The New Yorker Date & Price Switcheroo; Today’s Daily Cartoonist & Cartoon (And Yesterday’s); Today’s Daily Shouts Cartoonist; Blitt’s Kvetchbook; New Yorker Cartoonist Newbies 2019

New Yorker Date & Price Switcheroo.

It’s only taken me twenty-two years to notice that the New Yorker switched its cover placement of the issue date and issue price.

Since the very first issue, published February 21, 1925, the issue date appeared top left, and the price upper right. Seventy-three years after that first issue, in the summer of 1998, while Tina Brown was exiting her editorship of the magazine (she announced her departure on July 8th) and the double issue of June 22 & 29th gave way to the next issue, dated July 6, 1998, the date and price placements were switched.  I know, I know: small potatoes compared to the more dramatic changes Ms. Brown instituted.

Below, left: The issue of June 22 & 29, 1998. Owen Smith‘s the cover artist.  On the right, the issue of July 6, 1998. Edward Sorel, cover artist.

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Today’s Daily Cartoonist & Cartoon (And Yesterday’s)

Ellie Black on future folks.  Ms. Black has been contributing to The New Yorker since 2019.

Yesterday’s Daily Cartoonist & Cartoon:

Escaping the cold by Caitlin Cass, who began contributing to The New Yorker in 2018.

Visit her website here.

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Today’s Daily Shouts Cartoonist

“The Times Square New Year’s Ball Tells All”

by Ellis Rosen and The New Yorker‘s assistant cartoon editor, Colin Stokes.

 

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 Blitt’s Kvetchbook

“Out With The Auld” — from Mr. Blitt, who has been contributing to The New Yorker since 1992.

Visit his website here.

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Twenty-six cartoonists joined The New Yorker stable of cartoonists this year — a record-breaking number. The issue debut date appears next to each name. 

 

 

Hartley Lin (1.21.19)

Karl Stevens (1.21.19)

Ellie Black (2.11.19)

Liz Montague (3.11.19)

Suerynn Lee ((3.25.19)

Adam Douglas Thompson (4.8.19)

Brooke Bourgeois (4.15.19)

Becky Barnicoat (4.22.19)

Miriam Katin (4.29.19)

Evan Lian (5.6.19)

Kasia Babis (5.20.19)

John Cuneo (5.27.19)…Mr. Cuneo, a New Yorker cover artist, crossed-over to the Cartoon Dept.

Johnny DiNapoli (6.3.19)

Eugenia Viti (6.10 & 17.19)

Lydia Conklin (6.10 & 17.19)

Emily Bernstein (7.1.19)

Seth Roberts & Brian Hawes (7.1.19)…a duo.

Victor Varnado (7.8.19)

Akeem Roberts (7.8.19)

Madeleine Horwath (7.15.19)

Lisa Rothstein (8. 5 & 12. 19)

Yael Green (10.14.19)

Luke Kruger-Howard (11.4.19)

Jared Nangle (12.9.19)

Mo Welch (12.9.19)

 

 

 

 

 

 

Late Notice: A Launch Party Tonight With Hilary Fitzgerald Campbell Live-Drawing; Today’s Daily Cartoonist & Cartoon; The Monday Tilley Watch, The New Yorker Issue Of November 18, 2019; Some Thoughts After Seeing The Documentary Film, “Stevenson Lost And Found”

Late Notice: A Launch Party Tonight With Hilary Fitzgerald Campbell Live-Drawing

From the Facebook Invite:

Come celebrate the release of Sarah Dooley’s new book ‘Are You My Uber?’ which is a parody of the P.D. Eastman classic ‘Are You My Mother?’ Listen to comedians Sydnee Washington, Eva Victor, Larry Owens, Pat Regan, Marcia Belsky, Gabe Gonzalez, and Taylor Ortega tell hilarious stories of wild cab experiences while Hilary Campbell, the book’s illustrator, does live drawings.

Ms. Campbell began contributing to The New Yorker in 2017. Visit her website here.

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Today’s Daily Cartoonist & Cartoon

A leafy Daily from Chris Weyant, who began contributing to The New Yorker in 1998. Visit his website here.

 

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The Cover: I see leaves. The fifth cover (below right) by Brigit Schossow.  Read a Q&A with her here.

There’ve been a lot, a whole lot, of leafy New Yorker covers, but this current one by Ms. Schossow  brought to mind (courtesy of a helpful New Yorker colleague) the beauty below left by the magazine’s former art & cartoon editor, Lee Lorenz.

