The Monday Tilley Watch is a meandering take on the cartoons in the current issue of The New Yorker.
I think it’s safe to say we have in our hands this week the New Yorker’s official Fall issue what with John Cuneo‘s beautiful giant leaf descending cover.
For a change, I looked through this week’s issue (the digital issue, of course) on my laptop instead of on my tablet. It’s helpful seeing everything in an immediately readable format instead of having to zoom in, but it also removes a layer of mystery I’ve come to enjoy: seeing the cartoons small, and trying to figure out (sometimes) who did them and guessing what the caption might be. Back to the tablet next week.
Skipping through the front of the magazine, I did pause to admire the illustration on page six by Roman Muradov. It sort of has a Arthur Getz and Eugene Mihaesco mash-up feel — a 1960-ish vibe. Nice.
Passing by the “redraw” of Rea Irvin‘s iconic never-shoulda-been-replaced Talk of The Town masthead (above) we get to the first cartoon on page 22, a couple of beavers, courtesy of Kaamran Hafeez. One of the beavers suffers from an age-old problem that was used to great effect on The Mary Tyler Moore Show when newsman Ted Baxter read, on air: “I’ve just been handed a bulletin: ‘You have something on your front tooth!'” Curious about whether there was any significance to running a beaver drawing now, I consulted Wikipedia for a snap education. The entry included this:“Maintenance work on the dam and lodges is particularly heavy in autumn.”
Here’s a photo of a beaver, just because:
Five pages later is a Zach Kanin drawing of a fitting room. I like the louvered fitting room doors, which could easily double for those steel roll-down gates you see on storefronts. Below left: Kanin louvered door. Right: steel roll-down gate.
Eight pages later a Paul Noth mobster-tinged bar scene based on “if a tree falls in the forest…” Nice expression on the woodsman’s face. Good caption. Four pages later an Ed Steed drawing (i.e., dark). Shades of Charles Addams’ kids home from camp drawing.
On the very next page, Julia Suits takes us out west to the reliable compound of cowboys at a campfire plus modern technology (I’ve done it myself a few times — it’s an irresistible scenario). Can’t see a cowboy campfire without thinking about Mel Brooks’ classic scene. Three pages later an interesting garage drawing by Ellis Rosen. One of our grandmasters, George Booth did a number of memorable garage drawings. Here’s one (published in the issue of December 28, 1998):
Mr. Booth has had a lot of company over the years. Mr. Ellis gives us a lovely drawing with an excellent caption. And, bonus: it sits well on the page. An Amy Kurzweil drawing is on the very next page. A chess scenario, perfectly timed for Halloween. I like this drawing, but did find myself pondering why the chess pieces have arms. Are these actual chess pieces dressed up for Halloween, or are they people dressed up in chess pieces for Halloween who have decided to further Halloween-ize their chess costumes? So many questions…
Five pages later a Roz Chast triptych (her preferred construct in recent years). The third panel is a gem.
Six pages later, a Sara Lautman drawing leaning heavily on a pun. Five pages later, appearing just a day after International Cat Day, is an Amy Hwang cat drawing. If you want even more cartoon cat drawings, find these somewhere online or in your favorite used book store:
Five pages later, veteran Mick Stevens brings us back to much earlier times. I’m aware of the cartoon takes of Moses passing by a burning bush (hmmm, that was him, wasn’t it?) and him famously getting hold of the tablets containing the Ten Commandments. But the Biblical-era press conference is new to me. I note that Moses looks weary.
Three pages later another cartoonist trope: the wedding scene. This one’s by Emily Flake. Understanding the definition of the word “algorithm” as used in the caption is key to understanding this drawing. Someone should really do a book of New Yorker dating/mating/algorithm related drawings (there was a dating cartoon in the magazine two weeks ago).
Four pages later, the last drawing in the issue (not counting the caption contest work): a banana peel domestic situation via J.A.K. (Jason Adam Katzenstein). The only thing as funny as someone slipping on a banana peel is someone getting slapped with a pie in the face. Danny Shanahan gave us both:
To see a slideshow of all the cartoons in this week’s issue, go here to the Cartoons page of newyorker.com and scroll down past the Daily Cartoon, Caption Contest to Cartoons from the Issue.
–See you next Monday