Weekend Spill: 64 Works By Steinberg Go To Long Island Museum; The Tilley Watch Online; Meet The Artist (1943): Alan Dunn; Liza Donnelly Speaks on Drawing For Change; Upcoming Swann Auction Loaded With New Yorker Art

64 Steinberg Works To Long Island Museum

From ArtNews, November 15, 2019, “Parrish Art Museum Acquires 64 Works By Famed Cartoonist Saul Steinberg” 

Mr. Steinberg’s entry on the Spill’s A-Z:

Saul Steinberg Born, June 15, 1914, Ramnic-Sarat, Rumania. Died in 1999. New Yorker work: 1941 – (The New Yorker publishes his work posthumously). Steinberg is one of the giants of The New Yorker.  Go here to visit the saulsteinbergfoundation where you’ll find  much essential information and examples of his work.

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An end of the week listing of New Yorker artists who contributed to the Daily Cartoon and/or Daily Shouts, November 11-15, 2019.

The Daily Cartoon: Kim Warp, Emily Flake, Ellis Rosen, Elisabeth McNair, Christopher Weyant.

Daily Shouts: Teresa Burns Parkhurst, Liana Finck (another in her Dear Pepper series), Tim Hamilton.

…and Barry Blitt’s Kvetchbook.

See all of the above and more here.

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Liza Donnelly Speaks On Drawing For Change

From Elon University, November 15, 2019, “Cartoonist Liza Donnelly offers look at using visual humor to affect change” — a piece on Ms. Donnelly’s recent talk at the university.

Ms. Donnelly began contributing to The New Yorker in 1982. Visit her website here.

 

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Meet The Artist (1943): Alan Dunn

One of a number of self portraits of New Yorker artists included in the catalog Meet The Artist, published in 1943 by the M.H. de Young Memorial Museum.

Alan Dunn’s entry on the Spill‘s A-Z:

Alan Dunn Born in Belmar, New Jersey, August 11, 1900, died in New York City, 1975. New Yorker work: 1926 – 1974 Key collections: Rejections (Knopf, 1931), Who’s Paying For This Cab? (Simon & Schuster, 1945), A Portfolio of Social Cartoons ( Simon & Schuster, 1968). One of the most published New Yorker cartoonists (1,906 cartoons) , Mr. Dunn was married to Mary Petty — together they lived and worked at 12 East 88th Street, where, according to the NYTs, Alan worked “seated in a small chair at a card table, drawing in charcoal and grease pencil.”

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Upcoming Swann Auction Abounds With New Yorker Art

The December 10th Swann Illustration Auction catalog is now available online and, as usual, there is a New Yorker section loaded with original pieces.  This particular offering includes a large number of contemporary contributors as well as work by such Golden Age luminaries as Peter Arno, Charles Saxon, Charles Addams, and Steinberg.

See it all here.

Happy bidding!

“The Table In Mr. Ross’s Office Where We Used To Sit To Work On Pictures”; Book Of Interest: Alay-Oop By William Gropper; A Case For Pencils On Maddie Dai’s Tools Of The Trade; Daily Shouts & Daily Cartoon Cartoonists; Meet The Artist (1943): Dorothy McKay

“The Table Where We Used To Sit To Work On Pictures”

A photo I’ve seen before on the web, but never with the note attached you see above. The letter, signed “Jim”  was written by the then art editor James Geraghty.* The “Gardner” it’s addressed to was likely Gardner Rea, one of the magazine’s artists. There’s another possibility: the “Gardner” could’ve been Gardner Botsford, a New Yorker editor, but it makes more sense that the art editor was sending one of his artist’s a photo of the art table.  You’ll notice up on the wall is a poster listing some of the magazine’s artists, from Charles Addams to Gluyas Williams.  Also on the wall are five Thurber drawings on the Art Meeting, titled The Art Conference. You can see the series on pages 157-160 in Collecting Himself: James Thurber On Writers And Writing, Humor And Himself.  Edited by Michael Rosen. Published by Harper & Row, 1989.

For further reading on The New Yorker‘s weekly meeting where the table played a part, here’s a Spill post, “The Art Meeting from 2012.

