Today’s Daily Cartoonist: John Cuneo; Cover Revealed For Marisa Acocella’s “The Big She-Bang”; A Graphic Novel By Robert Grossman; Christopher Weyant’s New Book; Article Of Interest: Liam Walsh; Today’s Daily Shouts… By Ellie Black; More Spills…Ken Krimstein, Edward Koren

Today’s Daily Cartoonist/Cartoon

John Cuneo, who has this week’s New Yorker cover, gets toady.  Visit Mr. Cuneo’s website here.

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Cover Revealed For Marisa Acocella’s “Big She Bang”

And now we have a cover for The Big She-Bang: The Herstory of the Universe According to God the Mother as Told to Marisa Acocella.  Out November 19, 2019, from Harper Wave.  Ms. Acocella began contributing to The New Yorker in 1998. She is the author of the New York Times best seller, Ann Tenna, and Cancer Vixen (named one of The Times top ten graphic memoirs).  Visit her website here.

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A Graphic Novel By Robert Grossman

Out May 21 from the late great Robert Grossman (he died in 2018), Life On The Moon (Yoe Books). Read all about it here.

Mr. Grossman began contributing to The New Yorker in 1962.  Not only a cartoonist at the magazine, he was also for a short time, assistant to James Geraghty, the New Yorker’s art editor. Visit Mr. Grossman’s website here.

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Another Form  Christopher Weyant and Anna Kang Weyant

We Are (Not) Friends is the fourth in the series from Chris Weyant and Anna Kang.  Published May 1, 2019 (Two Lions).  Mr. Weyant began contributing to The New Yorker in 1998.  Visit his website here.

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Article of Interest: Liam Walsh

From weheartwriting, April 30, 2109, “It Started at the Library — Liam Francis Walsh”

A brief article by Mr. Walsh, who began contributing to The New Yorker in 2011.  His new book,  Make A Wish, Henry Bear, is out this week. Visit his website here.

(my thanks to Bob Eckstein for sending this piece to the Spill)

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Today’s Daily Shouts…

...ridesharing by Ellie Black. Ms. Black began contributing to The New Yorker this year.

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…Edward Koren’s latest book, In The Wild wins gold at the 2019 IBPA Benjamin Franklin Awards (“celebrating excellence in book editorial and design, the IBPA Benjamin Franklin Awards are sponsored by the Independent Book Publishers Association (IBPA).” Read about it here

Mr. Koren began contributing to The New Yorker in 1964.  Visit his website here.

 

 

…Ken Krimstein’s Three Escapes of Hannah Arendt has been named a finalist for the 2019 Chautauqua Prize (the first graphic novel to be named a finalist for this award). Read all about it here.

Mr. Krimstein began contributing to The New Yorker in 2000.  Visit his website here.

Out Today: Ultimate Cartoon Book Of Book Cartoons; Interview Of Interest: Ed Steed; Podcast Of Interest: Mark Alan Stamaty Talks With Gil Roth; Flake’s Daily Shouts Piece; Today’s Daily Cartoonist: Brendan Loper

It’s always a good day when a cartoon anthology is published. Today’s one of those days. The Ultimate Cartoon Book of Book Cartoons, edited By Bob Eckstein and published by Princeton Architectural Press, is officially out today. Cover art by the great Sam Gross and cartoons by some of the New Yorker‘s greatest artists, including George Booth, Edward Koren and Jack Ziegler.  Here’s a brief interview with Mr. Eckstein about the collection.

                                           Below: the back cover, listing the contributors.

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Interview Of Interest: Ed Steed

  Richard Gehr, who gave us I Only Read It For The Cartoons (New Harvest, 2014) interviews Ed Steed (one of the contributors to the Ultimate Cartoon Book mentioned above). Mr. Steed began contributing to The New Yorker in 2013.  See some of his work here.

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Podcast Of Interest: Mark Alan Stamaty Talks With Gil Roth

From Gil Roth’s Virtual Memories Podcast, this conversation mostly centered around the 40th anniversary reissue of Mr. Stamaty’s MacDoodle Street, but there is a fleeting mention about his New Yorker work. Listen here.

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Today’s Daily Shouts

Beginning today, The Spill will note Daily Shouts pieces when the contributor is a New Yorker cartoonist.  First up: Emily Flake’s The Real Florida Man, posted early this morning.

Ms. Flake has been contributing to The New Yorker since 2008.  Link here to her website.

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Today’s Daily Cartoonist/Cartoon

Today’s Daily: keeping secrets, Washington, D.C. style, courtesy of Brendan Loper. Mr. Loper has been contributing to The New Yorker since 2016. You can see more of his work here.

