“A Source of Very Special Delight” — The New Yorker Album of Sports & Games; An Ink Spill Super Bowl Tradition

Just in time for two giant sports happenings: the Super Bowl, and the Winter Olympics: The New Yorker Album of Sports & Games.  At the bottom of today’s post an Ink Spill Super Bowl Sunday tradition with a football-related drawing of mine from some time back. 

It only took sixteen years following the first themed New Yorker album of drawings  (that would be The War Album, published in 1942) for a second to appear.  Deftly designed by Carmine Peppe (spelled “Carmin” in this album for some reason), who William Shawn described as “the one make-up editor in the world who could provide [Harold Ross] with the chaste and lovely pages that would properly set off whatever we published.” I love how Mr. Peppe placed Rea Irvin‘s Tilley all over the place, on the front and on the back cover. He knew an icon when he saw one.

Curiously, although there are plenty of cartoons about sports featured in both Summer & Winter Olympics,  there is not one cartoon specifically related  to the Olympics. No matter. No one can fault an album delivering large doses of work by, among many others, Mary Petty, Charles Addams, Thurber, Steinberg, Steig, Helen Hokinson, Anatol Kovarsky, Peter Arno, Barbara Shermund, George Price, and Charles Saxon.  Looking through you’ll see at least two themes rarely seen in the magazine these days: mountain climbing and moose hunting (although Charles Addams’ drawing of a moose driving a car down a mountain road with a hunter tied to the front fender could surely appear now).  There are an awful lot of drawings about mountain climbing — I guess everyone took a shot at those back then.

From the inside flap copy (there is no Introduction):

“Almost anyone who has ever been involved in sports and games, either as a participant or from the sidelines, will find this collection a source of very special delight”

For those wanting to add this album to their collection, it’s easy to find.  I just went over to AbeBooks.com and found a copy with its dust jacket for about four bucks. Deal!

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And here, continuing an Ink Spill  Super Bowl Sunday tradition, is a drawing of mine that appeared in the October 16, 2006 issue of The New Yorker.

 

 

Cartoons Holding “A Mirror Up to the War Effort”: The New Yorker War Album… & More

The New Yorker War Album, published in 1942, was the very first themed Album of the magazine’s cartoons. Peter Arno’s cover from the issue of February 28, 1942 was selected as the cover.  As so often the case for the Album series an Arno drawing led off the collection (“Of course if they don’t bomb Sutton Place, I’m going to look like a damn fool.”)

There is no introduction to the work — only the flap copy shown below. “Spot” artists (Susanne Suba being an example) are credited along with the cartoonists.

The back cover, mostly a green field, has a small Alan Dunn caption-less drawing floating in the center:

The War Album follows in line with all the previous Albums in size, quality of layout, and of course, quality of drawings.  The bottom line with these Albums: if you see one, buy it.

Below, a spread with a Roberta MacDonald multi-panel across the top, a Barbara Shermund drawing lower left and a Perry Barlow lower right.

Along with the War Album the New Yorker produced a number of special publications during the war:

The Pony Editions.

These were smaller versions of the magazine, 6″ x 9″, given free to servicemen and servicewomen. These were not exact duplicates of the regular editions of the magazine — they carried no advertising and editorial content was juggled. One striking difference: the back cover was a full page cartoon (as shown above). According to Thomas Kunkel in his Ross biography Genius In Disguise, these editions began appearing in September of 1943 and were discontinued shortly after the end of the war.

The New Yorker War Cartoons.

Paperback, and, like the Pony Editions, 6″ x 9″.  Published in 1945, with an introduction by E.J. Kahn, Jr.. Cartoons with Talk pieces throughout.

The New Yorker Cartoons with The Talk of the Town

Also published in 1945 (and also 6″ x 9″)  Hardcover and softcover editions. An introduction by Russell Maloney.

I like Mr. Maloney’s introduction so much I’m showing a portion below (the whole piece can be found here):

Armed Services Editions.

