Edward Koren Book Events; An Early Release Of Next Week’s New Yorker Cover; Colin Tom Is Pencilled; Live New Yorker Cartoons On Late Night With Seth Meyers; Cartoon Companion Rates The Latest New Yorker Cartoons

From UV Index, November 8, 2018, “Ed Koren, the ‘New Yorker’ cartoonist who served as Vermont’s cartoon laureate, releases new book” — this press release mentioning two upcoming events featuring Mr. Koren.

Ed Koren began contributing to The New Yorker in 1962. Link here to his website.

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An Early Release of Next Week’s Cover

As happens every so often, the magazine has early-released its upcoming cover (cover artist: Barry Blitt). You can read about it here. 

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Colin Tom Pencilled

Jane Mattimoe’s Case For Pencils’ spotlight falls on Colin Tom. Mr. Tom began contributing to The New Yorker in 2015.

Go here to read all about Mr. Tom’s  tools of the trade.

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Live New Yorker Cartoons On Late Night With Seth Meyers

The New Yorker‘s editor, David Remnick (above left) returned to NBC’s “Late Night With Seth Meyers” for the seventh installment of “Live New Yorker Cartoons” (this one carried the tag, “Raiders of the Lost Snark”). Cartoons by Liam Walsh, Liana Finck, Jon Adams, Zach Kanin, and Mick Stevens were brought to life.  See it here.

And:  here’s Mr. Remnick’s sit-down chat with Mr. Meyers. It includes some interesting cartoon talk.

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Cartoon Companion Rates The Latest New Yorker Cartoons

The CC’s “Max” and “Simon” focus on all the cartoons in the latest issue of the New Yorker (the one with the row boat on the cover). Read it here.

 

The Monday Tilley Watch, The New Yorker Issue of September 3, 2018

Again with an early release cover! Link here to see what the cover artist, Barry Blitt, had to say about his latest effort (shown above, right). 

The cartoons:

Fourteen cartoons in this first issue of September: seven by women, seven by men. No more mentions here of gender balance/imbalance unless/until there’s an all female cartoonists issue (or an all male issue returns).

It’s becoming a Spill habit to single out one or two or three cartoons per issue that especially grab my attention.  This issue it’s two cartoons.  Paul Noth’s tranquil fishing scenario (p.24) is lovely.  A perfectly written caption. One teeny tiny graphic quibble: the fishing lines are identically parallel, creating what looks to be two sides of a box (the kind of box that some cartoons sit within).  Anywho, a wonderful drawing, deserving of a round of applause.

The other cartoon of note (found on page 19): Carolita Johnson gives us a motorcyclist speaking to his passenger. Ms. Johnson’s caption reads:

As a long-time happily married motorcycling cartoonist, I suppose this is a golden opportunity to chime in about marriage and motorcycles; I’ll just stick with motorcycles.

Here’s a motorcycle drawing of mine that appeared in the New Yorker, May 27, 1985:

Motorcycles have been around in New Yorker cartoons for a long long time; the motorcyclists were often motorcycle cops. I’m not going deep into the history here, but just mention a few cartoonists who’ve given us some great drawings. Motorcycles and/or motorcyclists as the subject are numerous; even more plentiful are motorcycles/motorcyclists as part of the scenery. A Peter Arno cartoon in the issue of December 7th 1929  (“We want to report a stolen car”) that made waves for its sexual innuendo featured a beautifully drawn Indian motorcycle. Among colleagues past and present who’ve depicted motorcycles and/or motorcyclists : Roberta MacDonald, Garrett Price, Anthony Taber, Kim Warp, Carl Rose, Edward Koren, Farley Katz, Joe Dator, Leo Cullum, Trevor Hoey, Maddie Dai, Michael Crawford, Lee Lorenz, Jack Ziegler, Arnie Levin, and yours truly.  Of these cartoonists, two that I know of (other than myself) have ridden motorcycles: Mr. Crawford and Mr. Levin.  Mr. Ziegler had plenty of fun depicting motorcycle gang members “colors” ( patches on jackets that identify a motorcyclist’s club association). Here’s an evergreen of his from February 27, 1989:

— See you next week

  

 

 

 

 

 

 

Exhibit of Interest: Not OK, Wild West Edition; Book Launch of Interest: Liana Finck’s Passing For Human; Cartoon Companion Rates the Latest New Yorker Cartoons; Early Reveal: Next Week’s New Yorker Cover

Not OK: Wild West Edition

Here’s an article about the upcoming Wild West Edition of the Not OK exhibit.  You’ll remember the first Not OK exhibit was held here in the east last Fall. 

