Today’s New Yorker Daily Cartoonist(s): Christopher Weyant & Ellis Rosen; Today’s Daily Shouts: Colin Stokes & J.A.K. On Paul Ryan & A.O.C.; Ultimate Cartoon Book of Book Cartoons Book Tour Begins April 9th

Today’s Daily Cartoonists/Cartoon

Today’s Daily is a team effort from Christopher Weyant and Ellis Rosen. Mr. Weyant began contributing to The New Yorker in 1998. Mr. Rosen began contributing to the magazine in 2016.

Link here to Mr. Weyant’s website.

Link here to Mr. Rosen’s website.

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Today’s Daily Shouts: Colin Stokes and J.A.K.

Today’s Daily Shouts, “Paul Ryan’s Advice to A.O.C.” courtesy of The New Yorker‘s assistant cartoon editor, Colin Stokes, and New Yorker cartoonist Jason Adam J. Katzenstein (aka J.A.K.). ___________________

The Ultimate Cartoon Book Of Book Cartoons Book Tour Begins April 9th

Bob Eckstein kicks off the tour at Rizzoli. Info here!

Below: Robert Leighton, Barbara Smaller, Bob Eckstein, Marisa Acocella

 

The Tilley Watch Online,The New Yorker, March 24-29, 2019: Book Of Interest: Seth’s “Clyde Fans”; Mort Gerberg’s New York Historical Society Exhibit Reviewed

    The Daily cartoons this week weren’t exclusively Trumplandish, but close! The contributing New Yorker cartoonists were: Peter Kuper, Lucas Adams, Emily Flake, J.A.K., Barry Blitt, and Christopher Weyant.

        The Daily Shouts contributing New Yorker cartoonists: Tom Chitty, Ali Fitzgerald, and Hilary Fitzgerald Campbell.

To see all of the above and more link here.

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Book of Interest: Seth’s “Clyde Fans”

Out on bookstore shelves on April 30th from Drawn & Quarterly, Seth’s latest, Clyde Fans.  In the meantime, here’s a Publisher’s Weekly piece about it. Seth (Gregory Gallant) began contributing to The New Yorker in 2002.  Below, right, one of his covers.

Further recommended reading: Seth’s 1996 It’s A Good Life If You Don’t Weaken.

The PW article says about it: “Seth’s first graphic novel…seemed to be a memoir of the author’s attempts to track down a New Yorker cartoonist who had a brief flash of success in the ’40s—but the whole thing was fiction.” 

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Gerberg’s  New York Historical Society Exhibit Reviewed

From Women Write About Comics, March 29, 2019, ‘Main Thing Is, I Kept Drawing’: Mort Gerberg’s Cartoons On Display at The NYHS”

 

 

 

 

 

 

 

 

 

 

 

 

The Tilley Watch: The New Yorker Issue Of April 1, 2019; MoCCA Fest Event Of Note: Mort Gerberg And Friends (Danny Shanahan, Marisa Acocella, Bob Eckstein, And Michael Maslin); Today’s New Yorker Daily Cartoonist: Christopher Weyant; Today’s Bonus Daily Cartoonist: Barry Blitt

The Cover: it’s a treat to have Bruce McCall’s work back on the cover. You can read about it here (and see an early version of the cover).

The Cartoonists:

The Cartoons:

And speaking of treats, here are some of this issue’s cartoons that especially caught my eye:

Chris Weyant’s plumbing drawing (p.52). It reminded me, in the best possible way, of Jack Ziegler’s classic 1980 drawing Plumbing Trouble of the Gods. Mr. Weyant has delivered a funny, perfectly handled drawing. 

And then there’s David Borchart’s terrific giraffe drawing (p. 66). Perhaps this is the start of something big? Giraffes have never been anywhere as popular as cats and dogs in the cartoon universe (Lars Kenseth has drawn a very funny pug(?) in his all-dog cartoon on page 35). 

Finally, what a blast to come upon George Booth’s drawing in this issue (it’s on page 59). It’s a sunny day when Mr. Booth’s work appears (it’s worth mentioning again here on the Spill that Mr. Booth is the subject of an in-progress documentary film).

Applause for all.

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There are several drawings in the issue that, for some, might require Googling. I’ve always been a believer in “getting” a drawing without assistance. If I don’t get it, I move on (or occasionally ask a friend for help).  Of course, not getting certain New Yorker cartoons is age-old.

