The New Yorker War Album, published in 1942, was the very first themed Album of the magazine’s cartoons. Peter Arno’s cover from the issue of February 28, 1942 was selected as the cover. As so often the case for the Album series an Arno drawing led off the collection (“Of course if they don’t bomb Sutton Place, I’m going to look like a damn fool.”).
There is no introduction to the work — only the flap copy shown below. “Spot” artists (Susanne Suba being an example) are credited along with the cartoonists.
The back cover, mostly a green field, has a small Alan Dunn caption-less drawing floating in the center:
The War Album follows in line with all the previous Albums in size, quality of layout, and of course, quality of drawings. The bottom line with these Albums: if you see one, buy it.
Below, a spread with a Roberta MacDonald multi-panel across the top, a Barbara Shermund drawing lower left and a Perry Barlow lower right.
Along with the War Album the New Yorker produced a number of special publications during the war:
The Pony Editions.
These were smaller versions of the magazine, 6″ x 9″, given free to servicemen and servicewomen. These were not exact duplicates of the regular editions of the magazine — they carried no advertising and editorial content was juggled. One striking difference: the back cover was a full page cartoon (as shown above). According to Thomas Kunkel in his Ross biography Genius In Disguise, these editions began appearing in September of 1943 and were discontinued shortly after the end of the war.
The New Yorker War Cartoons.
Paperback, and, like the Pony Editions, 6″ x 9″. Published in 1945, with an introduction by E.J. Kahn, Jr.. Cartoons with Talk pieces throughout.
The New Yorker Cartoons with The Talk of the Town.
Also published in 1945 (and also 6″ x 9″) Hardcover and softcover editions. An introduction by Russell Maloney.
I like Mr. Maloney’s introduction so much I’m showing a portion below (the whole piece can be found here):
Armed Services Editions.
Judging by the list of available titles provided at the end of each edition there were close to a thousand titles issued during the war (a wide variety, from Mark Twain to Thackeray). I don’t have a complete list so I’m in the dark about which New Yorker-related titles were issued other the one shown here, The Thurber Carnival, The New Yorker’s Baedeker, The New Yorker Profiles, and Thurber’s Let Your Mind Alone. (If anyone knows of more please let me know). These special publications were very small: 3 3/4″ x 5 1/2″ — small enough to fit in a soldier’s pocket. There was a Bill Maudlin Armed Services title published (it’s #822, Up Front). Technically, he was a New Yorker cartoonist with one drawing published, April 1, 1950. But that appeared five years after Up Front was published in 1945. Splitting hairs, I know.