The Tilley Watch, The New Yorker Issue Of June 24, 2019; Today’s Daily Cartoonist: J.A.K.; A Kickstarter Campaign For The Surreal McCoy’s “Wolf Of Baghdad” Soundtrack

The Cover: A debut by Olimpia Zagnoli.  According to The New Yorker‘s art editor, Francoise Mouly, the cover is a tribute to Pride Month.  Read about the cover here.

Note: with this issue the cover artist’s name has been returned to the Contributors page (p.4) after disappearing for the past two issues.  

The Cartoonists:

Co-credited cartoons are not as rare as they once were in The New Yorker, but still rare enough to mention the duo effort by Dan Abromowitz and Eli Dreyfus (p.55).  The team’s first cartoon appeared in the magazine in 2015.

       Cartoon Observations /Some Favorite Things:

Bruce Eric Kaplan’s use of “chaotic neglect” in his drawing (p.24).

Barbara Smaller’s use of “eligible for dessert” in her caption (p. 46).

The way Ed Steed handled his carrot and horses drawing (p.62).

Maddie Dai’s drawing (p.73). I’ve mentioned numerous times here on the Spill what a pleasure it is to be surprised by a drawing’s one-two punch. This is an excellent example of the second punch hitting perfectly on the caption’s very last word, “bangs.”

Trevor Spaulding’s big thermometer has a sort of Jack Ziegler feel to it. That’s a very good thing.

Two cartoons with shopping carts! Drew Panckeri’s (p.32) and Amy Hwang’s (p. 52). I have a soft spot for shopping carts in cartoons as one appeared in my debut New Yorker drawing .   

Rea Irvin:

Mr. Irvin’s classic Talk masthead (below) is sadly still in mothballs after it disappeared a little over two years ago. Read about it here.

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Today’s Daily Cartoonist/Cartoon

 Fishy WWIII thoughts by J.A.K. who began contributing to The New Yorker in 2014. 

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A Kickstarter Campaign For The Surreal McCoy’s “Wolf Of Baghdad” Soundtrack

Ms. McCoy has been contributing to The New Yorker since 2014.

All the info here.

Visit The Surreal McCoy’s website here.

 

Exhibit Of Interest: William Steig; Profile Of Interest: Frank Cotham; Today’s Daily Cartoonist: Maddie Dai; A Weekend Shouts By Liana Finck; The Tilley Watch For The New Yorker (Combined) Issue Of June 10 & 17, 2019

Exhibit Of Interest: William Steig

A current exhibit at The Carle Museum focused on William Steig’s classic Sylvester and the Magic Pebble includes “Steig’s preliminary sketches, story boards, and dummy books related to the seminal publication.” Info here.

William Steig’s entry on the A-Z:

Born in Brooklyn, NY, Nov. 14, 1907, died in Boston, Mass., Oct. 3, 2003. In a New Yorker career that lasted well over half a century and a publishing history that contains more than a cart load of books, both children’s and otherwise, it’s impossible to sum up Steig’s influence here on Ink Spill. He was among the giants of the New Yorker cartoon world, along with James Thurber, Saul Steinberg, Charles Addams, Helen Hokinson and Peter Arno. Lee Lorenz’s World of William Steig (Artisan, 1998) is an excellent way to begin exploring Steig’s life and work. New Yorker work: 1930 -2003.

Of Note: From The New Yorker, June 3, 2019, Rumaan Alam’s  “William Steig’s Books Explored The Reality Adults Don’t Want Children To Know About”

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Profile Of Interest: Frank Cotham

From Memphis Magazine, The Well-Drawn World of Frank Cotham— this piece on the long-time contributor to The New Yorker.

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Today’s Daily Cartoonist/Cartoon

A Maddie Dai Kingly drawing. Ms. Dai began contributing to The New Yorker in 2017.

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A Weekend Daily Shouts…

…by Liana Finck. Another installment in Ms. Finck’s “Dear Pepper” series.

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The Tilley Watch For The New Yorker (Combined) Issue Of June 10 & 17, 2019

The Cover: A fitting  Bruce Eric Kaplan cover for the “fiction Issue”  — it’s always a pleasure to see one of the magazine’s cartoonists work appear there.  Read more about Mr. Kaplan’s cover here.

