The Monday Tilley Watch, The New Yorker Issue Of January 13, 2020

A few thoughts on the art in the latest issue of The New Yorker…

The Cover: a moment in a museum, courtesy of Bruce McCall (read a Q&A with him here). The second cover in a row with ( for me) a retro feel to it. I could see Charles Addams doing something like this, or the late great Richard Taylor (Mr. Taylor’s January 9, 1937 cover appears below right).

 

The Cartoonists:

The Cartoons:

A lively bunch of cartoons: 18 of them — 19 if you include Olivia de Recat’s “Sketchpad” on page 17.  Possibly my imagination, but it appears most every cartoon has breathing space this week. There’s not one that looks cramped, nor is there one that looks like it would’ve been better off in a smaller space. Victoria Roberts’s peas in a pod (on page 21) is an excellent example of a drawing that required and received ample space.

P.C. Vey’s drawing (it’s on page 23) surprised me (always a very good thing). His unusual graveyard scenario accompanied by a terrif caption is a treat.

I like the sextet of cartoons that begins on page 40: Hilary Fitzgerald Campbell’s burning shorts drawing; Charlie Hankin’s magician (p.43); Lars Kenseth’s Charles Addamsy stomped-on cigarette butt drawing (p.44); Liana Finck’s sedentary whale (p.48); Sharon Levy’s abominable snowperson (p. 52) — which reminds me, pockets-wise of Arnie Levin’s great drawing (shown below) from the issue of December 26, 1977.  And, lastly, Ed Steed’s funny off-the-tracks drawing (p. 55).

Two drawings elsewhere in the issue also caught my eye: the fab P.S. Mueller’s drawing (p.65) with its use of the word “subsequent”… and Ellie Black’s dragon drawing (p.29). Hey, what can I say — I really like drawings of dragons, castles, etc..

The Rea Irvin Talk Masthead Watch: Mr. Irvin’s iconic Talk masthead remains under wraps. I don’t know how much effort it would take to return it to its proper place, but surely it can’t be more than a few clicks on a keyboard.

Read about Mr. Irvin’s masthead here, and see it below:

 

 

 

The Monday Tilley Watch, The New Yorker Issue Of January 6, 2020

The Cover: A retro cover! When I saw this attractive cover I immediately placed its style and structure in the early 1960s, and thought of a particular artist: the most prolific of all New Yorker cover artists, Arthur Getz. To illustrate, here’s Mr. Getz’s cover from December 18, 1965 side-by-side with this new one by Pascal Campion.

The Cartoonists:

The Cartoons: Some random thoughts on a few of the cartoons in The New Yorker‘s first issue of the 2020s…

There’s a duo effort by Jose Arroyo and Rob Kutner. Mr. Arroyo first began contributing to the magazine in 2008. Mr. Kutner is a comedy writer.

Really like Suerynn Lee’s breadcrumbs-on-a-trail drawing (it’s on page 28) — graphically appealing with a strong caption. Of the breadcrumbs-on-a-trail themed New Yorker cartoons over the years, here’s a favorite from the great Arnie Levin, published May 22, 2000.

Zach Kanin’s mounted python (on p. 36) is a hoot (or a “ssssssss”).  Mr. Kanin’s drawings always seem (to me) to contain some kind of Charles Addamsy-ish dna, which is a very good thing.

Can’t see a dog at a computer cartoon, such as Elisabeth’s McNair’s (p. 34) without thinking of  Peter Steiner‘s celebrated New Yorker drawing published July 5, 1993:  “On the Internet, nobody knows you’re a dog.” It remains the most republished New Yorker drawing in modern history.

Joe Dator’s procrastinating writer cartoon (p. 39) is fun. The length of the caption — and the time it takes to read it —  becomes another element of delay.

