The Monday Tilley Watch, The New Yorker Issue Of July 29, 2019; Today’s Daily Cartoonist And Cartoon; A Julia Wertz Daily Shouts; Fave Photo Of The Day

The Cover:  I see destructive tourists at the core of this cover, yet destruction doesn’t come up in Joost Swarte’s interview with The New Yorker‘s art director, Francoise Mouly.  Odd?

The Cartoonists:

The Cartoons:

Almost a theme issue, of sorts:  Amy Hwang (cats), Roz Chast (dogs), Farley Katz (flamingos), Joe Duffy (pigs), Kendra Allenby (deer), Frank Cotham (a snake), Shannon Wheeler (snails), Hilary Fitzgerald Campbell (a rat).

Steering briefly away from the Spill‘s focus, I have to note that Salman Rushdie’s piece in the issue  is titled “The Little King” and the accompanying illustration (by Nico Schweitzer) is a play on Otto Soglow‘s famous character. The illustration seems even closer to the toy Little King than the drawing of the King :

 

 

Applause for Bob Eckstein‘s shuttlecock drawing on page 48, and Ellis Rosen‘s heralded fellow drawing on page 42.

 

From the Department of fun coincidences. Liana Finck’s lifeguard drawing (p. 33) immediately reminded me of an obscure original Lee Lorenz drawing hanging here at Spill headquarters. The Lorenz drawing (its barely legible caption: “Help!”) was not in The New Yorker.  I’ve yet to figure out where it was published, or how old it is.  Mr. Lorenz, visiting here and seeing the drawing, could not recall where it had appeared or its vintage. It appears to be in an earlier Lorenz style (but not the earliest), so we can at least place in an early-to-mid 1960s time frame.

Ms. Finck’s drawing and Mr. Lorenz’s are in some ways opposites of each other. Mr. Lorenz’s beach is overcrowded, while Ms. Finck’s beach is empty.  Ms. Finck’s life guard offers help (if helped); Mr. Lorenz’s life guard is crying out for help. What ties them together, at least for me, is the graphic core of each drawing: the exceptionally tall life guard stand. Fine fun work by both. 

Rea Irvin: Mr. Irvin’s iconic Talk masthead (below) left us in the Spring of 2017 after 92 years of service — it was replaced by a redraw.  Let’s hope the real thing returns before long.  Read about it here.

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Today’s Daily Cartoonist And Cartoon

Brendan Loper makes good use of oven mitts. Mr. Loper began contributing to The New Yorker in 2016.

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A Julia Wertz Daily Shouts

“Conversations With Ma: Paint The Toenails And Board-Game Gripes” 

— A series? by Julia Wertz who began contributing to The New Yorker in 2015.

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Fave Photo Of The Day

A crowd of folks who draw got together yesterday in Rhinebeck, New York.  Left to right: myself, Peter Steiner, John Cuneo, R.O. Blechman, Liza Donnelly, Bill Plympton, Danny Shanahan and Elwood Smith.

 

 

 

The Monday Tilley Watch, The New Yorker (Double) Issue, July 8 & 15, 2019; Today’s Daily Cartoonist’s Cartoon

The Cover: A hot dog cart guy gets some beach time on Peter De Seve’s cover.  Read the Cover Story here.

The Cartoonists:

The Newbies: Making their New Yorker print debut this week: Victor Varnado and Akeem Roberts. They become the record-setting nineteenth and twentieth new cartoonists entering the magazine’s stable of artists this year and the forty-fifth and forty-sixth new artists brought in under cartoon editor Emma Allen’s stewardship, begun in May of 2017.

The Cartoons: Brief thoughts on some of the thirteen cartoons in the issue:

Roz Chast’s Ordinary Kreskin drawing (p. 37).  Love Ms. Chast’s right-to-the-point drawings, like this one. Perhaps not so unusual, but noticeable: she’s drawn Mr. Kreskin with five fingers (a lot of cartoonists find four will do for their cartoon characters). 

Liana Finck’s talking baby (p. 44).  A terrific twist on an end-of-life sentiment. I found myself wondering if it would’ve been equally successful had the baby been talking to another baby.

Ed Steed’s hammered drawing (p.54).  At first glance on my laptop, before zooming in on the drawing I thought that Mr. Steed had done a mash-up drawing with George Booth. If you squint your eyes, it’s a very Boothian room (the perspective, the hanging ceiling lamp, the floorboards, wall objects). 100% Steedian is the idea itself and the Steedian happily hammering woman.

My confused initial take on seeing the drawing leads me to toss out a suggestion. There’s been plenty written on this site about cartoon collaboration, but those duets have involved a writer teamed with an artist (or two artists collaborating) with just one person doing the drawing.  Howz about for fun we see some artists team-up and create a drawing or two with multiple styles in one frame. Some suggestions: Chast/Finck, Dator/Donnelly,  Hwang/Shanahan, Sipress/Allenby,  Kenseth/Koren…just a thought. (Liza Donnelly and I had a ton ‘o’ fun doing a series of mash-up full-page graphic pieces for our 2009 collection, Cartoon Marriage)  

Paul Noth’s line of succession drawing (p. 58). Mr. Noth delivers a great drawing.  I only wish it had been given more breathing room (such as Mr. Steed’s). 

Robert Leighton’s drawing (p.32) features a caption that would probably be right at home in a positive thinking seminar.  Yet another Leighton drawing destined for many a refrigerator.   