The cartoonists in the show:

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Book Launch of Interest: Liana Finck’s Passing For Human

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Cartoon Companion Rates the Latest New Yorker Cartoons

The CC‘s “Max” & “Simon” return with their 1-6 ratings for each and every cartoon in the the August 27th issue. Seth Fleishman’s mirror ball drawing is awarded the Top Toon blue ribbon.  Read it here.

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Early Reveal: Next Week’s New Yorker Cover

 Here’s what Barry Blitt had to say about his cover for next week’s issue. 

This is the magazine’s second early release cover in a row. Just a thought: I wonder if the powers that be at One World Trade Center have ever considered running a Daily Cover (like the Daily Cartoon, and Daily Shouts).  That would allow the magazine to respond in-a-flash to headlines (as they obviously are wont to do more often than not).  It would also allow the print cover, which sits around homes all week, to bear an evergreen image (of course, some Daily covers could be evergreens as well; history will judge, I suppose).

The Monday Tilley Watch: The New Yorker Issue of July 30, 2018

The early release Barry Blitt Trump flat-on-his-face cover (above, right) was mentioned here last week, so onward we go to the brand new issue.  Fifteen cartoons in the issue, eighteen illustrations.  With five of those illustrations full page, I’d say the magazine is most definitely in a new age of illustration (the old age was during Tina Brown’s reign as editor. She brought illustration, including photographs, big-time into the magazine). The magazine had a golden age of cartoons that began in the late 1930s and roughly extended into the early 1950s. A new age of sorts (golden, platinum, silver — does it really matter?) began in the late 1960s, early 1970s and lasted several decades. I wouldn’t put a label on the age we’re in now because we’re in it (kind’ve a can’t see the forest for the trees thing).  

Three cartoons really stand out for me in this issue:

Kim Warp’s Dog Watching A Guy Grill Burgers Cartoon

I immediately saw a good bit of Jack Ziegler’s work in Ms. Warp’s wonderful cartoon.  The burgers, of course (see Mr. Ziegler’s classic collection: Hamburger Madness) as well as the situation of the guy grilling on the deck.  And then there’s the deck itself, with the deck boards so well delineated. Mr. Ziegler loved that kind of detail. The dog’s thought balloon also recalls Ziegler’s work as does the wording.  What’s so great is that while the drawing has its Ziegleresque elements and a Ziegleresque feel to it, it’s 1000% Warp. I asked Ms. Warp if her drawing was in any way Ziegler inspired and she replied in an email:

In some way it was inspired by Jack Ziegler’s food/BBQ cartoons as I loved his work and they are in my brain forever. I was thinking of our dog, Maggie, who always has an eye out for spills, and somehow the Ziegler vibe came through. I think it sold partly because of the word ‘bungle’ which they said they hadn’t seen in a while. It comes up in my life all the time.

Joe Dator’s “…rock-based content” Cartoon

Mr. Dator’s work continues to fascinate. You can just see how much he enjoys drawing his world. I especially like his attention to detail in this drawing: the lighting, the instruments…geez, it’s all clicking.

 Danny Shanahan’s Excellent Jack-and-the-Beanstalk Cartoon

Mr. Shanahan’s giants drawing is solid work, an evergreen. Seeing a drawing that works as well as this reminds me of what someone said about the difference between Fred Astaire’s and Gene Kelly’s dancing: with Kelly, you see the sweat.  In cartoonville, I’d rather not be distracted by seeing the sweat. With Shanahan, you don’t see the sweat. I asked Mr. Shanahan if there’s anything we should know about this drawing, and he replied via email:

No real interesting back story, other than that I was a bit disappointed when it wasn’t run fairly quickly after being purchased (the week of 6/28/2016!), because I thought that it might lose its topicality. No such luck- some gifts just keep on giving.
 

Of Further Interest

In this issue is a Talk piece by the magazine’s cartoon editor, Emma Allen, who went to a cartoonists lunch and spoke with the lunching cartoonists as well as “crasher” Gus Van Sant (his new movie is based on a memoir by the cartoonist, John Callahan). I’m searching my memory bank now to recall the last time a New Yorker cartoon editor showed up at a cartoonists lunch. It was a very very long time ago, perhaps as long ago as the James Geraghty years (he was the art editor from 1939- 1973).

