Ink Spill’s 2018 Book Round-Up

Gathered below, in no particular order, are some of the books published this year by New Yorker artists, or including New Yorker artists.

In The Wild  by Edward Koren. Ampress.  Mr. Koren began contributing to The New Yorker in 1962.

 

I Love You: Stories and Cartoons by Sara Lautman. Retrofit Comics. Ms. Lautman began contributing to The New Yorker in 2016.

 

The Illustrated History of the Snowman  by Bob Eckstein. Globe Pequot Press. Mr. Eckstein began contributing to The New Yorker in 2007.

 

Be the Person Your Dog Thinks You Are. By C.J. Frick. Illustrations by Liza Donnelly. Flatiron Books. Ms. Donnelly began contributing to The New Yorker in 1982.

 

The Three Escapes of Hannah Arendt: A Tyranny of Truth  by Ken Krimstein. Bloomsbury Publishing. Mr. Krimstein began contributing to The New Yorker in 2000.

 

Passing For Human: A Graphic Memoir  by Liana Finck. Random House.  Ms. Finck began contributing to The New Yorker  in  2013.

 

I Think, Therefore I Draw: Understanding Philosophy Through Cartoons by Thomas Cathcart and Daniel Klein. Penguin Books. Assorted New Yorker cartoons throughout by a number of the magazine’s contributors.

 

How To Sell Your Parents To The Aliens by Paul Noth. Bloomsbury USA. Mr. Noth began contributing to The New Yorker in 2004.

 

 

A Sidecar Named Desire: Great Writers and the Booze That Stirred Them by New Yorker illustrator Greg Clarke, and art director/graphic designer, Monte Beauchamp.  Dey St.  Lovely illustrations, with a small wealth of famed New Yorker “names” tossed around  (E.B. White, Dorothy Parker, John Held, Jr., Peter De Vries, etc.).

 

Assume The Worst: The Graduation Speech You’ll Never Hear.  By Carl Hiaasen.  Illustrated by Roz Chast. Knopf.  Ms. Chast began contributing to The New Yorker in 1978.

 

Memoirs Of A Very Stable Genius by Shannon Wheeler. Image Comics.  Mr. Wheeler began contributing to The New Yorker in 2009.

 

Someone Farted by Bruce Eric Kaplan. Simon & Schuster.  Mr. Kaplan began contributing to The New Yorker in 1991.

 

Kafkaesque: Fourteen Stories by Peter Kuper.  W.W. Norton & Co. Mr. Kuper began contributing to The New Yorker in 2011.

 

Eraser by Anna Kang. Illustrated by Christopher Weyant. Two Lions. Mr. Weyant began contributing to The New Yorker in  1998.

 

The New Yorker Encyclopedia of Cartoons. Blackdog & Leventhal.  An anthology, non-traditionally arranged. 

 

 

The Monday Tilley Watch, The New Yorker Issue Of September 24, 2018

The Cover:

Adriane Tomine returns with a cover steeped in dreams. Read about it here. The cover appears related, in color palette and style, to last week’s cover, by Chris Ware. They even share a large circular object hovering along the right side of the frame  (Mr. Ware’s is a tree, Mr. Tomine’s a logo).

The Cartoons:

Two pieces of good news. There are 18 cartoons in the issue. We haven’t seen this many in an issue since May 14th, when there were 19. Perhaps the surge to 18 is a result of this being the “Entertainment Issue” –or maybe it’s just one of those things.

The other piece of good news is that many of the cartoons — more so than in any issue in recent memory —  are given a lot of breathing room on the page. P.C. Vey’s cartoon is a good example, as is Zach Kanin’s, Seth Fleishman’s, Tom Chitty’s, and Barbara Smaller’s. Most of the other cartoons also seem to occupy more space than has been the case; just a few seem squeezed in.

If the Spill was in the business of handing out blue ribbons like they do over on the Cartoon Companion, one would be pinned on Bruce Eric Kaplan’s drawing (p. 61). Also of note: Lars Kenseth’s log flume ride drawing (p.78).

Update:  Sadly, Rea Irvin’s classic masthead (below) is still in mothballs.  Read about it here.

 

 

 

 

 

 

 

The Monday Tilley Watch, The (double) New Yorker Issue of July 9 & 16, 2018

A dog in a flotation device on a very watery cover for a double issue in early-to-mid July. The artist Mark Ulriksen talks about his creation here.  My eye wants me to believe that Mr. Ulriksen’s doggie is floating in the air above the surface of marbeilized water.