The Rea Irvin Talk Masthead Watch: Last Monday, in this space, I held out the faint hope we might see Rea Irvin’s classic Talk masthead return to kick off the new year and decade. No dice. The redraw — plopped-in in the Spring of 2017 — is back after Ed Steed’s fun one-off in last week’s “Cartoon Takeover” issue.  Read more about the masthead here, and, as always (until something changes for the better… or worse!), here’s Mr. Irvin’s classic (sadly moth-balled) masthead…

 

The Monday Tilley Watch, The New Yorker Issue Of December 16, 2019; The New Yorker Cartoon Caption Contest, Now On Instagram Stories; Today’s Daily Cartoonist & Cartoon

A Look At Some Of The Cartoonists & Cartoons In The Latest Issue Of The New Yorker

The Cover: What looks suspiciously like a UPS deliveryman is carrying a fully decorated Christmas tree up the steps of a city brownstone. The deliveryman seems to have something in his mouth. A peach? A corn muffin? Or, possibly an ornament that fell off the tree? I was hoping the answer would be found here, in this short Q&A with Peter De Seves — the cover artist, but alas…

[Update on what’s in the deliveryman’s mouth: A friend of the Spill‘s has pointed out that there’s nothing in the deliveryman’s mouth. The way it appears on my laptop screen it appears there is, but upon very close inspection I can see that the thin line of the mouth forms what appears to be the top of a circle. The circular lines of the shaved-chin fill out a circle suggesting a ball-shape. The beard surrounding the ball-shape framed a circle.  Once I saw it, I couldn”t un-see it (even now).  I think too that the ball shape I’m seeing is nearly identical to the Christmas tree balls hanging close-by. The power of suggestion then, perhaps? Anywho, I stand corrected. My thanks to Attempted Bloggery]

The Cartoonists:

The Cartoons:

…A healthy number of cartoons in The New Yorker’s almost last issue of the year.

…The duo of Pia Guerra and Ian Boothbay have contributed a very Charles Addams(y) drawing. It reminded me, structurally, of this Addams drawing from The New Yorker issue of April 28, 1980:

…The Mike Twohy drawing (on page 27) incorporates a semi-popular cartoonist go-to scenario: the large snake that’s swallowed something. A fairly recent example is this Jason Adam Katzenstein drawing for the issue of May 1, 2017. A sampling of others who’ve visited the big snake that’s swallowed something include Sam Gross, Farley Katz, and Ariel Molvig.

…Two other drawings that caught my eye: Peter Kuper’s couple in bed on page 47, and Joseph Dottini’s party scene on page 74.  As mentioned numerous times on the Monday Tilley Watch, it’s the unexpected drawing (ideally both caption and drawing) that keeps me hovering over a cartoon longer than usual.  Both these caused me to hover. A Spill round of applause for Mr. Kuper’s and Mr. Dottini’s work in this issue.

…A drawing by Ed Steed (it’s on on page 67) has caused me to resurrect a listing I started in 2008 on newyorker.com “Some Favorite Things.”   I wrote by way of introducing the list:

Everyone has favorites: flavors of ice cream, baseball teams, nieces and nephews. I have favorite cartoon elements. Like fingerprints, these elements are unique to a cartoonist’s work.

And then I went on to list a bunch of favorite elements. Here’s a sampling:

Bruce Eric Kaplan’s slanted rooms

P. C. Vey’s stiff-legged people

Jack Ziegler’s kids and dogs, and his men’s clothing

Sam Gross’ cats and mice

Well after seeing this latest drawing by Mr. Steed, I’d like to add:

 Ed Steed’s horses

The Rea Irvin Talk Masthead Watch:  No news isn’t good news. Mr. Irvin’s beautiful masthead, (removed in the Spring of 2017 and replaced by a re-draw) is still gathering dust. For those who miss it, here it is:

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The New Yorker Cartoon Caption Contest, Now On Instagram Stories

The New Yorker‘s cartoon editor, Emma Allen has announced a new cartoon caption contest feature. Read about it here. The feature begins with this week’s contest cartoon.

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Today’s Daily Cartoonist & Cartoon

Avi Steinberg on the risk of making friends during the holidays. Mr. Steinberg began contributing to The New Yorker in 2012.