Some paperwork: Elisabeth McNair‘s work debuts in this week’s New Yorker.  Ms. McNair is the 14th cartoonist to be brought in by Emma Allen since she took up the position of cartoon editor in May of 2017.

For the record, the 14 are (with their debut issue alongside their name):

1. Sharon Levy (July 10, 2017)

2. Joseph Dottini (October 16, 2017)

3. Jon Adams (October 16, 2017)

4. Sophia Wiedeman (October 16, 2017)

5. Hilary Fitzgerald Campbell (November 20, 2017)

6. Emma Hunsinger (November 27, 2017)

7. Sophia Warren (November 27, 2017)

8. Maggie Mull  (December 11, 2017)

9. Mary Lawton (December 11, 2017)

10. Pia Guerra (December 18, 2017)

11. Julia Bernhard  (January 1, 2018)

12. Navied Mahdavian (February 26, 2018)

13. Bishakh Som (March 19, 2018)

14. Elisabeth McNair (July 30, 2018)

Rea Irvin’s Talk Masthead

Before this post wraps up, I’d like to bring in a guest, David Ochsner. Mr. Ochsner, the fellow behind A New Yorker State of Mind: Reading Every Issue of The New Yorker Magazine, has graciously allowed the Spill to run his findings about the changes to Rea Irvin’s Talk Of The Town masthead over the years. As regular visitors to the Monday Tilley Watch know, there’s a weekly nod to Mr. Irvin’s Talk masthead due to its having been dismayingly eighty-sixed in May of 2017 for a redrawn version by Christoph Niemann (his redraw appears all the way at the bottom right below — you can read about it here).

Here’s Mr. Ochsner:

The first change I noticed was six months after the magazine launched (Aug. 22, 1925), when the masthead lost some of its shading and some shadow structures were introduced in the foreground. A week later Woollcott was dropped from the masthead and replaced by Hugh Wiley. The following January the editors’ names were dropped altogether. On Jan. 30, 1926, the letters were enlarged and superimposed over the buildings, which rose up on the notched, curving line that Irvin introduced. Then 54+ years later, in 1980, the letters shifted to the right, the “K” rather than the “E” now superimposed over the tower (to accommodate the re-drawing or standardization of the Irvin font–most noticeable is the serif clipped from the “N”). 

— Til next week

 

Chatfield Pencilled; From Dick Buchanan’s Files: Work by Gardner Rea; Splat! New Yorker Reveals Its Next Cover; Even More Cartoons; New Yorker Union Certified

Chatfield Pencilled

Jason Chatfield is up next on A Case For Pencils, Jane Mattimoe’s wonderful blog wherein New Yorker cartoonists show us their tools of the trade.  Read it here!

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 From Dick Buchanan’s files via Mike Lynch: Gardner Rea

Mike Lynch has posted another bevy of cartoons from Dick Buchanan’s Files.  This time it’s work from the underappreciated Gardner Rea.  See it all here

Here’s Mr. Rea’s entry on the Spill‘s A-Z:

Gardner Rea (self portrait above from Collier’s Collects Its Wits. Photo from Rea’s NYTs obit, 1966.) Born, Ironton, Ohio 1892. Died, 1966. Collections: The Gentleman Says It’s Pixies / Collier’s Cartoons by Gardner Rea (Robert McBride & Co. 1944), Gardner Rea’s Sideshow (Robert McBride & Co, 1945). New Yorker work: 1st issue (February 21, 1925) – 1965.

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Splat! New Yorker Reveals Its Next Cover

Barry Blitt talks to Francoise Mouly about his cover (above) for next week’s issue. And here’s a Washington Post piece about it.

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Even More Cartoons

 12 more pages, showing 18 more cartoons have been released by the publisher of the upcoming (October) New Yorker Encyclopedia of Cartoons. See them here on the book’s Amazon listing.

With 3000 images promised, we’ve been shown a total of 25.  Only 2975 to go!

Note to tote bag afficionadoes: If you preorder either the $800.00 deluxe edition or the not-deluxe $100.00 edition, you’ll receive a tote bag.

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New Yorker Union Certified

The News Guild of New York posted this photo on Twitter congratulating the New Yorker Union’s certification. Keen-eyed observers will note a portion of James Thurber’s wall drawings on the extreme right. The drawings have moved with the magazine since it left its second home at 25 West 43rd Street in 1991.

This is what the drawings look like without company :