I’ve always felt slightly uneasy about the old saying, “The more things change, the more they remain the same.” But for now it applies to my feelings about the Monday Tilley Watch. It began as an honest response to every new issue’s cartoons. And that was fun (for me)… for awhile. Lately it’s become more of a challenge to say what I want to say without actually saying it (If you can follow that, my hat is off to you). The Monday Tilley Watch was never meant to be a critical platform, but I’m afraid it’s become one. Biting the hand that feeds me (it’s also a hand I love) gives me no pleasure. And so, beginning today, I’m deconstructing the Monday Tilley Watch. On Mondays I’ll still chime in, from time-to-time, about the latest issue. But mostly, if not entirely, the day’s post will return to being, as are the posts every other day of the week, a catch-all of New Yorker cartoonists doings out there in the world. This does not mean that Ink Spill will lose its critical edge. It simply means I’ll choose my battles instead of battling on a regular basis every monday morning.
Having said all that, and in the spirit of the Monday Tilley Watch, there is one drawing from the new issue I’d like to mention. Lars Kenseth‘s genie drawing (p.41) is fresh, inventive, well-drawn and yes, funny. And so, to Mr. Kenseth, a hardy round of applause.
One constant of the Watch will continue weekly: a nod to Rea Irvin’s (sadly) still missing masthead. Read about it here, and see it below: