The Monday Tilley Watch, The New Yorker Issue Of April 13, 2020; Today’s Daily Cartoonist & Cartoon

To my readers: This being the time we’re in, the online issue has not yet been posted (as of 11:00am), so what follows is a shortened version of The Monday Tilley Watch. Long-time visitors might recall I prefer first sightings of new cartoons in situ, but in order to provide at least some basic info, I’ve gone to the slideshow (it’s posted here — scroll way down).

The Cover: The last time we saw a Pascal Campion cover (Jan.6, 2020) the Spill pointed out its uncanny resemblance to an Arthur Getz cover from 1965. This week Mr. Campion speaks with The New Yorker‘s art editor, Francoise Mouly, about Mr. Getz’s (and Sempe’s) influence on his work.

 

The Cartoonists:

The Cartoons:

Just as The New Yorker ran a good number of war cartoons during World War II (enough to fill an Album of war cartoons), we are beginning to see a number of corona virus-related cartoons during this particular war. In the latest issue, five of the eleven cartoons are tied-in to the virus, with another few possibly so.

Update after the digital edition was posted: a color strip by Ed Steed is also virus-related.

The Rea Irvin Masthead Talk Masthead Watch:

Without access to the digital edition, I can’t say for sure that Christoph Niemann’s Talk masthead redraw(!) still appears instead of Mr. Irvin’s iconic masthead.  If I had to guess, I’d say the real deal (just below) is still on a shelf, waiting to be dusted off.

Update after the digital edition was posted: the redraw remains…for now.

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Today’s Daily Cartoonist & Cartoon

Jeremy Nguyen on what everyone’s doing again.

Mr. Nguyen began contributing to The New Yorker in

2017. Visit his website here.

 

 

 

 

 

The Monday Tilley Watch, The New Yorker Issue Of January 6, 2020

The Cover: A retro cover! When I saw this attractive cover I immediately placed its style and structure in the early 1960s, and thought of a particular artist: the most prolific of all New Yorker cover artists, Arthur Getz. To illustrate, here’s Mr. Getz’s cover from December 18, 1965 side-by-side with this new one by Pascal Campion.

The Cartoonists:

The Cartoons: Some random thoughts on a few of the cartoons in The New Yorker‘s first issue of the 2020s…

There’s a duo effort by Jose Arroyo and Rob Kutner. Mr. Arroyo first began contributing to the magazine in 2008. Mr. Kutner is a comedy writer.

Really like Suerynn Lee’s breadcrumbs-on-a-trail drawing (it’s on page 28) — graphically appealing with a strong caption. Of the breadcrumbs-on-a-trail themed New Yorker cartoons over the years, here’s a favorite from the great Arnie Levin, published May 22, 2000.

Zach Kanin’s mounted python (on p. 36) is a hoot (or a “ssssssss”).  Mr. Kanin’s drawings always seem (to me) to contain some kind of Charles Addamsy-ish dna, which is a very good thing.

Can’t see a dog at a computer cartoon, such as Elisabeth’s McNair’s (p. 34) without thinking of  Peter Steiner‘s celebrated New Yorker drawing published July 5, 1993:  “On the Internet, nobody knows you’re a dog.” It remains the most republished New Yorker drawing in modern history.

Joe Dator’s procrastinating writer cartoon (p. 39) is fun. The length of the caption — and the time it takes to read it —  becomes another element of delay.

The Rea Irvin Talk Masthead Watch: Last Monday, in this space, I held out the faint hope we might see Rea Irvin’s classic Talk masthead return to kick off the new year and decade. No dice. The redraw — plopped-in in the Spring of 2017 — is back after Ed Steed’s fun one-off in last week’s “Cartoon Takeover” issue.  Read more about the masthead here, and, as always (until something changes for the better… or worse!), here’s Mr. Irvin’s classic (sadly moth-balled) masthead…

 

A New Yorker Memorial Day Cover from 1965

Looking at Memorial Day covers in The Complete Book of Covers From The New Yorker 1925-1989 this morning, this fabulous piece by Arthur Getz jumped out. 

Here’s Mr. Getz’s entry on the Spill‘s A-Z:

Arthur Getz Born, Passaic, New Jersey, 1913; died, 1996. New Yorker work: 1938 -1988. Primarily a cover artist, he had one cartoon published: March 15, 1958. (You might say his career was a mirror image of George Price’s, who was one of the most prolific cartoonists, with over 1200 published, and one cover). According to the official Getz website, he was the most prolific of all New Yorker cover artists, having 213 appear during the fifty years he contributed to the magazine. The official Getz website, containing his biography: www.getzart.com/

 

The Tilley Watch, The New Yorker Issue Of January 21, 2019

An interesting cover this week, reminiscent of Arthur Getz‘s great city landscapes: a dark city view with a small area of bright lights slicing through. That contrast of dark with dramatic light was close to a Getzian specialty (similar scenes were also beautifully painted by a number of other New Yorker artists through the years). If you can, get hold of The Complete Book of Covers From The New Yorker (Knopf, 1989) — you won’t regret it.

For more on the current cover, you can read about the artist, Pascal Campion here.

The Cartoons/Cartoonists:




Some cartoons of note in this issue:

The solid drawing on page 22 of two couples about to cross paths on a suspended narrow rope bridge marks Hartley Lin‘s cartoon debut in the magazine.

As happily the case with Lars Kenseth‘s work, his stone man on page 30 is something outside the norm.

Hilary Fitzgerald Campbell‘s cinematic post-party drawing on page 51 is terrific, as is Olivia de Recat’s Alarmist Clock on page 63.

On page 59, another cartoonist’s New Yorker debut: Karl Stevens.

Mr. Lin and Mr. Stevens are the first new New Yorker cartoonists of 2019, and the 25th and 26th new cartoonists making their debut in the magazine since Emma Allen became the New Yorker‘s cartoon editor in May of 2017.

…before I turn out the lights on this post, let us not forget that Rea Irvin’s beautiful Talk masthead (below) is still in storage. Read all about it here.


Auction Of Interest: Peter Arno, William Steig, Arnie Levin, Charles Addams, Frank Modell, Charles Saxon, And More

Thanks to Stephen Nadler of Attempted Bloggery for alerting the Spill to the new Swann catalog, which contains an abundance of New Yorker art.  A highlight, shown above, is Peter Arno’s New Yorker cover of April 4, 1964. Here’s what it looked like as the published cover:

Other New Yorker work offered by Charles Addams, William Steig, Charles Barsotti, Arnie Levin, Richard Decker, Frank Modell, James Daugherty (aka “Jimmie-the-Ink”), Heidi Goennel, Garrett Price, Mischa Richter, Charles Saxon, George Price, Theodore Haupt, Arthur Getz, R.O. Blechman and the King of the Gagwriters, Richard McCallister. Empty the piggy bank!