The Monday Tilley Watch, The New Yorker Issue Of September 24, 2018

The Cover:

Adriane Tomine returns with a cover steeped in dreams. Read about it here. The cover appears related, in color palette and style, to last week’s cover, by Chris Ware. They even share a large circular object hovering along the right side of the frame  (Mr. Ware’s is a tree, Mr. Tomine’s a logo).

The Cartoons:

Two pieces of good news. There are 18 cartoons in the issue. We haven’t seen this many in an issue since May 14th, when there were 19. Perhaps the surge to 18 is a result of this being the “Entertainment Issue” –or maybe it’s just one of those things.

The other piece of good news is that many of the cartoons — more so than in any issue in recent memory —  are given a lot of breathing room on the page. P.C. Vey’s cartoon is a good example, as is Zach Kanin’s, Seth Fleishman’s, Tom Chitty’s, and Barbara Smaller’s. Most of the other cartoons also seem to occupy more space than has been the case; just a few seem squeezed in.

If the Spill was in the business of handing out blue ribbons like they do over on the Cartoon Companion, one would be pinned on Bruce Eric Kaplan’s drawing (p. 61). Also of note: Lars Kenseth’s log flume ride drawing (p.78).

Update:  Sadly, Rea Irvin’s classic masthead (below) is still in mothballs.  Read about it here.

 

 

 

 

 

 

 

Mashable: “The New Yorker’s Snapchat is Mesmerizing”; Eisner Award Winners

NYer SnapHere’s a fun read for a hot Saturday: a look at how The New Yorker uses Snapchat.  The magazine’s Art Editor, Francoise Mouly is featured along with the Cartoon editor’s assistant, Colin Stokes.

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Here’s a list of the Eisner Award winners announced at Comic-Con.  Of note are several New Yorker contributors, including Adrian Tomine (for Best Short Story — “Killing and Dying”)  and Peter Kuper, whose Ruins won in the category of Best Graphic Album — New.  Congrats to all!

Ruins

Tomine, Burns, Spiegelman in Brooklyn; The Cartoon Lounge Episode #3

cabBeginning tomorrow, November 8th and running through November 9th, with guests including Art Spiegelman, Adrian Tomine, and Charles Burns.  All the info here on their website.

 

 

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bob:colin

Filmed deep within the center of The New Yorker’s Cartoon Universe, episode 3 of The Cartoon Lounge, featuring a special appearance by the fellow who reads every single cartoon caption entry.

Brooklyn Book Festival features New Yorker Contributors Past & Present

BBF

 

This Monday, the 16th of September, the Brooklyn Book Festival begins with its Bookend events.  Names familiar from the New Yorker’s past, and names familiar from its present take part in (or are the subjects of) various events throughout the week. Below are just some of the events featuring New Yorker folk.  Please consult the Festivals website for all the details.

Monday, the 16th:

Lorin Stein and Chip McGrath on John O’Hara.  Paris Review editor Lorin Stein and The New York Times writer-at-large Chip McGrath discuss John O’Hara, who’s had more stories published in The New Yorker than anyone in the history of the magazine. Moderated by Steven Goldleaf.  Presented by powerHouse Arena  + Penguin Classics.

On Wednesday, September 18th:

Book Launch: Oil & Honey by Bill McKibben. In this personal account of climate activism, the bestselling author and environmentalist leads a protest against the building of the Keystone XL pipeline and helps raise hives with a Vermont beekeeper.

 

Also on Wednesday:

Book Launch: Art Spiegelman presents Co-Mix. Greenlight hosts Pulitzer Prize-winning cartoonist, Art Spiegelman, for the bookstore launch of his new book Co-Mix: A Retrospective of Comics, Graphics, and Scraps.  Spiegelman presents a talk and slideshow about his work and signs copies of CoMix for fans.


