The Swann Cartoon Auction Is Back!; Today’s Daily Cartoonist & Cartoon

The Swann Illustration Auction, postponed because of you-know-what, is now on for July 16th. The catalog isn’t online as of this morning, but you can see what’s up for grabs, including original work by some of the masters: Helen Hokinson, Charles Addams, William Steig, Barbara Shermund, Frank Modell (whose Don’t Trust Anyone Over 10 drawing appears here), Edward Sorel, Lee Lorenz, Charles Martin (C.E.M), Gahan Wilson, George Booth (see below), Richard Taylor, and more.  Go here to see for yourself.

(Work by New Yorker artists begins in earnest in the lot #200 range, but there are New Yorker artist pieces sprinkled elsewhere. For instance, if you go to lot #121 you’ll find a non-New Yorker piece by the great Rea Irvin).

Left: original George Booth cover art (published April 19, 1993) Lot #213

 

— My thanks to Stephen Nadler of Attempted Bloggery for passing along word of the auction.

 

 

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Today’s Daily Cartoonist & Cartoon

Farley Katz on going back out there.

Mr. Katz has been contributing to The New Yorker since

2007. Visit his website here.

The Weekend Spill: When New Yorker Cartoonists Provide Recording Industry Covers; The Tilley Watch Online, May 4th-8th, 2020; Wired Discontinues Buying Cartoons

When New Yorker Cartoonists Provide Recording Industry Covers

When I spotted a story online about Liana Finck providing the cover art for a new single by Ariana Grande & Justin Bieber (above left) it made me think of a few other New Yorker cartoonist covers over time. Most recently there was Ed Steed’s Grammy winning cover for Father John Misty’s Pure Comedy album (above right).

Then there’s Edward Sorel‘s terrif cover art for the cassette release of Jack And The Beanstalk (read by Monty Python’s Michael Palin!).

In the 1990s Roz Chast provided a truckload of covers for a Mad About series.

In 1955, William Steig provided the album cover art for The Duke’s Men (just one of several Steig covers over the years)

And going back 60 years, this classic by Peter Arno for The Pajama Game:

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A weekend list of New Yorker artists who contributed to newyorker.com features throughout the week of May 4th-8th, 2020.

The Daily Cartoon: Hilary Allison, Avi Steinberg, Teresa Burns Parkhurst, Ellis Rosen, Brooke Bourgeois.

 

…and (Pulitzer Prize winnah!) Barry Blitt’s Kvetchbook

All of the above, and more can be found here.

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Wired Discontinues Buying Cartoons

In a May 5th email to cartoonists, the cartoon editor of Wired told contributors that “Wired will no longer be purchasing cartoons” adding, “Wired will be displaying a daily cartoon until their reservoir runs out.”

You can see Wired‘s cartoons here…while supplies last.

 

 

 

 

 

 

 

 

Peter Kuper Direct Draws Little Donald’s Sneeze; A Case For Pencils Spotlights Hartley Lin’s Tools Of The Trade; Today’s Daily Cartoonist & Cartoon…And Yesterday’s; Seth’s City; Today’s Daily Shouts Cartoonist; More Spills: Chast, Blitt

Calling his recent New Yorker piece, Little Donald’s Sneeze (After Winsor McCay’s ‘Little Sammy Sneeze’) a “Photoshop fest” Peter Kuper decided to do a sort of take 2 — without Photoshop.  Edward Sorel has referred to working this way as direct drawing.

In an email, Mr. Kuper told the Spill:

“I had to check if my McCay drawing chops were intact so I drew this up. My admiration for McCay went up another 1000% as I noted every detail he included, every costume, a full band and on and on. Unbelievable.”

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Jane Mattimoe’s Case for Pencils Spotlights Hartley Lin

Jane Mattimoe’s latest Case for Pencils cartoonist is Hartley Lin, who began contributing to The New Yorker in 2018.  After reading the Lin Case, why not check out the other cartoonists that’ve shared their tools of their trade. Good stuff!

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Today’s Daily Cartoonist & Cartoon

Avi Steinberg on the ubiquitous sour dough bread. Mr. Steinberg began contributing to The New Yorker in 2012.

…And Yesterday’s: David Ostow, on what is or isn’t significant these days.

Mr. Ostow began contributing to The New Yorker in November of 2018.