A note: this week’s Talk section includes a Sketchpad (it features a color “illustration” by Emily Flake).  A usage reminiscent of the comic strips briefly brought in during the early 1990s under Tina Brown. The Brown era comic strips ran across the entire width of each page (i.e., 6 columns wide), whereas this Sketchpad is 4 columns wide. Below: an example of a strip from the past: a Victoria Roberts piece from the issue of March 28, 1994.

Finally, the beautiful Rea Irvin masthead continues to remain in storage — not even brought out  as some kind of tease for this April 1st issue.  Well, here it is below, as it will be weekly until it reappears in the magazine (I can dream, can’t I?). 

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MoCCA Fest Event Of Note: Mort Gerberg and Friends: Danny Shanahan, Marisa Acocella, and Bob Eckstein. Panel moderated by Michael Maslin

The upcoming Museum of Comic and Cartoon Art (otherwise known as MoCCA) will begin its 2019 Festival on April 6th. A number of New Yorker folks will be participating (and I will note them as the information becomes available). Here’s the announcement of one that just came into the Spill:

 

Mort Gerberg and Friends

 

Mort Gerberg broke into print with irreverent drawings in The Realist in the early ’60s. His social-justice-minded—and bitingly funny—cartoons subsequently appeared in magazines including The New Yorker, Playboy, and the Saturday Evening Post. As a reporter, he’s sketched historic scenes including the women’s marches of the ’60s and the 1968 Democratic National Convention.

He is currently the subject of a retrospective exhibit at the New-York Historical Society, and Fantagraphics Underground Press has recently published the retrospective book Mort Gerberg On the Scene: A 50-Year Cartoon Chronicle. Gerberg will discuss his work in a conversation with friends and colleagues, led by Michael Maslin (Inkspill, The New Yorker) and including New Yorker cartoonists Marisa Acocella, Bob Eckstein and Danny Shanahan.

Garamond Room / 3:00 pm, Saturday, April 6th

Link to MoCCA’s website here for more general info.

Photos above, l-r: Danny Shanahan, Marisa Acocella, and Bob Eckstein

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Today’s New Yorker Daily Cartoon/Cartoonist & Bonus Daily Cartoon/Cartoonist

Christopher Weyant is today’s Daily Cartoonist.  You can see his (Trump) drawing here. 

Mr. Weyant began contributing to The New Yorker in 1998. Link to his website here.

And here’s Barry Blitt’s Bonus Daily cartoon  —  Trump-world-ish .

Mr. Blitt began contributing to The New Yorker in 1994.  Link to his website here.

 

 

 

The Tilley Watch Online, February 25 – March 1, 2019: Chast At The Strand & On The Radio

This week’s Daily cartoonists: Ivan Ehlers, Barry Blitt, Christopher Weyant, Brendan Loper, and Kim Warp.  Save for Ms. Warp’s Oscar drawing, the rest all Donald J. Trump-related.

Julia Wertz was the sole New Yorker cartoonist Daily Shouts contributor.

You can see all of the above, and more here.

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Chast At The Strand

Roz Chast at the Strand this coming Wednesday.  All the info here.

Ms. Chast will be on the radio earlier that very same day.  Info here.

…for more Chast, link here to her website.

 

New Yorker Cartoon Editor Emma Allen Interviews Mort Gerberg; Graphic Novels For Adults: Liza Donnelly Talks About Her Oscar Drawings; Today’s Daily Cartoonist: Christopher Weyant

Here’s The New Yorker‘s cartoon editor, Emma Allen, speaking with Mort Gerberg on the occasion of his 50th year in cartooning. Mr. Gerberg’s first New Yorker cartoon appeared in the issue of April 10, 1965.

Link here to his website.

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Graphic Novels For Adults

From The New Indian Express, February 27, 2019, “Sketchy affair: Graphic novels are for adults too” — with references to Shannon Wheeler, Chris Ware, and Art Spiegelman.

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Liza Donnelly Talks About Live-Drawing From the 2019 Oscars Red Carpet

 

From Medium, February 25, 2019, “Live Drawing The 201 Academy Awards” — Liza Donnelly talks about her 4th time on the Red Carpet and shows us all of her drawings from Oscar week. Ms. Donnelly’s first cartoon appeared in the June 21, 1982 issue of The New Yorker.

Link here to Ms. Donnelly’s website.

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Today’s Daily Cartoon

Today’s Daily cartoon, Trump-centered with a dash of Cohen, is by Christopher Weyant.  Mr. Weyant began contributing the The New Yorker in 1998.