The Weekend Spill: A Memorial For New Yorker Artist Dana Fradon; The New Yorker Artists Who Contributed To Newyorker.com This Week; Meet The Artist (1943): Barbara Shermund

A Memorial For Dana Fradon

A Memorial is set for The New Yorker artist, Dana Fradon, who passed away this Fall.  The public is invited.

Photo: l-r, The New Yorker artist, Charles Saxon, The New Yorker‘s former Art Editor, James Geraghty, Mr. Fradon, and The New Yorker artist, Whitney Darrow, Jr..

Photo courtesy Sarah Geraghty Herndon

Memorial Info:

Where: the Bethel Library, Bethel CT

When: Sunday December 8th, from 2pm – 4pm.

Here’s Mr. Fradon’s entry on the Spill‘s A-Z:

Dana Fradon Born, Chicago, Illinois, 1922. Died, October 3, 2019, Woodstock, NY.  Studied at the Art Institute of Chicago prior to service in the U.S. Army Air Forces during World War II. Following his service, he attended the Art Students League of New York, New Yorker work: May 1, 1948 – April 21, 2003. Collection: Insincerely Yours (Scribners, 1978) To read Ink Spill’s 2013 interview with Mr. Fradon, “Harold Ross’s Last Cartoonist” link here.

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The Tilley Watch Online, November 25-29, 2019

A listing of the New Yorker artists who contributed to newyorker.com this week

The Daily Cartoon: Julia Suits, Pat Achilles, Christopher Weyant, Lila Ash, and Teresa Burns Parkhurst

Daily Shouts: Ali Fitzgerald, Emily Flake, Lars Kenseth, Eugenia Viti ( with Irving Ruan).

…and Barry Blitt’s Kvetchbook

…and Culture Desk pieces by Jenny Kroik, and Roz Chast.

See all the above and more here.

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Meet The Artist (1943): Barbara Shermund

Another in a series of self portraits of New Yorker artists included in the Meet The Artist catalog published by the M.H. de Young Memorial Museum in 1943.

Barbara Shermund’s entry on the Spill‘s A-Z:

Barbara Shermund (to the left: a Shermund self portrait) Born, San Francisco. 1899. Studied at The California School of Fine Arts. Died, 1978, New Jersey. New Yorker work: June 13, 1925 thru September 16, 1944. 8 covers and 599 cartoons. Shermund’s post-New Yorker work was featured in Esquire. (See Liza Donnelly’s book, Funny Ladies — a history of The New Yorker’s women cartoonists — for more on Shermund’s life and work)

 

Gahan Wilson, Cartoon Great, Needs Our Help; The Weekend Spill: From Frank Modell’s Library: Introduction To Cartooning By Richard Taylor; Article Of Interest: Edward Koren; Barbara Shermund’s Marker; The Tilley Watch, September 23-27, 2019; Fave Photo Of The Weekend: Liza Donnelly & Jason Chatfield In Thurber’s Hometown

The Go Fund Me Campaign For Gahan Wilson

As most of you know, Gahan Wilson, one of the cartoon world’s greats, has been in need of assistance over this past year. A Go Fund Me effort set up by his step-son, Paul Winters is now back up to help with issues related to Gahan’s most recent difficulties. Read more here, and help if you can.

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From Frank Modell’s Library: Introduction To Cartooning By Richard Taylor

Among the signed cartoon books in the Spill‘s library, Frank Modell’s copy of Richard Taylor’s Introduction To Cartooning is a special favorite. It’s the only instructional book in our collection by a New Yorker cartoonist that belonged to a New Yorker cartoonist.

 

The book was published in 1947, the year after Mr. Modell began his long association with The New Yorker (as well as a contributor, he was, in his earliest years there, assistant to art editor James Geraghty).  What you see in Modell’s copy of Taylor’s book is what you see in many a textbook: essential passages underlined, circled, sometimes with arrows pointing out a word or two.  Many of the selections go to the heart of what it takes to be career cartoonist. Mr Modell learned his lessons well: he spent over half a century at The New Yorker, contributing well over a thousand drawings, as well as half a dozen covers.