Judging by the list of available titles provided at the end of each edition there were close to a thousand titles issued during the war (a wide variety, from Mark Twain to Thackeray).  I don’t have a complete list so I’m in the dark about which New Yorker-related  titles were issued other the one shown here, The Thurber Carnival, The New Yorker’s Baedeker, The New Yorker Profiles, and Thurber’s Let Your Mind Alone. (If anyone knows of more please let me know).  These special publications were very small: 3 3/4″ x 5 1/2″ — small enough to fit in a soldier’s pocket.  There was a Bill Maudlin Armed Services title published (it’s #822, Up Front). Technically, he was a New Yorker cartoonist with one drawing published,  April 1, 1950.  But that appeared five years after Up Front was published in 1945.  Splitting hairs, I know.  

 

 

 

Walking Tour of Interest: Library of Congress’s “Drawn To Purpose”; Exhibit of Interest: Shannon Wheeler; Kovarsky Opening Reception at the Society of Illustrators, Friday, Jan. 12!

From Comics DC, January 9, 2018, “Touring the LoC’s Drawn  to Purpose exhibit with curator Martha Kennedy” — an interesting walk through with Mike Rhode. Among the New Yorker contributors mentioned: Barbara Shermund, Roberta MacDonald, Liza Donnelly, Roz Chast, Helen Hokinson, and Alice Harvey. Read it here.

Link to the Library of Congress’s page here.

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Exhibit of Interest: Shannon Wheeler

From Bleeding Cool. January 9, 2018, “Shannon Wheeler’s Exhibition of Trump Cartoons, Across From Mar-A-Lago

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A Reminder: The Opening Reception for the Society of Illustrator’s exhibit “Kovarsky’s World: Covers and Cartoons From the New Yorker” is this Friday, January 12thDetails here.  

More Unseen Kovarsky: Mike Lynch has posted a number of previously unpublished work by Mr. Kovarsky.  See it here!

 

 

The Tilley Watch Online; Attempted Bloggery Uncovers Sizzling Platters

This week’s Daily cartoons (these are cartoons that appear only online and are not in the print version of the magazine) include appearances by David Sipress (businessmen in D.C.), Chris Weyant (a fortune teller sees law & order ahead), Zach Kanin (a pantsless sovereign), and Ellis Rosen (two drawings: Santa watching the results of the recent Alabama senate race, and an animated comment on net neutrality).

Over on Daily Shouts, contributing  New Yorker cartoonists include a duo effort by Jason Adam Katzenstein & Farley Katz, “Some Health Insurance Plans That Would Actually Work For Me” and the third of Liana Finck’s “Dear Pepper” advice pieces.

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Attempted Bloggery Uncovers Sizzling Platters

Attempted Bloggery, one of the Spill’s favorite blogs, unearths three New Yorker drawings centered on sizzling platters (one of them, by Barbara Shermund, is shown above).

While you’re on the AB site, scroll down to see a Dorothy McKay cover for the (old old) Life magazine. 

Here’s Ms. McKay’s entry on the Spill‘s A-Z:


Dorothy McKay ( Self portrait above from Meet the Artist, 1943; Photo from Cartoon Humor, 1938) Born c.1904, died June, 1974 New York City. New Yorker work: 1934 -1936.

 

 

Unseen Shermund

Courtesy of the ever-watchful eye of Stephen Nadler over at Attempted Bloggery we  are treated to this beautiful ( and beautifully timed — it being the first day of Fall) Barbara Shermund cover submission that didn’t make the cut. To read more about it, go here.

Ms. Shermund’s entry on the Spill‘s A-Z:

 

 

 

 

Barbara Shermund (self portrait, above) Born, San Francisco. 1899. Studied at The California School of Fine Arts. Died, 1978, New Jersey. New Yorker work: June 13, 1925 thru September 16, 1944. 8 covers and 599 cartoons. Shermund’s later. post-New Yorker work was featured in Esquire. (See Liza Donnelly’s book, Funny Ladies — a history of The New Yorker’s women cartoonists — for more on Shermund’s life and work)