The Monday Tilley Watch, The New Yorker Issue Of September 17, 2018

The cover

If you haven’t already seen the school busses on the road, or the signs posted everywhere advising that school is back in session, Chris Ware’s cover is yet another reminder that it’s back to school time.

The cartoons

Here, for the record, are the contributing cartoonists in the issue:

A quick survey of each drawing: Ms. Suits gives us a cactus drawing (are cactus the new crash test dummies — this being the second cactus drawing out of the past three issues); Mr. Dernavich provides us with an end of summer roller coaster drawing with some unintentional(?) graphic trickery concerning the track itself; Ms. McNair’s couple have neighborly dinner date issues; Farley Katz takes us to a sturdy cartoon scenario of parent reading to a child at bedtime; William Haefeli up next with his trademark drawing style and an excellent caption; an Edward Koren drawing — allowed a wonderful space on the page. Very nice all around!; Ben Schwartz plays with Rodin’s The Thinker; Ed Steed plays around with a clown and a banana peel (and it’s in color); Zach Kanin visits a game of spin the bottle (a scenario we rarely see); Frank Cotham allows us a peek into a room full of sweaty frock-coated gentlemen; Sara Lautman takes us up up and away to the sky god’s territory; Joe Dator’s drawing of a symphony hall is splendid; Kim Warp’s trash-in-the-sea drawing arrives with trash-in-the sea much in the news.  And finally, a nod to the advent of Fall baseball with a meeting at the pitcher’s mound courtesy of Tom Toro.

The issue arrives sans Rea Irvin’s classic masthead. Here it is:

I can’t let mid-September slip by without mentioning the issue of September 11, 1925 (cover by the aforementioned Mr. Irvin).  

New Yorker history buffs will recall that the magazine was nearly put to rest in the Spring of its first year of publication. If not for an overheard remark, the New Yorker would’ve been a magazine that lasted less than half a year. Instead of killing the magazine, it was decided to coast through the summer,  putting renewed energy into the issue of September 12th. You can read about the specifics on content here courtesy of A New Yorker State of Mind.

 

 

Blog of Interest: A New Yorker State Of Mind / Reading Every Issue Of The New Yorker Magazine

One of the Spill‘s favorite New Yorker-centric blogs takes a close look at the issue of August 31, 1929.  Consider the blog’s subtitle for a moment: Reading Every Issue of The New Yorker Magazine.  If you love The New Yorker, you’ll love watching the magazine’s early development. And of course, there’s all that history. Read it here.

Above: the Aug 31st ’29 issue — the cover by Theodore Haupt, who contributed forty-four covers to the magazine from September 3, 1927 through January 21, 1933.

The Tilley Watch Online, the Week of August 13-17; Video of Interest: A BBC Portrait of Liza Donnelly; Blog of Interest: New Yorker State of Mind

The contributing New Yorker cartoonists* on this week’s Daily Cartoon: Jeremy Nguyen, Avi Steinberg, Lars Kenseth, and Jason Adam Katzenstein  (3/4ths of the drawings in the realm of Trump).

Contributing New Yorker cartoonists on this week’s Daily Shouts (team efforts all): Olivia de Recat (w/Chris Weller), Jeremy Nguyen (w/Chris Kozminski), and Jason Adam Katzenstein (w/Julia Edelman).

*The Spill considers “contributing New Yorker cartoonists” cartoonists whose work has appeared in the print edition of the New Yorker

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Video of Interest: A BBC Portrait of Liza Donnelly

From the BBC, “Drawing For Change: Liza Donnelly” — this recent profile of Ms. Donnelly,

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Blog of Interest: A New Yorker State of Mind

The Spill applauds one of its favorite blogs, A New Yorker State of Mind: Reading Every Issue of The New Yorker Magazine. The latest post looks closely at the last issues of the last summer of the 1920s. This is a terrific read. 

The Monday Tilley Watch: The New Yorker Issue of July 30, 2018

The early release Barry Blitt Trump flat-on-his-face cover (above, right) was mentioned here last week, so onward we go to the brand new issue.  Fifteen cartoons in the issue, eighteen illustrations.  With five of those illustrations full page, I’d say the magazine is most definitely in a new age of illustration (the old age was during Tina Brown’s reign as editor. She brought illustration, including photographs, big-time into the magazine). The magazine had a golden age of cartoons that began in the late 1930s and roughly extended into the early 1950s. A new age of sorts (golden, platinum, silver — does it really matter?) began in the late 1960s, early 1970s and lasted several decades. I wouldn’t put a label on the age we’re in now because we’re in it (kind’ve a can’t see the forest for the trees thing).  

Three cartoons really stand out for me in this issue:

Kim Warp’s Dog Watching A Guy Grill Burgers Cartoon

I immediately saw a good bit of Jack Ziegler’s work in Ms. Warp’s wonderful cartoon.  The burgers, of course (see Mr. Ziegler’s classic collection: Hamburger Madness) as well as the situation of the guy grilling on the deck.  And then there’s the deck itself, with the deck boards so well delineated. Mr. Ziegler loved that kind of detail. The dog’s thought balloon also recalls Ziegler’s work as does the wording.  What’s so great is that while the drawing has its Ziegleresque elements and a Ziegleresque feel to it, it’s 1000% Warp. I asked Ms. Warp if her drawing was in any way Ziegler inspired and she replied in an email:

In some way it was inspired by Jack Ziegler’s food/BBQ cartoons as I loved his work and they are in my brain forever. I was thinking of our dog, Maggie, who always has an eye out for spills, and somehow the Ziegler vibe came through. I think it sold partly because of the word ‘bungle’ which they said they hadn’t seen in a while. It comes up in my life all the time.