More “Tweaking” Of Note: This is the second issue of the magazine in a row not listing the Cover Artist on The Contributors page (Barry Blitt was not credited there last week). The last issue to credit the cover artist (Malika Favre) was the issue of May 27th.  The cover artists are still credited on the table of contents. Example:

As tweaking continues to occur it’s perhaps a good time to recall what the magazine’s Creative Director, Nicholas Blechman told MAGCulture in June of 2017:

The New Yorker is a magazine shaped by time. Very little has changed since the first issue in 1925, and that respect for legacy is part of our visual identity. Since I arrived in 2015, we’ve been fine tuning an incredibly resilient and elegant design. Our road map for design changes in the print magazine is mostly complete. I think the table of contents could be tweaked, and the design of the Fiction page could also be tinkered with. Most of the big innovations you will be seeing at The New Yorker will be online, as we contemplate a web redesign and introduce improvements to The New Yorker Today app.

While I wholeheartedly agree with Mr. Blechman’s first sentence (The New Yorker is a magazine shaped by time) I must disagree with the first half of the sentence that follows:

Very little has changed since the first issue in 1925, and that respect for legacy is part of our visual identity. 

There was in fact an enormous design change (and changes in the magazine’s DNA) beginning with Tina Brown’s first issue, October 5 1992. Here’s a link to Walter Goodman’s September 29, 1992 New York Times piece assessing that issue.

The Cartoonists:

Of Note: The lead cartoon by George Booth, one of the New Yorker‘s all-time great artists, appears on the 50th anniversary of Mr. Booth’s first cartoon in magazine, June 14, 1969 (the Spill will celebrate accordingly on June 14th).

Of the 14 cartoonists in this issue, two are making their New Yorker print debut: Eugenia Viti and Lydia Conklin, making them the 15th and 16th new cartoonists brought into the magazine’s stable in 2019, and the 41st & 42nd to be brought in since Emma Allen became cartoon editor in May of 2017. With 16 new cartoonists, the magazine has now tied the 2016 record for new artists. And, of course, we’re only half-way through the year.

Rea Irvin: Mr. Irvin’s iconic Talk masthead is still a-missin. Read about it here. Here’s the real deal:

 

 

 

 

Video Of Interest: Amy Hwang’s TedX Yale Talk; Interview Of Interest: Caitlin Cass; John Donohue’s All The Restaurants In New York Launch; Book Event Of Interest With Bob Eckstein, Roz Chast, Robert Leighton, and Bruce Eric Kaplan; Article Of Interest: Seth; Today’s Daily Cartoonist: Tim Hamilton

Video Of Interest: Amy Hwang’s TedX Yale Talk

 

Watch Amy Hwang’s recent TedX Yale talk, “How To Make A Decision That Could Ruin Your Life”

Ms. Hwang began contributing to The New Yorker in 2010.  Visit her website here.

Left : an Amy Hwang New Yorker drawing from January 30, 2017.

 

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Interview Of Interest: Caitlin Cass

From The Beat,May 9, 2019, “The TCAF 209 Interviews: Caitlin Cass On The Great Moments Of Western Civilization & The Suffrage Movement” 

Ms. Cass began contributing to The New Yorker in 2018. Visit her website here.

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John Donohue’s Book Event

A reminder: John Donohue will celebrate the publication of All The Restaurants In New York on May 16th at the Powerhouse arena. All the info here.

Mr. Donohue began contributing cartoons to The New Yorker in 2004. He is also a former editor of  The New Yorker’s Goings On About Town section. 

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Book Event Of Interest: Eckstein, Kaplan, Leighton, and Chast

Bob Eckstein, who edited the recent anthology, The Ultimate Cartoon Book of Book Cartoons has posted the below notice:

Link here to The Grolier Club website.

Mr. Eckstein began contributing to The New Yorker in 2007; Ms. Chast in 1978; Mr. Leighton in 2002; Mr. Kaplan in 1991.

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Article Of Interest

An interesting article on Seth (Gregory Gallant) from The Welland Tribune. Seth began contributing covers to The New Yorker in 2002.

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Today’s Daily Cartoonist/Cartoon

Trump the spoiler courtesy of  Tim Hamilton (above) who began contributing to The New Yorker in 2015.