 

The Cartoonists:

The Cartoons:

A scattering of thoughts about just a few of the cartoons in this issue:

P.C. Vey’s bear and couple in the woods (on page 33) made my day.

Something totally unexpected cartoon-wise is usually always good, and so it was coming upon a Jack Ziegler cartoon. Especially nice that the drawing is set in one of his favorite cartoon scenarios: a bar.

A fun Pete Mueller drawing (p.27).  Two Mueller drawings in two issues. Yay!

Ellis Rosen’s friend’s shower (p.56) is different. Like the choices of warm/cold and cold/warm.

Needed a ten second Googled refresher course with Liana Finck’s drawing (p. 60).  Not so much what her drawing means, but the meme’s origin (just curious, y’know).

The Rea Irvin Talk Masthead Watch:

Am hoping to open the issue one day and see Mr. Irvin’s iconic design has returned. No dice this week. For now, there’s that re-draw. Read about the classic Irvin Talk masthead here.

Here’s the real deal:

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Some Thoughts After Seeing The James Stevenson Documentary Film, Stevenson Lost And Found

A few random thoughts after attending last night’s premiere of Sally Williams’ fab documentary film, Stevenson Lost And Found.  There are are so many moments in the film — too many to go into here — that cartoonists and people who love New Yorker cartoons will treasure.

One instance I found particularly fascinating: the animated sequence showing what might go through cartoonists brains as they sit down and begin the day’s work. We’re shown a series of cartoons covering a wide variety of subject matter. It is, for this cartoonist, a relatable experience, as the mind careens through unlimited places every morning.

Another instance: in some eye-popping sequences we’re shown images of Mr. Stevenson’s children’s books lined-up, as well as Mr. Stevenson’s New Yorker  black scrap books (shown above) kept in the magazine’s library. These books contain every single signed New Yorker contribution by Stevenson, whether it’s his writing or drawing (including covers of course).*  Most of The New Yorker’s nearly 650 cartoonists (from 1925- present) have not had their work collected in one scrap book, let alone five. **

At the screening, I was lucky enough to be seated next to the legendary artist, Edward Sorel. During one of the sequences in the film where we are grasping the enormous amount of work Stevenson did (both published and unpublished) Mr. Sorel leaned over and said to me, “Do you feel as much like an underachiever as I do?”

In a perfect cartoon world, there’d be films such as Lost And Found for a number of the magazine’s artists. It’s heartening that there is already a Thurber film out there, and an Addams documentary in the works, as well as a film about George Booth.  But how about a Steinberg documentary, and one about Steig***?  I can dream, can’t I.  For now, we are quite fortunate to have this gem on Stevenson showing on the big screen. Go see.

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* I say “signed” because The New Yorker  did not and does not scrap book cartoon ideas handled by other artists. Mr. Stevenson, early in his New Yorker career, wrote a large number of captions for some of the magazine’s artists (read about his “secret job” here).

**Artists (and writers) without an enormous amount of work are scrap booked in alphabetically  cataloged books, along with other contributors.

***A short video accompanied the Steig exhibit that ran at The Norman Rockwell exhibit.

There is a 20 minute film about Edward Sorel available here.

A 40 minute Eldon Dedini film here, 

And a short film about C.E.M. (Charles E. Martin) here.

 

 

Photos Of Interest; Today’s Daily Cartoonist & Cartoon; More Spills…Chast, Campbell, Karasik

Photos Of Interest

If you link here to the photographer Deborah Feingold’s website you’ll find portraits of a number of New Yorker folks including Edward Sorel, John Cuneo, Barry Blitt, Loveis Wise, and Bob Staake.

 

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Today’s Daily Cartoonist & Cartoon

Two million Trump bucks, by Jon Adams.  Mr. Adams has been contributing to The New Yorker since 2017. Visit his website here.

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...here’s a recent interview with Paul Karasik (his first New Yorker cartoon appeared in 1999).

….Roz Chast and a former New Yorker editor will appear at NYC’s 92Y.  Info here.  Ms. Chast began contributing to The New Yorker in 1978.

…If you like planning ahead, here’s a link to a Chast appearance in 2020.

…From The New York Times Book Review, posted November 8, 2019, A Graphic Review piece by Hilary Fitzgerald Campbell. Ms. Campbell began contributing to The New Yorker in 2017.

Obscure Gluyas Williams From Bloom’s Vault; Today’s Daily Cartoonist & Cartoon; A Cartoon Excerpt From “Everyone’s A Critic” On Lit Hub

Obscure Gluyas Williams From Bloom’s Vault

Tom Bloom, who has graciously provided these images from his collection, tells the Spill that the below were “produced as samples for a paper mill c. 1950 or so…the artwork still looks quite crisp (as usual). Each one opens up like a booklet and then again as a broadside presenting examples of printing, paper, technological selections promoting their “Workbook.”

