Peter Kuper’s Liberpress Award; Fave Photos Of The Day: Eckstein, Weyant and Borchart

Peter Kuper’s Liberpress Award

A hearty Spill congrats to Peter Kuper, who has won a Liberpress Award. 

From their website: LiberPress was created in Girona in 1999. It was set up with the aim of publicising and promoting what could be called the “culture of solidarity”. Its creation was intended to promote a movement based on solidarity and humanitarian values, which would involve the mass media.

Link here and here for more  info.

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Fave Photos Of The Day : Eckstein, Weyant, and Borchart

Bob Eckstein, Christopher Weyant, and David Borchart were on hand at this past weekend’s Milford Readers & Writers Fest.  Here are just a few photos showing the cartoonists up on the stage:

Above: The World’s Leading Authority on Snowmen, Bob Eckstein, with one of his drawings. Below: Mr. Weyant, on the left, and Mr. Borchart on the right.

Christopher Weyant began contributing to The New Yorker in 1998.

David Borchart began contributing to The New Yorker in 2007.

Bob Eckstein began contributing to The New Yorker in 2007.

 

The Tilley Watch Online, The Week Of September 24-28, 2018; Early Release Of Next Week’s New Yorker Cover; A Mystery Cartoonist; Three Cartoonists in Pennsylvania: Cartoon Companion Rates The Latest New Yorker Cartoons; The New Yorker Encyclopedia Of Cartoons: Gender Studies

An atypical less specifically Trumpian Daily Cartoon week — although he hovers. The contributing cartoonists: Kim Warp, Ellis Rosen, Peter Kuper, and Emily Flake.

Daily Shouts contributing cartoonists: Amy Kurzweil with illustrations by Ellis Rosen, and Ali Fitzgerald.

You can see all the work here.

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Early Release Of Next Week’s New Yorker Cover

As happens from time-to-time, the magazine has early released its next cover. Here’s Ana Juan’s cover for next week’s issue, as well as a short piece about it.

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Mystery Cartoonist

Arnold Zwicky’s Blog, which concerns itself with cartoon language, has posted a cartoon by a mystery cartoonist:

 

If you’re able to identify the artist, please contact Mr. Zwicky through his site.

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Three Cartoonists In Pennsylvania

This Sunday, at the Milford Readers & Writers Festival:

11:30AM:-THREE NEW YORKER CARTOONISTS TALK ABOUT FUNNY:- New Yorker Cartoonists CHRISTOPHER WEYANT and DAVID BORCHART join cartoonist and media commentator BOB ECKSTEIN in a conversation about creating humor. There will be plenty of funny cartoons shown.

Mr. Weyant began contributing to The New Yorker in 1998.

Mr. Borchart began contributing to The New Yorker in 2007.

Mr. Eckstein began contributing to The New Yorker in 2007.

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Cartoon Companion Rates The Latest New Yorker Cartoons

“Max” and “Simon” rate the the cartoons from the issue of October 1st.  P.C. Vey is awarded the CC‘s coveted “Top Toon” blue ribbon.  Read it all here.

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 The New Yorker Encyclopedia Of Cartoons: Gender Studies

Above: two pages of the Index from Volume 1 of The New Yorker Encyclopedia Of Cartoons

In his Foreword to The New Yorker Encyclopedia of Cartoons, the magazine’s editor, David Remnick has this to say about gender equality in the ranks of New Yorker cartoonists:

Any cartoon compilation that draws from these archives makes it clear what a male preserve it was. 

And indeed, this encyclopedia reflects that in numbers of cartoons included by women. Of the advertised 3000 cartoons, 142 are by the 19 women represented. Simple math tells us that the remaining 2,858 cartoons are by men.  If you take Roz Chast’s 54 cartoons out of the 142, you’re left with 88 cartoons by 18 women. I emphasize again, as I did in the previous post about the encyclopedia, that this two volume set is not presented as an all-encompassing anthology representing the magazine’s past 93 years; there’s no expectation of some kind of balanced inclusion based on numbers of cartoons the artists contributed.  That isn’t what this encyclopedia is.

And yet, I did find myself hoping for more work by two major female contributors, Helen Hokinson and Barbara Shermund. They have a combined total of 6 cartoons in the encyclopedia. Ms. Shermund’s work appeared in The New Yorker just over 600 times (including 8 covers). I believe, if my numbers are correct she is the third most published female cartoonist in the magazine’s history. She is represented by 1 cartoon in the encyclopedia. Ms. Hokinson is in the top ten of the Spill‘s 23 member K Club (the group of cartoonists who have 1000 or more cartoons published in the New Yorker).  She is in fact, the most published female New Yorker artist in the magazine’s history with 1,796 cartoons and 68 covers. She is represented by 5 cartoons.

