The Monday Tilley Watch: The New Yorker Issue of May 28, 2018

Gayle Kabaker‘s charming cover kicks off summertime ’18 (you can read about the cover here).

Just for fun I’m showing the cover of every last issue of May from 1925 through 2015, one from each decade.

May 30, 1925: Ilonka Karasz; May 25, 1935: Constantin Alajalov; May 26, 1945: Constantin Alajalov; May 28, 1955: A. Birnbaum; May 29, 1965: Arthur Getz; May 26, 1975: Robert Tallon; May 27, 1985: Gretchen Dow Simpson; May 29, 1995: Mark Ulriksen; May 30, 2005: Peter de Seve; May 25, 2015: Carter Goodrich

And now to the new issue.

From the Department of Just Sayin’ : There are 18 cartoons and 17 illustrations (3 of the illustrations are full page)…  Rea Irvin’s classic  Talk of The Town Masthead is still a-missin’. It’s a thing of beauty. This is what it looks like:

I’m going to mention just one drawing from this issue (if you want critical writing on the cartoons I suggest you head over to Cartoon Companion, where each drawing is discussed and rated from 1 – 6).  Charlie Hankin’s drawing (it’s on page 61) reminded me of Jack Ziegler’s work. That of course is a very good thing. Mr. Hankin gives us a lovely (and large) drawing of the Metropolitan Opera House —  obviously there’s more to it than that; you can see it here, along with all the other drawings in the issue.  Mr. Ziegler’s was a cartoon world created to amuse himself; his way-out-there graphic and humorous takes on just about everything were his cartoon calling card. It’s good to see someone (Mr. Hankin in this case) give us such a fun drawing to look at and live with.

Finally, some paperwork.  A new cartoonist in this issue:  Jessica Olien.   If my record keeping is correct, Ms. Olien is the 15th new cartoonist — the 4th this year — brought on board since Emma Allen took charge of the magazine’s Cartoon Department in May of 2017.

Here’s the list of cartoonists in this week’s issue:

You might notice a co-credited cartoon: Kaamaran Hafeez and Al Batt.  It’s not the first time a cartoonist has shared credit with a gagwriter, but it’s still a rarity. 

— See you next week

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