Karen Sneider’s funny fish in bed recalls the classic George Price drawing published in the magazine’s issue of December 21, 1963

Rea Irvin: Mr. Irvin (with Harold Ross and his then-wife, Jane Grant) was a founder of The New Yorker‘s graphic architecture. Consider his adapted typeface (the so-called Irvin typeface) that is part of the magazine’s DNA, the breadth of cartoon worlds he encouraged as art supervisor, his department heading designs, and his numerous covers (including, of course, the magazine’s brilliant first that gave us Eustace Tilley). Tis a puzzlement that his iconic heading for the Talk Of The Town remains under a tarp. Here it is below, and here’s where you can read about its removal in 2017.

 

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Today’s Daily Cartoonist’s Cartoon

Singin’ under the drip from Amy Kurzweil, who began contributing to The New Yorker in 2016. Visit her website here.

Frank Modell’s Brendan Gill; Tom Chitty Has A Question; Today’s Daily Cartoonist: Christopher Weyant; More Steinberg; Today’s Daily Shouts By…Seth Fleishman

Frank Modell’s Brendan Gill

I came away from a recent visit to my favorite (used) book store, Rodgers Book Barn in Hillsdale, New York with the brochure handed out at Brendan Gill’s memorial back in 1998 (see the details of the tribute below). I’m indebted to one of my book store haunting friends, Mark Burns for digging the brochure out of a box of ephemera and placing it right in front of my face (for the record, my other co-haunters were Danny Shanahan and John Cuneo). Frank Modell’s drawing of an exuberant Brendan Gill was new to me, and an obvious must-have, must-buy. 

For more on Mr. Gill, I highly recommend his oft-reprinted Here At The New Yorker (the William Heinemann 1990 edition shown below)And for more on Mr. Modell there’s his collection Stop Trying To Cheer Me Up! as well as James Stevenson’s terrific The Life, Loves and Laughs of Frank Modell.

Further Reading: An earlier Spill piece on cartoonists and Rodgers Book Barn.

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Tom Chitty Has A Question

From Jane Mattimoe’s  fine Fine Case For Pencils, “Tom Chitty Has A Question About Dip Pens”

Mr. Chitty began contributing to The New Yorker in 2014.  Visit his website here.

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Today’s Daily Cartoonist/Cartoon

The lack of White House press briefings has been in the news. Chris Weyant comments via a castle cartoon.  Mr. Weyant has been contributing to The New Yorker since 1998. Visit his website here.

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More Steinberg

From The Brooklyn Rail, “Saul Steinberg: Untitled” 

Comments on the Steinberg exhibit currently showing at Totah (til April 28th — hurry!)

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Today’s Daily Shouts by…Seth Fleishman

A fish story from Seth Fleishman who began contributing to The New Yorker in 2016. See some of his work here on the New Yorker’s Cartoon Bank site.

 

 

The Tilley Watch Online, The Week Of April 15-19, 2019; Attempted Bloggery’s 2900th Post; A Daily Shouts Correction

A round-up of the week’s online New Yorker cartoonists…

The Daily Cartoonists: P.C. Vey, Barry Blitt (a Bonus Daily), David Sipress, Danny Shanahan, Teresa Burns Parkhurst, Elisabeth McNair.

Daily Shouts (by New Yorker cartoonists): Liana Finck, Becky Barnicoat, and a trio effort by Amy Kurzweil, J.A.K., and Ellis Rosen.

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Attempted Bloggery Celebrates Its 2900th Post

Stephen Nadler of Attempted Bloggery celebrates his site’s 2900th post with a look at his signed (and sometimes drawned(?)) copies of Bob Eckstein’s Ultimate Cartoon Book of Book Cartoons.  See it all here.

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A Correction: In yesterday’s post concerning the Daily Shouts trio of Amy Kurzweil, J.A.K. and Ellis Rosen, I suggested that the trio effort may have been a Shouts first.

There was at least one previous trio: the July 20, 2018 Shouts by Sharon Levy, Olivia de Recat, and Lars Kenseth. My thanks to my colleague, Jeremy Nguyen for bringing this to my attention.

Early Release: Next Week’s New Yorker Cover; Today’s Daily Cartoonist: Danny Shanahan; Daily Shouts: Becky Barnicoat; More Fave Photos With Roz Chast, Patty Marx, Emily Flake, Sam Gross, Drew Friedman; More Harry Bliss/Steve Martin

Early Release of Next Week’s New Yorker Cover: Bob Staake’s “Our Lady”

The cover artist  Bob Staake has posted his cover for next week’s issue. 

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Today’s Daily Cartoonist: Danny Shanahan

A Peeps of the jungle by Mr. Shanahan, who began contributing to The New Yorker in 1988. See his work here on The New Yorker‘s Cartoon Bank site.

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A Daily Shouts by Becky Barnicoat

Somehow missed Becky Barnicoat’s Daily Shouts piece yesterday….see it here. Ms. Barnicoat’s first New Yorker cartoon appears in this week’s issue. ________________

More Fave Photos

Book Event at Shakespeare & Co.

Above: Roz Chast and co-author, Patty Marx at Tuesday night’s event at Shakespeare & Co.

(Photo courtesy of Marcie Jacobs-Cole). 

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American Bystander Panel at New York Comics and Picture-Story Symposium

Above: From last night’s New York Comics and Picture-Story Symposium with panelists (l-r), Sam Gross, Steve Young, Drew Friedman, Emily Flake, and Steve Kroninger. The fellow behind the podium is The American Bystander‘s   guiding light, Michael Gerber.

(photos courtesy of Stephen Nadler (Attempted Bloggery)

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More Bliss/Martin: From Vermont’s Seven Days, April 17, 2019, “Cartoonist Harry Bliss Collaborates with Comedian Steve Martin.”

Roz Chast to speak in Dallas April 26th.