The Weekend Spill: Peter Kuper’s NYT’s Book Review Back Page; The Tilley Watch Online, October 28 – November 1, 2019; Karasik Speaks; A Mary Petty Exhibit In Maryland

Peter Kuper’s New York Times Book Review  “Graphic Review”

Be sure to check out Peter Kuper’s “Graphic Review” (featured in tomorrow’s New York Times Book Review). His new book, Heart Of Darkness is out November 5th. He’ll be appearing to sign and speak about the book twice in New York next week (see yesterday’s Spill for links to venues).

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The Tilley Watch Online, October 28 – November 1, 2019: an end of the week listing of New Yorker artists that contributed online to newyorker.com features

The Daily Cartoon: Ali Solomon, Karen Sneider, Johnny DiNapoli, Barbara Smaller, Kim Warp, Ellis Rosen.

Daily Shouts: Sara Lautman, Ellis Rosen & Colin Stokes, Ali Fitzgerald.

and…the stand alone feature,  Barry Blitt’s Kvetchbook.

Go here to see all of the above and more (including Lynda Barry’s Daily Shouts piece, “Making Comics: The Face-Jam Excercise”), 

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Karasik Speaks

See the poster for all the info, and/or go here. Mr. Karasik began contributing to The New Yorker in 1999.

His most recent book, co-authored with Mark Newgarden, was How to Read Nancy: The Elements Of Comics In Three Easy Panels, published by Fantagraphics  in 2017.

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A Mary Petty Exhibit In Maryland

A Mary Petty exhibit is about to open at St. John’s Mitchell Gallery.  All the info here.

Ms. Petty’s entry on the Spill‘s A-Z:

 

 

 

 

Mary Petty Born, Hampton, New Jersey, April 29, 1899. Died, Paramus, New Jersey, March, 1976. New Yorker work: October 22, 1927 – March 19, 1966. Collection: This Petty Place ( Knopf, 1945) with a Preface by James Thurber.

 

 

Janis Joplin’s Thurber; Today’s Daily Cartoonist & Cartoon (And Yesterday’s); Donnelly At The College Of New Jersey; Fave Photo Of The Day

Janis Joplin’s Thurber

From the Dept Of I Didn’t See This Coming:

Reading through Dwight Garner’s New York Times review of the new Janis Joplin biography, “Janis,” by Holly George- Warren:

“She named a dog Thurber, after James Thurber, the New Yorker humor writer.”

— left: Thurber and Ms. Joplin

 

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Today’s Daily Cartoonist & Cartoon

From Barbara Smaller, a familiar face on a Jack-O-Lantern.

Ms. Smaller began contributing to The New Yorker in 1996.

…and yesterday’s two Daily Cartoons (there was a bonus):

Kim Warp’s Bonus Daily on America’s Pastime.  Ms. warp has been contributing to The New Yorker since 1999. Visit her website here.

and Ellis Rosen on a dog, a cat, and a pumpkin. Mr. Rosen began contributing to The New Yorker in 2016. Visit his website here.

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Liza Donnelly At The College Of New Jersey

From The Signal, October 28, 2019, “Donnelly Shares Work With Students”

Ms. Donnelly’s  first New Yorker cartoon appeared in 1982.

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Fave Photo Of The Day

A photo borrowed from Steve Meyer’s Facebook page showing (l-r) Drew Friedman, Robert Crumb, Aline Kominsky-Crumb, and Peter Bagge at last night’s “Weirdo Comes To Columbia.” The event was hosted by Columbia’s Karen Green, and moderated by Jon B. Cooke.

Mr. Friedman, Mr. Crumb, and Ms. Kominsky-Crumb have all contributed to The New Yorker.

 

 

 

 

Obscure Gluyas Williams From Bloom’s Vault; Today’s Daily Cartoonist & Cartoon; A Cartoon Excerpt From “Everyone’s A Critic” On Lit Hub

Obscure Gluyas Williams From Bloom’s Vault

Tom Bloom, who has graciously provided these images from his collection, tells the Spill that the below were “produced as samples for a paper mill c. 1950 or so…the artwork still looks quite crisp (as usual). Each one opens up like a booklet and then again as a broadside presenting examples of printing, paper, technological selections promoting their “Workbook.”

Here’s Gluyas (pronounced Glue-yaz) Williams entry on the Spill‘s  A-Z:

Gluyas Williams  Born, San Francisco, 1888. Died, Boston, Mass., 1982. One of the pillars of Harold Ross’s stable of artists, and one of Ross’s favorite cartoonists. His beautiful full page drawings were a regular feature in the magazine. Mr. Williams illustrated a number of Robert Benchley’s collections, providing the cover art as well as illustrations. New Yorker work: March 13, 1926 – Aug 25, 1951. Key collections: The Gluyas Williams Book ( Doubleday, Doran & Co., 1929), The Gluyas Williams Gallery (Harper, 1956). Website: http://www.gluyaswilliams.com/

Further reading on Mr. Williams, link here to Edward Sorel’s 1984 American Heritage piece, “The World Of Gluyas Williams”

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Today’s Daily Cartoonist & Cartoon

Spooky NYC Real Estate by Lila Ash, who began contributing to The New Yorker in 2018.  Visit her website here.