*it has been suggested to me that the “Jim” is actually James Thurber as the provenance of the photo mentions Mr. Thurber but not Mr. Geraghty (the photo is part of the NY Metropolitan Museum of Art’s holdings). I have my doubts it’s “Jim” Thurber, but put the suggestion out there for anyone to confirm, if possible.

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Books Of Interest: Alay-Oop By William Gropper

Out this past June from New York Review Books, Alay-Oop by William Gropper. Mr. Gropper contributed to The New Yorker just once, meaning he’s a Spill One Clubber. More about Alay-Oop here.

Here’s Mr. Gropper’s A-Z entry:

William Gropper (Self portrait, from The Business of Cartooning, 1939) Born, December 3, 1897, NYC. Died, January 6, 1977, Manhasset, NY. 1 drawing, April 11, 1942. Quote:”I owe a great deal to the east side of New York. I was hit on the head with a rock in a gangfight…that’s how I became an artist.” [Quote from catalogue, Meet the Artist, 1943]. For a brief bio of Gropper “the workingman’s protector” visit: http://specialcollections.wichita.edu/

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A Case For Pencils On Maddie Dai’s Tools Of The Trade

Jane Mattimoe’s latest A Case For Pencils post features Maddie Dai, who began contributing to The New Yorker in 2017.

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Daily Shouts & Daily Cartoon Cartoonists

Today’s Daily Cartoonist & Cartoon: Politics as an energy boost from Kim Warp who began contributing to The New Yorker in 1999. Visit Ms. Warp’s website here.

Yesterday’s Daily Shouts cartoonist: Liana Finck (part of her “Dear Pepper” series). Ms. Finck began contributing to The New Yorker in 2013.  Visit her website here.

Yesterday’s Daily cartoonist: Emily Flake, who began contributing to The New Yorker 2008.  Visit her website here.

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Meet The Artist (1943): Dorothy McKay

The third in a series of New Yorker artists included in Meet The Artist, a catalog published in 1943 by the M.H. de Young Memorial Museum.

Here’s Ms. McKay’s entry on the Spill’s A-Z:


Dorothy McKay  (Photo from Cartoon Humor, 1938) Born c.1904, died June, 1974 New York City. New Yorker work: 1934 -1936.

 

 

Special Screening Of Stevenson Lost And Found For New Yorker Cartoonists; Meet The Artist (1943): Mischa Richter; David Remnick On Ross And Shawn

Special Screening Of Stevenson Lost And Found For New Yorker Cartoonists

The Spill has learned there’ll be a special screening for all New Yorker cartoonists next Tuesday of the documentary film, Stevenson Lost And Found. I asked the film’s director, Sally Williams to explain how this came about:

The idea for this screening came about from Nathan Fitch who is making the George Booth documentary.  We met up prior to our STEVENSON – LOST AND FOUND world premiere to compare notes and see how we could help each other out.  I think I found the idea of a New Yorker Cartoonist screening appealing because it creates a space for a different dialogue around the film.  There will be aspects that cartoonists recognize and connect with that others do not, I thought it would be interesting and valuable to have that insight from the current pool of New Yorker cartoonists.  As filmmakers, artists, illustrators it can be a bit of a sequestered road at times – so any excuse to interrupt that and bring people together is worth it I think.

(If you are a New Yorker cartoonist and want further info on the showing, please contact me).

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Meet The Artist : Mischa Richter

This is the second in a series of New Yorker artist’s self portraits included in the 1943 catalog, Meet The Artist

Here’s Mr. Richter’s entry on the Spill‘s A-Z:

Mischa Richter (photo courtesy of Sarah Geraghty Herndon). Born, Kharkov, Russia, 1910. Died, March 23, 2001. New Yorker work: January 10, 1942 – January 20, 2003 ; Key books: This One’s On Me! (McGraw-Hill, 1945) , The Cartoonist’s Muse, co-authored by Harald Bakken (Contemporary Books, 1992). )

 

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David Remnick On Harold Ross And William Shawn

If you, like me, never got around to picking up a copy of The New Yorker‘s 2016  anthology The 50s: The Story Of A Decade (Random House), you probably missed New Yorker editor David Remnick’s Introduction.  Lithub has the intro here.