A Kovarsky Scarf; Checking In On A New Yorker State Of Mind; Video Interview Of Interest: Edward Koren; Event Of Interest In Chicago: Ken Krimstein’s “Three Escapes Of Hannah Arendt”; Today’s New Yorker Daily Cartoonist: Brendan Loper

A detail from Attempted Bloggery

Attempted Bloggery looks at an Anatol Kovarsky scarf (perhaps the beginning of a cartoon clothing and accessories series?). Read here!

Mr. Kovarsky’s entry on the Spill‘s A-Z:

Anatol Kovarsky (photo above, NYC, 2013. By Liza Donnelly) Born, Moscow. Died, June 1, 2016, NYC. Collection: Kovarsky’s World (Knopf, 1956) New Yorker work: 1947 -1969. Link to Ink Spill’s  2013 piece, “Anatol Kovarsky at 94: Still Drawing After All These Years”

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Checking In On A New Yorker State Of Mind

With the Westminster Dog Show champion recently named, what better time to head over to A New Yorker State of Mind’s fascinating post covering the above issue of February 8, 1930. The cover artist: TheodoreHaupt.

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Video Interview of Interest: Edward Koren

From PBS Vermont, this video interview with Edward Koren, first aired April 13, 2003.

Mr. Koren began contributing to The New Yorker in 1962. Link here to his website.

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Event of Interest in Chicago: Ken Krimstein’s “Three Escapes of Hannah Arendt”

Opening in March, an exhibit of work from Ken Krimstein’s excellent Three Escapes of Hannah Arendt. All the info here.

Mr. Krimstein began contributing to The New Yorker in 2000. Link here to his website.

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Today’s Daily Cartoon

Trump today, of course. Brendan Loper handles the national emergency. Mr. Loper began contributing to The New Yorker in 2016.

The Tilley Watch: The New Yorker 94th Anniversary Issue; Today’s New Yorker Daily Cartoonist: Julia Suits

The very first issue.

The above cover does not appear on the New Yorker‘s 94th Anniversary issue; note the date and price. I’ve posted it — the very first New Yorker cover — because sentimental me misses seeing Rea Irvin’s iconic curiously curious Eustace Tilley, dressed in his oddly compelling finery. He hasn’t shown up since 2011 (below)…that seems like such a long time for him to be away. Sometimes it’s good to go back, before, you know, you drift too far from shore (to read about Kadir Nelson’s Tilley-inspired take-off on the cover of the current issue, go here).

The 86th anniversary issue


The Cartoonists:

The Cartoons:

It has made my week seeing George Booth’s drawing in the issue (p.47). It’s classic Booth. And no small thing, it inhabits the perfect space on the page — it is where it should be and it looks as it should look. And… it looks great. I could, and will, say the same for Edward Koren’s drawing (p.80).

Two of our cartoon gods delivering the goods, continuing to share their worlds, a half century or more since they began contributing to The New Yorker (Mr. Koren began in 1962, Mr. Booth in 1969).

Of interest to the weedsy cartoon folks: there is not just one caption-less cartoon in the issue — there are three (Seth Fleishman, Will McPhail, and Ed Steed). By caption-less, I should clarify that I mean a cartoon that appears without assistance from words in a box, or a title, or a thought balloon.

Finally, I end as I began: by mentioning the work of The New Yorker artist Rea Irvin. His beautiful masthead — the one that ran for most of the magazine’s 94 years but went missing in the Spring of 2017 (read about it here) is also still out of sight this anniversary week (well, two weeks, as it’s a double issue). It appears here once again, as it always does on Mondays, until someone tells me to cut it out (so to speak) or until it reappears in the magazine (and wouldn’t that be great).

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Today’s Daily Cartoon

Today’s Daily cartoon (Trumpish, of course) is by Julia Suits, who began contributing to The New Yorker in 2006. Link here to her website.

The Tilley Watch, The New Yorker Issue Of February 4, 2019

The Cover: Vegetation abounds. Here’s what the artist,Tom Gauld had to say about it.

The Cartoonists in the new issue:


The Magazine: Whenever February comes around, I begin thinking about the upcoming anniversary issue of The New Yorker, a favorite child here on this site (Spill visitors might remember this Tilley-centric piece I wrote for newyorker.com a few years back). Seeing Rea Irvin’s classic dandy this year would be such a welcome surprise. Even more of a surprise than, say, coming upon the now-famous Mandy the Mandarin duck in Central Park. It’s been awhile since we’ve seen Irvin’s iconic cover. In fact, the last time was in 2011. So what will next week’s cover be: the dandy or a duck?