 

 

 

 

 

 

 

 

Chris Weyant Answers Three Questions; Steig’s Divorce Illustrations; Three Cartoonists at Pennsylvania Fest; Cartoon Companion’s Latest Ratings

 Chris Weyant Answers Three Questions

From The Children’s Book Council, September 5, 2018, “Three Questions With Chris Weyant”

Mr. Weyant began contributing his cartoons to The New Yorker in 1998. Link here to his website.

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Steig’s Divorce Illustrations

Thanks to a fave Spill blog, Attempted Bloggery, we’re able to see some great William Steig illustrations that appeared in American Magazine in the early 1940s.

Mr. Steig’s entry on the Spill‘s A-Z:

Born in Brooklyn, NY, Nov. 14, 1907, died in Boston, Mass., Oct. 3, 2003. In a New Yorker career that lasted well over half a century and a publishing history that contains more than a cart load of books, both children’s and otherwise, it’s impossible to sum up Steig’s influence here on Ink Spill. He was among the giants of the New Yorker cartoon world, along with James Thurber, Saul Steinberg, Charles Addams, Helen Hokinson and Peter Arno. Lee Lorenz’s World of William Steig (Artisan, 1998) is an excellent way to begin exploring Steig’s life and work. NYer work: 1930 -2003.

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Three Cartoonists at Pennsylvania Festival

Bob Eckstein, Chris Weyant, and David Borchart (above, left to right) will appear at the Milford (Pa.) Festival on September 30th.  Read all about it here.

Their work appears in the upcoming anthology, “The Ultimate Cartoon Book of Book Cartoons by the World’s Greatest Cartoonists” a collection edited by Mr. Eckstein. Due out, March, 2019.

Mr. Eckstein’s latest book is The Illustrated History of the Snowman (Globe Pequot Press). Out now!

Also out is Eraser (Two Lions),by Anna Kang, illustrated by Mr. Weyant.

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Cartoon Companion’s Latest Ratings

Everybody’s got an opinion, but only two folks (“Max” & “Simon”) devote blog space on a regular basis to sizing up every cartoon in each issue of The New Yorker. Read here.

The Monday Tilley Watch, The New Yorker Issue of August 27th, 2018

  Kadir Nelson‘s cover (a tribute to Aretha Franklin) was posted last week.  Not mentioned here at the time (but noted on the New Yorker‘s Table of Contents): the image was inspired by Charles W. White’s Folksinger. 

The new issue’s “Fall Preview” accounts for the abundance of arts ads and illustrations. 

The cartoons:

Now we’re talkin’: sixteen cartoons in this issue vs last week’s nine.  A number of the sixteen cartoons stand out for various reasons. Two of them (I won’t single them out) are beyond me. Not long ago I would’ve emailed Jack Ziegler to explain them to me. It was always comforting when Jack didn’t understand a drawing either. Often he’d respond with a variation of, “I don’t know what the hell it means.”

 Now for some others that stood out (these I understand): Seth Fleishman‘s mirror ball drawing cements his reputation as the New Yorker‘s mirror ball guy. Funny drawing. Also very funny: Joe Dator‘s “hunny” sniffing Pooh airport scenario. And then there’s David Borchart‘s sea-faring koala drawing. Oh my my my. I mentioned Jack Ziegler before. I think Jack would’ve loved these drawings — they’re wonderfully in his ballpark of way-out-there. A Spill round of applause.

A thought here about the placement of every cartoon in the issue: none seemed pressed for space, in need of breathing room. Victoria Roberts doctor’s office drawing (p.69) and Ellis Rosen‘s (p.42) are good examples. The reader can really enjoy the fine drawing going on in these pieces (and in others).

This issue includes the debut New Yorker cartoon by Caitlin Cass. Ms. Cass is the seventeenth new cartoonist brought in since cartoon editor, Emma Allen was appointed in the Spring of 2017. Ms. Cass’s style — mostly the way she handles faces — reminds me of a New Yorker cover artist from the Golden Age: Christina Malman.  Oddly enough, while looking through Ms. Malman’s twenty-four covers for the magazine I came across one (shown below) thematically linked to Ms. Cass’s drawing of children looking at art in a museum.

A final thought before Rea Irvin’s classic missing masthead shows up at the end of this post: I’m wondering if Emma Hunsinger‘s funny caption for her drawing on page 77 would’ve also worked if the word “aren’t” was “are”…and if that’s so — if it’s so how often it happens in cartoon captions that a word completely flipped can still work with the drawing. In this case, substituting “are” for “aren’t” would radically change the intent. Ms. Hunsinger’s use of the word “aren’t” suggests the parents are concerned their child’s behavior is unusual. By using “are” the parents would instead be hopeful that their child’s behavior might make for a viral video.

For the record, here is the list of cartoonists in this issue:

And now, as promised, the missing Irvin masthead.

 — See you next week