From The Archive: A Ross Perot New Yorker Cartoon; Today’s New Yorker Daily Cartoon & Cartoonist; The Village Voice & MAD

I haven’t done a whole lot of (obviously) political cartoons over the years. A Supreme Court drawing in the very early 1980s and a Bill Clinton drawing in the early 1990s come readily to mind.  Ross Perot, the two-time Presidential candidate who died today at age 89, was a humor magnet. Like so many other of the magazine’s cartoonists ( including Lee Lorenz, Liza Donnelly, James Stevenson, Peter Steiner, Arnie Levin, Mick Stevens, Dana Fradon, J.B. Handelsman, and Jack Ziegler) I couldn’t resist having a graphic go at him. The below appeared in The New Yorker issue of May 27, 1996.

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Today’s New Yorker Daily Cartoonist & Cartoon

Beach reading by Ellis Rosen, who has been contributing to The New Yorker since 2016.  Visit his

website here.

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The Village Voice & Mad

 

From The Village Voice, July 9, 2019, “MAD Magazine: Eclipsed By Madness? Looking Back On The Publication That Endowed America With a B. S. Detector”  — this piece by Jeoffrey O’Brien on MAD in The Voice over the years.

MAD’s New Yorker Cartoonists; Today’s Daily Cartoonist & Cartoon; A Daily Shouts By Julia Wertz

Mad’s New Yorker Cartoonists

With MAD sadly all but expiring later this summer I thought it would be a good time to begin building a list of New Yorker  cartoonists who joined MAD’s “usual gang of idiots.”  So here we go, in no particular order (unless the list grows long). 

****New Yorker folks out there who I’ve missed, please write to me so I can add you (I know I’m missing a number of you)**** 

Peter Porges

John Caldwell

Peter Kuper

Teresa Burns Parkhurst

Bob Eckstein

Joe Dator

Lars Kenseth

  P.C. Vey

Tom Cheney

Sara Lautman

Ward Sutton

Felipe Galindo

Glen LeLievre

Jason Chatfield,

Emily Flake

Shannon Wheeler

Pia Guerra

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Today’s Daily Cartoonist & Cartoon

So much pressure, by Ali Soloman, who has been contributing to The New Yorker since 2018. More work here. 

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A Daily Shouts by Julia Wertz

“Conversations With Ma: Mad About Mars And Movies”

Ms. Wertz has been contributing to The New Yorker since 2015.  More work here.

 

How Much Is That Doggie In The New Yorker Cartoon? $8.00

How much is that doggie in The New Yorker cartoon? Apparently, it’s 8 dollars.  In a sign-of-the-times first, a New Yorker contributor is publicly selling space in his upcoming New Yorker cartoon. Paul Karasik, whose July 4th Facebook post appears below, has raffled off a piece of his creation for cash. Mr. Karasik sold the drawing just a few weeks ago (the drawing has yet to appear in the magazine).  I know, I know, you’re wondering when I’ll say something “clever” like Mr. Karasik has gone to the dogs…

 

 

 

Some Favorite Summertime New Yorker Covers

This hot and humid long 4th of July weekend makes me think of specific favorite summertime New Yorker covers. The choices are good and plenty when one decides to select a few favorites from the magazine’s 94 years; for every one shown here, there are at least five more that fall into the fave category — these half dozen are but a fraction of the magazine’s superb summertime covers.

It’s perhaps worth noting that each of the artists below contributed both cartoons and covers to The New Yorker. They all hail from the pre-Tina Brown days when more than 60% of the magazine’s covers were contributed by its cartoonists (a reasonable guess would be that the % now of the magazine’s cartoonists contributing covers is somewhere in the low single digits).

This August 4th 1945 Mary Petty cover has always been a first thought when summer arrives.  The simple quiet moment Ms. Petty gives us during a particularly horrendous moment in history has always fascinated me. This scan doesn’t do justice to Ms. Petty’s watercolors.

Whenever I think of summertime and beaches I think of this Ludwig Bemelmans July 13, 1946  cover. Most will think of Mr. Bemelmans and immediately recall his Madeline books, but his contribution of 32 New Yorker covers was substantial

Here’s a beauty by Anatol Kovarsky from August 2, 1969. If you look through Mr. Kovarsky’s New Yorker covers you’ll see he often returned to aerial views. I’ve always found it amusing that he focused here on the parking lot, with the beach and ocean as supporting players.

Charles Addams’s cover shown below was published the very next week after Mr. Kovarsky’s. It reminds me of the summers during the years I lived in Manhattan, especially the days I headed up to The New Yorker‘s office to drop off my weekly batch of cartoons. The city never seemed hotter, the sidewalks never stickier, the non-air conditioned subway cars never sootier, than on those trips between my apartment in Greenwich Village and 25 West 43rd Street.

 

There are so many wonderful New Yorker baseball covers, but this one by Garrett Price is a particular favorite. 