 

 

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A Cartoon Excerpt From “Everyone’s A Critic” On Lit Hub

From Literary Hub, October 24, 2019, “Six Cartoonists On Critical Failure, One Panel At A Time”

— the selection includes work from Barbara Smaller, Mick Stevens, Edward Koren, William Haefeli, and this one from P.C. Vey.

“My wife! My best friend! Advance uncorrected galleys of my new book!”

 

 

 

 

The Monday Tilley Watch, The New Yorker Issue Of October 28, 2019

The Cover: Trick or treaters in the woods courtesy of Liniers. To me, the creatures appearing in this cover seem to be above-sea-level up-in-the-trees relatives of Ed Steed’s August 26th cover’s creatures. I’m reminded of the fun fans had years ago by hunting for The Beatles faces on the cover of The Rolling Stones album, Their Satanic Majesties Request.

Details from each below, with Mr. Steed’s fabulous creatures on the left and Mr. Linier’s on the right:

                                          The Cartoonists And Cartoons

A number of cartoons to mention this time around beginning with David Sipress’s alien being at the eye doctor’s office (the drawing is on page 29). It’s a clean, clear drawing with an excellent caption. The second I saw it it became my all-time favorite Sipress cartoon (applause, applause)…

…The same applause goes to Ed Steed’s dog at a typewriter (p.56). It’s a captionless drawing that excels because of words, or more specifically one word repeated twenty-two times.  As a bonus,  the drawing has been placed beautifully on the page. It too has risen in status to at least my co-all-time favorite in the Steed canon. Great drawing…

…Roz Chast’s drawing (p. 61) immediately brought to mind this hilarious scene from Jerry Lewis’s 1985 movie “Cracking Up” — Zane Busby is the waitress…

…I wonder how many New Yorker readers will be Googling “Gowanus” after looking at Paul Karasik’s drawing (p.28).  The same cartoon happily led me to thinking about this scene from Monty Python’s “Holy Grail”…

…Really enjoyed Lars Kenseth’s good humored and practical dad reassuring his son (p. 34)…

…Frank Cotham’s drawing (p.66) is another which has instantly become a favorite. It reminds me somehow of Charles Saxon’s best work (which is to say, a large percentage of Saxon’s seven hundred and twenty-five New Yorker drawings). Love the mood of the drawing plus its triumphal caption.  Applause Applause…

…Also much fun is Barbara Smaller’s  city dwellers politically flavored Halloween cartoon (p.17). Ms. Smaller sets a fab scene with details galore: the port-hole elevator door window, the number of locks on the apartment door, the taped-up paper pumpkin on the door…and let’s not forget the dandy caption.

The Rea Irvin Talk Of The Town Masthead Watch

The above heading by the great New Yorker artist Rea Irvin sat atop the New Yorker‘s Talk Of The Town for ninety-two years until being removed and replaced by a redrawn(!) version in the Spring of 2017. Here’s hoping the powers that be (or power that be) reverses the situation. Read more here.

 

The Tilley Watch, The New Yorker Issue Of June 24, 2019; Today’s Daily Cartoonist: J.A.K.; A Kickstarter Campaign For The Surreal McCoy’s “Wolf Of Baghdad” Soundtrack

The Cover: A debut by Olimpia Zagnoli.  According to The New Yorker‘s art editor, Francoise Mouly, the cover is a tribute to Pride Month.  Read about the cover here.

Note: with this issue the cover artist’s name has been returned to the Contributors page (p.4) after disappearing for the past two issues.  

The Cartoonists:

Co-credited cartoons are not as rare as they once were in The New Yorker, but still rare enough to mention the duo effort by Dan Abromowitz and Eli Dreyfus (p.55).  The team’s first cartoon appeared in the magazine in 2015.

       Cartoon Observations /Some Favorite Things:

Bruce Eric Kaplan’s use of “chaotic neglect” in his drawing (p.24).

Barbara Smaller’s use of “eligible for dessert” in her caption (p. 46).

The way Ed Steed handled his carrot and horses drawing (p.62).

Maddie Dai’s drawing (p.73). I’ve mentioned numerous times here on the Spill what a pleasure it is to be surprised by a drawing’s one-two punch. This is an excellent example of the second punch hitting perfectly on the caption’s very last word, “bangs.”

Trevor Spaulding’s big thermometer has a sort of Jack Ziegler feel to it. That’s a very good thing.

Two cartoons with shopping carts! Drew Panckeri’s (p.32) and Amy Hwang’s (p. 52). I have a soft spot for shopping carts in cartoons as one appeared in my debut New Yorker drawing .   

Rea Irvin:

Mr. Irvin’s classic Talk masthead (below) is sadly still in mothballs after it disappeared a little over two years ago. Read about it here.

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Today’s Daily Cartoonist/Cartoon

 Fishy WWIII thoughts by J.A.K. who began contributing to The New Yorker in 2014. 

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A Kickstarter Campaign For The Surreal McCoy’s “Wolf Of Baghdad” Soundtrack

Ms. McCoy has been contributing to The New Yorker since 2014.

All the info here.

Visit The Surreal McCoy’s website here.