilled; Interview Of Interest: New Yorker Cover Artist Marcellus Hall; Bud Grace On His Second(?) New Yorker Cartoon

The Daily cartoons this week were brought to us by Brendon Loper, Farley Katz, Peter Kuper, Tim Hamilton, and JAK (Jason Adam Katzenstein).  A mixed-bag, thematically, with three outta five of the cartoons Trumpish.

New Yorker cartoonists contributing to Daily Shouts: Amy Hwang, Ed Steed, and Ali Soloman.

See all of the above, and more, here.

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Fave Photo Of The Day: Sorel & Gerberg

Meant to post this a few weeks back. It was taken at The New York Historical Society opening for Mort Gerberg’s exhibit.  That’s Mr. Gerberg on the left and the great Edward Sorel on the right.

The exhibit, “Mort Gerberg Cartoons: A New Yorker’s Perspective” runs through May 5th.

(photo used with permission of Mr. Gerberg).

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Elisabeth McNair Pencilled

Jane Mattimoe’s wonderful Case For Pencils continues with the spotlight on Elisabeth McNair (above) and her tools of the trade.  Ms. McNair’s first New Yorker drawing appeared in the July 30, 2018 issue.  See the post here.

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Interview Of Interest: Cover Artist Marcellus Hall

From DART (Design Arts Daily), March 7, 2019, “The DART Interview: Marcellus Hall”

Mr. Marcellus’s first New Yorker cover appeared in 2005. Link here to his website.

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Bud Grace On His 2nd New Yorker Cartoon

Bud Grace, writes on his blog about his second New Yorker drawing, and a particularly good edit by the then cartoon editor, Lee Lorenz.

Not to be too nit-picky about this, but Mr. Grace identifies the above as his second New Yorker cartoon, yet I’m unable to find his first on the New Yorker‘s database. Perhaps he sold two, and only one (the one above)  appeared? Mr. Grace, if you see this,  please advise.

 

 

 

The Monday Tilley Watch, The New Yorker Issue Of September 17, 2018

The cover

If you haven’t already seen the school busses on the road, or the signs posted everywhere advising that school is back in session, Chris Ware’s cover is yet another reminder that it’s back to school time.

The cartoons

Here, for the record, are the contributing cartoonists in the issue:

A quick survey of each drawing: Ms. Suits gives us a cactus drawing (are cactus the new crash test dummies — this being the second cactus drawing out of the past three issues); Mr. Dernavich provides us with an end of summer roller coaster drawing with some unintentional(?) graphic trickery concerning the track itself; Ms. McNair’s couple have neighborly dinner date issues; Farley Katz takes us to a sturdy cartoon scenario of parent reading to a child at bedtime; William Haefeli up next with his trademark drawing style and an excellent caption; an Edward Koren drawing — allowed a wonderful space on the page. Very nice all around!; Ben Schwartz plays with Rodin’s The Thinker; Ed Steed plays around with a clown and a banana peel (and it’s in color); Zach Kanin visits a game of spin the bottle (a scenario we rarely see); Frank Cotham allows us a peek into a room full of sweaty frock-coated gentlemen; Sara Lautman takes us up up and away to the sky god’s territory; Joe Dator’s drawing of a symphony hall is splendid; Kim Warp’s trash-in-the-sea drawing arrives with trash-in-the sea much in the news.  And finally, a nod to the advent of Fall baseball with a meeting at the pitcher’s mound courtesy of Tom Toro.

The issue arrives sans Rea Irvin’s classic masthead. Here it is:

I can’t let mid-September slip by without mentioning the issue of September 11, 1925 (cover by the aforementioned Mr. Irvin).  

New Yorker history buffs will recall that the magazine was nearly put to rest in the Spring of its first year of publication. If not for an overheard remark, the New Yorker would’ve been a magazine that lasted less than half a year. Instead of killing the magazine, it was decided to coast through the summer,  putting renewed energy into the issue of September 12th. You can read about the specifics on content here courtesy of A New Yorker State of Mind.