Marisa Acocella On List Of Comic Greats; Attempted Bloggery Looks At Cartoon Saber Arches

From Syfy Wire, January 23, 2019, “The Greatest Female Comic Book Creators of All Time” — On the list: Marisa Acocella, who began contributing to The New Yorker in 1998.

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Attempted Bloggery Looks At Saber Arches

The latest Attempted Bloggery post looks at two cartoons featuring the saber arch: one by Barbara Shermund (above) as well as a classic from Peter Arno. Link here!

Don’t forget, there’s a Barbara Shermund exhibit happening right now out at The Billy Ireland Cartoon Library & Museum.

The Wednesday Tilley Watch: Parker, Gerberg, Chast, Donnelly & More…

Items of interest this mid-week:

Two reminders of upcoming events.

On January 29, the great illustrator Robert Andrew Parker (shown below), whose work has appeared numerous times in The New Yorker, will be featured at The New York Comics & Picture-story Symposium. Details here.

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On January 30th, Long-time cartoonist Mort Gerberg will be in conversation with The New Yorker‘s cartoon editor, Emma Allen. The event is a celebration of Mr. Gerberg’s new book, On The Scene. Details here.





…From the west coast, news that a television series in in the works based on Roz Chast‘s highly acclaimed book, Can’t We Talk about Something More Pleasant?

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…and from the east coast here’s a CNN piece by Liza Donnelly on her recent live-drawing assignment at the Women’s March in Washington, D.C.

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…there’s a new installment in the New Yorker‘s celebrity cartoon caption video series, Caption That Cartoon. This time it’s Adam Conover putting the caption marker to paper (I urge the magazine to ID the cartoonists whose work appears on these videos. Until they do I’ll provide IDs). In this episode the cartoonists are (in order of appearance):

Mick Stevens, Victoria Roberts, Jack Ziegler, Michael Crawford, Drew Dernavich, yours truly, Will McPhail, Frank Cotham, and Tom Cheney.

Above: Adam Conover looks over a Mick Stevens drawing in this screen grab from the video

The Tilley Watch, The New Yorker Issue Of January 28, 2019

The Cover this week — rushed released days earlier — is from the masterful pen of John Cuneo. Below is an early version of the published cover, provided courtesy of Mr. Cuneo.

The Cartoonists (note the Spots contribution from Ed Steed) :

The Cartoons:

A little bit of something for everyone in this issue: an ice fisherman, a whale, a cat person in a dog park, a windy city street, imbibing cave people, a library, clowns, the subway, domestic situations, the mob, a police lineup, a restaurant scenario, Snow White.

Cartoon placement-wise, it was good to see some stretching out from the usual rectangular box seated in a corner of a page. Frank Cotham’s basement drawing run three columns wide (on page 30) is a good example, as is Zach Kanin’s ice fisherman on page 63 and Liana Finck’s drawing on page 72. Brendan Loper’s party-folk drawing on page 44, and Kim Warp’s police lineup drawing on page 48 were also given more breathing room. Then there’s Will McPhail’s full page (with the “Sketchbook” heading of “L’) on page 43. I’ve given this drawing some extra thought this morning, wondering if it needed the “Sketchbook” heading. What exactly does the “Sketchbook” designation bring to the page. I also wonder if those outside the New York/ Metropolitan area understand that the “L” refers to the “L” line of the New York City subway system (and local stories concerning the line). And then there’s the question of whether the “L” train reference actually means something here that’s essential to understanding the little story played out in sequence. Perhaps, perhaps. Perhaps not. So many questions! Anyway, it’s a fun drawing that works well no matter the subway line. As noted with a hint of impatience on Cartoon Companion, New Yorker subway cartoons have become nearly a standard scenario in recent months. I continue to believe that no scenario is played-out if the idea works well.

A subway sidenote: when I think of previous multi-panel subway cartoons my first thought is of this one by Liza Donnelly from the New Yorker issue of April 14, 1986. And speaking of Ms. Donnelly, in her cave man drawing on page 21 of this latest issue of the magazine there’s not a cave man in sight.

I’ve been re-watching the entire run of “The Sopranos” lately, so Joe Dator’s cement shoe drawing on page 52 grabbed my attention. I especially enjoyed seeing the George Boothian bare light bulb hanging down from the ceiling.

This issue marks the New Yorker print debut for Emily Bernstein. Ms. Bernstein is the third new New Yorker cartoonist of the year and the 28th since Emma Allen became the magazine’s cartoon editor in the Spring of 2017.

The Tilley Watch again signs-off with a nod to the missing Rea Irvin masthead (seen below). Read about it here.


John Cuneo’s Walled In New Yorker Cover; The Cartoon Companion Rates The Latest New Yorker Cartoons

The New Yorker has rushed released the cover of its forthcoming issue. It is the second cover by John Cuneo to appear in the last five issues. Here’s the magazine’s Cover Story on the piece.

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Cartoon Companion Rates The Latest New Yorker Cartoons

The CC‘s Max and Simon take us through each and every cartoon in the January 21st issue of the magazine, discussing & rating as they go. See it here.