Henry Martin’s New York Times Obit
From The New York Times, July 7, 2020, “Henry Martin, Wry New Yorker Cartoonist, Dead at 94″
Here’s Richard Sandomir’s obit for the wonderful Henry Martin, who passed away a week ago today, just two weeks shy of his 95th birthday.
Personal History: Cartoonist Correspondence
One of the many pleasures of being a New Yorker cartoonist has been, and continues to be communicating with so many other cartoonists, both new and veteran. I opened my binder of cartoonist correspondence this afternoon to remind myself of the content of the half-dozen letters I exchanged with Henry Martin. One, dated March 10, 2000, was in response to a letter I had written him asking about his Spot work for the magazine (you’ll see a link in The N.Y. Times obit for more on his Spots). Here’s how he replied:
“…almost no one is [interested in Spots] but I loved them and they helped me get my foot in the door at The New Yorker. Most of them were done on scratch board — not much in use anymore — and nearly all were done exact size.
I did that so that I knew just how they would look in the magazine and didn’t have to worry about how they would look enlarged or reduced. In many ways they were more fun to do than cartoons, but of course, they didn’t pay as well and had no reprint value except for The New Yorker…at some point around 1965 I quit doing spots, thinking I’d return to them later. When I did, sometime after Lee took over [Lee Lorenz, The New Yorker‘s art editor, who succeeded James Geraghty in 1973] I found my eyes could no longer adjust to the small size, and I was having trouble finding good scratch board. The best I found was made in Austria and the manufacturer went out of business!…There were many great artists doing Spots…I thought they added so much to the magazine.”
Article Of Interest: New Yorker Cover Artist, Gayle Kabaker
From The Washington Post, July 6, 2020, “Sketching My Way Through Crisis”
–this second piece in a series by Ms. Kabaker.
Left: Ms. Kabaker’s January 30, 2017 New Yorker cover
Amy Kurzweil on no more funding for the arts.
Ms. Kurzweil began contributing to The New Yorker in 2016.