Cornish Cartoonist Residency Fellowship Offered; Today’s Daily Shouts By… Ali Solomon; Podcast Of Interest: Mort Gerberg; Video of Interest From The National Cartoonists Society; Fave Photo Of The Day: 3 NCS Award Winners

The Center For Cartoon Studies up in White River Junction, Vermont has announced its fourth Residency Fellowship.  According to the announcement:

This residency is made possible by former CCS board member, cartoonist Harry Bliss, whose work regularly appears in The New Yorker. “I want to attract the best cartoonists working today and create a residency that is a one-of-a-kind opportunity for storytellers who are pushing the boundaries of the medium,” Bliss said.

Link here for all the info, including a short promotional video.

The deadline for applying is August 15th!

_______________________

Today’s Daily Shouts…

…(Game of Thrones-ish, but of course) is by Ali Solomon, who began contributing to The New Yorker in 2018. 

______________________________

Podcast Of Interest: Mort Gerberg

Hot on the heels of Mort Gerberg’s exhibit in New York and various promotional venues for his latest book (pictured) is an interesting podcast with via Podbean.  

 

_______________________________

NCSFest Video of Interest

There’s a little something called the NCSFEST (i.e., the National Cartoonists Society Festival) happening this weekend on the left coast.  Here’s a link to a video featuring several New Yorker colleagues, including Arnold Roth, Jason Chatfield, and Lars Kenseth (his scene at the 5:12 mark is a highlight, along with Mr. Roth’s affectionate Gold T-square moment at the very end of the video). 

____________________

Fave Photo Of The Day

 Three fine folks with their NCS Awards (category indicated): l-r, Peter Kuper (Graphic Novels), Maria Scrivan (Greeting Cards), and Joe Dator (Gag Cartoons).  Congrats to all!

–photo from social media via Maria Scrivan

 

More MoCCA Today (With Photos) & “My First MoCCA”; David Sipress On A 1969 Harvard Protest

More MoCCA Today

At least three New Yorker cartoonist events scheduled today: Liana Finck in conversation with Gabrielle Bell; a “spotlight” on Mark Alan Stamaty; Emily Flake as part of a panel, “Narratives On Motherhood”; cover artist Ivan Brunetti in a panel on “Comics and the Teaching Artist” (right: Ms. Bell and Ms. Finck today. Courtesy of Stephen Nadler).

And more photos from today (all courtesy of Liza Donnelly, with the exception of the Mark Alan Stamaty photo.  That’s another courtesy of Stephen Nadler):

Top row, l-r: Peter Kuper, Felipe Galindo, Mark Parisi, Ellis Rosen.

Middle row: Arnold Roth & Caroline Roth, Liza Donnelly, Keith Knight.

Bottom: Mark Alan Stamaty (l), and Bill Kartalopoulos, who, among other things, is MoCCA’s Programming Director, and Series Editor for The Best American Comics series. 

My First MoCCA:  A Personal Take

Judging by the scene I dove into at yesterday’s MoCCA Fest, the appetite for, and practice of comics and cartoons is booming. The place (the Metropolitan West on West 46th Street) was at capacity, loud and energized. I took in the must-see Cartooning For Peace exhibit on the second floor (curated by The New Yorker cartoonist, Liza Donnelly) then immediately ran into Dick Buchanan (who for quite some time has been sharing his voluminous cartoon file via Mike Lynch’s site). Mr. Buchanan had told me earlier in the week  that he’d be at the fest, and would bring along a copy of a book I’d never seen before:  Bernard Wiseman’s Cartoon Countdown (published in 1959). Mr. Wiseman contributed 197 cartoons to The New Yorker, from April 19, 1947 – June 11. 1960.

In the pr copy on the first page:

This is the first book of cartoons devoted exclusively  to he Conquest of Space. Let the Russians Match That! 

(to the right: The Cartooning For Peace Exhibit)

With  thanks to Mr. Buchanan for Cartoon Countdown, it was on to a tour of the fest.

