The Monday Tilley Watch, The New Yorker Issue of September 9, 2019

The Cover:

It’s the Style Issue this week….thus the bountiful polka dots on Malika Favre’s eighth cover for the magazine. A Q&A with the artist here. If you link to the Q&A you’ll see the polka dot dress swirl.

I can’t see that many polka dots (and red) on the cover without thinking of Peter Arno’s March 23, 1935 New Yorker cover. It was also used as the cover for The Seventh New Yorker Album.

The dalmatians cover is perhaps overly familiar to me because it’s the front endpaper of my biography of Arno. Hey, what can I say? I like dogs…and Arno.

 

The Cartoonists and Cartoons

With the appearance of another team effort (third? fourth?) by Pia Guerra and Ian Boothby I think we’re in new territory as far as crediting a writing team goes for single panel cartoons in the magazine. Someone please correct me if there has been another duo credited beyond one or two appearances (Robert Crumb and Aline Kominsky-Crumb come to mind, but their work is in a different realm, i.e., their “thing” is not single panel cartoons). The duo of Guerra & Boothby have given us a slightly different take on the usual cartoonist’s representation of Noah’s Ark (the drawing appears on page 78). Instead of the long ramp leading up to the ark, it’s more of a tailgate.  It works well here.

Of note: Elisabeth McNair’s drawing of the tortoise and the hare (p. 72). If you remove the art hanging on the wall, and the door frame, the cartoon could easily be seen as descended from the school of (Charles) Barsotti minimalism. Love the turtle’s expression.

Also of note: Hilary Fitzgerald Cambell’s spooky “campfire” story-time drawing (p.49). At first glance I thought the scene was outdoors, but then saw the light sockets in the background with a charging electronic device (a phone?) connected to one of them. That it plays a trick on the eyes — intended or not — is pleasing, as is the drawing itself.

Further of note: Ed Steed adds another drawing to the cartoon canon of mounted something (in this case, someone) or others on the wall (p. 25).

Being the great grandson of bakers, and a fan of baked goods in general, it was a nice surprise  seeing pastries as a focus in Amy Hwang’s drawing (p. 43). Also a nice surprise: seeing Glen Baxter’s drawing (p.68). While a number of cartoonists box in their drawings, Baxter’s boxes somehow seem part of the drawing within, if that makes any sense (is the word “integral” — maybe, maybe not).

Rea Irvin’s Talk Masthead: Still not home. Read about it here.

 

 

 

 

 

Today’s Daily Cartoonist & Cartoon; Strand Event Of Interest; A Daily Shouts With Emily Flake; Ryan Flanders’ TCJ Friday Links; Anthologies For The Waning Dog Days Of Summer

 

Today’s Daily Cartoonist & Cartoon

Peter Kuper gives us three reasons Trump wants to buy Greenland.

Mr. Kuper has been contributing to The New Yorker since 2011.

Visit his website here.

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Strand Event Of Interest

On September 16th the Strand will host a panel discussion centered on Drawing Power: Women’s Stories of Sexual Violence, Harassment, and Survival.  All the info here.

Drawing Power contributors include New Yorker artists Aline Kominsky-Crumb and Liana Finck.

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A Daily Shouts With Emily Flake

Yesterday’s Daily Shouts by David Bradley Isenberg and Emily Flake: “Possible Explanations For Why Your Subway Car Is Empty”

Ms. Flake has been contributing to The New Yorker since 2008.  Visit her website here.

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Ryan Flander’s TCJ Friday Links

Mr. Flanders’ Friday gathering of comics (and comix) related links. Included here on the Spill as it offers a ton of non-Tilley avenues to explore, if that’s your thing. There’s one New Yorker mention this week (the magazine’s Peanuts article, “How ‘Peanuts’ Created A Space For Thinking”). 

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Anthologies For The Waning Dog Days Of Summer

Some wonderful dog-centric books selected from the Spill‘s library.

Thurber’s Dogs (Simon & Schuster, 1955)

The New Yorker Book of Dog Cartoons (Knopf, 1992)

The Big Book New Yorker Book of Dogs (Random House, 2012)

Dogs by Henry Morgan & George Booth (Houghton Mifflin, 1976)

Dogs Dogs Dogs edited by Sam Gross (Harpercollins, 1985).