Here’s a sample, with Mr. Remnick talking about the Shawn style of editing the magazine vs Ross’s.

“…Shawn assumed for himself far more authority than Ross, who was prepared to delegate a greater amount to his various deputies, or “Jesuses.” Shawn was also quiet, subtle, secretive, elliptical, and, to some, quite strange. He was a variety of genius who enjoyed funny writing as well as serious fiction, supported completely the individual artists and writers on a profoundly variegated staff, and expressed his myriad curiosities about the world by sending writers out to explore its many corners.” 

 

From 1943’s Meet The Artist: Steinberg; Article Of Interest: Sempe’s Love For Paris; Release Party For Peter Kuper & Company’s World War 3 Issue #50; Today’s Daily Cartoonist & Cartoon

From 1943’s Meet The Artist: Steinberg

Some years back, hunting through the humor section of a (now closed) used book store in Ellsworth, Maine, I came upon a wonderful catalog, Meet The Artist: An exhibit of self-portraits by living American artists,  published in 1943 for an exhibit at San Francisco’s M.H. de Young Memorial Museum. Among the exhibit’s 150 portraits are 18 by New Yorker contributors. For the next few weeks the Spill will post these 18 self-portraits.

We begin with Saul Steinberg:

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Article Of Interest: Sempe

Here’s an article from a few years back that escaped my attention:  From Bonjour Paris, June 13, 2016, “Sempe, the Celebrated Cartoonist and His Love for Paris”

Mr. Sempe began contributing to The New Yorker in 1978.

— pictured: paperback edition of Sempe’s first collection, Rien N’est Simple (Nothing Is Simple), published 1962.

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Event Of Interest:

This notice of a release party for World War 3  Issue #50:

A release party featuring LIVE presentations by the artists is happening Sunday December 8th at Printed Matter’s New York Chelsea neighborhood shop at 231 11th Ave, (at 26th Street) New York, New York 10001. The event starts at 4pm and runs through 6pm. Many artists will be on hand to sign work and answer questions!

From the publishers:

World War 3 Illustrated is an American comics anthology magazine. Established in 1979 by Peter Kuper, Seth Tobocman, and Christof Kohlhofer. Now in its 40th year, it continues its proud tradition of publishing more new comic book artists each issue than any publication of its type.

Visit the WW3 website here.

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Today’s Daily Cartoonist & Cartoon

Ellis Rosen on… the winter coat. Mr. Ellis began contributing to The New Yorker in 2016. Visit his website here.

An Upside Down New Yorker Cover And More From A New Yorker State Of Mind; Today’s Daily Cartoon & Cartoonist

Here’s a fun post from A New Yorker State Of Mind: Reading Every Issue of The New Yorker Magazine. The unusual cover art* is by the great Rea Irvin.

Mr. Irvin’s entry on the Spill‘s A-Z:

Rea Irvin  (Self portrait above right from Meet the Artist) Born, San Francisco, 1881; died in the Virgin Islands,1972. Irvin was the cover artist for the New Yorker’s first issue, February 21, 1925. He was the magazine’s first art editor, holding the position from 1925 until 1939 when James Geraghty assumed the title. Irvin became art director and remained in that position until William Shawn succeeded Harold Ross. Irvin’s last original work for the magazine was the magazine’s cover of July 12, 1958. The February 21, 1925 Eustace Tilley cover had been reproduced every year on the magazine’s anniversary until 1994, when R. Crumb’s Tilley-inspired cover appeared. Tilley has since reappeared, with other artists substituting from time-to-time.

*Mr. Irvin’s upside down cover was a first for the magazine. The next upside down cover appeared April 12, 1947. It was also by Mr. Irvin. There wasn’t another upside down cover until the anniversary cover of February 11, 2008 (Mr. Irvin co-credited with Seth, who incorporated Democratic candidates Barack Obama and Hillary Clinton with Irvin’s Eustace Tilley trappings).

 

 

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Today’s Daily Cartoon & Cartoonist

The office cold by Elisabeth McNair, who has been contributing to The New Yorker since 2018. Visit her website here.