 

  The illustrator Tom Bloom was seen engaged in conversation with an exhibitor, the illustrator/educator, Steve Guernaccia blew by (he’s hard to miss, sartorially). The multitude of people, of tables laden with products bearing graphic images, posters, cards, etc., etc., was astounding. Along with me on the tour was one of my co-panelists, Danny Shanahan.  We were moving along at a good pace with the flow of the crowd when a familiar book cover on the New York Review Comics table got our attention: Saul Steinberg’s recently reissued Labyrinth (also on the table were a number of Maira Kalaman titles).  I bet Steinberg would’ve enjoyed the scene passing by his book.

Closing in on the slotted time for our panel with Mort Gerberg, we headed over to Ink48 on 11th Avenue, where the panels took place. Ran into Stephen Nadler of Attempted Bloggery  who reminded us that Mark Alan Stamaty was signing his anniversary edition of MacDoodle Street.

Co-panelist Bob Eckstein awaited us in the Garamond Room, where we were soon joined by Marisa Acocella, and the man of the hour, Mort Gerberg. Spotted in our audience were New Yorker contributors,  R. Sikoryak, and Sophia Warren, as well as friend to all comics creators, Karen Greene of Columbia University. Below photos of the panel courtesy of Mr. Nadler (l-r, Danny Shanahan, Bob Eckstein, myself, Marisa Acocella, and Mr. Gerberg).

One of the fun things to come out of paneling with colleagues is the unexpected nugget or two of New Yorker history. As he discussed selling his first cartoon to The New Yorker back in 1965 , Mr. Gerberg told us — and this is something I had never heard, and didn’t realize was even possible — that he had talked the then art editor, James Geraghty into allowing what was supposed to be a bought idea of Mr. Gerberg’s to become a bought drawing. New Yorker history buffs know that it was routine at the magazine back then to buy ideas and give them to established cartoonists. It’s quite a thing that Mr. Gerberg, with his first sale to the magazine, was not only able to buck that well-entrenched system, but to deliver the full page below (published in October 20,1965).

  After our panel concluded we panelists stayed in the same room to attend the next panel,  “Professional Development 101: Art Directors Roundtable.” How could we not –it included our very own cartoon editor, Emma Allen. As we moved into the audience we spotted fellow colleagues, Kendra Allenby, Tracey Berglund, and cartoonist, Marc Bilgrey. Ms. Allen was joined by Matt Lubchansky (of The Nib), Alexandra Zsigmond (formerly The New York Times), Will Varner (formerly Buzzfeed), and artist/educator, Viktor Koen, who moderated.  The “101” in the panel title was accurate — we heard what the scene was like for today’s beginning illustrator/artists trying to break in. One piece of advice from Ms. Allen that stood out for me:  something that would make her laugh while looking at [written and drawn] humor for four hours in a day, had an excellent shot.

By the way, the place was packed.

_____________________

David Sipress On A Harvard Protest In 1969

Mr. Sipress, who began contributing to The New Yorker in 1998, has a Personal History piece on newyorker.com: “Fake News, 1969: My Slightly Infamous Role In The Harvard Antiwar Protests”

 

 

90th Birthday Of Interest: Arnold Roth; The Tilley Watch: The March 4, 2019 New Yorker; Video Profile Of Interest: Cover Artist Jenny Kroik; Today’s New Yorker Daily Cartoonist: Kim Warp

A Roth New Yorker Cover

Today’s the 90th birthday of the one-and-only Arnold Roth. There’s a nice birthday tribute to him on The Daily Cartoonist.

From The Spill Vault: I had a great time chatting with Mr. Roth a few years ago for this Spill piece on his John Updike Bech book covers.