Here are just a few pages from Taylor’s book with Modell’s marked passages.

And a nice surprise at the very end of the book on the inside cover, Modell added some sketches:

Richard Taylor’s entry on the Spill‘s A-Z:

Richard Taylor (self portrait from Meet the Artist) Born in Fort William, Ontario, Sept. 18, 1902. Died in 1970. NYer work: 1935 -1967. Collections: The Better Taylors ( Random House, 1944, and a reprint edition by World Publishing, 1945), Richard Taylor’s Wrong Bag (Simon & Schuster, 1961). Taylor also authored Introduction to Cartooning ( Watson-Guptill, 1947). From Taylor’s introduction: the “book is not intended to be a ‘course in cartooning’…instead, it attempts to outline a plan of study — something to be kept at the elbow to steer by.”

 

Frank Modell’s entry:

Frank Modell Born, Philadelphia, Pennsylvania, September 6, 1917. Died, May 27, 2016, Guilford, Connecticut. New Yorker work: 1946–1997. Mr. Modell began his New Yorker career as assistant to the Art Editor, James Geraghty. He soon began contributing his cartoons (and cartoon ideas for others), with his first drawing appearing July 20, 1946. Besides his work for The New Yorker, he was a children’s book author and an actor (he appeared, most notably, in Woody Allen’s 1980 film, Stardust Memories). Key collection: Stop Trying To Cheer Me Up! (Dodd, Mead, 1978).

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Article Of Interest: Edward Koren

From The Manchester Journal, September 27, 2019, “‘Into The Wild’ With A Vermont Cartoonist; Ed Koren’s Drawings Explore The Funny Side Of The Rural-Urban Divide”.

Mr. Koren began contributing to The New Yorker in 1962. Visit his website here.

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Barbara Shermund’s Marker

Stephen Nadler of Attempted Bloggery updates us on the grave marker for the great New Yorker artist Barbara Shermund.  Read here.

Ms. Shermund’s entry on the Spill‘s A-Z:

Barbara Shermund (self portrait, above) Born, San Francisco. 1899. Studied at The California School of Fine Arts. Died, 1978, New Jersey. New Yorker work: June 13, 1925 thru September 16, 1944. 8 covers and 599 cartoons. Shermund’s post-New Yorker work was featured in Esquire. (See Liza Donnelly’s book, Funny Ladies — a history of The New Yorker’s women cartoonists — for more on Shermund’s life and work).

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A  end of the week listing of the New Yorker cartoonists who contributed to the magazine’s Daily Cartoon and/or Daily Shouts

The Daily Cartoon: Teresa Burns Parkhurst, Brendan Loper, Lila Ash, Evan Lian, and J.A.K.

Daily Shouts: Liana Finck

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Fave Photo Of the Weekend: Donnelly and Chatfield In Columbus, Ohio

Two New Yorker cartoonists ran into each other in James Thurber‘s Hometown of Columbus, Ohio.

Mr. Chatfield is attending the Cartoon Crossroads Columbus convention and Ms. Donnelly is there attending the AAEC 2019 Annual Convention.

 

 

From Newyorker.com’s Culture Desk: Liza Donnelly On The Art Of Barbara Shermund

A Shermund self-portrait

From newyorker.com, February 17, 2019, “The Lovely Nineteen-Twenties Flapper Cartoons Of Barbara Shermund” Liza Donnelly writes about one of her favorite New Yorker cartoonists, the late great, Barbara Shermund.