A delayed Monday Tilley Watch as the digital issue has not yet turned over to July 9th & 16th (it’s still stuck on the issue of July 2nd). The Monday Watch came about because I thought it might be fun taking a look at the cartoons in situ. Without the digital issue today, that’s not possible (my print version won’t arrive for a few more days).

I can see all the cartoons on the newyorker.com slideshow, but for me, that’s less appealing than seeing how they reside on the magazine’s pages. I also love seeing what else is going on in the issue, graphically (such as: has Rea Irvin’s iconic Talk masthead returned yet…you know, things like that).

— So long then, until I have access to the magazine, in one version or another. 

…the latest issue appeared online late Monday afternoon. 

Twelve cartoons in the issue.  Here’re the cartoonists:

Bruce Kaplan’s caption caught my eye this week, as well as his somewhat complex drawing.  Also catching my eye: the number of illustrations (drawings and photographs). There are eighteen with four of them full page (and one of those actually a page-and-a-half).

Usually I don’t mention the cartoon caption page, but I do like Joe Dator’s kites offered up this week. It has a Jack Ziegler feel to it. Perhaps Mr. Dator will reveal his caption (if there was one) once the contest is settled.

Of special note: a nice Charles Addams piece by the cartoonist, Paul Karasik (it appears under the “Sketchbook” heading).

For more on the issue’s cartoons check out the Cartoon Companion at week’s end.

Extra special note: Rea Irvin’s classic masthead is still missing. Here’s what it looks like:

— See you when the next new issue is out, July 16th…seems like a long way off!

 

 

 

 

 

 

 

The Monday Tilley Watch, The New Yorker Issue of June 18, 2018

Ah, a Father’s Day cover.

 I find this cover puzzling. The sink is dripping, yet the repair work seems to be going on under the sink.  My understanding is that a dripping faucet is repaired within the faucet itself — it’s usually just a gasket replacement. Work below the sink is reserved for clogged, damaged or leaking pipes or water lines.  As the father and daughter shown on the cover are working under the sink you might assume they are doing something along those lines — something involving the pipes or water lines.  Yet anyone working below the sink would not begin working below the sink until first turning off both the hot and cold water (which only involves reaching in under the sink and closing the water valves). Thus they would not be set to work, such as they are, below the counter with the water still running. I know, I know, lighten up, Ink Spill — it’s not an illustration from a manual describing how to fix a dripping faucet.  As a cartoonist who has only worked on dripping faucets and leaking pipes in a non-professional capacity, I admit I could be completely wrong about all of the above.

From the Department of Just Sayin’:

# of illustrations in this issue: 20 (including photographs, but not including Tom Bachtell’s wonderful drawings that appear regularly in The Talk of The Town).  5 of the illustrations are full page.

# of cartoons  in the issue: 14 (none are full page).

As in previous weeks, I’m not going to go cartoon-by-cartoon, but will instead note a few.

Interesting that for two of the cartoons the humor involves walking through or onto something.  That is to say, the act of walking itself is the core of the drawing.  In Julia Suits cartoon (p.16), a  blindfolded fellow is being led to step onto an upturned rake. Ka-pow, right?  In Will McPhail’s drawing (p.39), a just arriving visiting couple will momentarily walk through hot coals. Ouch!

  The New Yorker cartoon subway series is back after a hiatus; this week’s subterranean drawing courtesy of Roz Chast (page 34). 

 The Spill does not rate cartoons like they do over on the Cartoon Companion, but it does applaud exceptional work, such as Joe Dator’s drawing (p.21) and Bruce Kaplan’s tight graphic treat (p.42).

Finally, as has been the case for just over a year now, I’m showing Rea Irvin’s spectacular Talk of the Town masthead.  Why show it?  Because it was replaced last spring by a look-alike.  To read a Spill piece about Mr. Irvin’s drawing and its unnecessary replacement, link here.

Here’s the real thing:

To see all of the cartoons in this issue, link here and scroll down to the slideshow, “Cartoons from the Issue”

— See you next week

 

 

 

 

 

T-Shirt of Interest: Hilary Fitzgerald Campbell; Four Questions:Bruce Eric Kaplan

T-Shirt of Interest: Hilary Fitzgerald Campbell

From bustle.com, thred-UPS Earth Day T-Shirt Collection Hilariously Drags All of Us For Being Awful to The Planet”.with Hilary Fitzgerald Campbell content.

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Four Questions: Bruce Eric Kaplan

From Publishers Weekly, April 17, 2018, “Four Questions For Bruce Eric Kaplan”

Mr. Kaplan’s website