Here’s Mr. Roth’s entry on the Spill’s A-Z:

Arnold Roth Born, Philadelphia, Pennsylvania, February 25, 1929. New Yorker work: November 16, 1992 –. Mr. Roth’s career is long and storied, his work associated with a number of magazines including Playboy, Esquire, TIME, and Punch. Read all about it on his website: www.arnoldroth.com/

____________________________

The Tilley Watch, The March 4th 2019 New Yorker

The Cover: Barry Blitt’s sign-holding Trump cover was released early and mentioned last week.

The Cartoonists:

________________________________________

The Missing Rea Irvin Talk Masthead

Read about it here.

_____________________________________

Profile Of Interest: Cover Artist Jenny Kroik

Here’s a short video profile of cover artist, Jenny Kroik.

Her first cover appeared November 13, 2017. Link here to her website.

________________________________

Today’s Daily Cartoon

Today’s Daily cartoon, post-big night in Hollywood, is by Kim Warp. Ms. Warp began contributing to The New Yorker in 1999.

Happy 89th Gahan Wilson!; A Soglow Scarf On Attempted Bloggery; A Q&A Of Interest: Julia Wertz; Pictures At An Exhibition: Booth, Gross, Harris, Roth, Blechman, & More

A Most Happy Birthday to Gahan Wilson, born on this day in 1930.

Mr. Wilson began contributing to The New Yorker in 1977. Link here to his website.

As well as The New Yorker, Mr. Wilson’s work is closely associated with The National Lampoon and Playboy.

_____________________________________

A Soglow Scarf On Attempted Bloggery

Stephen Nadler’s Attempted Bloggery continues its look at cartoon-covered accessories. Today it’s a circus themed scarf by the one and only Otto Soglow. Mr. Soglow began contributing to The New Yorker in 1925. He is fondly remembered for his creation, The Little King.

Here’s Otto Soglow’s entry on the Spill’s A-Z:

Otto Soglow (pictured above) Born, Yorkville, NY, December 23, 1900. Died in NYC, April 1975. New Yorker work: 1925 -1974.Key collections: Pretty Pictures ( Farrar & Rinehart, 1931) and for fans of Soglow’s Little King; The Little King (Farrar & Rinehart, 1933) and The Little King ( John Martin’s House, Inc., 1945). The latter Little King is an illustrated storybook. Cartoon Monarch / Otto Soglow & The Little King (IDW, 2012) is an excellent compendium.

Above: Soglow’s 1933 collection, The Little King

______________________________

A Q&A of Interest: Julia Wertz

Above: Ms. Wertz’s celebrated book.

From Julia Wertz’s website, this fun Q&A. Ms. Wertz began contributing to The New Yorker in 2015.

_______________________

Pictures At An Exhibition From Mike Lynch and Jane Mattimoe

L-R: Jane Mattimoe, George Booth, Felipe Galindo, Sidney Harris, and Andrea Arroyo

Jane Mattimoe attended the Mort Gerberg exhibit this past week. She’s posted a bunch of photos on her site. You can see them here.

Mike Lynch also attended and posted a number of pix on his website. Here’s one I particularly like:

Two titans of the cartoon world: Arnold Roth and R.O. Blechman, with their spouses, Caroline and Moisha

Fun of Interest: Swann Auction Includes Addams, Barsotti, Steinberg, and So Many More

The New Yorker section of the upcoming Swann auction is an awful lot of fun.  The Addams cover shown above is just one of the gems listed. To see the “3D catalog” go here.  Other New Yorker artists whose work is going under the gavel include Charles Barsotti, Bemelmans, Abe Birnbaum, Whitney Darrow, Jr., Richard Decker, Ed Fisher, Heidi Goennel, Edward Gorey, Theodore Haupt, John Held, Jr., Helen Hokinson, Maira Kalman, Arnie Levin, Rick Meyerowitz, Bill Mauldin, Donald Reilly, Mischa Richter, Arnold Roth, Charles Saxon, Ronald Searle, Seth, Steinberg, Tom Toro, and Gahan Wilson.