Finally, this spectacular July 4th 1953 cover by Alajalov.

Here are the Spill’s A-Z entries for each of the above artists. 

 

 

 

 

Mary Petty  Born, Hampton, New Jersey, April 29, 1899. Died, Paramus, New Jersey, March, 1976. New Yorker work: October 22, 1927 – March 19, 1966. Collection: This Petty Place ( Knopf, 1945) with a Preface by James Thurber.

 

Ludwig Bemelmans  Born, April 27, 1898. Died, October 1, 1962. New Yorker work: contributed six cartoons and thirty-two covers as well written pieces in a New Yorker career that began in October of 1937 and lasted until August 1962. He achieved lasting fame with his Madeline childrens books.

 

 

Anatol Kovarsky (photo: NYC, 2013. By Liza Donnelly) Born, Moscow. Died, June 1, 2016, NYC. Collection: Kovarsky’s World (Knopf, 1956) New Yorker work: 1947 -1969. Link to Ink Spill’s  2013 piece, “Anatol Kovarsky at 94: Still Drawing After All These Years”

 

 

Charles Addams  Born in Westfield, New Jersey, January  7, 1912. Died September 29, 1988, New York City. New Yorker work: 1932 – 1988 * the New Yorker has published his work posthumously. One of the giants of The New Yorker’s  stable of artists.  Key cartoon collections: While all of Addams’ collections are worthwhile, here are three that are particular favorites; Homebodies (Simon & Schuster, 1954), The Groaning Board (Simon & Schuster, 1964), Creature Comforts (Simon & Schuster, 1981). In 1991 Knopf published The World of Chas Addams, a retrospective collection. Visit the Addams Foundation website for far more information : http://www.charlesaddams.com/

 

Garrett Price ( Photo Source: Esquire Cartoon Album, 1957) Born, 1897, Bucyrus, Kansas. Died, April, 1979, Norwalk, Conn. Collection: Drawing Room Only / A Book of Cartoons (Coward -McCann, 1946). New Yorker work: 1925 -1974.

 

 

Constantin Alajalov  Born Constantin Aladjalov, 1900, Rostov-on-the-Don, Russia. Died Oct., 1987, Amenia, New York. New Yorker work: 1926 -1960. Perhaps best known for his New Yorker covers ( he also supplied cover art to other publications). Key collection: Conversation Pieces (The Studio Publications Inc., 1942) w/ commentary by Janet Flanner. A profile from The Saturday Evening Post.

The American Bystander’s Michael Gerber Wants To Save MAD Magazine; Bob Eckstein’s NY Daily News MAD Op-Ed; MAD Cartoonists Vs. New Yorker Cartoonists; Today’s Daily Cartoonist & Cartoon; Gil Roth Interviews Karl Stevens; 5 Questions: Rich Sparks

The American Bystander’s Michael Gerber, Wants To Save MAD Magazine

 Michael Gerber, the man behind the curtain at American Bystander, is proposing to rescue MAD Magazine.  Below: two Tweets from Mr. Gerber sent out yesterday:

 

 The New York Times called  The American Bystander “…an essential read for comedy nerds”.   Anyone who loves comic art and writing will cheer on Mr. Gerber’s effort  to rescue MAD.

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Bob Eckstein’s N.Y. Daily News MAD Op-Ed

New Yorker cartoonist Bob Eckstein weighs in, via a New York Daily News Op-Ed, on MAD Magazine.  Mr. Eckstein began contributing to The New Yorker in  2007. Visit his website here.

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MAD Cartoonists Vs. New Yorker Cartoonists

Bittersweet.  This on Comic-Con International’s 2019 schedule:

In one corner, the New Yorker magazine, top of the cartoon heap, king of the single-panel, and undisputed peak of the artform. In the other corner, MAD magazine, the magazine most humorists cite as their biggest influence. Which magazine is the better patron saint of cartoonists? Who has funnier cartoons? And, most important, who would win in a fight between Eustace Tilley, the fop from the NY’er, and Alfred E. Neuman, the MAD magazine mascot? Distinguished panelists from both magazines duke it out in a free-for-all discussion. May the funniest one win.

All the info here.

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Today’s Daily Cartoonist & Cartoon

  Chris Weyant’s gives us sunblock on wheels.  Mr Weyant began contributing to The New Yorker  in 1998. Visit his website here.

 

 

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Gil Roth Interviews Karl Stevens 

Gil Roth adds Karl Stevens to his remarkable list of interviewees (including a goodly number of comics and cartoonists).  Mr. Stevens began contributing to The New Yorker this year.

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5 Questions: Rich Sparks

From Esthetic Lens, July 4, 2019, “5 Questions: Cartoonist Rich Sparks”— like it sez.

Mr. Sparks began contributing to The New Yorker in 2016.  His book, Love and Other Weird Things is out the last day of the year. Visit his website here.