Here’s Gluyas (pronounced Glue-yaz) Williams entry on the Spill‘s  A-Z:

Gluyas Williams  Born, San Francisco, 1888. Died, Boston, Mass., 1982. One of the pillars of Harold Ross’s stable of artists, and one of Ross’s favorite cartoonists. His beautiful full page drawings were a regular feature in the magazine. Mr. Williams illustrated a number of Robert Benchley’s collections, providing the cover art as well as illustrations. New Yorker work: March 13, 1926 – Aug 25, 1951. Key collections: The Gluyas Williams Book ( Doubleday, Doran & Co., 1929), The Gluyas Williams Gallery (Harper, 1956). Website: http://www.gluyaswilliams.com/

Further reading on Mr. Williams, link here to Edward Sorel’s 1984 American Heritage piece, “The World Of Gluyas Williams”

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Today’s Daily Cartoonist & Cartoon

Spooky NYC Real Estate by Lila Ash, who began contributing to The New Yorker in 2018.  Visit her website here.

 

 

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A Cartoon Excerpt From “Everyone’s A Critic” On Lit Hub

From Literary Hub, October 24, 2019, “Six Cartoonists On Critical Failure, One Panel At A Time”

— the selection includes work from Barbara Smaller, Mick Stevens, Edward Koren, William Haefeli, and this one from P.C. Vey.

“My wife! My best friend! Advance uncorrected galleys of my new book!”

 

 

 

 

The Wednesday Watch: Today’s Daily Cartoonist & Cartoon; New Market Watch…Air Mail; Donnelly Live-Draws Dem’s Debate; A Susanne Suba Re-Issue

Today’s Daily Cartoonist & Cartoon

Desert drinks by Lila Ash, who began contributing to The New Yorker in 2018.

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New Market Watch

Considering the narrowing avenues for cartoonists , it’s always a brighter day when a cartoon-carrying publication is launched.  We now have two (online-only) issues of former Vanity Fair editor, Graydon Carter’s Air Mail to peruse. You’ll find cartoons under the heading “Small Talk” (not an exclusive-to-cartoons-heading). Many, if not all of the cartoonists in these first two issues seem to have caravanned over from the recently de-cartooned Esquire, where Air Mail‘s cartoon editor was formerly (and briefly) the cartoon editor.  New Yorker readers will recognize most of Air Mail‘s cartoonists appearing in these first two issues; they include Alex Gregory, Maddie Dai, Joe Dator, Drew Dernavich, Chris Weyant, Seth Fleishman, David Borchart, and Charlie Hankin.

Two other New Yorker artists (primarily contributors of New Yorker covers ) are given their own “Sketchbook” slots: Barry Blitt, and the legendary Edward Sorel (casually referred to under the heading, “Ed Sorel’s Sketchbook”).

The one nit-picky thing I’ll say about Air Mail‘s cartoon slot is that I wish the space allotted each cartoon wasn’t so compressed (the bright red Small Talk banner actually looks to be weighing down on a number of the cartoons,  invading the cartoon’s space).  I’ve always believed cartoons are better off with breathing room surrounding them (i.e., shown graphic respect).  You’ll notice that a number of text features ( Science, Tech Lab, But First…, Highlight, Crime) all have a horizontal line placed below their heading, cleanly separating the feature’s title from the article.

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Liza Donnelly Live-Draws Dem’s Debate

Check out Liza Donnelly’s graphic take on last night’s debate. 

Ms. Donnelly has been contributing to The New Yorker since 1982.

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A Susanne Suba Re-Issue

Originally published in 1951 by Rand McNally (cover on the left), The Theatre Cat by Noel Streatfeild, with illustrations by New Yorker artist Susanne Suba will be re-issued this September by Scholastic. 

Susanne Suba’s entry on the Spill‘s A-Z:

Born Budapest, Hungary 1913. Died February, 2012, NYC. Ms. Suba contributed numerous “spot” drawings to The New Yorker, as well as five covers and one cartoon, published September 18, 1948. Her first cover appeared October 21, 1939, and her last, March 2, 1963. Besides her work for the magazine she was a prolific illustrator of children’s books. A collection of her spot drawings was published in 1944, Spots By Suba: From The New Yorker (E.P. Dutton & Co., Inc, NY).

Link to the Spill‘s appreciation of Ms. Suba here.