Ms. Shermund’s entry on the Spill’s A-Z

Barbara Shermund : Born, San Francisco. 1899. Studied at The California School of Fine Arts. Died, 1978, New Jersey. New Yorker work: June 13, 1925 thru September 16, 1944. 8 covers and 599 cartoons. Shermund’s post-New Yorker work was featured in Esquire. (See Liza Donnelly’s book, Funny Ladies — a history of The New Yorker’s women cartoonists — for more on Shermund’s life and work)

Ms. Donnelly’s entry on the A-Z

Liza Donnelly : Born, Washington, D.C. New Yorker work: 1982 – Key book: Funny Ladies: The New Yorker’s Greatest Women Cartoonists and Their Cartoons (Prometheus, 2005). Edited:  Sex & Sensibility: Ten Women Examine the Lunacy of Modern Love…in 200 Cartoons ( Twelve, 2008). Cartoon Marriage ( with Michael Maslin) (Random House, 2009), When Do They Serve the Wine?( Chronicle, 2010). Women On Men (Narrative Library, 2013). Donnelly also wrote and illustrated a popular series of dinosaur books for children ( Dinosaur Day, Dinosaur Beach, Dinosaur Halloween, etc.) all published by Scholastic.  She is the CBS News Resident Cartoonist. Website: http://www.lizadonnelly.com

Society Of Illustrators Names Hall Of Fame Inductees; Today’s New Yorker Daily Cartoonist: Shannon Wheeler; More Gerberg; Event Of Interest: Chris Ware; Even More Shermund; Interviews Of Interest: Bob Eckstein, Gahan Wilson

From The Daily Cartoonist, February 14, 2019, “Society Of illustrators 2019 Hall of Fame” — Read here! (Spoiler: Two New Yorker folks named!)

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Today’s Daily Cartoon

Today’s Daily cartoon, tuned in to today’s heart-shaped celebration, is by Shannon Wheeler, who began contributing to The New Yorker in 2009.

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More Gerberg

Mr. Gerberg’s first New Yorker cartoon, published in the issue of April 10, 1965.

From amNewYork, February 14, 2019, “Mort Gerberg retrospective spotlights cartoonnist’s witty views of NY life”

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From The Albany Times-Union, February 12, 2019, Cartoonist Chris Ware Speaks, Signs Books.

Mr. Ware’s Monograph, published in 2017

Mr. Ware began contributing to The New Yorker in 1999.

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Even More Shermund

A Shermund self-portrait

From Columbus Monthly, “Burying Barbara Shermund, A Forgotten Cartoonist” — more on the late great Ms. Shermund. Read here.

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Interview of Interest: Bob Eckstein

Bob Eckstein’s fabulous Snowman book

A radio interview with a lot of snowman talk (as you’d expect when the World’s Greatest Snowman Expert is the interviewee), and some cartoon talk as well at the close. Listen here.

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Interview of Interest: Gahan Wilson

Jason Sacks interviews Gahan Wilson. Listen here.

Mr. Wilson began contributing to The New Yorker in 1976. Link here to his website.

Fave Photo Of The Day: Liza Donnelly; Graphic Piece Of Interest: Liana Finck; Today’s New Yorker Daily Cartoonist Is Jason Adam Katzenstein

Last night, Liza Donnelly spoke at the Billy Ireland Cartoon Library & Museum as part of the big Barbara Shermund celebration there. Above: Donnelly’s selfie with a Shermund self portrait.

The exhibit, Tell Me A Story Where The Bad Girl Wins: The Life And Art Of Barbara Shermund runs through March 31st. If you’re out that way, this is a fabulous must see exhibit of work by one of the very best of the New Yorker‘s early contributors.

Back in 2009 when I was hunting around for information on Ms. Shermund (in connection with writing my biography of Peter Arno), I visited a library in upstate New York (Kingston, to be exact) that had a decent collection of The New York Times on microfilm. Looking through a file cabinet of materials I spotted a notation that indicated there was no microfilm for the Times at a certain point because the paper had been on strike. Barbara Shermund’s death was within that period (The New Yorker hadn’t mentioned her passing either, but In that case it was understandable — her work hadn’t appeared in the magazine for thirty-four years). In an attempt to fill in a missing piece, I took a stab at writing an obit for Ms. Shermund and posted it on the Spill:


Revisiting  Barbara Shermund

Barbara Shermund, who died in early September, 1978, had the misfortune of passing away during a newspaper strike that affected the paper of record, The New York Times. An extensive search has turned up just one obituary for her, a four sentence notice that ran in a newspaper covering the New Jersey coastal town (Sea Bright) where she lived for a number of years toward the end of her life.