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Seth’s City

From Architecture Boston, April 30, 2020, “To Roam His Dominion” — this piece on Seth’s city. Seth (Gregory Gallant) began contributing to The New Yorker in 2002.

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Today’s Daily Shouts Cartoonist

Sara Lautman and Jessica Delfino give us: “How Are You Doing With All Of This?”

Ms. Lautman has been contributing to The New Yorker since 2016. Visit her website here.

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…From The New York Post, May 1, 2020, “Cartoonist Roz Chast is locked down in Connecticut with her anxieties” — this piece includes info on this May 8 virtual event.

…Barry Blitt’s latest Kvetchbook has been posted.

 

 

 

Happy 91st Birthday, Edward Sorel!; From Pat Achilles: A Cartoon In The Time Of The Coronavirus; Thurber Thursday: Hirschfeld On Thurber’s Drawings

Happy 91st Birthday, Edward Sorel!

Bronx-born Edward Sorel turns ninety-one today! The Spill wishes him a very very Happy Birthday. To see this modern master’s work  visit his website.

Above left: Mr. Sorel’s New Yorker cover of October 5, 1992 — the first cover under Tina Brown’s editorship of the magazine.

Above right: Mr. Sorel’s must-have Unauthorized Portraits, published by Knopf in 1997.

I’ve always enjoyed this passage from the May 14, 1978 New York Times review of Superpen: The Cartoons and Caricatures of Edward Sorel

“The satire is caustic, anti-authority and thought-provoking; it is also, miraculously, verbally and graphically funny.”

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From Pat Achilles: A Cartoon In The Time Of The Coronavirus

Pat Achilles began contributing to The New Yorker in October of 2018.  You can see more of her work here.  My thanks to her for sending in this drawing.

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Thurber Thursday: Hirschfeld on Thurber’s Drawings

I can’t quite remember how I ran across this short passage the other day. My treks through Thurber country often take unexpected paths. Anyway…while flipping through Neil Grauer’s 1994 Thurber biography, Remember Laughter, I spotted this passage quoting the late great Al Hirschfeld talking about Thurber’s drawings (Mr. Grauer interviewed Mr. Hirschfeld for the biography). It seemed well worth sharing:

“In the view of Al Hirschfeld, Thurber drew ‘like most writers’ draw. He cited other as examples the simple but captivating sketches of Edward Lear nonsense poet nonpareil, and Clarence Day whose memoirs of ‘life with father’ appeared in The New Yorker before they became a book and a play. ‘Lear and other writers who drew, they all seemed to draw the same way,’ Hirschfeld said. ‘They managed to keep that childlike creativity in their line.’

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Film Of Interest: Wes Anderson’s New Yorker-ish “The French Dispatch”; Video Of Interest: Liza Donnelly On Oscar’s Red Carpet; Today’s Daily Cartoonist & Cartoon (And Yesterday’s); New York Times Piece Of Interest: Tina Brown

Film Of Interest: Wes Anderson’s New Yorker-ish “The French Dispatch”

From The New Yorker‘s Culture Desk, February 11, 2020,  “A Look At Wes Anderson’s New, New Yorker-Inspired Film” this should be fun.

Above: the poster, which resembles a certain magazine’s cover. Read more here.

Above: Bill Murray as the magazine’s editor, Arthur Howitzer, Jr. — a character “inspired by Harold Ross, The New Yorker‘s founding editor…[with] a dash of A.J. Liebling.”

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Video Of Interest: Liza Donnelly On Oscar’s Red Carpet

From Fab TV, this YouTube video of Liza Donnelly on Oscar’s Red Carpet this past Sunday.

Ms. Donnelly, who began contributing to The New Yorker in 1982, has posted all of her Red Carpet drawings on Medium.

For more info visit Liza Donnelly’s website here.

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Today’s Daily Cartoonist & Cartoon (And Yesterday’s)

Brendan Loper on the field of Democratic Presidential candidates.

Mr. Loper began contributing to in 2016.

Yesterday’s Daily Cartoonist & Cartoon:

Lila Ash on too many caucuses. Ms. Ash began contributing to The New Yorker in 2018. See more of her work here.

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New York Times Magazine Piece Of Interest: Tina Brown

From The New York Times Magazine, “Tina Brown on the future of the royal family” — Don’t be fooled by the title, this piece by Dave Marchese, includes a good bit of New Yorker talk.

Left: Edward Sorel‘s cover for Ms. Brown’s first issue of The New Yorker (October 5, 1992).