 

Robert Crumb And Aline Kominsky-Crumb At Columbia This Fall; The Tilley Watch Online, July 15-19, 2019; Fave Photo Of The Day: Some New Yorker Folks At The San Diego Comic Con; NYTs Opinion Piece Of Interest: “The Vicious Fun Of America’s Most Famous Literary Circle”

 

Robert Crumb And Aline -Kominsky Crumb At Columbia This Fall

Columbia University’s Curator For Comics and Cartoons, Karen Green, announced at the San Diego Comic Com that Robert Crumb, Aline Kominsky-Crumb, and Peter Bagge will be appearing this Fall at Columbia University…no further info at the moment.  Here’s the article from The Beat, July 20, 2019, “Things Go Off The Rails At The Book Of Weirdo Panel”

Both Mr. Crumb and Ms. Kominsky-Crumb have contributed to The New Yorker.  In 1994, with the magazine was then edited by Tina Brown, Mr. Crumb’s “Elvis Tilley” broke the sixty-eight  year string of Rea Irvin Eustace Tilleys appearing on the anniversary issueFor more Tilley Talk, read my 2008 newyorker.com piece “Tilley Over Time”

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Daily Cartoon Contributors this week: Lars Kenseth, Avi Steinberg, Ellis Rosen, Teresa Burns Parkhurst, and Peter Kuper.

 New Yorker cartoonist Daily Shouts contributors this week:  Jeremy Nguyen (illustrator) with Jiji Lee, P.C. Vey, Ellis Rosen (with Colin Stokes), Olivia de Recat (with Sarah Vollman), Tom Chitty, and Teresa Burns Parkhurst.

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Fave Photo Of The Day

From Jason Chatfield‘s Facebook page, this group photo taken at the San Diego Comic Con.  Four outta five New Yorker  folks are in the line-up. Far left, MAD cartoonist, Todd Clark, then New Yorker contributors Ivan Ehlers, Shannon Wheeler, Lonnie Millsap, and Olivia de Recat.  

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A New York Times Opinion Piece Of Interest

From The New York Times, July 20, 2019, Jennifer Ratner-Rosenhagen’s Opinion piece,  “The Vicious Fun Of America’s Most Famous Literary Circle” 

(photo above from Ink Spill‘s “Posted Notes”)

Exhibit of Interest: New Yorker Cover Artist Arthur Getz; Review of Interest: Aline Kominsky-Crumb’s New Book; Follow-Up: John Cuneo’s Spring Cover

From The Hotchkiss Library of Sharon, “The Art of Arthur Getz: City and Country” an exhibit of work by the most prolific of all New Yorker cover artists.  Opens May 5th.  

— My thanks to Stephen Nadler of Attempted Bloggery for bringing this exhibit to my attention. Be sure to check out his site today for an interesting piece on Mischa Richter.

Mr. Getz’s entry on the Spill‘s A-Z: 

Born, Passaic, New Jersey, 1913; died, 1996. New Yorker work: 1938 -1988. Primarily a cover artist, he had one cartoon published: March 15, 1958. (You might say his career was a mirror image of George Price’s, who was one of the most prolific cartoonists, with over 1200 published, and one cover). According to the official Getz website, he was the most prolific of all New Yorker cover artists, having 213 appear during the fifty years he contributed to the magazine. The official Getz website, containing his biography: www.getzart.com/

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Aline Kominsky-Crumb’s New Book

From Publishers Weekly, April 30, 2018,  “The Wild Woman of Comix” — Leela Corman’s review of Ms. Kominsky-Crumb’s latest book, out today. 

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Follow-Up: John Cuneo’s Spring Cover

Visitors to this site may remember a recent piece, “Favorite Cover Submission of the Week” — featuring the work of New Yorker cover artist, John Cuneo.  Happy & pleased to say the cover (slightly revised) has found a home, shown below right, on Chronogram, a splendid Hudson Valley (NY) publication.

 

Art Young Opening! Plus…The Spill’s Mid-Week Round-up: P.C. Vey, Kominsky-Crumb, Kupperman, Mankoff, Katchor, Sikoryak & Mouly; The New Yorker’s 5th issue Gets a Close Look

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P.C>

P. C. Vey, whose April 15, 2013 New Yorker drawing appears here,  talks about his tools of the trade on A Case For Pencils. Go see!

Link here to Mr. Vey’s website

Link here to see some of his New Yorker work

 

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MOCCA-DAVIS

The Museum of Comic & Cartoon Art has announced its MoCCA Fest 2015 line-up. The list includes a bunch of New Yorkery names, including Ben Katchor, R. Sikoryak, Francoise Mouly, Aline Kominsky-Crumb and Michael Kupperman. A panel on Saul Steinberg is one of the highlights.  The Beat has the all the info.

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Art Young 4:22:30Art Young, whose April 22nd, 1930 New Yorker drawing appears here, will be celebrated big-time, beginning this Friday, March 27th. Back in February, Marc Moorash, curator of the Art Young Gallery told Ink Spill,  “March and April we’re giving Art his first solo show since his exhibition at the ACA Gallery in 1939. We’ll have 40 original illustrations and 120 pieces of ephemera – letters, books, magazines, etc.” Go here for all the information.

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More Spills:

…Attempted Bloggery’s latest post: a close look at The New Yorker’s 5th issue

…Video: The New Yorker’s Cartoon Editor, Bob Mankoff & The Harvard Lampoon