 

Ink Spill’s 2018 Book Round-Up

Gathered below, in no particular order, are some of the books published this year by New Yorker artists, or including New Yorker artists.

In The Wild  by Edward Koren. Ampress.  Mr. Koren began contributing to The New Yorker in 1962.

 

I Love You: Stories and Cartoons by Sara Lautman. Retrofit Comics. Ms. Lautman began contributing to The New Yorker in 2016.

 

The Illustrated History of the Snowman  by Bob Eckstein. Globe Pequot Press. Mr. Eckstein began contributing to The New Yorker in 2007.

 

Be the Person Your Dog Thinks You Are. By C.J. Frick. Illustrations by Liza Donnelly. Flatiron Books. Ms. Donnelly began contributing to The New Yorker in 1982.

 

The Three Escapes of Hannah Arendt: A Tyranny of Truth  by Ken Krimstein. Bloomsbury Publishing. Mr. Krimstein began contributing to The New Yorker in 2000.

 

Passing For Human: A Graphic Memoir  by Liana Finck. Random House.  Ms. Finck began contributing to The New Yorker  in  2013.

 

I Think, Therefore I Draw: Understanding Philosophy Through Cartoons by Thomas Cathcart and Daniel Klein. Penguin Books. Assorted New Yorker cartoons throughout by a number of the magazine’s contributors.

 

How To Sell Your Parents To The Aliens by Paul Noth. Bloomsbury USA. Mr. Noth began contributing to The New Yorker in 2004.

 

 

A Sidecar Named Desire: Great Writers and the Booze That Stirred Them by New Yorker illustrator Greg Clarke, and art director/graphic designer, Monte Beauchamp.  Dey St.  Lovely illustrations, with a small wealth of famed New Yorker “names” tossed around  (E.B. White, Dorothy Parker, John Held, Jr., Peter De Vries, etc.).

 

Assume The Worst: The Graduation Speech You’ll Never Hear.  By Carl Hiaasen.  Illustrated by Roz Chast. Knopf.  Ms. Chast began contributing to The New Yorker in 1978.

 

Memoirs Of A Very Stable Genius by Shannon Wheeler. Image Comics.  Mr. Wheeler began contributing to The New Yorker in 2009.

 

Someone Farted by Bruce Eric Kaplan. Simon & Schuster.  Mr. Kaplan began contributing to The New Yorker in 1991.

 

Kafkaesque: Fourteen Stories by Peter Kuper.  W.W. Norton & Co. Mr. Kuper began contributing to The New Yorker in 2011.

 

Eraser by Anna Kang. Illustrated by Christopher Weyant. Two Lions. Mr. Weyant began contributing to The New Yorker in  1998.

 

The New Yorker Encyclopedia of Cartoons. Blackdog & Leventhal.  An anthology, non-traditionally arranged. 

 

 

The Monday Tilley Watch, The New Yorker Issue Of September 24, 2018

The Cover:

Adriane Tomine returns with a cover steeped in dreams. Read about it here. The cover appears related, in color palette and style, to last week’s cover, by Chris Ware. They even share a large circular object hovering along the right side of the frame  (Mr. Ware’s is a tree, Mr. Tomine’s a logo).

The Cartoons:

Two pieces of good news. There are 18 cartoons in the issue. We haven’t seen this many in an issue since May 14th, when there were 19. Perhaps the surge to 18 is a result of this being the “Entertainment Issue” –or maybe it’s just one of those things.

The other piece of good news is that many of the cartoons — more so than in any issue in recent memory —  are given a lot of breathing room on the page. P.C. Vey’s cartoon is a good example, as is Zach Kanin’s, Seth Fleishman’s, Tom Chitty’s, and Barbara Smaller’s. Most of the other cartoons also seem to occupy more space than has been the case; just a few seem squeezed in.

If the Spill was in the business of handing out blue ribbons like they do over on the Cartoon Companion, one would be pinned on Bruce Eric Kaplan’s drawing (p. 61). Also of note: Lars Kenseth’s log flume ride drawing (p.78).

Update:  Sadly, Rea Irvin’s classic masthead (below) is still in mothballs.  Read about it here.