Thursday, Sept. 19th:

TOON Books All-Ages Comics Extravaganza. Join us to celebrate the US debut by Argentine comics star Liniers who will present The Big Wet Balloon and paint live on stage, with musical accompaniment by New Yorker artist Barry Blitt and his band, the Half Tones; AND featuring the following artists, on hand to sign their work: Liniers (The Big Wet Balloon), Françoise Mouly (In Love With Art by Jeet Heer), Art Spiegelman (Co-Mix), Jeff Smith (RASL), R. Kikuo Johnson (The Shark King), Frank Viva (A Trip to the Bottom of the World), Rutu Modan (Maya Makes a Mess), Dean Haspiel (Mo and Jo), Trade Loeffler (Zig and Wikki), and Gary Panter (RAW).  This all-ages event will bring together art and book lovers, comics fans, and the Hispanic community.

Saturday, September 21st:

Charlotte’s Web. To celebrate the 40th anniversary of the beloved animated film adaptation of Charlotte’s Web, BAMcinematek will present simultaneous family matinee screenings of the 1973 (animated) and 2006 (live action) adaptations.

Location: Brooklyn Academy of Music, 30 Lafayette Ave (btw. Ashland and St. Felix)

Sunday, September 22nd:

The Faces of Brooklyn: New York’s coolest borough is home to hipsters, people who dislike hipsters and literary stars—among them, Brooklyn enthusiasts Pete Hamill (The Christmas Kid), Adelle Waldman (The Love Affairs of Nathaniel P.) and Adrian Tomine (New York Drawings). These powerhouses plant uniquely different characters in a nostalgic Brooklyn, a contemporary Brooklyn and a colorful Brooklyn that jumps off the page. Moderated by Penina Roth (Franklin Park Reading Series).

Also on Sunday:

Art Spiegelman and Jules Feiffer in Conversation: Pulitzer-Prize winning graphic novelist Art Spiegelman‘s newest release, Co-Mix, is a career retrospective that covers his work from Raw to Maus to the New Yorker (and Garbage Pail Kids in between). Joined by Jules Feiffer (Out of Line: The Art of Jules Feiffer), also a Pulitzer winner, they debate the purpose and impact of comics art, its history and development, and their visions of its future. Featuring screen projection.

Arts and Politics in Fiction: Art has always been a tool for political and social change. In these novels, it comes in the form of protest-pop songs, motorcycle photography and high-end fashion. Alex Gilvarry (From the Memoirs of a Non-Enemy Combatant), Rachel Kushner (The Flamethrowers) and Nicholson Baker (Traveling Sprinkler) shed new light on the timeless relationship between art and politics. Moderated by Joel Whitney.

Mundane/Profane/Profound: What We Draw About When We Draw Comics. Gag cartoonists and graphic novelists talk about the weird, wonderful, and sometimes shocking choices they make in their craft. Ben Katchor (Hand-Drying in America) offers urban fables where daily details lead to socio/political revelations. Lisa Hanawalt‘s sexy/snarky one-pagers in My Dirty Dumb Eyes hinge on the vulnerability of showing it all. Miriam Katin‘s thoughtful, witty memoir Letting it Go explores profound loss and forgiveness in the context of teeth whitening and stomach troubles. Ulli Lust‘s punk travelogue This is the Last Day of the Rest of Your Life lays bare body and soul. Moderated by Anne Ishii, translator, The Passion of Gengoroh Tagame. Featuring screen projection.  Special thanks to Goethe-Institut New York.

Art on the Mind: Comics and Education. Françoise Mouly (Toon Books) in conversation with National Book Award finalist Gene Yang (Boxers & Saints), R. Kikuo Johnson (The Shark King) and Professor Barbara Tversky of Teachers College. In this era of high-stakes testing, comics aren’t just a refreshing change of pace for students-they take on deep subjects and teach multimodal literacy, offering educators, librarians, and parents a new way to approach learning. Featuring screen projection.

Publish and Perish? E-books are killing publishing! The corporations are killing publishing! Self-publishing is killing publishing! While headlines continually bemoan the end of the literary world as we know it, others argue that the reports of publishing’s demise have been greatly exaggerated.  Janet Groth (The Receptionist) and Boris Kachka (Hothouse) take a look inside two of our most storied institutions—The New Yorker and Farrar, Straus and Giroux—and consider the past while taking the pulse of the literary world today.