 

 

 

 

 

 

 

 

Interview Of Interest: Swann Galleries Christine von der Linn On Charles Addams “Nevermore”; Meet The Artist(1943): Boardman Robinson; Today’s Daily Cartoonist & Cartoon

Interview Of Interest: Swann Galleries Christine von der Linn on Charles Addams’s “Nevermore”

From The Hot Bid, this interview with The Swann Galleries Illustration Art director, Christine von der Linn about a fabulous Addams drawing (shown above) to be auctioned December 10th. [article contains Jack Ziegler content]

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Meet The Artist (1943): Boardman Robinson

Another in a series of self portraits of New Yorker artists included in the Meet The Artist catalog published by the M.H. de Young Memorial Museum in 1943.

Mr. Robinson’s entry on the Spill‘s A-Z:

Boardman Robinson  Born, Nova Scotia, Sept. 6, 1876. According to Maurice Horn’s World Encyclopedia of Cartoons (Chelsea House Publishers, 1980), Beginning in 1910, while working at the New York Tribune, Robinson “exerted more influence on his profession than almost any other cartoonist over the years. With Robert Minor of the Pulitzer papers, Robinson explored the use of lithographic crayon as a means of shading on paper for editorial cartoons…it remained a convention of editorial cartooning well into the 1960s.” New Yorker work : 1925 – 1926.

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Today’s Daily Cartoonist & Cartoon

Ali Solomon on not-Frozen II.

Ms. Solomon began contributing to The New Yorker in 2018.

 

Weekend Spill: 64 Works By Steinberg Go To Long Island Museum; The Tilley Watch Online; Meet The Artist (1943): Alan Dunn; Liza Donnelly Speaks on Drawing For Change; Upcoming Swann Auction Loaded With New Yorker Art

64 Steinberg Works To Long Island Museum

From ArtNews, November 15, 2019, “Parrish Art Museum Acquires 64 Works By Famed Cartoonist Saul Steinberg” 

Mr. Steinberg’s entry on the Spill’s A-Z:

Saul Steinberg Born, June 15, 1914, Ramnic-Sarat, Rumania. Died in 1999. New Yorker work: 1941 – (The New Yorker publishes his work posthumously). Steinberg is one of the giants of The New Yorker.  Go here to visit the saulsteinbergfoundation where you’ll find  much essential information and examples of his work.

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An end of the week listing of New Yorker artists who contributed to the Daily Cartoon and/or Daily Shouts, November 11-15, 2019.

The Daily Cartoon: Kim Warp, Emily Flake, Ellis Rosen, Elisabeth McNair, Christopher Weyant.

Daily Shouts: Teresa Burns Parkhurst, Liana Finck (another in her Dear Pepper series), Tim Hamilton.

…and Barry Blitt’s Kvetchbook.

See all of the above and more here.

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Liza Donnelly Speaks On Drawing For Change

From Elon University, November 15, 2019, “Cartoonist Liza Donnelly offers look at using visual humor to affect change” — a piece on Ms. Donnelly’s recent talk at the university.

Ms. Donnelly began contributing to The New Yorker in 1982. Visit her website here.

 

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Meet The Artist (1943): Alan Dunn

One of a number of self portraits of New Yorker artists included in the catalog Meet The Artist, published in 1943 by the M.H. de Young Memorial Museum.

Alan Dunn’s entry on the Spill‘s A-Z:

Alan Dunn Born in Belmar, New Jersey, August 11, 1900, died in New York City, 1975. New Yorker work: 1926 – 1974 Key collections: Rejections (Knopf, 1931), Who’s Paying For This Cab? (Simon & Schuster, 1945), A Portfolio of Social Cartoons ( Simon & Schuster, 1968). One of the most published New Yorker cartoonists (1,906 cartoons) , Mr. Dunn was married to Mary Petty — together they lived and worked at 12 East 88th Street, where, according to the NYTs, Alan worked “seated in a small chair at a card table, drawing in charcoal and grease pencil.”

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Upcoming Swann Auction Abounds With New Yorker Art

The December 10th Swann Illustration Auction catalog is now available online and, as usual, there is a New Yorker section loaded with original pieces.  This particular offering includes a large number of contemporary contributors as well as work by such Golden Age luminaries as Peter Arno, Charles Saxon, Charles Addams, and Steinberg.

See it all here.

Happy bidding!