The four sentence obit: a bit slight.

For someone who contributed hundreds of cartoons and eight covers to The New Yorker Magazine, then went on to become a mainstay at Esquire, four sentences seems a bit slight. Here then is another notice, a little late, and a little longer.

Born in San Francisco in 1899 to artistic parents (her father was an architect), Ms. Shermund studied at The California School of Fine Arts before heading east, at the age of twenty-six, to New York. She told Colliers that her initial visit east became permanent “after she had eaten up her return fare.” In June of that very year, she made her debut at the four month old New Yorker with a cover of a young woman sporting a hip hairdo, eyes closed, resting her arm over a railing, against a black sky peppered with stars. In a year’s time her cartoons, many if not most of which were written by her, were appearing in nearly every issue of the magazine.

Her style had a sway to it that fit the times. Her subjects, executed in pen and ink and wash, were often hip young women, just a bit jaded – the sort that famously inhabited F. Scott Fitzgerald’s This Side of Paradise. She once offered up this brief glimpse into her private life, saying she liked “fancy dancing and dogs.”

Liza Donnelly, author of Funny Ladies: The New Yorker’s Greatest Women Cartoonists and their Cartoons, had this to say about Ms. Shermund:

“Barbara Shermund was one of the more prolific cartoonists of the early New Yorker. Her breezy drawing style and humor reflected the new attitudes of urban women in the twenties and thirties, and she can be considered one of the early feminist cartoonists. The New Yorker sought to appeal to both men and women with its humor, and Shermund, along with other women cartoonists of the magazine, were ground breakers in that regard, creating cartoons from a woman’s perspective that could be enjoyed by all. Her cartoons were irreverent, sassy, and a true reflection of her times.”

Shermund traveled widely – Donnelly wrote of her that “she was something of a wanderer, living with friends in the city and the upstate town of Woodstock [NY], never really having a set address.” Eventually she settled down in Sea Bright, New Jersey, a barrier beach town, just about an hour’s drive from New York.

The last of her five hundred and ninety-seven drawings in The New Yorker appeared September 16, 1944; her last cover appeared August 5, 1944. Although her relationship with The New Yorker fizzled in the mid 1940s, she participated in an Irving Penn group photo of eighteen New Yorker cartoonists ( it ran in the August 1947 issue of Vogue). Ms. Shermund, dressed in dark clothing and wearing a great wide brimmed hat, stares directly at the camera. Sitting directly in front of her is George Price, and Steinberg; overhead, reclining on a platform is Charles Addams. Off to Ms. Shermund’s right is Helen Hokinson, looking just a little apprehensive.

The discs accompanying The Complete New Yorker allow one to see all of Barbara Shermund’s work in their natural habitat. Nine of her drawings appear in the The Complete Cartoons of The New Yorker, and of course all of her work can be seen on the discs accompanying the book.

Here’s Ms. Shermund’s entry on the Spill‘s A-Z:

Barbara Shermund  Born, San Francisco. 1899. Studied at The California School of Fine Arts. Died, 1978, New Jersey. New Yorker work: June 13, 1925 thru September 16, 1944. 8 covers and 599 cartoons. Shermund’s later. post-New Yorker work was featured in Esquire. (See Liza Donnelly’s book, Funny Ladies — a history of The New Yorker’s women cartoonists — for more on Shermund’s life and work)

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Graphic Piece Of Interest: Liana Finck

From The New York Times, February 8, 2019, “Liana Finck’s Illustrated Tribute to Isak Dinesen”

— an early look at Ms. Finck’s piece that will appear in print on Sunday

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Today’s New Yorker Daily Cartoon

Today’s Daily cartoon (political, but of course) is by Jason Adam Katzenstein, who has been contributing to The New Yorker since 2014. See more of his work here.