Joe Dator’s “…rock-based content” Cartoon

Mr. Dator’s work continues to fascinate. You can just see how much he enjoys drawing his world. I especially like his attention to detail in this drawing: the lighting, the instruments…geez, it’s all clicking.

 Danny Shanahan’s Excellent Jack-and-the-Beanstalk Cartoon

Mr. Shanahan’s giants drawing is solid work, an evergreen. Seeing a drawing that works as well as this reminds me of what someone said about the difference between Fred Astaire’s and Gene Kelly’s dancing: with Kelly, you see the sweat.  In cartoonville, I’d rather not be distracted by seeing the sweat. With Shanahan, you don’t see the sweat. I asked Mr. Shanahan if there’s anything we should know about this drawing, and he replied via email:

No real interesting back story, other than that I was a bit disappointed when it wasn’t run fairly quickly after being purchased (the week of 6/28/2016!), because I thought that it might lose its topicality. No such luck- some gifts just keep on giving.
 

Of Further Interest

In this issue is a Talk piece by the magazine’s cartoon editor, Emma Allen, who went to a cartoonists lunch and spoke with the lunching cartoonists as well as “crasher” Gus Van Sant (his new movie is based on a memoir by the cartoonist, John Callahan). I’m searching my memory bank now to recall the last time a New Yorker cartoon editor showed up at a cartoonists lunch. It was a very very long time ago, perhaps as long ago as the James Geraghty years (he was the art editor from 1939- 1973).

Some paperwork: Elisabeth McNair‘s work debuts in this week’s New Yorker.  Ms. McNair is the 14th cartoonist to be brought in by Emma Allen since she took up the position of cartoon editor in May of 2017.

For the record, the 14 are (with their debut issue alongside their name):

1. Sharon Levy (July 10, 2017)

2. Joseph Dottini (October 16, 2017)

3. Jon Adams (October 16, 2017)

4. Sophia Wiedeman (October 16, 2017)

5. Hilary Fitzgerald Campbell (November 20, 2017)

6. Emma Hunsinger (November 27, 2017)

7. Sophia Warren (November 27, 2017)

8. Maggie Mull  (December 11, 2017)

9. Mary Lawton (December 11, 2017)

10. Pia Guerra (December 18, 2017)

11. Julia Bernhard  (January 1, 2018)

12. Navied Mahdavian (February 26, 2018)

13. Bishakh Som (March 19, 2018)

14. Elisabeth McNair (July 30, 2018)

Rea Irvin’s Talk Masthead

Before this post wraps up, I’d like to bring in a guest, David Ochsner. Mr. Ochsner, the fellow behind A New Yorker State of Mind: Reading Every Issue of The New Yorker Magazine, has graciously allowed the Spill to run his findings about the changes to Rea Irvin’s Talk Of The Town masthead over the years. As regular visitors to the Monday Tilley Watch know, there’s a weekly nod to Mr. Irvin’s Talk masthead due to its having been dismayingly eighty-sixed in May of 2017 for a redrawn version by Christoph Niemann (his redraw appears all the way at the bottom right below — you can read about it here).

Here’s Mr. Ochsner:

The first change I noticed was six months after the magazine launched (Aug. 22, 1925), when the masthead lost some of its shading and some shadow structures were introduced in the foreground. A week later Woollcott was dropped from the masthead and replaced by Hugh Wiley. The following January the editors’ names were dropped altogether. On Jan. 30, 1926, the letters were enlarged and superimposed over the buildings, which rose up on the notched, curving line that Irvin introduced. Then 54+ years later, in 1980, the letters shifted to the right, the “K” rather than the “E” now superimposed over the tower (to accommodate the re-drawing or standardization of the Irvin font–most noticeable is the serif clipped from the “N”). 

— Til next week

 

A Thursday Round-up: Fall Cartoonist Panel of Interest Includes Eckstein, Acocella, Borchart, and Weyant; New Yorker State of Mind’s Look at the Issue of June 8, 1929; Fawkes’ Bronte Book

Fall Cartoonist Panel of Interest

Not too early to pencil this one in on your Fall calendar: Bob Eckstein, Marisa Acocella, David Borchart, and Chris Weyant will appear September 29th at the Milford Readers & Writers Festival. Here’s a piece about the festival.

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A New Yorker State of Mind Goes deep into the New Yorker issue of June 8 , 1929. One of the Spill‘s favorite blogs continues to inform and entertain. Read it here.

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Fawkes’ Bronte Book

Above: an excerpt from Glynnis Fawkes’ graphic piece on Seven Days Vermont, “A Cartoonist/Writer Draws Parallels With Charlotte Bronte” (See the rest here). Ms. Fawkes’ work has appeared on newyorker.com. According to the bio provided on Seven Days Ms. Fawkes’ bio of Charlotte Bronte will appear in 2019.