Tilley Watch Online, The Week of July 1-6, 2018; Cartoon Companion Rates the Very Latest New Yorker Cartoons

The Daily cartoons were 100% Trump or Trumpian this week.  The contributing artists: John McNamee, Jason Chatfield (with Scott Dooley), Sofia Warren, David Sipress, and Peter Kuper.

And over on this week’s Daily Shouts, the contributing New Yorker cartoonists were: Will McPhail and Liana Finck

You can see all of the above and more by following this link.

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Cartoon Companion Rates the Latest New Yorker Cartoons

The CC’s Max and Simon are  back at week’s end with their rated takes on each and every cartoon in the most recent issue of The New Yorker  — the double issue, July 9 & 16 — the one with the floating dog (or dog floating) on the cover. Read it here!

The Tilley Watch Online, May 14-18, 2018

The Daily Cartoon continues to reside in Trumpland (no surprise!), with an exception for today’s big wedding in jolly ‘ole England. This week’s artists: Ellis Rosen (Royal Wedding), Olivia de Recat (Trump), Jeremy Nguyen (Trumpish), Peter Kuper (Trumpish), David Sipress (Trumpish).

New Yorker cartoonists contributing to Daily Shouts: Liana Finck, Will McPhail, Sara Lautman, and special mention to Colin Stokes, the New Yorker‘s Assistant Cartoon Editor for his piece.

To see all of this work, and more, go here.

The Monday Tilley Watch: The New Yorker Issue of April 30, 2018

Baseball in the air, on the field and on the cover of the latest issue of The New Yorker (actually, stickball’s on the cover, which appears, to me anyway, as if it’s a page out of an illustrated book).

Fewer illustrations/photos this week than last, but still, there are three full pages (including a full page photo of Hitler), and close to full page photo on the Goings On About Town lead page. How I wish we could see cartoons occupy a larger space every so often. Below are two pages from the issue of November 15, 1930. You can see how the drawings dominate the page and how the type follows the drawing. For instance: in the drawing on the left, by the great Barbara Shermund, the hanging plant is allowed to push up and compress the column of text. Notice too how the space afforded her beautiful drawing allows us to get far more visually involved in her work than if it had been squished in a rectangle.   

And now on to the issue’s cartoons.  A fun issue, mostly.

  It starts off well with a Danny Shanahan politically tinged(?) monkey drawing. Going out on a limb here, but Mr. Shanahan’s fabulous monkeys are the obvious heirs to Charles Addams’ takes on our ancestors.

Next up, three pages later, Jason Adam Katzenstein (aka JAK) goes to where many-a-cartoonist before him has gone: to the myth of Sisyphus. After I sped through an online refresher course about the King’s uphill struggle, I realized how this scenario beloved by cartoonists has oftimes become untethered from its backstory. No matter — that’s how we cartoonists roll. As Robbie Robertson wrote: “Ya take what ya need and ya leave the rest…”

Speaking of backstories, three pages later Ben Schwartz gives us Beethoven on stage. What’s really interesting about the drawing is Mr. Schwartz’s sly nod to the great Al Hirschfeld.  Do I, or do I not see Nina-esque shout-outs in the drapes. I do.

Five pages later, a Mick Stevens cave man drawing (he also had one two issues back). I like that he’s used the words stalagmites and stalactites. A little memory trick I learned back in fourth or fifth grade — how to tell the difference between stalagmites and stalactites: stalactites are the ones pointing down; they need to hold on “tite” to the ceiling. 

Three pages later, a shrink meets legume drawing by the wonderful Victoria Roberts. A fun and funny drawing. What more can one ask for.

Next up,  a domestic situation courtesy of Will McPhail. Funny. Another three pages brings us to a sidewalk scene from Pia Guerra. Dogs lined up to use a fire hydrant. I found myself wishing for a line-jumping dog instead of a fireman…

Two pages later another intensely graphic drawing from William Haefeli. Detail-city! And very slice-o-life.

Three pages later, a typically formatted (three panel) Roz Chast drawing. The word “Comix” pops out here. On the very next page, A Haefeli-like (in its use of detail) drawing by Jeremy Nguyen. Yet another slice-o-life drawing. I like how he’s given us two folks in silhouette in the foreground — that’s different. 

Four pages later a subway drawing from P.C. Vey (although here the subway is not central to the drawing — the situation could’ve taken place in any number of situations). A few pages later A Zach Kanin drawing focused on recreational drugs. On the very next page, A Lars Kenseth drawing.  You know it’s his work within a nano-second of turning the page. No one draws like this. I don’t rate cartoons like the Cartoon Companion boys do, but occasionally I applaud a drawing. 

On the next page Kim Warp  has drawn a Spill favorite scenario: a bakery (in this case, a cupcake bakery). I didn’t realize at first that there as an enormous Charles Addams-like cupcake involved in the drawing (initially saw the drawing on a tablet screen before switching to a laptop).  An unusual cartoon in that I think it works both ways (with the big cupcake, and without).  Sweet. 

On the following page, a Paul Noth drawing with a splash of color.  You have to be familiar with the commercial character who’s central to this cartoon. Three pages later a Carolita Johnson umbrella triptych just in time for May showers. Six pages later, immediately following that aforementioned full page photo of Hitler, is an Amy Hwang domestic situation — another go-to for many cartoonists: the couple discovered in bed by a significant other. Three pages later, the last cartoon of the issue (not counting the caption contest drawings): an online whack-a-mole scenario from Sam Marlow.

Finally: we are oh-so-close to the one year anniversary of the disappearance of Rea Irvin’s classic Talk Of The Town masthead. Here’s a Spill piece about it from last Fall when I was convinced the masthead would soon return. Not giving up hope on this, folks! 

Here’s the missing masthead:

 

*Dept of Corrections: an earlier version of the Monday Tilley Watch for the April 30th issue incorrectly listed Sam Marlow as Sam Means.

 

 

 

 

 

 

 

 

 

Robert Grossman, Illustrator, Cartoonist Extraordinaire: 1940-2018; The Tilley Watch Online

Robert Grossman, Illustrator, Cartoonist Extraordinaire, 1940 – 2018

  Robert Grossman a multi-talented artist with an instantly recognizable style, has passed away. Mr. Grossman enjoyed a spectacular career as an illustrator and cartoonist with his work appearing on the cover of numerous major publications. For far more information please go to Drew Friedman’s 2013 piece about Mr. Grossman’s career. 

In the early 1960s Mr. Grossman worked briefly as an assistant to the New Yorker‘s Art Editor, James Geraghty. He contributed two cartoons in the Geraghty years: January 13, 1962 (seen above) and December 14, 1963. His work returned to the magazine in the Tina Brown years in the form of six comic strips; his last contribution ran under David Remnick’s editorship.

( Mr. Grossman’s Yale Record parody cover of the New Yorker appears at the top of this piece)

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Trumpian cartoons were in the majority again this week in the Daily Cartoon slot:  a reflection on teachers & guns-in-the-classroom by Avi Steinberg, Stormy weather by Kim Warp, March Madness by Lars Kenseth, a tribute to Stephen Hawking by David Sipress (that was a ‘bonus” Daily), Trump & school walkouts was a team effort by Jason Chatfield and Scott Dooley.  The week ended with Ellis Rosen‘s nod to the nationwide closing of the Toys r Us chain. 

Contributing cartoonists appearing on Daily Shouts: Emma Hunsinger, Will McPhail, and Ben Schwartz.

All the work (and more) can be seen here.