Interview Of Interest: Peter Kuper On Gil Roth’s “Virtual Memories” Podcast; Attempted Bloggery Examines B&N’s New Yorker Encyclopedia Of Cartoons “Exclusive Edition”

Interview of Interest: Peter Kuper On Gil Roth’s “Virtual Memories” Podcast

The very talented, very busy Peter Kuper is the subject of Gil Roth’s latest podcast. Hear it here.

Mr. Kuper began contributing to The New Yorker in 2011.

Mr. Roth has interviewed a slew of cartoonists over the years, many of them New Yorker artists. Here’s his comics & cartooning list.

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Attempted Bloggery Examines B&N’s New Yorker Encyclopedia Of Cartoons “Exclusive Edition”

Here’s Attempted Bloggery taking a look at what’s exclusive about B&N’s “Exclusive Edition” of the weighty New Yorker Encyclopedia Of Cartoons.

The Tilley Watch, The New Yorker Issue Of January 21, 2019

An interesting cover this week, reminiscent of Arthur Getz‘s great city landscapes: a dark city view with a small area of bright lights slicing through. That contrast of dark with dramatic light was close to a Getzian specialty (similar scenes were also beautifully painted by a number of other New Yorker artists through the years). If you can, get hold of The Complete Book of Covers From The New Yorker (Knopf, 1989) — you won’t regret it.

For more on the current cover, you can read about the artist, Pascal Campion here.

The Cartoons/Cartoonists:




Some cartoons of note in this issue:

The solid drawing on page 22 of two couples about to cross paths on a suspended narrow rope bridge marks Hartley Lin‘s cartoon debut in the magazine.

As happily the case with Lars Kenseth‘s work, his stone man on page 30 is something outside the norm.

Hilary Fitzgerald Campbell‘s cinematic post-party drawing on page 51 is terrific, as is Olivia de Recat’s Alarmist Clock on page 63.

On page 59, another cartoonist’s New Yorker debut: Karl Stevens.

Mr. Lin and Mr. Stevens are the first new New Yorker cartoonists of 2019, and the 25th and 26th new cartoonists making their debut in the magazine since Emma Allen became the New Yorker‘s cartoon editor in May of 2017.

…before I turn out the lights on this post, let us not forget that Rea Irvin’s beautiful Talk masthead (below) is still in storage. Read all about it here.


Thurber’s My Life And Hard Times: The Chinese Edition; More Price On Attempted Bloggery; Looking Closely At The New Yorker Issue Of January 4, 1930 On A New Yorker State Of Mind

Guess I’ll add this to my wish list: the Chinese edition of Thurber’s My Life and Hard Times, originally published by Harper & Brothers in 1933. The Chinese edition, published in December of 2018, uses Thurber’s drawing of Bolenciecwcz, the main character from chapter eight’s University Days (the drawing as it appears within the book is full page and carries the caption, Bolenciecwcz was trying to think).  The Chinese edition cover drawing has been altered with the addition of what looks to be a red flower.

You see on the cover a mention of the 1960 Tony Awards. The play, A Thurber Carnival won a special award that year. Thurber himself accepted. See it on Youtube, beginning at the 22:36 mark as Eddie Albert brings on Thurber’s dear friend, Elliot Nugent, to introduce Thurber.

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More Price On Attempted Bloggery

Attempted Bloggery celebrates its 2800th post with a look at a George Price drawing auctioned for a song. See it here.

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Looking Closely At The New Yorker Issue Of January 4, 1930

Another go-to site, A New Yorker State of Mind digs deep into the issue of January 4, 1930. The spectacular cover by the spectacular Rea Irvin. Read it all here.



Short Video Of Interest: Setting Up The Bruce Museum’s Masterpieces From The Museum Of Comic Art Exhibit; Attempted Bloggery Looks At George Price

Here’s a short (3 minute) video showing some decision-making for the Bruce Museum’s “Masterpieces From The Museum of Comic Art” exhibit. More info here.

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Attempted Bloggery Looks At George Price

Attempted Bloggery, a Spill go-to website has begun spotlighting some interesting George Price work, including the oddity above. See it all here.

George Price’s entry on the Spill‘s A-Z:

George Price (above) Born in Coytesville, New Jersey, June 9, 1901. Died January 12, 1995, Engelwood, New Jersey. New Yorker work: 1929 – 1991. Lee Lorenz, the New Yorker’s former Art/Cartoon editor, called Price one of the magazine’s great stylists (along with Peter Arno, Helen Hokinson, James Thurber, and William Steig). Of the many Price collections here are two favorites:  Browse At Your Own Risk (1977), and The World of George Price: A 55-Year Retrospective (1988)

Below: I’ve always loved the cover of Price’s 1963 collection, My Dear 500 Friends.

Liza Donnelly To Speak On Barbara Shermund At The Billy Ireland Cartoon Library & Museum

On February 7th, Liza Donnelly will speak at Ohio’s Billy Ireland Cartoon Library & Museum about Barbara Shermund, a major contributor of cartoons during The New Yorker’s early years. Details here.

Here’s Ms. Shermund’s entry on The Spill‘s A-Z:

Barbara Shermund (self portrait, to the left) Born, San Francisco. 1899. Studied at The California School of Fine Arts. Died, 1978, New Jersey. New Yorker work: June 13, 1925 thru September 16, 1944. 8 covers and 599 cartoons. Shermund’s post-New Yorker work was featured in Esquire. (See Liza Donnelly’s book, Funny Ladies — a history of The New Yorker’s women cartoonists — for more on Shermund’s life and work)